Cascada
Cascada is a German Eurodance and electropop music group founded in 2004, consisting of lead vocalist Natalie Horler and producers DJ Manian and Yanou, renowned for their high-energy dance tracks and international chart success.[1][2] The group achieved global breakthrough with their debut single "Everytime We Touch" in 2006, which peaked at number 10 on the US Billboard Hot 100 and reached the top 10 in multiple countries.[3] Formed in Bonn, Germany, Cascada quickly rose to prominence in the mid-2000s dance music scene, blending catchy melodies with pulsating electronic beats that defined the Eurodance genre.[3] Natalie Horler, born in 1981 to British parents in Bonn, provides the group's signature vocals, drawing influences from pop and jazz icons, while the producers handle composition and DJ elements.[2] Their music has evolved from upbeat club anthems to more varied electropop styles over two decades, maintaining a focus on empowering and feel-good themes.[3] Cascada's commercial impact is substantial, with approximately 30 million records sold worldwide, including multi-platinum albums and singles that topped charts in the UK, Germany, Australia, and beyond.[3] Notable hits like "Evacuate the Dancefloor" (2009), which hit number one in the UK and several other territories, underscore their dominance in the dance charts.[3] The group has received accolades such as the 2007 World Music Award for World's Best Selling German Artist and continues to release new material, including a 2025 remake of "Everytime We Touch" in collaboration with DJ Steve Aoki.[3]Formation and members
Formation
Cascada was founded in 2004 by producers Manuel Reuter, known professionally as DJ Manian, and Yann Peifer, known as Yanou, in Bonn, Germany.[4] The duo had been active in the electronic dance music scene, producing tracks under various aliases prior to this collaboration.[5] The project originated from initial collaborations in the studio, where Reuter and Peifer sought a vocalist to bring their productions to life. At the time, Natalie Horler, who had gained early experience in dance music through studio recordings for various DJs since age 17, was invited to provide lead vocals after meeting the producers during her session work in 2004.[4][6] This marked the beginning of Horler's central role in the act. Following early demo recordings, the producers decided to rebrand the project as Cascada—originally considered as Cascade but altered due to potential legal conflicts with existing names—and signed with the independent label Zeitgeist, distributed by Universal Music Group, to develop it as a more pop-oriented dance ensemble.[7][5] This strategic shift solidified the group's identity ahead of their public debut.[3]Core members
Natalie Horler serves as the lead vocalist of Cascada, providing the group's signature powerful and emotive mezzo-soprano vocals that blend pop and dance elements. Born on September 23, 1981, in Bonn, Germany, to British parents, Horler began her music career at age 17 as a topliner for various producers, drawing early inspiration from her father, jazz musician David Horler. Since Cascada's formation in 2004, she has been the central figure in live performances, delivering energetic stage presence and handling all vocal duties, which has solidified her as the public face of the act. Following the departure of the producers in 2024, Horler continues as the solo artist under the Cascada name.[8][9][5] DJ Manian, whose real name is Manuel Reuter, was responsible for production, songwriting, and DJing within Cascada until his departure in 2024. Born on July 7, 1978, in Bonn, Germany, Reuter co-founded the group and shaped its sound through his expertise in dance and house music. Prior to Cascada, he gained recognition as part of the project Spencer & Hill alongside Manuel Schleis, releasing house tracks and remixes that established his reputation in the electronic scene.[10][11][5] DJ Yanou, born Yann Peifer on March 6, 1974, in Weiler bei Bingen, Germany, contributed to Cascada as co-producer, composer, and remixer until his departure in 2024, often collaborating with Reuter on the creative and technical aspects of recordings. Peifer's earlier work includes the hit "Heaven" with DJ Sammy and Do, as well as projects like Tune Up! with Manian, showcasing his trance and dance production skills. His compositions and remixes were integral to Cascada's output from its inception until 2024.[12][13][5] Originally operating as a vocal-and-DJ trio, with Horler embodying the group's onstage identity through her performances, while Manian and Yanou focused on studio production, songwriting, and behind-the-scenes composition to craft the act's high-energy dance tracks, Cascada transitioned to a solo project led by Horler after the producers' departure in October 2024.[7][14][5]Musical style and influences
Genre and sound
Cascada is primarily classified as dance-pop with elements of Eurodance and eurotrance, emphasizing energetic rhythms and melodic accessibility.[15] Their sound is defined by high-energy beats and infectious, anthemic hooks designed to captivate listeners on dance floors and radio airwaves alike. This style aligns them with key acts in the 2000s European dance scene, such as Groove Coverage and Basshunter, sharing a focus on uplifting, synth-driven tracks that blend club intensity with pop appeal.[16] Central to Cascada's production are fast tempos averaging around 140 BPM, which drive the pulsating energy of their music, alongside prominent synthesizers that create soaring, euphoric melodies and layered vocals that build emotional depth and chorus impact. Drum machines and kickdrums provide a relentless foundation, often incorporating samples from earlier trance recordings to infuse tracks with nostalgic yet fresh electronic textures—for instance, their breakthrough single "Everytime We Touch" directly samples the 1992 trance-influenced track by Maggie Reilly.[17] These techniques, rooted in the producers' backgrounds in trance music, result in a polished, high-octane sound that prioritizes danceability and vocal prominence.[18] Over the course of their career, Cascada's genre has evolved from club-focused, trance-heavy compositions toward more radio-friendly pop structures, incorporating smoother arrangements and broader melodic hooks while retaining core high-energy dance elements. This shift has allowed their music to transition seamlessly between underground rave scenes and mainstream pop charts, adapting to changing trends in electronic dance without losing its foundational upbeat essence.[19][9]Influences and evolution
Cascada's musical foundation draws heavily from the trance and Eurodance movements of the 1990s and early 2000s, with producers Yann Peifer (Yanou) and Manuel Reuter (DJ Manian) contributing their prior experience in these genres. Yanou, a trance specialist, gained prominence through collaborations like the 2001 trance remake "Heaven" with DJ Sammy, which blended uplifting melodies and vocal elements to achieve international success. Similarly, Manian's early solo projects, such as the 2009 trance track "Ravers Fantasy," incorporated high-energy hard trance and hands-up styles that informed Cascada's initial club-oriented sound. These roots allowed the group to infuse their productions with driving beats and euphoric builds typical of acts like ATB and Rank 1.[20][21] Lead vocalist Natalie Horler's style was shaped by her father's jazz background as musician David Horler, alongside pop divas Mariah Carey and Whitney Houston, emphasizing powerful, emotive vocals that transitioned Cascada from instrumental trance to vocal-driven dance-pop. This blend broadened their appeal beyond underground clubs, aligning with Eurodance pioneers like 2 Unlimited and Snap! through catchy hooks and high BPM structures. The group has been associated with hard dance influences reflecting the energetic, anthemic quality of early 2000s electronic music.[3][9] The group's evolution began with mid-2000s pure club tracks rooted in trance and Eurodance, as heard in their 2004-2005 releases, but shifted toward vocal dance-pop for mainstream accessibility following the breakthrough success of "Everytime We Touch" in 2006. Commercial triumphs prompted further adaptations, including the electropop pivot on 2009's "Evacuate the Dancefloor," which topped charts worldwide and incorporated synth-heavy drops for radio play. By the 2010s, Cascada explored acoustic reinterpretations on their 2013 Acoustic Sessions album, stripping down hits like "Evacuate the Dancefloor" to highlight Horler's vocals, while integrating EDM elements in tracks like 2021's "One Last Dance" with Trans-X. This progression continued into the 2020s with collaborations alongside EDM artists such as Steve Aoki and Timmy Trumpet, blending nostalgic trance motifs with modern production. In 2024, Cascada released Studio 24, a collection of disco covers reimagined in their high-energy dance style, further blending nostalgic elements with modern production. In 2025, their remake of "Everytime We Touch" exemplifies this ongoing remix style, updating the original trance-infused hit for contemporary audiences while marking their 20th anniversary.[9][8][22][23]Career
2004–2005: Early career and formation of Cascada
Cascada emerged as a branded production act in 2004, spearheaded by producers DJ Manian (Manuel Reuter) and Yanou (Yann Peifer), with Natalie Horler providing lead vocals, initially releasing music through independent German labels to target the Eurodance market. Their first single under the Cascada moniker, "Bad Boy," was issued in September 2004 through Andorfine Records, a track that emphasized high-energy beats and became a staple in European club scenes during 2005. Although it did not achieve significant mainstream chart positions initially—peaking outside the top 50 in Germany—it contributed to the group's growing reputation among DJs and dance enthusiasts, with remixes enhancing its play in nightlife venues across the continent.[24][7] Building on this foundation, Cascada followed with "Miracle" on November 23, 2004, via Zooland Records, marking the group's first foray into commercial dance tracks with its upbeat hands-up style and Horler's distinctive delivery. The single garnered moderate European traction, peaking at number 32 on the German Singles Chart and reaching number 10 in Sweden, while also securing club rotation in countries like the Netherlands and Austria.[25][26][27] In 2005, Cascada released "A Neverending Dream" on February 7, which reinforced their early sound, peaked at number 15 on the German Singles Chart and number 4 in Austria, and helped secure consistent airplay on European dance radio stations, further embedding Cascada in the regional electronic music circuit.)[7] Amid these releases, Cascada signed distribution deals with major labels to expand their reach, including partnerships with Universal Music Group subsidiaries for international promotion starting in 2005, which facilitated the creation of official music videos and additional remixes tailored for global markets. The "Miracle" video, directed by Lisa Mann, featured Horler in dynamic dance sequences and was a key promotional tool in Europe. These efforts, however, encountered hurdles in penetrating the UK and US markets, where the singles struggled with minimal radio support and no notable Billboard or Official Charts entries during this phase, limiting their impact to niche dance audiences abroad.[28][29][30]2005–2007: Breakthrough with Everytime We Touch
Cascada's debut studio album, Everytime We Touch, was released in Germany on 21 February 2006 by Zooland Records, marking the group's first major commercial venture following early singles like "Miracle" and "A Neverending Dream."[31] The album primarily features uptempo Eurodance tracks produced by DJ Manian and Yanou, with the title track serving as a cover of the 1992 hit by Maggie Reilly, reimagined with electronic elements and lead vocals by Natalie Horler. In the United Kingdom, the album was released on 23 February 2007 by All Around The World, where it debuted strongly on the Official Albums Chart.[32][33] The lead single "Everytime We Touch" propelled the album's breakthrough, achieving widespread chart success across Europe and beyond. Released in August 2005, the track peaked at number 2 on the UK Singles Chart, spending 11 weeks in the top 10 and becoming a staple in dance clubs.[34] It also topped the Scottish Singles Chart and reached number 10 on the US Billboard Hot 100, marking Cascada's highest charting single in America at the time.[35] The song's popularity was bolstered by its certification as platinum in the United States by the RIAA for exceeding one million units sold, alongside double platinum status in Sweden for 40,000 digital downloads.[36] In the UK, it has since been certified 3× platinum by the BPI, reflecting over 1.8 million sales.[37] The album itself mirrored the single's momentum, peaking at number 2 on the UK Albums Chart and number 1 on the Scottish Albums Chart, with 30 weeks on the Official Albums Chart overall.[33] It achieved platinum certification in the UK for sales over 300,000 copies and gold in France, contributing to worldwide sales of millions of copies that solidified Cascada's position in the Eurodance scene.[33][3] This commercial triumph earned the group their first major accolade, the World Music Award for World's Best Selling German Artist in 2007, recognizing their rapid international ascent.[3] The era's media coverage highlighted Cascada's role in revitalizing dance-pop, with features in outlets like Billboard emphasizing the track's enduring club appeal and cross-generational impact.[30]2007–2009: Perfect Day and international expansion
Following the momentum from their debut album Everytime We Touch, Cascada released their second studio album, Perfect Day, on December 3, 2007, in the United Kingdom and Germany. The album was entirely produced by the group's core producers, Yann "Yanou" Peifer and Manuel "DJ Manian" Reuter, who crafted its signature Eurodance sound featuring high-energy beats, synth-driven melodies, and covers of popular tracks. Perfect Day marked a continuation of Cascada's approach to reinterpreting contemporary hits, with lead single "What Hurts the Most"—a cover of the Rascal Flatts song—serving as the album's flagship release. Issued on November 21, 2007, the single propelled the project forward, achieving widespread radio play and establishing the group's growing international footprint.[38][39] The album's rollout included strategic singles to sustain momentum, with "Because the Night"—a cover of the Patti Smith classic—following as a key European release in May 2008. Perfect Day debuted strongly in core markets, peaking at number 12 on the UK Albums Chart with first-week sales of 50,000 copies and reaching number 30 on the German Albums Chart. In the United States, the album entered the market on March 4, 2008, via Robbins Entertainment, debuting at number 70 on the Billboard 200 and marking Cascada's first appearance on that chart; it also peaked at number 2 on the Billboard Top Dance/Electronic Albums chart, highlighting their niche strength in dance music. "What Hurts the Most" further bolstered this expansion, peaking at number 10 on the UK Singles Chart, number 14 on the German Singles Chart, and number 52 on the US Billboard Hot 100, while earning gold certification in the US for over 500,000 digital downloads.[40][41][39] Cascada's push into North America during this period involved tailored promotions, including remixes of "What Hurts the Most" by US DJs like Richard Vission and Soulseekerz to appeal to club audiences, alongside increased media exposure for vocalist Natalie Horler. Horler, previously more behind-the-scenes, emerged as the visible frontwoman through music videos and interviews, enhancing the group's brand in promotional campaigns across TV and radio. This era solidified Cascada's transition from European dance act to global player, with Perfect Day selling over 1 million copies worldwide by 2009 and paving the way for further US dance radio success.[42][43]2009–2011: Evacuate the Dancefloor and Original Me
In June 2009, Cascada released the lead single "Evacuate the Dancefloor", which incorporated stronger electronic dance music (EDM) and electropop elements compared to their previous work, featuring a rap verse by Carlprit and marking a stylistic evolution toward more contemporary production. The track topped the UK Singles Chart for one week and peaked at number five on the German Singles Chart, while also reaching number two in Ireland and New Zealand, contributing to over 257 million Spotify streams by 2025.[3][44] The titular album Evacuate the Dancefloor followed on 3 July 2009 in the UK and 10 July in Germany via Zooland Records and Universal Music, consisting largely of original tracks that emphasized high-energy beats and Horler's vocals. It debuted at number eight on the UK Albums Chart, where it spent 13 weeks, and reached number 21 on the German Albums Chart, with additional peaks at number 15 in Austria and number 36 in Australia. Certified gold in the UK for shipments exceeding 100,000 units, the album sold moderately across Europe amid the growing popularity of digital downloads, reflecting Cascada's adaptation to streaming platforms through iTunes releases.[45][46][47] Building on this momentum, Cascada shifted further toward original songwriting with their fourth studio album Original Me, released on 17 June 2011 via Zooland Records, featuring self-penned tracks like "Pyromania" and "San Francisco" that highlighted themes of empowerment and romance. The album peaked at number 22 on the UK Albums Chart—its lowest UK position to date—and number 41 in Germany, with further entries at number 46 in Austria and number 44 in Switzerland, alongside certifications including gold for the single "Pyromania" in Sweden. This release underscored the group's peak commercial phase, as digital sales and streaming began dominating the industry, prompting Cascada to prioritize online distribution and collaborations.[48][49][50] During 2009–2011, Cascada expanded their live performances to larger venues for the first time, including arena shows across Europe that supported both albums and drew thousands per date, solidifying their status as a major dance act amid the rise of digital music consumption.[51]2012–2013: The Best of Cascada, Eurovision, and Acoustic Sessions
In early 2012, Cascada released the single "Summer of Love" on March 30, marking a return to their upbeat Eurodance sound with themes of romance and escapism; it peaked at number 13 on the German Singles Chart.[52] Later that year, on June 22, they issued a cover of Corona's "The Rhythm of the Night," which reached number 26 in Germany and served as a nostalgic nod to 1990s dance hits. In November 2012, Cascada ventured into holiday music with the EP It's Christmas Time, featuring a dance-infused rendition of "Santa Claus Is Coming to Town" released on November 30; the track was praised by fans for its energetic twist on the classic, blending festive cheer with the group's signature electronic production.[53][54] The culmination of these efforts arrived with the compilation album The Best of Cascada on March 29, 2013, via Zooland Records, which collected twelve of the group's prior hits alongside three new recordings: "Glorious," "The World Is in My Hands," and an acoustic take on "The Rhythm of the Night."[55] The album debuted at number 35 on the German Albums Chart, offering fans a retrospective of Cascada's evolution from club anthems like "Everytime We Touch" to more recent tracks such as "Summer of Love." This release highlighted the band's commercial staying power in the European dance scene, with the inclusion of fresh material bridging their high-energy style to experimental elements. A key highlight of 2013 was Cascada's selection to represent Germany at the Eurovision Song Contest in Malmö, Sweden, with "Glorious," an empowering dance-pop track co-written by core members Yann Peifer and Manuel Reuter.[56] The song won the national final Unser Song für Malmö on February 14, earning 30 points from a combination of jury and televote scores.[56] Despite initial plagiarism accusations comparing its melody to Sweden's 2012 winner "Euphoria," an investigation cleared the track, allowing it to proceed.[57] "Glorious" qualified from the semi-final and placed 21st in the grand final on May 18, receiving 18 points, a mid-table result that underscored Germany's mixed Eurovision fortunes but boosted the single to number 6 in Germany.[58] Later in 2013, on November 1, Cascada explored a softer side with the EP Acoustic Sessions, featuring stripped-down reinterpretations of their hits such as "Evacuate the Dancefloor," "Glorious," and covers like The Connells' "'74-'75."[59] Released via Zooland Records, the project emphasized Natalie Horler's vocals through piano, strings, and minimal percussion, diverging from the group's typical synth-driven sound to reveal emotional depth in tracks originally built for dancefloors.[60] This experimental release resonated with longtime fans seeking variety, though it did not achieve significant chart success.[3]2014–2023: Touring focus and sporadic singles
Following the release of their greatest hits compilation in 2012 and participation in the Eurovision Song Contest in 2013, Cascada shifted their primary efforts toward extensive live performances rather than new full-length albums, releasing only standalone singles during this period. This approach allowed the group to maintain fan engagement through high-energy shows while sporadically introducing fresh material.[3] In 2014, Cascada debuted "Blink," a dance-pop track produced by DJ Manian and Yanou, which highlighted Natalie Horler's vocals over upbeat synth-driven beats and was released via Zoo Digital. Later that year, they collaborated with rapper Tris on "Madness," incorporating hip-hop elements into their signature Eurodance sound. These singles, distributed digitally and in limited physical formats, did not lead to a supporting album but were promoted through club play and online platforms.[7] The group continued this pattern in 2015 with "Reason," an uplifting anthem revisiting themes of love and perseverance, originally rooted in an earlier unreleased demo from their formative years. By 2017, "Run" emerged as another independent single, emphasizing fast-paced rhythms and Horler's dynamic delivery, further underscoring Cascada's preference for selective releases amid a busy performance schedule. No studio albums were produced between 2014 and 2023, marking a departure from their earlier prolific output.[61][7] Cascada's focus intensified on touring, with regular headline shows, festival appearances, and club residencies across Europe and Asia, performing reimagined versions of earlier hits like "Everytime We Touch" and "Evacuate the Dancefloor" to packed venues. These tours, spanning countries from Germany to Japan, celebrated the group's enduring popularity in the dance scene and included special anniversary events marking milestones since their 2004 formation. The emphasis on live energy helped sustain their international fanbase without the demands of album production cycles.[3][62] The COVID-19 pandemic significantly disrupted in-person activities from 2020 to 2021, canceling numerous scheduled performances and forcing a pivot to virtual formats. In response, Horler delivered a notable online rendition of "Everytime We Touch" for Duke University's virtual event series, adapting the group's high-production live style to a streamed setting. Participation in broadcasts like SiriusXM's "Dance Again Festival" in 2021 allowed Cascada to connect with audiences remotely, featuring classic tracks in DJ sets amid global restrictions. This period temporarily halted physical tours but reinforced their adaptability in the digital era.[63][64]2024–2025: 20th anniversary, Studio 24, and collaborations
In 2024, Cascada marked their return to studio album production with the release of Studio 24 on October 11, their first full-length studio album in 13 years since Original Me in 2011.[65] The album, comprising 15 tracks of upbeat dance-pop infused with disco influences reminiscent of the iconic Studio 54 nightclub, includes reimagined covers such as "Ain't No Mountain High Enough" and originals like "Fight for You," the lead single that debuted in March 2024.[23] This release signified a creative resurgence for the group, led by vocalist Natalie Horler, producers Yann Peifer (Yanou) and Manuel Reuter (DJ Manian), emphasizing high-energy Eurodance elements that harkened back to their early 2000s sound while incorporating modern production techniques.[66] The album's launch coincided with celebrations of Cascada's 20th anniversary, commemorating two decades since their formation in 2004 and the debut single "Miracle."[67] These festivities extended into 2025, highlighted by a high-profile collaboration with DJ and producer Steve Aoki on a remix of their signature hit "Everytime We Touch." Released on September 12, 2025, the track features fresh vocals from Horler layered over Aoki's signature electro-house drops, aiming to reintroduce the song to contemporary audiences and festival circuits.[3] Horler described the partnership as a "powerful reimagination" that blends Cascada's euphoric pop with Aoki's high-octane energy, positioning it as a milestone in their anniversary observances.[68] Throughout 2025, Cascada promoted their recent material through select live performances at major European festivals, including a headline set at Airbeat One in Neustadt-Glewe, Germany, from July 9–13, where they debuted elements of the Studio 24 setlist alongside classics.[69] They followed with an appearance at Electrisize Festival in Erkelenz, Germany, on August 10, energizing crowds with tracks like "Evacuate the Dancefloor" and new singles to showcase their enduring appeal in the EDM scene.[70] These events served as platforms to highlight the remix and album tracks, drawing large audiences and reinforcing the group's relevance amid their anniversary year. In interviews, Horler has hinted at ambitious future endeavors, including expanded touring schedules across Europe and potential North American dates to build on their 2024 momentum, with discussions of additional collaborations in the pipeline to sustain their creative output.[67]Discography
Studio albums
Cascada's debut studio album, Everytime We Touch, was released on 21 February 2006 in the United States by Robbins Entertainment and later in the United Kingdom on 10 March 2007 by All Around the World. The album features 14 tracks in its standard edition, including covers of 1980s and 1990s hits such as "Truly Madly Deeply" by Savage Garden and "A Neverending Dream" by Ace of Base, produced by DJs Yanou and Manian with vocals by Natalie Horler. The lead single, "Everytime We Touch" (a cover of the 1992 Maggie Reilly song), peaked at number 2 on the UK Albums Chart for the album itself, which spent 35 weeks on the chart. It achieved triple platinum certification in the UK for sales exceeding 900,000 copies and has sold approximately 2 million copies worldwide. Track highlights include the upbeat "Miracle" and "How Do You Do!", emphasizing the group's Eurodance style with trance elements.[33] The second studio album, Perfect Day, arrived on 19 December 2007 in Germany via Kontor Records and 4 February 2008 in the UK, containing 16 tracks in its premium edition. Produced again by Yanou and Manian, it continues the cover-heavy approach with renditions like "What Hurts the Most" by Rascal Flatts and "Because the Night" by Patti Smith, blending Europop lyrics with high-tempo beats over 140 BPM. The lead single, "What Hurts the Most", drove the album to number 9 on the UK Albums Chart, where it charted for 12 weeks. Certified silver in the UK (60,000 units) and gold in Ireland (7,500 units), it has sold about 3 million copies globally. Notable tracks feature "Runaway" and "Perfect Day", showcasing emotional ballads reimagined in dance format.[71] Evacuate the Dancefloor, Cascada's third studio album, was released on 6 July 2009 in the UK and Germany by Universal Music, comprising 14 tracks in the standard version. Shifting toward more original material while retaining production by Yanou and Manian, it incorporates rap elements, as seen in the title track featuring Carlprit. The lead single, "Evacuate the Dancefloor", propelled the album to number 9 on the UK Albums Chart, with 10 weeks on the chart, and earned platinum certification in the UK for over 300,000 units. Global sales exceed 1 million copies. Highlights include "Fever" and "Dangerous", highlighting the group's evolution to club-oriented Eurodance with infectious hooks. The fourth studio album, Original Me, debuted on 19 June 2011 in the UK via All Around the World and 24 June 2011 in Germany, featuring 11 original tracks plus remixes in its deluxe edition. Fully produced by Yanou and Manian without covers, it marks a focus on self-written Europop songs addressing themes of love and nightlife. The lead single, "San Francisco", led the album to number 18 on the UK Albums Chart, charting for 3 weeks. It received no major certifications but contributed to Cascada's overall sales of over 30 million albums worldwide. Key tracks like "Pyromania" and "Au Revoir" emphasize empowering anthems with pulsating synths.[3] Cascada's fifth studio album, Studio 24, was released on 11 October 2024 via Stars by Edel, consisting of 15 tracks inspired by 1970s disco and funk, produced in collaboration with Christian Geller. Returning to covers of classics like "Ain't No Mountain High Enough" by Marvin Gaye and Tammi Terrell and "Call Me" by Blondie, alongside originals, it revives the group's early cover style with modern dance production. The lead single, "Ain't No Mountain High Enough", did not chart in the UK top 100. The album debuted at number 48 on the UK Albums Chart, spending 1 week on the chart as of November 2025. As a recent release celebrating the group's 20th anniversary, sales figures are emerging, but it aligns with their cumulative 30 million album sales milestone. Standout tracks include "Boogie Wonderland" and "Disco Inferno", capturing euphoric Studio 54 vibes.[72][3][73]| Album | Release Date | Number of Tracks (Standard Edition) | Lead Single | UK Peak Chart Position | Certifications | Estimated Global Sales |
|---|---|---|---|---|---|---|
| Everytime We Touch | 21 February 2006 (US); 10 March 2007 (UK) | 14 | "Everytime We Touch" | 2 | UK: 3× Platinum | ~2 million |
| Perfect Day | 19 December 2007 (DE); 4 February 2008 (UK) | 14 | "What Hurts the Most" | 9 | UK: Silver; IE: Gold | ~3 million |
| Evacuate the Dancefloor | 6 July 2009 (UK/DE) | 14 | "Evacuate the Dancefloor" | 9 | UK: Platinum | ~1 million |
| Original Me | 19 June 2011 (UK); 24 June 2011 (DE) | 11 | "San Francisco" | 18 | None | Contributes to 30 million total |
| Studio 24 | 11 October 2024 | 15 | "Ain't No Mountain High Enough" | 48 (1 week as of November 2025) | None | Emerging; total 30 million+ |
Compilation albums and singles
Cascada has released several compilation albums that collect their greatest hits, acoustic renditions, and seasonal tracks, providing fans with curated overviews of their dance-pop catalog outside of their studio efforts. These releases often include new material or reimagined versions to mark milestones in their career. The Best of Cascada, released on March 22, 2013, is a greatest hits compilation featuring 17 tracks, including previous singles like "Everytime We Touch" and "Evacuate the Dancefloor," alongside three new songs: "Glorious," "The World Is in My Hands," and "Sacrifice."[74] It also incorporates acoustic versions of select hits, blending their high-energy style with stripped-down arrangements. The album peaked at number 18 on the German Albums Chart. Acoustic Sessions, released on November 1, 2013, is an acoustic compilation containing re-recorded versions of 16 Cascada tracks, such as "Truly Madly Deeply" and "What Hurts the Most," performed with minimal instrumentation to highlight Natalie Horler's vocals.[75] Produced in collaboration with various artists, it emphasizes ballad-like interpretations and was issued as a companion to their greatest hits collection.[76] In the holiday category, It's Christmas Time, a Christmas-themed compilation, was released on November 30, 2012, featuring 12 tracks of classic carols and pop covers like "Last Christmas" and "Jingle Bell Rock" adapted to Cascada's eurodance sound with upbeat rhythms.[77] The album includes original arrangements and was marketed as a festive special, reaching number 28 on the UK Compilation Albums Chart.[78] Cascada has also issued several EPs focused on remixes and international variants, expanding their singles for club and global markets. Notable examples include Miracle/A Neverending Dream (The Remixes) EP (2005), which offers extended club mixes of their early hits; Reason (Remixes) (2015); Madness (Remixes) (2017); and Blink (Remixes) (2020), each providing DJ-oriented versions for dancefloors.[79] International editions, such as region-specific remixes for the US and Asia, often feature additional tracks tailored to local charts, like extended versions of "San Francisco" for Australian release.[5] Cascada's singles discography spans over two decades, encompassing more than 30 releases that propelled their international success in the eurodance genre. Their tracks frequently topped dance charts worldwide, with many achieving multi-platinum status in Europe and gold or platinum certifications in the US and UK. Below is a table of major singles, highlighting release years, selected peak positions in key markets (UK, US, Germany, Australia), and certifications where applicable. Note: Recent releases like "Ain't No Mountain High Enough" (2024) and "Everytime We Touch (Remake)" with Steve Aoki (2025) did not chart in the UK top 100 as of November 2025.| Title | Year | UK Peak | US Peak | DE Peak | AU Peak | Certifications |
|---|---|---|---|---|---|---|
| Miracle | 2004 | 63 | — | 12 | — | US: Gold (RIAA)[80] |
| A Neverending Dream | 2005 | 78 | — | 4 | — | — |
| Everytime We Touch | 2006 | 2 | 10 (Hot 100) | 11 | 18 | UK: Platinum (BPI), US: Platinum (RIAA)[78] |
| How Do You Do! | 2006 | 58 | — | 16 | — | — |
| Truly Madly Deeply | 2006 | 22 | — | 15 | 35 | — |
| What Hurts the Most | 2007 | 10 | 52 (Hot 100), 7 (Dance) | 7 | 12 | UK: Platinum (BPI), AU: Gold (ARIA)[78] |
| Perfect Day | 2007 | 82 | — | 39 | — | — |
| Because the Night | 2008 | — | — | 10 | — | — |
| Evacuate the Dancefloor | 2009 | 1 | 26 (Dance) | 9 | 5 | UK: Platinum (BPI), AU: Platinum (ARIA)[78] |
| Dangerous | 2009 | 8 | — | 31 | — | — |
| Fever | 2010 | 114 | — | 42 | — | — |
| Pyromania | 2010 | 105 | — | 26 | — | — |
| San Francisco | 2011 | 43 | — | 44 | — | — |
| Au Revoir | 2011 | 30 | — | 53 | — | — |
| Night Nurse | 2012 | 56 | — | 72 | — | — |
| Summer of Love | 2012 | 50 | — | 71 | — | — |
| The Rhythm of the Night | 2012 | 85 | — | 67 | — | — |
| Glorious | 2013 | 52 | — | 88 | — | — |
| Reason | 2015 | — | — | — | — | — |
| Blink | 2020 | — | — | — | — | — |
| Ain't No Mountain High Enough | 2024 | — | — | — | — | — |
| Everytime We Touch (Remake) (with Steve Aoki) | 2025 | — | — | — | — | — |