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Chandraghanta

Chandraghanta is the third manifestation among the nine forms of the Hindu goddess , collectively known as the , and is specifically worshipped on the third day of the Navratri festival. Her name derives from "" meaning and "Ghanta" meaning bell, referring to the adorning her forehead that resembles a bell. Depicted with a radiant golden complexion, she rides a , symbolizing (righteousness), and possesses ten arms wielding weapons such as a , , bow, , , and , along with items like a , bell, and (water pot), while her tenth hand offers blessings to devotees. Also revered as Chandika or Rannchandi, Chandraghanta embodies a serene yet fierce aspect of the divine feminine energy (), combining beauty, courage, and grace. In Hindu tradition, her form emerged when , upon marrying Lord , adopted this appearance—with the half-moon on her forehead—to reassure her frightened family and attendants, who were intimidated by Shiva's ascetic and fearsome demeanor, thus harmonizing the union of divine opposites. The listing of the forms, including Chandraghanta as the third, appears in the , underscoring her role in cosmic protection and spiritual elevation. Devotees invoke Chandraghanta for , removal of obstacles, and eradication of sins, negative energies, , and ghostly afflictions, as her is believed to bestow an aura of divine splendor and unwavering bravery. She symbolizes the awakening of and the triumph of spiritual strength over worldly fears, with her representing intuitive wisdom and her lion mount signifying the conquest of ego and illusion.

Etymology and Identity

Name Origin

The name Chandraghanta is a Sanskrit compound derived from two key terms: "Chandra," signifying the moon, and "Ghanta," denoting a bell. This nomenclature specifically alludes to the crescent moon adorning her forehead, which takes the form of a bell. Linguistically rooted in classical Sanskrit traditions, Chandraghanta is enumerated among the Navadurgā, the nine manifestations of the goddess Durgā. The Navadurga forms are detailed in Puranic texts such as the Varaha Purana and Skanda Purana, drawing from broader mythological narratives that establish the foundational iconography and attributes of Durgā's warrior aspects, including those in the Devi Mahatmya, part of the Mārkāṇḍeya Purāṇa. Symbolically, the bell-shaped evokes her perpetual vigilance and readiness, with the third eye ever open to confront demonic forces, thereby embodying a dual essence of tranquility for devotees and terror for adversaries.

Relation to and

Chandraghanta holds a prominent position as the third manifestation among the , the nine forms of the goddess revered in Hindu , particularly during the Navratri festival. This identification is rooted in scriptural traditions such as the , which enumerates the and specifies Chandraghanta as the third: "tṛtīyaṃ candraghaṇṭeti," portraying her as an embodiment of 's protective and demon-destroying energies. As a form of , Chandraghanta represents the goddess in her married state following her union with , marking a transition from her earlier, unmarried identity. This evolution is depicted in mythological accounts where , previously known as in her pristine, pre-marital form, adorns a bell-shaped crescent moon on her forehead after the marriage, thereby assuming the guise of Chandraghanta. The symbolism of the evokes serenity and illumination, aligning with her role as a bestower of peace amid her warrior attributes. In the broader Shakti tradition, Chandraghanta exemplifies the synthesis of raw divine power () with domestic harmony and tranquility, reflecting the inseparable bond between feminine energy and . She is invoked for her ability to eradicate negativity and foster inner strength, embodying a balanced where martial prowess coexists with nurturing benevolence, as seen in her depiction with multiple arms holding weapons yet radiating a calming presence. This integration underscores the Shakta emphasis on the as both destroyer of evil and sustainer of familial and spiritual equilibrium.

Iconography and Form

Physical Appearance

Chandraghanta is typically depicted as a with a radiant golden complexion that emanates a divine glow, symbolizing her auspicious and illuminating presence. Her form embodies a serene yet inherently fierce demeanor, with a calm and composed expression that conveys peace and bravery to devotees while underscoring her readiness to confront adversity. This balanced visage highlights her role as the married form of , blending tranquility with underlying strength. A distinctive feature of her is the crescent moon adorning her forehead, shaped like a bell and radiating ethereal light, which gives her the "Chandraghanta" and signifies the soothing sound that dispels fear and evil. She is portrayed with ten arms, known as Dasabhuja, representing her multifaceted divine powers and ability to bestow blessings in various aspects of life. In artistic representations, Chandraghanta appears either seated in a meditative pose or riding a , emphasizing her poised and majestic stature that combines grace with vigilance. Her overall form is one of harmonious beauty, often crowned and adorned simply, focusing attention on her luminous and extended arms as emblems of and spiritual enlightenment.

Weapons and Mount

Chandraghanta is typically depicted with ten arms, each grasping weapons and symbols that represent her readiness to destroy evil and bestow blessings upon devotees. These commonly include the trishula (trident) for piercing ignorance, a sword (khadga) to sever attachments, a gada (mace) symbolizing unyielding strength, a bow (dhanush) and arrow (bana) for precise action against adversaries, a lotus flower (padma) denoting spiritual purity, a kamandalu (water pot) signifying sustenance, a bell (ghanta) or japa mala (rosary) whose sound or recitation wards off negative energies, while two hands are in varada mudra (boon-granting gesture) and abhaya mudra (fear-dispelling gesture), emphasizing her compassionate and protective aspects alongside her warrior prowess. Variations exist across depictions, such as inclusion of an ankusha (goad) or shield in some regional traditions. Her mount is a fierce , embodying (righteousness), courage, and the ability to tame primal instincts, which aids her swift and powerful interventions in cosmic battles. In certain artistic and regional traditions, particularly those influenced by broader iconography, the mount appears as a , signifying regal authority and ferocity. This vehicular symbolism underscores Chandraghanta's role in maintaining balance by controlling chaotic forces. The ensemble of weapons and the tiger mount collectively highlight Chandraghanta's dual nature as both a serene protector and a formidable , enabling her to confront demonic influences while fostering and devotion among her followers. These elements, drawn from Puranic descriptions and sculptures, illustrate her functional in , where each attribute serves to battle and promote spiritual victory.

Worship and Rituals

Role in Navratri

Chandraghanta holds a prominent position in the Navratri as the third manifestation of Goddess Durga, worshipped specifically on the third day, known as Tritiya, during the nine-day celebration that honors energy. This , particularly Sharad Navratri observed in the autumn season, intensifies devotion through progressive veneration of Durga's forms, with Chandraghanta's day marking a pivotal transition toward deeper spiritual engagement and fearlessness. Devotees invoke Chandraghanta on Tritiya to seek her blessings for bravery and courage, enabling them to confront life's challenges with unwavering resolve. Her is believed to provide divine against enemies and malevolent forces, while also facilitating the removal of obstacles that hinder personal and spiritual growth. As the married form of , she embodies a harmonious blend of grace and power, guiding followers toward inner strength and serenity during this phase of the festival. This observance underscores the thematic progression of Navratri, where the first three days focus on foundational energies of creation and preservation, culminating in Chandraghanta's role to instill action-oriented devotion for the battles ahead in the ritual narrative.

Associated Mantras and Practices

The primary mantra dedicated to Chandraghanta is " Devi Namah," chanted by devotees to invoke her blessings of and during . Her beeja mantra, " Hreem Kleem Shreem Namah," is recited for deeper spiritual connection and is considered a potent syllable for on her form. Devotees observe specific practices on the third day of Navratri, including offerings of sweets such as and white flowers such as to honor her serene and protective nature. is undertaken throughout the day, with simple sattvic meals breaking the fast in the evening, to cultivate discipline and devotion. Recitation of her mantras often accompanies the evening aarti, where lamps are lit and bhajans are sung to conclude the daily rituals. In temples like the ancient Chandraghanta shrine in Jaitpura, , , special pujas involve offerings of coconuts, red cloth pieces, and red flowers, followed by focused on her tranquil yet fierce form to seek removal of obstacles and inner strength.

Legends and Significance

Marriage to Shiva

According to traditional accounts in Hindu scriptures, the form of Chandraghanta emerges from the marital union of and . Following her intense penance to win Shiva as her consort, Parvati wedded him in a grand ceremony. Upon Shiva's arrival in his fierce ascetic form accompanied by his ganas, Parvati's family and attendants were terrified by his fearsome demeanor. To pacify them and harmonize the union, Parvati assumed the form of Chandraghanta, adorning a crescent moon (chandra) on her forehead resembling a bell (), whose soothing sound reassured everyone. This transformation symbolized the harmonious integration of their divine energies. This marital episode is elaborated in the , where , as S'ankari, is depicted with the half-moon emblem on her forehead, underscoring her role as Shiva's devoted partner post-wedding. The narrative highlights how this union elevated from her ascetic form to a majestic embodying protective ferocity.

Symbolic Qualities

Chandraghanta embodies a profound duality in her symbolic qualities, harmonizing the fierce of destruction with the nurturing essence of , thereby fostering peace and resolution following conflict. Her name, derived from "" (moon) and "" (bell), reflects the crescent moon on her forehead shaped like a bell, symbolizing , serenity, and the soothing influence of lunar that cools the mind and promotes inner tranquility. This lunar attribute further represents spiritual enlightenment and knowledge, illuminating the path to by dispelling ignorance and mental obscurations. The goddess's mount, a or , signifies unyielding courage and raw power, enabling devotees to confront external threats and internal fears with fearlessness. Her ten arms, wielding weapons such as the , , alongside symbols of benevolence like the and a hand, underscore this : the arsenal represents protective strength and the eradication of forces, while the serene elements highlight and . Despite her form, Chandraghanta's calm countenance and peaceful disposition emphasize serenity amid ferocity, teaching the integration of valor with composure. Devotees invoke Chandraghanta to attain benefits such as victory over inner demons, including , anxiety, and negative energies, which she removes to restore mental clarity and emotional balance. Her worship grants fearlessness, robust health through the purging of sins and obstacles, and growth, empowering individuals to achieve and enlightenment in daily life. This transformative aspect is briefly alluded to in legends of her assuming this form upon marriage to , symbolizing the union of divine power and domestic harmony.

Cultural Depictions

In Art and Literature

Chandraghanta is prominently featured in temple sculptures across northern , particularly in , where iconic stone and terracotta idols depict her as a fierce warrior goddess with ten arms wielding weapons such as a , , and bow, while riding a and bearing a crescent moon resembling a bell on her forehead. In Varanasi, the Chandraghanta Temple in Thatheri Bazar, Chowk, houses a revered murti of the goddess. Similar sculptures from the 17th century, such as a terracotta figure in the National Museum collection, illustrate her standing atop two demons with four heads and ten hands, highlighting her multi-faceted iconography in Hindu temple art. Literarily, Chandraghanta finds mention in medieval as the third of the , with the describing her emergence post-Parvati's marriage to , where she adorns the half-moon to calm his ascetic fury, establishing her as a symbol of marital harmony and valor. Hymns invoking her are recited from the Saptashati () during Navratri, praising her demon-slaying prowess in verses that extol 's forms collectively. The historical evolution of Chandraghanta's depictions traces from medieval Puranic texts like the , which outline her iconography in Shilpashastra guidelines for temple carvings around the 8th–12th centuries, to more accessible 19th-century illustrations in bazaar art and patachitra, reflecting a shift toward popular devotion amid colonial influences. This progression underscores her enduring presence in Hindu visual and textual traditions, evolving from esoteric scriptural forms to widespread artistic expressions.

Modern Observance

In modern Hindu practices, the veneration of Chandraghanta centers on the third day of Navratri, where devotees in participate in elaborate processions carrying her images through streets, accompanied by chants and , particularly in regions like and . These processions symbolize her role as a protector, blending traditional devotion with community gatherings that foster social unity. Following the rituals, garba dances—circular folk performances invoking —take place in open grounds and temples across and other states, with participants donning white attire to honor her serene yet fierce form, often extending late into the night with amplified and LED lighting for larger crowds. Among Hindu diaspora communities, these observances have adapted to global contexts, with garba events and processions organized in cities like , , and during Navratri. Temples host pujas for the forms, incorporating live-streamed rituals and hybrid events that allow remote participation, thus accommodating busy modern lifestyles while preserving cultural ties. These gatherings often feature multicultural elements, drawing non-Hindu attendees to garba nights that promote inclusivity and end with communal feasts. Media has significantly influenced contemporary devotion to Chandraghanta, with her portrayal in popular Indian television serials like (2011–2014), where actress depicts her as the warrior form of post-marriage to , emphasizing themes of bravery and harmony through dramatic reenactments of her legends. This serialization has popularized her among younger audiences, inspiring fan discussions and home altars. Additionally, online platforms have revolutionized worship, enabling virtual pujas via apps and live streams during Navratri, where priests guide devotees in recitations and offerings from afar, especially post-pandemic, making her blessings accessible to urban professionals and expatriates worldwide.

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