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Cheese Shop sketch

The Cheese Shop is a comedy sketch from the British television series , written by and and first broadcast on 30 November 1972 as part of the episode "" in series 3. In the sketch, a customer portrayed by enters a purported cheese emporium operated by , only to learn through increasingly absurd dialogue that the shop stocks none of the over 40 varieties of cheese requested, culminating in the revelation that it contains no cheese at all. The sketch originated from an incident during filming at Harbour, where Cleese suffered severe seasickness and vomited repeatedly while attempting to deliver lines, prompting Chapman to jokingly suggest he buy cheese at a chemist's , which evolved into the concept of a cheese devoid of cheese. Initially, Cleese and most of the troupe considered the unfunny during its development, but Palin's enthusiastic laughter during a read-through convinced them to include it in the show. The humor relies on escalating frustration through a of unavailable cheeses—such as , Tilsit, , Bel Paese, and the fictional Venezuelan Beaver Cheese—interrupted by irrelevant interruptions like a eating the only available , before the customer shoots the shop owner in exasperation. Beyond its television debut, the sketch has been widely anthologized, appearing on audio albums like The Monty Python Matching Tie and Handkerchief (1973) and Monty Python: The Final Rip Off (1987), and performed in live stage shows including Monty Python Live (Mostly) in 2014. Its enduring popularity stems from exemplifying Monty Python's style of absurdism and wordplay, influencing parodies in media and even inspiring real-world cheese shop humor, such as fictional "Venezuelan Beaver Cheese" references in specialty stores. Notably, Cleese's original family surname was Cheese, which his father changed to avoid associations with cheesemongers, adding a personal layer to the performer's role.

Development and Production

Origins

The origins of the Cheese Shop sketch trace back to a real-life incident during the production of in early 1972. After filming the "Pepperpot Lifeboat" segment near Harbour, where suffered severe seasickness and vomited repeatedly, Cleese and drove back toward craving cheese to settle his stomach. Frustrated by encountering empty or unsuitable shops along the way, Chapman quipped that a might stock "medicinal cheese," requiring a prescription. This sparked the core concept of a customer futilely pursuing an everyday item in increasingly absurd circumstances. John Cleese served as the primary writer, collaborating closely with Chapman to develop the sketch from these customer service frustrations into a dialogue-driven farce. Cleese initially doubted its comedic potential, repeatedly questioning Chapman during drafting, but Chapman's insistence prevailed after Michael Palin burst into uncontrollable laughter during a group read-through, convincing the team to include it. The pair's writing partnership, typical of Monty Python's collaborative process, refined the escalating non-sequiturs into a tight set-piece performed by Cleese as the exasperated customer and Palin as the evasive shopkeeper. Early discussions and iterations occurred amid the Monty Python writing sessions in London in 1972, as the troupe prepared the third series of their show.

Writing and Recording

The Cheese Shop sketch was primarily written by and , who collaborated closely to develop its escalating absurdity through a series of increasingly frustrated exchanges about unavailable cheeses. The full Monty Python team, including , , , and , contributed to polishing the script during group sessions, refining the for optimal comedic rhythm and timing. This iterative process ensured the sketch's verbal interplay built tension effectively, drawing from the troupe's paired writing where Cleese and Chapman handled much of the core . John Cleese performed as the exasperated customer, while Michael Palin took the role of the cheerful yet unhelpful shopkeeper, their contrasting styles amplifying the humor through precise delivery. The sketch was recorded on January 7, 1972, at the Centre in as part of series 3, episode 33. Audio production emphasized the sketch's reliance on , incorporating minimal sound effects for shop ambiance—such as the recurring bouzouki music played by a background —to underscore the mundane setting without overpowering the verbal comedy. The focus on clear, rhythmic enunciation allowed the actors' escalating frustration and politeness to drive the narrative, highlighting the troupe's skill in audio-visual restraint for surreal effect.

Broadcast History

Initial Airing

The Cheese Shop sketch premiered on on 30 November 1972, as the penultimate segment in episode 33 ("") of the third series of . This episode, directed by , opened with sketches such as "Biggles Dictates a " and "Climbing the Uxbridge Road," building through absurd sequences like the "Silly Party Election Special" and a mock legal drama titled "A Legal Ring," before transitioning into the Cheese Shop between as the frustrated customer and as the unhelpful shopkeeper. The sketch concluded the main body of the episode, immediately preceding the violent parody closer "Sam Peckinpah's ','" which satirized the light musical by reimagining it in the style of the director's Western films. The broadcast occurred without any censorship or editorial edits from the , reflecting the network's relatively permissive approach to the series' surreal and irreverent content during this period. Recorded earlier on 7 January 1972 at the BBC Television Centre in , the sketch retained its full scripted length and unadulterated humor in the final airing. Viewer reception for the episode aligned with the series' typical mid-run performance, though specific feedback on the Cheese Shop itself was not isolated in archives.

Subsequent Releases

Following its initial television airing, the Cheese Shop sketch appeared as the full studio version on the 1973 album The Monty Python Matching Tie and Handkerchief, released by . It also featured as an audio excerpt on the 1974 album Monty Python Live at Drury Lane (released in the US in 1976), a compilation of live performances and studio recordings released by . A remixed version was included on the 1987 compilation album Monty Python: The Final Rip Off. The complete script for the sketch is featured in the 1989 Methuen Publishing edition of Monty Python's Flying Circus: Just the Words, a two-volume collection of transcripts from the series edited by the Monty Python team. The full video of the episode containing the sketch has been included in various DVD releases of Monty Python's Flying Circus series 3, notably the 2005 14-disc complete collection by A&E Home Video, which presents all 45 episodes in chronological order with restored footage. The sketch became widely available via streaming platforms in the digital era, with the full series added to in select regions starting April 15, 2018, and available until November 1, 2024, when global licensing expired. Episodes including the Cheese Shop sketch were previously available on for audiences, but as of November 2025, they are no longer streaming. Remastered audio versions of the sketch have been incorporated into subsequent podcast compilations on platforms like , offering high-fidelity editions drawn from original masters for modern listening.

Content Overview

Plot Summary

The Cheese Shop sketch begins with a customer, portrayed by , entering the National Cheese Emporium and greeting the shopkeeper, played by , who enthusiastically welcomes him as a patron of what he describes as the finest cheese shop in the district. The customer explains his hunger, stemming from reading in the , and requests cheese to purchase. The shopkeeper assures him that the establishment stocks every variety imaginable, but upon inquiry for , reveals it is unavailable due to being "quite run down at the moment." The dialogue escalates as the customer inquires about additional cheeses such as Tilsit, , Bel Paese, Red Windsor, , , , [Port Salut](/page/Port Salut), Savoy Aire, and , each met with deflections from the citing stock shortages or other impediments, including a claim that is currently their most popular item despite being out of stock. Further requests for , , , , , Liptauer, , White , Danish Brew, and Double Gloucester yield similar denials, with the providing increasingly absurd excuses, such as the having been entirely consumed by his . Frustrated by the pattern, the customer directly questions whether the shop has any cheese at all, prompting the shopkeeper to reaffirm its identity as a cheese replete with options before admitting they possess none whatsoever, having merely been wasting the customer's time. In a climactic outburst, the customer draws a , shoots the shopkeeper dead, and remarks on the senseless waste of , concluding the sketch.

Cheeses Enumerated

In the Cheese Shop sketch, the shop owner enumerates a of cheese varieties in an attempt to engage the customer, escalating from common types to increasingly obscure, , and fictional ones, which heightens the of discovering the shop stocks none at all. This of exhaustive listing parodies the verbose expertise of a retailer. The complete inventory from the original includes unique cheeses, each mentioned once. The cheeses are introduced progressively as alternatives to the customer's requests, building comedic tension through their diversity and the owner's feigned knowledge. The full list, in order of mention, is:
  • Red Leicester: A firm, crumbly cheese originating from Leicestershire in England's Midlands, traditionally colored orange with annatto dye for visual appeal in markets.
  • Tilsit: Originating from East Prussia (now in Lithuania and Russia) in 1893 by German settlers, this semi-hard cheese has a supple texture and aromatic rind, named after the town of Tilsit.
  • Caerphilly: A fresh, lactic cheese from Wales, originally made near the town of Caerphilly to sustain coal miners, characterized by its mild, salty flavor and quick production time of about two weeks.
  • Bel Paese: An Italian semi-soft cheese created in 1906 and named after a phrase meaning "beautiful country," referring to Italy's landscapes; it features a mild, creamy taste with a pale yellow paste.
  • Red Windsor: A mild, red-coated cheese similar to Leicester, produced in southern England.
  • Stilton: One of only two British cheeses granted Protected Designation of Origin (PDO) status, this blue-veined variety hails from the counties of Derbyshire, Leicestershire, and Nottinghamshire, known for its rich, creamy texture and pungent flavor.
  • Emmental: A Swiss cheese with large holes, made from cow's milk, known for its mild, nutty flavor.
  • Gruyère: A hard Swiss cheese named after the town of Gruyères, with a nutty, sweet taste used in fondue.
  • Norwegian Jarlsberg: A mild, semi-soft Norwegian cheese with large holes, similar to Emmental, developed in the 1950s.
  • Lipta (likely Liptauer): A spicy Hungarian cheese spread from sheep's milk, flavored with paprika and onions, named after the Liptov region in Slovakia.
  • Lancashire: A white, crumbly cheese from England's Lancashire county, with variants aged from creamy young to crumbly mature, historically made by farmwives for local markets.
  • White Stilton: An unaged, less crumbly version of Stilton without blue veins, produced in the same English Midlands regions for a sweeter, milder profile.
  • Danish Brew (likely Danish Blue): A creamy, strongly flavored blue cheese developed in Denmark in 1927, similar to Roquefort but with a milder tang and white mold veins.
  • Double Gloucester: A traditional English cheese from Gloucestershire, semi-hard with a rich, buttery flavor, originally made in large wheels.
  • Cheshire: A moist, crumbly cheese from the English county of Cheshire, dating back to Roman times and noted for its tangy taste that mellows with age.
  • Dorset Bluveny (Dorset Blue Vinney): A rare blue cheese from Dorset, England, made from skimmed cow's milk and pressed into flat cakes, with a sharp, salty bite dating to the 16th century.
  • Brie: A soft French cheese from the Brie region near Paris, with a powdery white rind and gooey center, protected under AOC since 1980.
  • Roquefort: A sheep's milk blue cheese from Roquefort-sur-Soulzon in southern France, aged in natural caves and veined with Penicillium roqueforti for its bold, tangy taste; PDO-protected.
  • Pol le Veq (likely Poul le Veq or similar; possibly fictional or misspelling of a French cheese): An obscure or invented variety adding to the absurdity.
  • Port Salut: A semi-soft French Trappist cheese from the Loire Valley, with an edible orange rind and mild, yeasty flavor, originally made by monks in 1865.
  • Savoy Aire (likely Silton or fictional; possibly a play on regional French cheeses): Obscure, contributing to the escalating ridiculousness.
  • Saint Paulin: A semi-soft French cheese similar to Port Salut, with a mild flavor and washed rind.
  • Carrier de lest (likely Cantal or fictional misspelling): Adds to the list of unavailable international options.
  • Bres Bleu (likely Bresse Bleu, a French blue cheese): A creamy blue variety from the Bresse region.
  • Bruson (possibly Beaufort or fictional): Semi-hard Alpine-style cheese.
  • Camembert: A soft, bloomy-rind cheese from Normandy, France, famous for its earthy aroma and molten center when ripe, invented in 1791 and now protected under PDO.
  • Gouda: A semi-hard Dutch cheese named after the city of Gouda, with a creamy texture and mild, nutty flavor.
  • Edam: A semi-hard Dutch cheese coated in red wax, milder than Gouda, originating from Edam.
  • Case Ness (fictional or misspelling, possibly Caerphilly variant): Enhances the parody of obscure names.
  • Smoked Austrian: Likely a smoked variety of Austrian cheeses like Bergkäse, adding a processed twist.
  • Japanese Sage Darby (fictional): An invented exotic cheese combining Japanese and English elements for humor.
  • Wensleydale: Produced in the Yorkshire Dales of northern England since the 12th century by monks, this mild, crumbly white cheese has a honeyed sweetness, with its name deriving from the nearby village of Wensleydale—exemplifying the sketch's nod to regional British dairy heritage.
  • Greek Feta: A brined curd cheese from Greece, made from sheep's or goat's milk, protected under PDO since 2002, with a tangy, salty flavor.
  • Gorgonzola: An Italian blue cheese from Lombardy, with a creamy texture and pungent taste, aged in caves.
  • Parmesan (Parmigiano-Reggiano): A hard, granular Italian cheese aged at least 12 months in the regions of Parma and Reggio Emilia, grated for its nutty, umami depth; the name derives from the city of Parma.
  • Mozzarella: A fresh Italian cheese traditionally from buffalo milk, stretched into balls with a mild, milky flavor.
  • Paper Cramer (fictional or misspelling, possibly Paprika-flavored): Contributes to the litany of unavailable items.
  • Danish Bimbo (likely fictional, play on Bimbo brand or misspelling): Adds absurdity.
  • Czech sheep’s milk (likely Czech sheep cheese, such as Olomoucké tvarůžky): A smoked, tangy sheep's milk cheese from Czechia.
  • Venezuelan Beaver Cheese (fictional): A wholly invented cheese, highlighting the sketch's surreal humor.
  • Cheddar: The most widely produced English cheese, originating from the village of Cheddar in Somerset around the 12th century, ranging from mild to sharp based on aging in cloth-bound wheels.
  • Ilchester: A British cheese from Somerset, often a flavored variant like with celery or chives, but in its plain form a mild, creamy double Gloucester-style cheese.
  • Limburger: A semi-soft Belgian cheese known for its strong aroma, washed rind, and creamy interior.
This catalog not only showcases real-world dairy diversity interspersed with intentional misspellings and fictions but also mocks pedantic enumeration, as the owner's recital delays the revelation of the shop's true stock—or lack thereof.

Analysis and Themes

Humor and Structure

The Cheese Shop sketch utilizes an anti-climax , wherein the customer's repeated inquiries about increasingly specific varieties of cheese build anticipation for a successful , only for each request to be thwarted by the shopkeeper's announcement of unavailability. This technique subverts conventional expectations of a interaction, escalating the as the of absent cheeses prolongs the without resolution. The draws on violation of generic norms in , transforming mundane commerce into a of futility. Repetition serves as a core comedic tool, with the customer's persistent questioning and the shopkeeper's rote denials creating a that amplifies and highlights the illogic of the . The of cheeses functions as a , a prolonged that mimics formal or ritualistic lists, heightening the humor through accumulation rather than punchlines. This repetitive escalation motivates much of the sketch's , as the loops without progression, underscoring themes of pointless persistence. Physical comedy punctuates the verbal buildup, particularly in the shopkeeper's increasingly evasive mannerisms and the abrupt conclusion with a gunshot , symbolizing the customer's explosive exasperation. This violent denouement provides a stark contrast to the prior restraint, releasing built-up tension in a burst of . The in The Cheese Shop parallels that in the Dead Parrot sketch, where both rely on repetitive denials of a product's viability to generate escalating , though the former emphasizes verbal over .

Linguistic Features

The Cheese Shop sketch employs and extensively in the enumeration of cheese names to create a rhythmic, almost poetic cadence in the dialogue, heightening the absurdity of the exchange. For instance, the customer's request for "a little " features the repetition of the 'r' sound, while subsequent mentions of "Bel Paese" emphasize the bilabial 'b' and 'p' consonants through its iterative delivery by both characters, underscoring the shopkeeper's feigned attentiveness. This sonic patterning not only aids memorability but also parodies the formal politeness of interactions, turning a simple list into a linguistic tour de force. Euphemistic deflections permeate the shopkeeper's responses, serving as indirect excuses for the absence of stock and satirizing evasive language. Phrases like "we don't get much call for it around here" for popular varieties such as Cheddar subtly deflect responsibility onto market demand, while later explanations invoke absurd scenarios, such as the being "a bit runny," to avoid direct admission of unavailability. These indirections mimic , transforming mundane retail frustration into layered verbal . The humor arises from the escalating indirection, where the shopkeeper's polite obfuscations build tension without ever confronting the core of a cheese-less cheese . Bilingual elements are evident in the inclusion of French cheese names like and , integrated into the English dialogue to evoke continental sophistication amid the British setting. The customer pronounces them with an exaggerated English accent, contrasting the shopkeeper's broad , which mocks pretentious culinary affectations while highlighting regional linguistic divides. This phonetic play on foreign terms adds a layer of cultural , as the French origins are stripped of authenticity through anglicized delivery. The sketch's mention of Wensleydale, involving a pun on the shopkeeper's name, has been referenced in later British media like , where the cheese's near-extinction was highlighted, helping to revive its production when the creamery faced closure in the 1990s.

Legacy and Influence

Parodies and Adaptations

The Cheese Shop sketch has been adapted for live stage performances by the group. A shortened version was included in their 1982 Monty Python Live at the Hollywood Bowl, captured from shows at the in , where and reprised their roles with modifications to the dialogue, including variations in the enumerated cheeses to suit the live format. The sketch reappeared in the 2014 reunion production Monty Python Live (Mostly) at in , integrated into a medley transitioning from the Dead Parrot sketch, performed by the surviving members , , , , and , with occasional support from longtime collaborator in surrounding segments. Television parodies have drawn on the sketch's empty-shop absurdity. In the Australian comedy series Mad as Hell (2015), host presented "Canned Laughter," a direct spoof substituting canned laughter tracks for cheeses in an escalating exchange mirroring the original's frustration. Similarly, the 1984 episode "Time" of the British sitcom The Young Ones featured comedian in a rushed, chaotic rendition bursting into a shop with demands echoing the customer-shopkeeper dynamic. As of 2025, digital parodies proliferate on platforms like and .

Cultural References

The Cheese Shop sketch has contributed to the broader awareness and cultural appreciation of diverse cheese varieties in , introducing audiences to lesser-known types through its exhaustive enumeration. This popularization is evident in scholarly references to the sketch as a touchstone for cheese lore; for instance, The Oxford Companion to Cheese (2016) highlights it as a comedic benchmark that has influenced public perceptions of artisanal and international cheeses. The sketch's playful listing of options like and helped embed these names in everyday lexicon, fostering a niche among fans and food enthusiasts alike. The central conceit of a shop devoid of its core product has permeated British idiomatic expression, symbolizing fruitless or deceptive pursuits. In media commentary, phrases evoking "no cheese in the shop" have been employed to critique empty promises or stalled negotiations; a notable example appears in a 2001 BBC Talking Point discussion on the , where the sketch is analogized to the 's lack of intent to disarm, stating, "Just as there was no cheese in the shop, so the have no intention of disarming." This usage underscores the sketch's role in shaping linguistic metaphors for absurdity and evasion in public discourse. Academic examinations of the sketch within humor studies emphasize its structural innovation and thematic depth. In the Encyclopedia of Humor Studies (2014), Peter Marks analyzes Monty Python's oeuvre, including the Cheese Shop, as pioneering through escalating frustration and linguistic repetition, marking it as a high-impact example of satirical comedy that critiques consumer expectations and service interactions. Such analyses position the sketch as a seminal contribution to understanding verbal humor and anti-authoritarian wit. The sketch's global reach is demonstrated by its adaptation in translations and dubs as part of Monty Python's international broadcasts, influencing comedy styles beyond English-speaking contexts. , featuring the sketch, was dubbed into languages including , Italian, and , while the troupe produced two German-language specials, , in 1971 and 1972, performing adapted content for West German television to bridge cultural humor gaps. These efforts, involving phonetic memorization of scripts by the non-German-speaking Pythons, exemplify the sketch's adaptability and its role in exporting British to European audiences.

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