Chicken Shack
Chicken Shack is a British blues rock band formed in the mid-1960s in Stourbridge, West Midlands, England, by guitarist and vocalist Stan Webb, bassist Andy Silvester, and drummer Alan Morley.[1][2] The group evolved from an earlier ensemble known as Sounds of Blue, which had been performing in the West Midlands area since early 1964, and quickly established itself as a key player in the burgeoning British blues revival scene.[2][1] Originally featuring vocalist and pianist Christine Perfect (who later became Christine McVie of Fleetwood Mac), saxophonist Chris Wood, and subsequent drummer Dave Bidwell, Chicken Shack signed with the influential Blue Horizon Records label in 1967.[2][1] The band underwent several lineup changes, including Perfect's departure in 1969 to join Fleetwood Mac, after which keyboardist Paul Raymond took over, followed by further shifts with bassist John Glascock and drummer Paul Hancox.[2] These evolutions did not hinder their momentum, as they toured extensively, including in Germany in 1967 and the United States in 1970 alongside [Deep Purple](/page/Deep Purple).[2] Chicken Shack's breakthrough came with their debut album, Forty Blue Fingers, Freshly Packed and Ready to Serve (1968), followed by O.K. Ken? (1969) and 100 Ton Chicken (1969), which showcased Webb's raw guitar work and the band's gritty blues-rock sound.[2] Their most notable commercial success was the single "I'd Rather Go Blind" (1969), a cover of Etta James's song featuring Perfect on vocals, which peaked at number 14 on the UK Singles Chart and spent 13 weeks in the top 40.[3][2] Despite this hit and critical acclaim for their energetic live performances, the band disbanded by the end of 1973 amid personnel changes and the shifting rock landscape.[2][4] Under Stan Webb's leadership, Chicken Shack has been periodically revived in various incarnations since the 1970s, maintaining a legacy as an influential force in British blues rock, though the group remains largely inactive as of 2025.[4][2]History
Formation and early years
Chicken Shack was founded in 1965 in Stourbridge, near Birmingham, England, by guitarist and vocalist Stan Webb, bassist Andy Silvester, and drummer Alan Morley.[4][2] Stan Webb had recently left the local band The Shades 5 to join Silvester and Morley, who had been playing together in the Stourbridge-based rhythm and blues group Sounds of Blue since 1964.[2] The trio named themselves Chicken Shack after Jimmy Smith's 1963 jazz album Back at the Chicken Shack, reflecting their enthusiasm for American blues and jazz influences.[5] The band's early sound was firmly rooted in Chicago-style blues, focusing primarily on covers of classic American blues tunes.[2] Webb's fiery guitar playing drew heavily from Freddie King's aggressive Texas blues style, while the group honed their repertoire through regular gigs in local West Midlands venues, such as weekly Sunday performances at Dudley Liberal Club.[2] These appearances helped build a grassroots following in the burgeoning British blues scene, where they shared bills with other regional acts and gradually expanded to larger events like the 1967 National Jazz and Blues Festival at Windsor.[2] In early 1967, saxophonist Chris Wood joined briefly, followed by keyboardist and vocalist Christine Perfect later that year after impressing Webb and the others during informal sessions, adding a stronger vocal dimension and shifting their dynamic toward more harmonized, song-focused blues performances.[6][2] This lineup stabilization coincided with their signing to Mike Vernon's Blue Horizon Records, a key label in the British blues revival, which propelled them from local club circuits to the national stage.[7]Blue Horizon era and breakthrough
Chicken Shack's association with Blue Horizon Records marked a pivotal phase in their career, as the label, founded by producer Mike Vernon, specialized in promoting authentic British interpretations of Chicago blues and rhythm & blues during the late 1960s revival.[8] Vernon, who had previously helmed sessions for acts like Fleetwood Mac, oversaw the band's debut recordings, emphasizing their raw, energetic sound rooted in traditional blues structures influenced by artists such as Freddie King.[4] This partnership allowed Chicken Shack to capture a gritty authenticity that resonated with the burgeoning UK blues scene, blending covers of American standards with original compositions.[5] The band's breakthrough came with their debut album, 40 Blue Fingers, Freshly Packed and Ready to Serve, recorded in February 1968 at CBS Studios in London and released in June on Blue Horizon.[5] Featuring a mix of originals like "Fishing in Your River" and blues covers, the LP showcased guitarist Stan Webb's fiery leads and the band's tight rhythm section, peaking at number 12 on the UK Albums Chart and spending eight weeks in the Top 100.[3][3] Buoyed by this success, Chicken Shack embarked on extensive tours supporting prominent blues acts and performing at key venues such as London's Marquee Club, where they played on December 27, 1968, helping to cultivate a dedicated following amid the British blues revival.[4][9] In 1969, the follow-up album O.K. Ken?, also produced by Vernon and released in February, continued the band's momentum with tracks like "The Right Way Is My Way" and further explorations of blues dynamics, reaching number 9 on the UK Albums Chart.[4][3] That April, their cover of Etta James's "I'd Rather Go Blind," featuring lead vocals by Christine Perfect, became a standout single, climbing to number 14 on the UK Singles Chart and holding for 13 weeks; Perfect's soulful delivery on the track earned her Melody Maker's Top Female Singer award that year.[3][6] These releases and live efforts elevated Chicken Shack to near parity with Blue Horizon's flagship act Fleetwood Mac in UK popularity, solidifying their role in the era's blues rock surge.[4]Post-McVie changes and hiatus
Following Christine Perfect's departure from Chicken Shack in 1969 to join Fleetwood Mac after her marriage to bassist John McVie, the band underwent significant lineup adjustments to fill the void in keyboards and vocals.[10][11] Paul Raymond joined as the new keyboardist, while lead vocalist duties shifted primarily to guitarist Stan Webb, with no permanent female vocalist established in the immediate aftermath.[1][7] The revamped lineup, featuring Webb on guitar and vocals, Raymond on keyboards, Andy Silvester on bass, and Dave Bidwell on drums, recorded the band's third studio album, 100 Ton Chicken, released in late 1969 on Blue Horizon Records.[12] This release marked a stylistic evolution toward harder blues-rock elements, incorporating heavier guitar riffs and covers of tracks by artists like Clarence Carter and Freddie King, diverging from the more traditional blues of prior efforts.[13][14] This lineup also recorded the fourth album, Accept, released in 1970 on Blue Horizon. Subsequent personnel shifts further destabilized the group. In 1971, Silvester, Bidwell, and Raymond departed to join Savoy Brown. Webb reformed the band with bassist John Glascock and others, signing with Deram Records for the subsequent albums Imagination Lady (1971) and Unlucky Boy (1973), which blended original material with covers and featured guest saxophonist Chris Mercer.[12][15] Commercial underperformance, mounting pressures from the evolving rock landscape, and leader Stan Webb's personal exhaustion culminated in Chicken Shack's disbandment at the end of 1973.[12][2] Webb briefly pursued side projects, including the short-lived rock outfit Broken Glass in 1975, which released a self-titled album and signaled the close of the band's initial chapter.[16] Despite the hiatus, the band's earlier hit "I'd Rather Go Blind," sung by Perfect, continued to resonate in blues circles.[10]Reformation and ongoing activity
In 1976, following a period of hiatus, Stan Webb reformed Chicken Shack as the band's enduring leader, assembling a new lineup that included drummer Mac Poole and a brief return by bassist John Glascock to revitalize the group's blues-rock sound. The band shifted focus toward extensive live performances rather than prolific studio output, with rotating membership drawn from the British blues scene to sustain its core identity.[17] During the 1980s and 1990s, Chicken Shack maintained regular tours across the UK and Europe, appearing at prominent blues festivals such as the 1981 Reading Rock Festival, where they delivered high-energy sets emphasizing Webb's guitar prowess.[18] Key releases from this era included the studio album Changes in 1991, which showcased the band's evolving blues-rock style, and the live recording On Air later that year, capturing their touring vitality.[19] By the mid-1990s, efforts centered on preserving classic material from the 1960s, like "I'd Rather Go Blind," as setlist staples to connect with longtime fans.[1] Entering the 2000s, Chicken Shack adopted a stable touring schedule under Webb's direction, prioritizing live shows over new studio work, with the 2005 live album Still Live After All These Years documenting performances from that period.[20] No major studio releases followed after 2013's Goodbye Chicken Shack, but the band remained active through occasional live recordings and consistent European gigs; however, it has been largely inactive since the 2010s, with no major tours as of 2025.[21] The deaths of former members Paul Raymond in 2019 from a heart attack and Christine McVie in 2022 have been acknowledged in tributes during shows, highlighting their foundational contributions to the band's legacy and prompting dedications to classics like McVie's vocal showcases.[22][23]Personnel
Current members
As of 2025, Chicken Shack's active lineup centers on founder Stan Webb, who serves as lead guitarist and vocalist and has been the band's sole constant member since its inception in 1965. Known for his masterful fingerstyle guitar technique, Webb continues to define the group's blues-rock sound through his expressive playing and songwriting.[5] The band features second guitarist Gary Davies, who joined in 1988 and adds layered guitar textures to their performances. Complementing him is bassist Jim Rudge, a long-term member since 1998, whose solid bass work anchors the rhythm section. The drummer position varies, with musicians such as Mick Jones filling in for live shows.[24][25] With Webb and Davies on guitars and vocals, Rudge on bass, and a rotating drummer, the current configuration operates without a dedicated keyboardist, emphasizing a raw, guitar-centric approach rooted in classic blues traditions.[24]Former members
Christine Perfect, later known as Christine McVie, served as the band's vocalist and keyboardist from 1967 to 1969, contributing significantly to their breakthrough hits such as "I'd Rather Go Blind," which showcased her soulful delivery and helped propel Chicken Shack to prominence in the British blues scene.[26] During her tenure, she won Melody Maker's Female Vocalist of the Year award in 1969, reflecting her pivotal role in the group's sound before departing to join Fleetwood Mac, where she became a core member and co-wrote major hits like "Don't Stop."[26] McVie passed away on November 30, 2022, at age 79.[26] Andy Silvester was the original bassist, playing with Chicken Shack from its formation in 1965 until 1971, providing the rhythmic foundation for their early blues-rock recordings on Blue Horizon.[4] After leaving, he joined Savoy Brown, continuing his career in the blues-rock genre with that band through the early 1970s.[17] Alan Morley drummed for the band from 1965 to 1968, anchoring the initial trio lineup alongside founder Stan Webb and Silvester before the addition of other members expanded the group.[17] He departed amid lineup changes, after which temporary drummers like Hughie Flint filled in.[17] Paul Raymond joined as keyboardist and vocalist in 1969, replacing McVie, and remained until 1971, contributing to albums like Accept and bringing a pop-inflected edge from his prior work with Plastic Penny.[27] He made sporadic returns in the 1980s during the band's reformations and later pursued a notable career in hard rock, including stints with Wild Horses and as a longtime member of UFO from 1976 onward.[27] Raymond died of a heart attack on April 13, 2019, at age 73.[28] Dave Bidwell played drums from 1968 to 1971 (with some sources extending to 1974), supporting the band's transition to a fuller lineup and appearing on key releases like O.K. Ken?.[4] He briefly joined Savoy Brown after leaving Chicken Shack before his death in 1977 at age 31.[29] John Glascock served as bassist from 1971 to 1972, contributing to the album Imagination Lady during a transitional period for the band.[30] He subsequently joined Jethro Tull, where he played on albums like Aqualung and Thick as a Brick, until health issues forced his exit; Glascock died on November 17, 1979, at age 28, from complications of a congenital heart defect exacerbated by an infection.[31] Throughout these changes, guitarist and vocalist Stan Webb remained the sole constant member, maintaining the band's blues core across decades.[17]Timeline
Chicken Shack's lineup evolved significantly over its history, with founder Stan Webb as the constant member through multiple phases of activity and hiatus. The band's core shifted from a blues-oriented quartet in the late 1960s to various configurations in later decades, reflecting changes in personnel and musical direction.- 1965: Formed as a trio with Stan Webb on guitar and vocals, Andy Silvester on bass guitar, and Alan Morley on drums.[32]
- 1967: Expanded to a quartet with the addition of Christine Perfect on keyboards and vocals; Morley was replaced on drums by Dave Bidwell.[5]
- 1969: Perfect departed to join Fleetwood Mac and was replaced by Paul Raymond on keyboards and vocals; this lineup recorded the album 100 Ton Chicken.[5]
- 1970: The band continued with Webb, Silvester, Bidwell, and Raymond, releasing Accept.[5]
- 1971: A major departure wave occurred as Silvester, Bidwell, and Raymond left to join Savoy Brown, leaving Webb to reform as a power trio with John Glascock on bass and Paul Hancox on drums.[32]
- 1974: The band disbanded following lineup instability and poor commercial performance.[5]
- 1976: Webb reformed Chicken Shack with rotating members, including bassists like Bob Daisley and drummers such as Keef Hartley, marking a restart focused on live performances.[33]
- 1980s–1990s: Various lineups toured and recorded sporadically, with frequent changes including guitarists like Miller Anderson and drummers like Mac Poole in related projects, maintaining a blues-rock core around Webb.[34]
- 2000s–present: Stabilized with the addition of Gary Davies on guitar in 1988 and Jim Rudge on bass in 1998, alongside Webb; the band continues occasional touring.[35]
Discography
Studio albums
Chicken Shack's studio albums primarily emerged during their active periods in the late 1960s and early 1970s, with additional releases following the band's reformation. The early Blue Horizon recordings, produced by Mike Vernon, emphasized blues rock interpretations of classic standards alongside emerging originals, capturing the band's raw energy and Stan Webb's guitar work. Subsequent albums on Deram and later labels explored more original songwriting, reflecting lineup changes and evolving influences, though chart success was limited to the initial breakthroughs.[37]| Album | Year | Label | Peak Chart Position |
|---|---|---|---|
| 40 Blue Fingers, Freshly Packed and Ready to Serve | 1968 | Blue Horizon | UK #12[3] |
| O.K. Ken? | 1969 | Blue Horizon | UK #9[3] |
| 100 Ton Chicken | 1969 | Blue Horizon | - |
| Accept | 1970 | Blue Horizon | - |
| Imagination Lady | 1972 | Deram | - |
| Unlucky Boy | 1973 | Deram | - |
| Changes | 1991 | Inakustik | - |
Compilations and live releases
Chicken Shack's retrospective compilations have primarily focused on aggregating their early singles, album tracks, and previously unreleased material from the Blue Horizon and Deram eras, often highlighting the contributions of former members like Christine Perfect. These releases, issued by labels such as Decca and See For Miles, have provided comprehensive overviews of the band's blues-rock output without introducing new studio recordings.| Title | Year | Label | Format | Notes |
|---|---|---|---|---|
| The Best of Chicken Shack | 1974 | Decca | LP | Collection of early singles and tracks featuring Christine Perfect, including "I'd Rather Go Blind" and "When My Left Eye Jumps".[39] |
| The Very Best of Chicken Shack | 1990 | See For Miles | CD | 20-track retrospective spanning 1968–1973, drawing from studio albums like Forty Blue Fingers, Freshly Packed and Ready to Serve.[40] |
| The Complete Blue Horizon Sessions | 2005 | Universal/Spectrum Music | 3-CD | Exhaustive compilation of all Blue Horizon recordings, including alternate takes and unreleased tracks from 1967–1969 sessions.[41] |
| Poor Boy: The Deram Years 1972–1974 | 2006 | Repertoire Records | 2-CD | Remastered anthology of Deram label material, featuring tracks from Unlucky Boy and related singles with rarities.[42] |
| Title | Year | Label | Format | Notes |
|---|---|---|---|---|
| Goodbye Chicken Shack | 1974 | Nova (Germany) | LP | Recorded live in Germany during 1973 tours; features nine tracks including "Everyday I Have the Blues" and "Going Down"; reissued as Go Live Chicken Shack in 1994 by Repertoire Records.[43] |
| On Air | 1991 | Windsong | CD | Compilation of live BBC radio sessions from the late 1960s and early 1970s, showcasing original lineup performances.[44] |
| Stan "The Man" Live | 1995 | Inakustik | CD | Live recordings from mid-1990s European tours by Stan Webb's Chicken Shack, combining originals and covers.[45] |
| Still Live After All These Years | 2003 | Angel Air | CD | Official live album from early 2000s performances, highlighting the reformed band's continuity in blues-rock.[46] |
Singles
Chicken Shack's singles output was primarily concentrated during their Blue Horizon period in the late 1960s, with several releases featuring vocals by Christine Perfect (later McVie). These 7-inch vinyl singles were issued on the Blue Horizon label and contributed to the band's chart success in the UK. Later activity saw limited physical releases, with some tracks reissued digitally in the 2000s.| Year | A-Side / B-Side | Label (Catalog No.) | UK Chart Peak | Notes |
|---|---|---|---|---|
| 1968 | "When the Train Comes Back" / "Hey Baby" | Blue Horizon (57-3146) | - | Overdubbed horn section added to the A-side track from the debut album 40 Blue Fingers, Freshly Packed and Ready to Serve; non-charting release. [47] |
| 1969 | "I'd Rather Go Blind" / "Night Life" | Blue Horizon (57-3153) | #14 | Cover of Etta James' blues standard, featuring lead vocals by Christine Perfect; spent 13 weeks on the UK Singles Chart. [48] [3] |
| 1969 | "Tears in the Wind" / "The Things You Put Me Through" | Blue Horizon (57-3160) | #29 | Final single with Christine Perfect on vocals; spent 4 weeks on the UK Singles Chart. [49] [50] |
| 1970 | "Maudie" / "Andalucian Blues" | Blue Horizon (57-3168) | - | Post-departure of Perfect, with Joan Bainter on vocals; non-charting release associated with the album Accept. [51] |