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Clancy of the Overflow

"Clancy of the Overflow" is a bush ballad poem by Australian writer A. B. "Banjo" Paterson, first published in The Bulletin on 21 December 1889.^[1] The poem consists of eight stanzas and is narrated by a city office worker who yearns for the free life of his acquaintance Clancy, a drover on a remote station in the Australian outback. It contrasts urban drudgery with the romanticized bush existence, evoking themes of nostalgia, mateship, and the tension between city and country life.^[2] The poem is believed to draw from Paterson's experiences as a lawyer in Sydney, including correspondence with a real drover, Thomas Gerald Clancy, though Paterson denied basing it on any specific individual.^[3] Thomas Gerald Clancy claimed in a 1910 interview to be the inspiration, supported by his diaries and a will witnessed by Paterson.^[3] Since publication, it has become a key work in Australian literature, anthologized widely, set to music (notably by Slim Dusty), adapted for media, and referenced in Paterson's The Man from Snowy River (1890). It embodies the nation's outback heritage and has inspired responses like Thomas Gerald Clancy's 1897 "Clancy's Reply."^[4]^[5]

Authorship and Historical Context

Banjo Paterson

Andrew Barton Paterson, commonly known as Banjo Paterson, was born on 17 February 1864 at Narrambla, near Orange in New South Wales, Australia.^[6] He grew up in rural settings, initially at Buckinbah station near Obley and later at Illalong station in the Yass district after his family relocated there in 1869, experiences that immersed him in bush life, horsemanship, and the traditions of stockmen and bullock drivers, fostering his lifelong affinity for outback themes in literature.^[6] Paterson attended a local bush school at Binalong before boarding at Sydney Grammar School, where he matriculated in 1880 but failed to win a university scholarship.^[6] In 1882, Paterson began articles of clerkship in a Sydney legal firm and was admitted as a solicitor on 28 August 1886, eventually partnering with John William Street around 1889 to form a practice that operated until 1899.^[6] This urban legal career starkly contrasted with his growing literary interests, as he began contributing verse to The Bulletin in 1885 under the pseudonym "The Banjo," derived from the name of a favorite family racehorse.^[6] His early poems, including "Clancy of the Overflow" published in December 1889, gained quick popularity and marked him as an emerging voice in Australian bush balladry.^[6] Paterson's breakthrough came with "The Man from Snowy River," first published in The Bulletin on 26 April 1890, followed by "Waltzing Matilda" in 1895, both of which solidified his reputation as a pioneer of the genre, celebrating the rugged individualism of the Australian bush.^[6] Paterson's adventurous spirit led him to serve as a war correspondent during the South African (Boer) War from 1899 to 1900.^[6] During World War I, at age 50, he initially joined the Australian Imperial Force in October 1914 as a press representative but, unable to secure a correspondent role, enlisted as a private ambulance driver in France before being commissioned as a lieutenant on 18 October 1915 and rising to major in the remount service in the Middle East.^[7]^[6] After the war, he worked as a journalist and editor, including stints at the Sydney Evening News from 1903 to 1908 and as editor of The Sydney Sportsman from 1922, before retiring around 1930 to focus on writing, such as his children's book The Animals Noah Forgot in 1933.^[6] Paterson died on 5 February 1941 in Sydney.^[6]

Inspiration and Composition

"Clancy of the Overflow" was composed by Andrew Barton Paterson in 1889, during his time as a solicitor in Sydney, as Australia underwent significant urbanization that heightened contrasts between city and country life.^[4] The poem's primary inspiration stemmed from Paterson's professional duties, when he sent a letter of demand to a drover named Clancy at The Overflow sheep station near Nymagee, New South Wales.^[8]^[3] The response he received, reportedly scrawled in rough handwriting, informed him that "Clancy's gone to Queensland droving, and we don't know where he are," igniting Paterson's romantic vision of the itinerant bush life.^[8] Scholars and family traditions propose several possible real-life models for the character Clancy, including Thomas Gerald Clancy, an Irish-born drover active in New South Wales who later penned a satirical reply poem in 1897 and whose will Paterson witnessed in 1910. Another candidate is Thomas Michael MacNamara, a Queensland drover and skilled horseman whose descendants claim he embodied the poem's free-spirited figure, particularly given his travels and connections to outback stock work.^[3]^[9] Paterson drafted the work amid a wave of nostalgia for his own rural youth on the Illalong property near Yass, aligning it with the bush ballad tradition popularized in The Bulletin, where it first appeared on 21 December 1889. This genre often highlighted the allure of rural independence against urban monotony, a theme Paterson explored through Clancy's imagined adventures. The character recurs in Paterson's subsequent poem "The Man from Snowy River," published in 1890, where Clancy joins the ride as an expert horseman.^[4]^[10]

Poem Analysis

Narrative Summary

The poem "Clancy of the Overflow" is narrated in the first person by a clerk working in a cramped, noisy office in Sydney, where he manages endless paperwork amid the chaos of urban life, including the clanging of tram bells and the dust from files and streets.^[11] Seeking respite, the clerk recalls a letter he sent to his former colleague Clancy, addressed simply to "Clancy, of The Overflow," only to receive a reply from Clancy's shearing mate informing him that Clancy has left for Queensland to drive sheep.^[11] In his daydreams, the clerk envisions Clancy's free-spirited existence in the outback, riding behind slowly moving stock along the Cooper Creek, singing as he goes, and greeting bush friends in the breezes and river murmurs, culminating in nights under the "wondrous glory of the everlasting stars."^[11] This idealized rural adventure starkly contrasts with the narrator's daily drudgery, surrounded by the "fiendish rattle" of city traffic, the foul air, and the hurried, pallid faces of townsfolk who lack time to grow or waste.^[11] The narrative unfolds across eight quatrains, progressing from the clerk's urban complaints to vivid rural fantasies, and concludes with his envious wish to trade places with Clancy, doubting that the drover would endure the confines of office life.^[11] Through this plot, the poem evokes the theme of urban versus rural life.^[11]

Structure, Style, and Themes

"Clancy of the Overflow" consists of eight quatrains composed in trochaic octameter, consisting of eight trochaic feet (stressed-unstressed pattern, typically 15-16 syllables per line), which establishes a steady, marching rhythm reminiscent of oral bush ballads and facilitates recitation.^[12]^[13] This metrical structure contributes to the poem's musical quality and narrative drive, evoking the cadence of storytelling around a campfire.^[12] The rhyme scheme follows an ABCB pattern in each stanza, where the second and fourth lines rhyme, lending emphasis to key descriptive elements and reinforcing the poem's lyrical flow.^[14] Masculine end rhymes predominate, aligning with the ballad form's simplicity and vigor, while occasional internal rhymes add to the conversational tone.^[15] Paterson employs a range of literary devices to heighten the poem's evocative power, including vivid imagery that contrasts the harsh "foetid air and gritty" of the city with the "sunlit plains extended" of the bush.^[16] Personification portrays the urban environment as an oppressive, "fiendish" mechanism with its "rattle, discord, clangour," while the rural landscape is idealized through sensory details like the "murmur of the breezes" and "wondrous glory of the everlasting stars."^[16] Alliteration, such as in "splendid sunlit plains," and assonance in phrases like "stingy ray," further enhance the auditory appeal, drawing readers into the dual worlds depicted.^[16] The poem's core themes revolve around nostalgia for the simplicity and vastness of rural Australia, a pointed critique of the dehumanizing pace of industrial urban existence, and the exaltation of the drover's independent, self-reliant lifestyle as a symbol of authentic freedom.^[17] These ideas are conveyed through the urban-rural contrast, which serves as a vehicle for exploring broader tensions between civilization and nature. The style reflects influences from Scottish and English folk ballad traditions, adapted via Australian vernacular elements like "droving" and "shearing" to infuse the work with local color and accessibility.^[18] This fusion creates a distinctly national voice, blending romanticism with colloquial directness.^[19]

Publication History

Initial Publication

"Clancy of the Overflow" first appeared in the Christmas number of The Bulletin on 21 December 1889, signed under the pseudonym "The Banjo."^[20]^[21] The poem occupied page 21 of the issue, presented without illustrations amid sketches and prose contributions labeled "[FOR THE BULLETIN]."^[22] The Bulletin, Sydney's prominent nationalist magazine founded by J. F. Archibald and John Haynes in 1880, served as a key platform for emerging Australian voices.^[23]^[24] By the late 1880s, it had become a hub for bush poetry and literature that celebrated the outback as emblematic of Australian character, countering British colonial influences with a distinctly local perspective.^[25] The poem received quick popularity among readers, marking an early success for its author and aligning with The Bulletin's efforts to cultivate national identity in the years leading to federation debates.^[26]^[24] Paterson, who had been submitting verses to the magazine since 1885, found in this publication a receptive outlet for his bush ballads.^[6]

Subsequent Editions and Anthologies

Following its initial appearance in The Bulletin, "Clancy of the Overflow" was first included in book form in A. B. Paterson's collection The Man from Snowy River and Other Verses, published by Angus & Robertson in Sydney in October 1895.^[27] This volume, featuring 50 bush ballads selected by the poet, was an immediate commercial success, with the first edition of 1,000 copies selling out within a week and approximately 7,000 copies sold in the first few months, undergoing multiple reprints that contributed to its status as a cornerstone of Australian literature.^[6] The poem appeared in subsequent Paterson collections, including The Collected Verse of A. B. Paterson (Angus & Robertson, 1921), which gathered his works up to that point and reinforced his reputation as a leading bush poet. Later editions, such as the comprehensive Banjo Paterson: Complete Poems (Angus & Robertson, 1983), continued to feature the poem alongside classics like "The Man from Snowy River," ensuring its preservation in modern print formats. It has also been anthologized in broader Australian poetry selections, such as Bertram Stevens's An Anthology of Australian Verse (Angus & Robertson, 1906), which highlighted Paterson's contributions to the national literary canon. From the early 20th century, "Clancy of the Overflow" saw regular inclusion in Australian poetry compilations, reflecting the enduring appeal of bush ballads during periods of national consolidation, including World War I when such verses evoked rural ideals amid wartime mobilization.^[28] Its presence in educational materials, such as school anthologies and teaching resources, further cemented its role in shaping Australian identity, with print runs of Paterson's works underscoring the genre's widespread circulation.^[2] In the digital era, the poem has been archived on platforms like Wikisource, making it freely accessible as part of public domain collections. These reprints and anthologizations helped solidify bush ballads as a foundational genre, with "Clancy of the Overflow" exemplifying the romanticized outback life that resonated nationally.^[6]

Adaptations and Media Representations

Musical and Audio Adaptations

"Clancy of the Overflow" has been adapted into various musical and audio formats, primarily within the Australian country and folk traditions, where the poem's bush ballad style lends itself to sung and spoken interpretations. One of the earliest and most influential musical settings was recorded by country singer Slim Dusty in 1974, featuring a simple acoustic arrangement that captured the poem's nostalgic tone and became a staple in Australian country music repertoires.^[29] This version, adapted by Dusty from Banjo Paterson's original text, emphasized the narrative's rhythmic flow with guitar accompaniment, contributing to its enduring popularity in live performances and radio play. Subsequent adaptations expanded the poem's presence in folk music circles. In 1980, the duo Wallis & Matilda released a rendition on their album Pioneers: A Musical Tribute to A.B. (Banjo) Paterson, setting the verses to a harmonious folk melody with harmonica and guitar, evoking the droving life described in the poem.^[30] The Bushwackers Band, known for their bush band style, included a lively version in 1976, often performed with traditional instruments like accordion and fiddle to accompany community events and festivals.^[31] These country and folk interpretations highlight the poem's themes of rural freedom, frequently integrated into broader sets of Australian bush ballads. Notable audio recitations have preserved the poem's spoken-word essence. Australian actor Jack Thompson delivered a dramatic reading in 2012 for the opening of the APRA AMCOS Screen Music Awards, his gravelly voice underscoring the bush ballad tradition and drawing on his portrayal of Clancy in the 1982 film The Man from Snowy River.^[32] Thompson also recorded the poem in 2008 on the album The Bush Poems of A.B. (Banjo) Paterson, providing a straightforward, evocative narration suitable for educational and reflective listening.^[33] In the digital era, audio adaptations of "Clancy of the Overflow" have proliferated on platforms like YouTube and Spotify. Versions from the 2010s include performative uploads of Slim Dusty's recording and folk covers by contemporary artists, alongside educational recitations used in Australian literature classes, making the poem accessible to global audiences while maintaining its cultural resonance.^[34]

Film and Visual Adaptations

The character Clancy from Banjo Paterson's poem was first visualized on screen in the 1982 Australian Western film The Man from Snowy River, directed by George T. Miller, where he appears as a rugged drover and skilled horseman aiding the protagonist during a dramatic brumby roundup.^[35] Australian actor Jack Thompson portrayed Clancy, emphasizing his bushman expertise and camaraderie in the rugged High Country setting.^[36] The film's visual storytelling extended Clancy's role beyond the poem's narrative, integrating him into key action sequences that highlighted Australian frontier life, with Thompson's performance drawing on the character's legendary status in Paterson's works.^[37] The accompanying original motion picture soundtrack, composed by Bruce Rowland, featured a dedicated instrumental track titled "Clancy's Theme," which underscored the character's thematic presence in the visuals. Clancy was referenced in the 2002 stage musical The Man from Snowy River: Arena Spectacular, a large-scale production with live action, projections, and equestrian performances that evoked the poem's world, mentioning him as a crack rider and friend to the lead character during a recitation segment.^[38] In 2004, a dedicated feature film adaptation centered on Clancy's adventures was announced, to be directed by Simon Wincer—who had executive produced the 1982 film—with a planned budget of around A$30 million for an epic cattle drive narrative from Queensland to the southern states.^[39]^[40] The project, produced by Edgley International, aimed for international appeal through romantic and action-oriented visuals but was ultimately shelved by mid-2004 amid funding challenges.^[41]^[42] The character has appeared in brief visual cameos within Australian television documentaries on bush poetry during the 1990s and 2000s, often illustrated through archival footage, animations, or reenactments to contextualize Paterson's influence on national literature.^[4]

Cultural Legacy

Reception and Critical Interpretations

Upon its publication in the Christmas 1889 issue of The Bulletin, "Clancy of the Overflow" was widely praised for evocatively capturing the Australian bush spirit and the allure of rural freedom, resonating with readers amid the colony's growing sense of national distinctiveness.^[43] The poem's inclusion in A. B. Paterson's 1895 collection The Man from Snowy River and Other Verses significantly boosted his reputation, cementing the work as a cornerstone of early Australian vernacular poetry that celebrated the outback lifestyle over urban drudgery.^[26]^[21] Early critical responses highlighted the poem's romanticization of bush life, prompting parodies that underscored its idealized portrayal. In 1897, Thomas Gerald Clancy published "Clancy's Reply," a satirical counterpoint that depicted the drover's existence as fraught with exhaustion, isolation, and physical hardship, contrasting sharply with Paterson's nostalgic vision of sunlit plains and carefree wandering.^[44] Twentieth-century scholarship positioned "Clancy of the Overflow" as a key text in the formation of Australian national identity, particularly during the lead-up to Federation in 1901. The Oxford Companion to Australian Literature (1985) describes it as emblematic of the bush ballad tradition, which fostered a shared cultural imaginary of rugged individualism and anti-urban sentiment that helped coalesce colonial sentiments into a federated identity.^[21] Later analyses, such as those in mid-century literary histories, affirmed its enduring role in embedding these motifs into the nation's literary canon, where it "passed deservedly into the nation's traditions" alongside works like "The Man from Snowy River."^[45] Modern interpretations have increasingly applied feminist and postcolonial lenses to interrogate the poem's assumptions. Feminist critiques, including those in studies of gender in Australian literature, argue that the text marginalizes women by confining them to absent or domestic roles, while glorifying a masculine frontier ethos that excludes female agency in the bush narrative.^[46]^[47] Postcolonial readings from the 2010s onward examine its idealization of white settler life, portraying the outback as a harmonious space that erases Indigenous presence and the violences of colonization, thus reinforcing imperial nostalgia over historical realities.^[17]^[48]

Influence on Australian Identity and Modern References

"Clancy of the Overflow" has significantly contributed to Australian mythology by embodying the bush ethos of self-reliance, adventure, and endurance, particularly resonant during the 1901 Federation and the Anzac era. The poem's depiction of the drover Clancy navigating vast, challenging landscapes reinforces core national ideals of mateship and resilience, positioning the bushman as an archetypal hero in the collective imagination. This romanticized portrayal helped forge a unified sense of Australian identity tied to the outback, contrasting urban drudgery with rural freedom.^[49]^[6] The poem's inclusion in Australian school curricula dates back to the early 20th century, where it has served as a key text for instilling national pride and exploring themes of cultural heritage. Widely taught in secondary education, particularly from Year 8 onward, it introduces students to the bush ballad tradition and its role in defining Australian values like egalitarianism and connection to the land. Through classroom analysis, it fosters appreciation for the nation's rural roots amid growing urbanization.^[50]^[51]^[52] In contemporary society, "Clancy of the Overflow" continues to influence through modern references and adaptations that reinterpret its themes for today's context. Notable homages include "clancy@theoverflow," a 1990s tech parody by physicist Joe Wolfe that reimagines the drover's isolation in the digital age via email mishaps, and "The Mountain Biker from Snowy River," a 2000s update shifting the epic ride to urban mountain biking while preserving the spirit of rugged determination. These works highlight the poem's enduring appeal in addressing urbanization and technological change.^[53]^[54] Parodies and tributes extend the poem's legacy, evolving beyond early responses such as "Clancy's Reply" (1897) and "The Overflow of Clancy" (1892) to include 21st-century satirical pieces that critique environmental shifts in the outback, such as drought and land use changes. These modern iterations use humor to reflect on how the idealized bush life contrasts with current ecological realities, maintaining the poem's relevance in public discourse.^[55] The poem remains a fixture in cultural events, frequently recited at Australia Day gatherings to evoke national spirit and recited in media broadcasts. A prominent example is the 2014 ABC Radio National episode "Was Clancy of the Overflow a Real Person?," which delved into the historical inspirations behind the character, underscoring its mythic status in Australian storytelling.^[3]^[56] Recent adaptations include a country rock remix by The Rivertones released in September 2025 and an upcoming musical production titled Clancy of the Outback – A Musical Adventure, based on a children's book series inspired by the poem, announced for stages across Australia in 2025. Additionally, a July 2024 essay in Quadrant magazine by Robert Clancy uses the poem's title to explore the historical role of squatters in Australia's development.^[57]^[58]^[59]

References

[1]
https://www.middlemiss.org/lit/authors/patersonab/poetry/clancy.html
[2]
Overflowing with envy of Clancy's splendid life - ABC News
Jul 20, 2022 · This poem is an Australian bush ballad, narrated by a city office worker who imagines that Clancy's life as a shearer and drover in the outback would hold far ...Missing: analysis history
[3]
Banjo Paterson & Clancy of the Overflow - Susannah Fullerton
Mar 1, 2024 · The poem has become a part of Australian culture. In 1897 a man named Gerlad Clancy penned Clancy's Reply, presenting a far from glowing picture ...
[4]
Was Clancy of the Overflow a real person? - ABC Radio National
Feb 27, 2014 · Bush poet Banjo Paterson always maintained his poems were pure invention, but there is convincing evidence that one of his best loved characters was a real ...Missing: origin | Show results with:origin
[5]
Top 10 iconic Banjo Paterson bush ballads - Australian Geographic
Feb 17, 2014 · It's based on a letter Paterson received from Thomas Gerald Clancy which he replied to, only to receive the reply: “Clancy's gone to Queensland ...Missing: origin | Show results with:origin
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Andrew Barton (Banjo) Paterson - Australian Dictionary of Biography
Andrew Barton (Banjo) Paterson (1864-1941), poet, solicitor, journalist, war correspondent and soldier, was born on 17 February 1864 at Narrambla near ...Missing: origin | Show results with:origin
[7]
Fifty Australians - Banjo Paterson
Feb 5, 2020 · On the outbreak of the First World War Paterson left Australia with the first AIF convoy in October 1914 as a press representative. The ...
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Clancy the drover leads poet Banjo Paterson from Sydney law office ...
Feb 11, 2018 · A LETTER of demand to a drover named Clancy linked Sydney lawyer Banjo Paterson ... Clancy of the Overflow for the Christmas 1889 edition ...
[9]
Clancy of the Overflow identified, buried in Griffith - The Area News
The real Clancy was Thomas Michael MacNamara, who died August 28, 1943 and was buried in the Catholic section of Griffith Cemetery.
[10]
Clancy of The Overflow [poem by Banjo Paterson]
May 4, 2012 · The poem is written from the point of view of an office worker (a city-slicker, as some might say). The writer imagines what Clancy's rural life ...
[11]
CLANCY OF THE OVERFLOW by Banjo Paterson (1864 - 1941)
... journal - But I doubt he'd suit the office, Clancy, of "The Overflow". The Bulletin, 21 December 1889. Return to the A.B. 'Banjo' Paterson page. Return to ...
[12]
What is the meter of the following excerpt of the poem ... - Gauth
Rating 5.0 (2) The question asks about the meter of the excerpt from the poem "Clancy of the Overflow." The excerpt is from the first stanza of the poem, which is written in a ...
[13]
Ballads | PDF - Scribd
The excerpt provides details on the characteristics, structure, language, and an example of a ballad called "Clancy of the Overflow. ... 8 stanzas,4 lines each, ...
[14]
Octameter: Poetry, Meaning & Examples | StudySmarter
Oct 28, 2022 · ... Clancy of the Overflow' (1889). What are octameter lines? A line of octameter contains eight metrical feet. How do you use octameter in a ...
[15]
[PDF] Task for The ABC Book of Australian Poetry - Amazon AWS
... Clancy of The Overflow. (The. Overflow is an area near Nymagee in NSW). The poem has a recurring ABCB rhyme scheme and each line is of very similar length ...
[16]
None
### Summary of Analysis of "Clancy of the Overflow" from https://www.tsfx.edu.au/resources/1439.pdf
[17]
[PDF] Violence and the Poetry of Lionel Fogarty - Postcolonial Text
'Banjo'. Paterson's 1889 poem “Clancy of the Overflow.” In Paterson's romanticized outback, the bush that Clancy inhabits is a peaceful, friendly, pleasurable ...
[18]
Bush ballad | Penny's poetry pages Wiki - Fandom
Australia's musical traditions include the English, Scottish, and ... Clancy of the Overflow by Paterson. Modern writers and singers: When the Rain ...
[19]
[DOC] Session 3 Alison Robertson File 01 Australian Poetry from Bush ...
It has a regular rhyme scheme (such as rhyming couplets, or alternate lines rhyming, or even internal rhymes within lines – look at Clancy of the Overflow). 5.
[20]
https://nla.gov.au/nla.obj-488923924
[21]
Clancy of the Overflow - Oxford Reference
Clancy of the Overflow. Quick Reference. A poem by A. B. Paterson, was first published in the Christmas 1889 number of the Bulletin under the pseudonym 'The ...
[22]
CHRISTMAS NUMBER OF THE BULLETIN Vol. 10 No. 514 (21 Dec ...
[FOR THE BULLETIN.] 20. The Veteran. 20. Flowers for the Dead. AN UP-COUNTRY SKETCH. 21. “Clancy of the Overflow.” [FOR THE BULLETIN.] 21. A VOYACE HOME IN THE ...
[23]
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From 1886, Archibald opened the magazine up to contributions from its readers, and this led to a flow of poetry, short stories and cartoons from all over ...
[24]
The Bulletin | AustLit: Discover Australian Stories
In 1880, when J. F. Archibald and John Haynes published the first issue of the Bulletin, weekly newspapers were flourishing in Sydney.
[25]
The Bulletin | Australian newspaper - Britannica
1890s and through the Sydney Bulletin, verse and prose portrayed the Outback as the home of the true Australian—the bush worker: tough, laconic, and self ...
[26]
Full article: 1890s Romanticism: Banjo Paterson, Henry Lawson and ...
Feb 28, 2024 · The “burning” of “fancy verses” establishes a dialogue with Paterson's breakout poem “Clancy of the Overflow,” in which “wild erratic fancy ...
[27]
The Man from Snowy River and Other Verses
And Clancy of the Overflow came down to lend a hand, No better horseman ever held the reins; For never horse could throw him while the saddle-girths would stand ...
[28]
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Jan 13, 2015 · The ranks of bush balladists rapidly thinned after the first world war as Australia's self-image shifted, although genuine bushies like ...Missing: impact | Show results with:impact
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Clancy of the Overflow written by Slim Dusty | SecondHandSongs
The song Clancy of the Overflow was written by Slim Dusty and Banjo Paterson and was first released by Slim Dusty in 1974. It was adapted from Clancy of the ...
[30]
Clancy of the Overflow written by John Wallis - SecondHandSongs
The song Clancy of the Overflow was written by John Wallis and Banjo Paterson and was first released by Wallis & Matilda in 1980. It was adapted from Clancy ...
[31]
Jack Thompson reading Clancy of the Overflow from The ... - YouTube
Jan 8, 2013 · Clancy of the Overflow written by Banjo Patterson and recited by Australian actor Jack Thompson for the opening of the 2012 Screen Music ...
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[33]
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Listen to Clancy Of The Overflow on Spotify. Song · Slim Dusty · 1989.Missing: adaptations | Show results with:adaptations
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'Clancy' comes to big screen droving - ABC News
May 31, 2004 · In 1982's The Man from Snowy River, Jack Thompson played the role of Clancy. Director Simon Wincer says the new film will appeal to ...
[35]
Jack Thompson reads 'The Man From Snowy River'
Jack Thompson, who played Clancy in the 1982 movie adaptation, reads Banjo Paterson's 'The Man from Snowy River' at the Hotel Gearin in Katoomba, NSW.
[36]
Man From Snowy River, The (1982) -- (Movie Clip) They've All ... - TCM
Jul 25, 2018 · ... Clancy (Jack Thompson), vindicated when he arrives to visit with ranch owner Harrison (Kirk Douglas), in director George T. Miller's The Man ...
[37]
The Man from Snowy River – The Poem | Confer Australia
May 11, 2019 · Stage musical: The Man from Snowy River: Arena Spectacular starring Martin Crewes as “Jim Ryan” (the Man) and Georgie Parker as “Kate Conroy”.
[38]
Simon heads for the Overflow - The Sydney Morning Herald
Apr 1, 2004 · The film will feature an epic cattle drive from Queensland to the southern states. It centres on a mythical bushman "who has gone to Queensland ...
[39]
A Down Under oater - Variety
Jul 1, 2004 · The producers of Aussie Western "Clancy of the Overflow" are seeking a U.S. studio deal and bank financing for the A$29 million ($20.3 ...
[40]
Clancy seeks cash overflow - AFR
Jun 18, 2004 · Simon Wincer, who was also an executive producer of The Man from Snowy River, will direct. Wincer has few fans among critics. He directed Paul ...
[41]
Signed photograph of Banjo Paterson | naa.gov.au
Paterson's early poems Clancy of the Overflow (1889) and The Man from Snowy River (1890) established him as a writer of fluent, entertaining verse that caught ...
[42]
Clancy's Reply [poem by Thomas Gerald Clancy, 1897]
Mar 22, 2014 · This poem, allegedly written by “Clancy” (Thomas Gerald Clancy), was composed as a reply to Banjo Paterson's poem, “Clancy of the Overflow”Missing: inspiration | Show results with:inspiration
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Australian Literature, 1901-1951 - jstor
Man from Snowy River" and "Clancy of the Overflow" have passed deservedly into the nation's traditions. With him goes Henry. Lawson, whose sympathy and ...
[44]
Sight Lines: Women's Art and Feminist Perspectives in - jstor
River and Clancy of the Overflow. Women were generally limited to roles of wife and mother, left to maintain and civilize the rudi- mentary bush home while ...
[45]
Australia in Three Books - Meanjin
... Clancy of the Overflow. Women had little place on Paterson's frontier. Although Lawson gave it a go with 'The Drover's Wife' (1892), an earthy portrayal of ...
[46]
The Concept of 'Home' in Albert Camus' The Guest and A. B. ...
Paterson's "Clancy of the Overflow" within the historical context of imperialism and globalization. It discusses how both authors navigate themes of identity, ...
[47]
Godzone 3: Myth and Reality - Meanjin
He was the Man from Snowy River, firm in the saddle, and the Man with the Donkey, carrying wounded mates through shot and shell; he was Clancy of the Overflow ...Missing: bush | Show results with:bush
[48]
[PDF] Ecr collaboration in designing and delivering an australian literary ...
We chose Banjo Paterson's 1889 poem, 'Clancy of the Overflow', and Henry Lawson's 1892 short story, 'The Drover's Wife', to show students two different but ...
[49]
[PDF] Bastards of the Bush
since the 1890s the discrepancy was central to its meaning, whether the uniqueness of a noble bushman like “Clancy of the Overflow” in 1894 or the ridiculous of ...
[50]
[PDF] Education or the bush: The origins of the Anzac legend John Della ...
Dec 11, 2022 · Clancy of 'Clancy of the Overflow', was Bean's professional mentor, friend, and AIF. 10 Ken Inglis, C.E.W. Bean, Australian Historian, The Anzac ...
[51]
clancy@theoverflow .. and .. The Mountain Biker from Snowy River
clancy@theoverflow and The Mountain Biker from Snowy River: twenty-first century homages to two of Banjo Patterson's creations. ... and his Clancy of the Overflow ...Missing: Paterson | Show results with:Paterson
[52]
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[53]
Bush Poetry | Warren Fahey
Paterson's 'Clancy of the Overflow' where the poet reflects on the hurrying ... The 'Centenary Edition: 'Banjo' Paterson's Old Bush Songs' was awarded ...
[54]
Banjo Paterson: is he still the bard of the bush? | Poetry | The Guardian
Jan 30, 2014 · Best known for the folk song Waltzing Matilda and the ballads The Man from Snowy River and Clancy of the Overflow, Andrew Barton "Banjo ...<|control11|><|separator|>