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Cutwork

Cutwork is a decorative needlework technique in which sections of a woven fabric ground, typically linen or cotton, are precisely cut away to create openwork patterns, with the raw edges finished and reinforced using embroidery stitches such as buttonhole, satin, or overcast to prevent fraying and enhance the design.^[1]^[2] Often executed in white thread on white fabric as a form of whitework, it produces a lacy effect that contrasts light and shadow, distinguishing it from solid embroidery or drawn-thread work.^[1]^[3] Originating in Italy during the Renaissance in the 14th to 16th centuries, cutwork—known initially as punto tagliato or "cut point"—began in Roman Catholic monasteries where nuns produced ecclesiastical textiles for church vestments and altar linens.^[2]^[3] The technique evolved from earlier drawn-thread methods, with larger areas of fabric removed to form geometric or floral motifs, laying the groundwork for reticella (a denser geometric style) and eventually needle lace by the 16th century.^[1] It spread across Europe as a symbol of wealth and status, popularized among nobility through royal patronage, including Mary Tudor and Elizabeth I in England during the 16th century.^[2] In France, cutwork gained prominence in the 17th century under King Louis XIII and was named Richelieu after Cardinal Richelieu, who favored it for collars, cuffs, and household linens; this variant emphasized fine outlines, connecting bars (brides), and sometimes picots for added delicacy.^[3] The process involves outlining the design with running stitches on fine fabrics like lawn or organza, reinforcing edges with blanket or buttonhole stitches, carefully cutting away the interior fabric, and embroidering supportive bars to bridge open areas, ensuring structural integrity while achieving an airy, ornamental appearance.^[3]^[1] Beyond Europe, cutwork influenced regional styles, such as the Indian chikankari (featuring jaali mesh effects without cutting) and hakoba (eyelet embroidery), adapting the openwork aesthetic to local textiles and motifs from the 17th century onward.^[2] Mechanization began in the mid-19th century with the invention of schiffli embroidery machines in 1863, which automated production for garments, tablecloths, and accessories, evolving further with computerized advancements in the late 20th century while preserving the technique's artisanal appeal.^[2]^[4] Today, cutwork remains valued for its elegance in fashion and home decor, bridging historical craftsmanship with modern applications.^[1]

Overview

Definition and Principles

Cutwork is a decorative needlework technique in which portions of a textile, typically cotton or linen, are precisely cut away to form open designs, with the resulting edges reinforced by embroidery stitches to prevent fraying and create a stable, ornamental structure.^[5]^[6] This method, also known as punto tagliato in Italian, produces intricate patterns that reveal the underlying surface, often resulting in a lightweight, airy appearance suitable for linens, garments, and household items.^[2] The fundamental principles of cutwork revolve around the careful removal of fabric to achieve openwork effects, followed by the application of stabilizing stitches around the cut edges and within the voids. Common stitches include buttonhole for edging the openings, satin for outlining motifs, and running stitches for initial marking or connecting elements, which collectively secure the design and mimic the delicacy of lace without the need for weaving or knotting threads from scratch.^[7]^[8] These techniques emphasize precision to maintain fabric integrity, transforming solid cloth into patterned transparency through subtraction rather than addition.^[5] What distinguishes cutwork from other embroidery forms is its openwork nature, where negative space becomes an integral part of the aesthetic, contrasting with solid stitching that covers the fabric surface. Historically, it evolved from simple eyelet perforations in medieval textiles to more elaborate geometric and floral compositions during the Renaissance, originating in 14th-century Italy and spreading across Europe.^[2]^[6] The basic process involves marking the design on stabilized fabric, cutting along the outlined areas, and then stitching to finish the edges, yielding a lace-like elegance that highlights the interplay of presence and absence in the material.^[5] Common variations, such as reticella with its grid-like voids or broderie anglaise featuring scalloped edges, exemplify this evolution while adhering to the core mechanics of cutting and embroidering.^[7]

Types and Variations

Cutwork embroidery manifests in various types and variations, each defined by distinctive patterns, stitching methods, and visual effects that range from subtle perforations to expansive openwork. One of the primary types is reticella, which employs grid-based geometric cuts to remove sections of fabric, creating a structured, lace-like network of threads that emphasizes angular motifs such as squares and rectangles.^[1] Originating in 15th-century Italy, reticella resembles early lace through its partial fabric removal, resulting in floating shapes that produce a light, semi-transparent aesthetic.^[9] Renaissance cutwork builds on this foundation with elaborate floral motifs, where dense buttonhole or satin stitching outlines and interconnects the cut areas to form intricate, interconnected designs.^[10] This variation achieves a balanced opacity and openness, often used to adorn linens with motifs that highlight natural forms like leaves and vines. Broderie anglaise represents another core type, featuring eyelet-style round or oval holes with scalloped edges finished in buttonhole or overcasting stitches, typically arranged in floral patterns for a delicate, airy appearance.^[1] Popular in 19th-century England and France, it prioritizes clean, decorative perforations that enhance the fabric's lightness without extensive removal. Among other notable variations, Richelieu work involves bold cutouts filled with straight or radiating bars (brides) secured by buttonhole stitches and picots, yielding a bold, lacy outcome ideal for tablecloths and garments.^[3] Eyelet fabrics simplify this further with isolated round holes edged in overcasting, often produced via machine for uniform, minimalist openwork effects.^[10] Poltava-style cutwork, a Ukrainian geometric openwork, integrates hemstitching along with overcast bars and cross stitches to frame cut motifs like zigzags or squares, creating a refined, translucent pattern through combined flat and open elements.^[11] Variations differ markedly in complexity, with simple single-layer cuts focusing on basic fabric removal and edge finishing for straightforward patterns, contrasted by multi-layer approaches that overlap designs to build depth and shadow play through staggered stitching and voids.^[1] Over time, cutwork has evolved from opaque, stitch-dominant forms to increasingly transparent effects, where extensive fabric removal and bar connections paved the way for modern lace development by bridging embroidery and lacemaking traditions.^[9]

History

Origins and Early Development

Cutwork, known in its earliest form as punto tagliato, emerged in Italy during the 14th century as an advanced evolution of drawn-thread work, where threads were withdrawn from linen fabric to create open patterns before cutting and edging the designs.^[9]^[12] This technique likely drew from earlier European embroidery practices.^[1] By the late 14th century, punto tagliato had become a refined craft, primarily executed on fine white linen using white thread to produce delicate, geometric motifs that mimicked the appearance of lace.^[6]^[2] During the 15th and 16th centuries, cutwork advanced significantly in Renaissance Italy, particularly through the development of reticella, a more intricate variant where larger sections of fabric were removed, leaving a grid of threads bridged by embroidery to form floating, lace-like patterns.^[1]^[13] Reticella gained prominence in ecclesiastical vestments and elite attire, symbolizing purity and sophistication in religious and courtly contexts, with examples appearing in Italian altar cloths and collars by the mid-1500s.^[10] A key technical milestone occurred in the late 16th century with the widespread adoption of buttonhole stitches to reinforce cut edges, enhancing durability and allowing for bolder, more expansive designs without fraying.^[14] This innovation marked cutwork's transition from a domestic embroidery skill to a luxury art form favored in royal Italian courts.^[6] By the 17th century, cutwork had spread across Europe, reaching France and England through the dissemination of printed pattern books that standardized motifs and techniques for broader audiences.^[15] The first such books appeared in Germany around 1520, followed by Italian publications in the 1530s and subsequent editions in France and England by the early 1600s, which adapted reticella-inspired designs for local needleworkers.^[15] This era also saw cutwork's interplay with emerging lacemaking traditions, as reticella served as a direct precursor to needlepoint lace (punto in aria), where embroidery stitches were applied without a fabric ground to create free-standing networks.^[13]^[10] The printing press's role in proliferating these patterns democratized access, elevating cutwork from monastic and household production to a coveted status symbol in European nobility.^[15]

Regional Traditions

In Italy, punto tagliato emerged as a prominent form of cutwork during the Renaissance, featuring intricate floral and geometric motifs such as foliage, blossoms, leaves, and vases that were buttonholed around cut sections of linen fabric.^[16] This technique was extensively used in ecclesiastical items like 16th-century Venetian altar cloths made with cutwork and punto in aria, showcasing elaborate openwork patterns for liturgical decoration.^[17] It also appeared in secular fashion, adorning collars and cuffs in early modern Italian attire as detachable whitework elements that highlighted status through fine needlework.^[18] In France, cutwork gained prominence in the 17th century under King Louis XIII and was named Richelieu after Cardinal Richelieu, who favored it for collars, cuffs, and household linens; this variant emphasized fine outlines, connecting bars (brides), and sometimes picots for added delicacy.^[3] In England, cutwork was popularized among nobility through royal patronage, including Mary Tudor and Elizabeth I during the 16th century, where it symbolized wealth and status in attire and household textiles.^[2] Central European traditions, particularly in regions like the Czech Republic and Poland, adapted cutwork into whitework styles with symmetrical patterns on linen, often incorporating eyelets and spiderweb fillings for decorative open areas. In Czech folk costumes, such as aprons from the Blata region, cutwork borders with white embroidery framed symmetrical motifs, contributing to the ornamental details of traditional attire and household linens.^[19] Polish variants, known as snutki or spiderweb embroidery, developed in the 18th century as imitations of Italian lace, featuring cut sections filled with web-like stitches in symmetrical designs for blouses and accessories in folk ensembles.^[20] On the Portuguese island of Madeira, cutwork evolved into broderie anglaise variants during the 19th century, characterized by precise eyelet and bar techniques on fine cotton fabrics, often with floral-inspired openwork. This style gained international recognition after the 1851 Great Exhibition in London, leading to its commercialization as luxury exports, particularly fine handkerchiefs that emphasized delicate white-on-white detailing for elite markets in England and Germany.^[21]^[22] Northern European adaptations, seen in Sweden and the Netherlands, blended cutwork with drawn-thread techniques to create hybrids featuring minimalist geometric grids and open spaces on linen textiles. In Sweden, hålsöm emphasized open grid patterns through cut and hemstitched sections, commonly applied to traditional smocks and household items for subtle ventilation and decoration.^[23] Dutch examples from Friesland incorporated similar drawn-cut elements, such as satin-stitched borders with eyelets and withdrawn threads, in whitework for everyday garments and linens, reflecting regional influences from broader European whitework practices.^[24] In Ukraine's Poltava region, cutwork manifested in geometric patterns with simple shapes like triangles, rhombuses, and stars, often executed in white-on-white on linen for traditional clothing, though some variants incorporated red thread accents for contrast in folk motifs.^[25]^[26] Non-European adaptations included influences in India from the 17th century, where cutwork inspired regional styles such as hakoba eyelet embroidery and elements in chikankari featuring jaali mesh effects.^[2] Minor influences also appeared in colonial Americas through European settlers who introduced basic cutwork techniques for household linens, blending them sparingly with local textile practices.^[27]

Techniques

Hand Cutwork Methods

Hand cutwork embroidery involves a meticulous process of preparing the fabric, outlining designs with stitches, carefully removing portions of the material, and securing the edges with specialized embroidery techniques to create open, lacy patterns.^[7] This manual method requires precision to prevent fraying and ensure durability, distinguishing it from automated approaches by its reliance on hand tools and stitches.^[28] Preparation begins with transferring the design onto the fabric using methods such as tracing with a disappearing ink pen or water-soluble marker, often against a light source like a window or lightbox to outline motifs with parallel lines spaced about 1/8 inch apart and dotted lines indicating areas for supporting bars.^[28] To stabilize the fabric and maintain even tension, it is secured in an embroidery hoop or frame, which keeps the material taut during stitching.^[7] Initial outlining stitches, such as double running stitch, are worked along the design lines to define the areas to be cut, while buttonhole bars—formed by three long taut threads over the dotted lines—are added to bridge and support connected elements.^[29] Cutting techniques employ sharp, fine-pointed embroidery scissors or craft knives to remove the designated fabric portions precisely after the outlining and bar stitches are complete.^[28] Cuts can be straight for geometric shapes, curved for organic motifs, or intricate for detailed patterns; the process typically involves folding the fabric slightly, snipping from the center or reverse side, and trimming gradually to avoid damaging the stitches or bars, with care taken to cut only the marked threads in techniques like Hardanger where four threads are removed at a time against satin-stitched blocks.^[30]^[7] Stitching methods focus on finishing the exposed edges and infills to prevent unraveling and enhance the decorative effect. The buttonhole stitch, worked at right angles to the outlining threads, is essential for edging cut areas, with the needle passing under the corded edge to create a neat, looped finish.^[28] For bridges between design elements, buttonhole bars are reinforced by densely stitching over the initial threads, often eye-first to tighten the loops evenly.^[29] Satin stitch fills solid areas within the design for contrast, while bar or spoke stitches—such as needle weaving—form lacy connections in open spaces; overcasting may be used initially to handle fraying by loosely stitching around raw edges before final cutting.^[30]^[7] Finishing entails gently washing the piece in mild soapy water to remove any marking ink, stabilizers, or stray fibers, followed by rinsing, blocking if needed, and pressing while damp on a soft surface like terry cloth to achieve flatness.^[30] Common challenges include maintaining consistent thread tension to avoid puckering, correcting errors by re-stitching over minor cuts, and managing fraying through careful overcasting, with imperfections often embraced as part of the handmade charm.^[28]^[7] Skill levels in hand cutwork range from beginner projects featuring simple eyelets—small round cuts edged with buttonhole stitches in styles like Broderie Anglaise—to advanced works involving multi-layer Renaissance-inspired designs with extensive bar networks and satin fillings for complex, translucent effects.^[7]

Machine and Laser Cutwork

Machine cutwork emerged during the 19th-century Industrial Revolution, adapting traditional openwork techniques like broderie anglaise through innovations such as the Schiffli shuttle machines developed by Isaac Groebli in Switzerland, which enabled large-scale production of lace-like effects mimicking hand embroidery.^[31] These early machines combined threaded needles with shuttles to stitch intricate patterns on fabric, allowing for programmed cuts and reinforcements that contrasted with labor-intensive hand methods by prioritizing efficiency and uniformity.^[31] Modern machine adaptations utilize sewing machines equipped with zigzag or cutwork feet, where designs are first outlined with dense satin or zigzag stitches to secure edges before the inner fabric is carefully removed, often using fusible interfacing for stability during the process.^[32] Laser cutwork, developed in the late 20th century with the advent of computer-controlled CO2 lasers, revolutionized industrialized production by enabling precise fabric removal without physical contact, achieving speeds up to several times faster than mechanical methods while ensuring edge sealing through heat fusion to prevent fraying.^[33] In this technique, designs are digitized using software such as Wilcom EmbroideryStudio, where raster images are converted into cut paths via simple tools like auto-tracing, requiring minimal manual digitizing before exporting to laser systems for execution.^[34] The process integrates laser cutting with automated embroidery machines, where cuts create voids that are subsequently filled with programmed stitches or needle lace, followed by post-processing steps like washing to remove any residue and applying edge finishes if needed beyond the laser's natural sealing.^[33]^[34] Advancements in laser cutwork include integration with CNC (computer numerical control) systems for multi-axis precision and AI-optimized nesting, which maximize material utilization and support mass production of complex patterns unattainable by hand.^[35] Environmentally, these methods reduce fabric waste from traditional 15-30% levels to 5-9% through exact cuts, conserve water by eliminating wet processing, and lower energy consumption by approximately 50% compared to mechanical alternatives, though they require effective fume extraction to mitigate emissions.^[35]^[36] Limitations persist, including a less artisanal aesthetic due to uniformity and potential fabric scorching from laser heat, particularly on heat-sensitive synthetics, necessitating careful parameter adjustments.^[33]^[36]

Materials and Tools

Fabrics and Threads

Cutwork embroidery requires lightweight, tightly woven fabrics that provide a stable base for precise cutting while minimizing fraying around removed sections. Ideal options include cotton organdy, fine linen, and batiste, which offer a crisp structure suitable for creating intricate openwork patterns.^[37]^[38] These fabrics typically feature thread counts between 100 and 200 threads per inch, allowing for fine detailing without excessive puckering during stitching.^[39] Even-weave constructions, such as those found in quality linens, are preferred to ensure uniform tension and ease in outlining cuts.^[40] Threads for cutwork must balance visibility for decorative edging with sufficient strength to secure the fabric's remaining edges against unraveling. Cotton or silk perle cotton in sizes #8 to #12 provides the necessary sheen and flexibility for hand stitching, enabling clear definition in both fine and bold designs.^[41] Mercerized cotton threads are particularly valued for their enhanced tensile strength, which reinforces cut edges effectively without adding bulk.^[42] Color selection varies by style: white or neutral tones suit traditional whitework, while vibrant shades enhance colored motifs in modern interpretations.^[38] Key material properties influence suitability for cutwork, with high tensile strength essential to maintain integrity after cuts and during embroidery. Natural fibers like cotton and linen exhibit good absorbency for dyes, allowing even color penetration in patterned areas.^[38] In contrast, synthetic blends such as polyester-infused fabrics offer durability for machine-based cutwork, resisting wear in high-production settings, though they may lack the natural drape of pure cottons.^[43] Proper preparation ensures optimal results, starting with pre-washing fabrics to eliminate shrinkage risks that could distort designs post-completion. Delicate options benefit from lightweight interfacing applied to the reverse side, providing added stability without altering the fabric's transparency or hand.^[44]^[45] Traditional regional styles, such as Italian punto tagliato, often employ fine linen for its inherent stability in hand techniques.^[38]

Tools and Supplies

Cutwork embroidery requires a selection of precise tools to ensure clean cuts and secure stitching, whether executed by hand or machine. For hand methods, essential basic tools include embroidery needles in sizes 7 to 10, which are suitable for fine work on delicate fabrics due to their sharp points and larger eyes that accommodate embroidery threads without fraying them.^[46] Sharp fabric scissors, such as 3.5-inch Dovo embroidery scissors with pointed blades, are indispensable for making accurate cuts in the fabric after outlining stitches, minimizing damage to surrounding areas.^[47] Seam rippers complement these by allowing for precise removal of threads or minor corrections without unraveling larger sections.^[48] Among supplies that maintain fabric tension and aid in preparation, embroidery hoops or frames—typically 6 to 8 inches in diameter—hold the work taut to prevent puckering during stitching and cutting.^[48] Water-soluble stabilizers, such as wash-away types like Wet N Gone, or tissue paper are used underneath the fabric to support the design transfer and stabilize cut areas, dissolving cleanly after completion to reveal openwork effects.^[49] For advanced hand techniques, magnifying lamps provide illumination and enlargement for intricate detailing, reducing eye strain on fine motifs. Beeswax cakes condition threads by smoothing and strengthening them, preventing tangles during embroidery around cut edges. Cutting mats offer a protective surface for safe scissor work, safeguarding both tools and work surfaces from damage. These items are compatible with lightweight fabrics and fine threads commonly used in cutwork.^[48] Machine-specific tools expand precision for automated cutwork. Laser cutters, particularly CO2 models with 40-60 watt power, enable contactless cutting of fabric layers for complex patterns, ideal for modern applications.^[50] Embroidery machines equipped with cutwork modules, such as the BERNINA CutWork Tool—a rotating blade attachment that cuts up to 15 layers—integrate seamlessly with compatible models like the BERNINA 830 or aurora series.^[51] Accompanying software, including BERNINA CutWork Suite, allows users to design and sequence motifs for direct machine loading via USB, facilitating editable cut lines and appliqué integration.^[51] Proper maintenance extends tool longevity. Sharpening stones or professional services keep scissors and seam rippers keen for clean cuts, while rust-preventive storage in padded cases or oil cloths protects metal components like needles and blades from corrosion, especially in humid environments.^[52]

Applications

Traditional Uses

Cutwork has long been integral to traditional apparel, particularly in Renaissance Europe where it adorned collars, cuffs, and hems of gowns to signify wealth and refinement. In Italy and England during the 16th and 17th centuries, reticella variants decorated ruffs and partlets, as seen in Queen Elizabeth I's wardrobe inventories, emphasizing geometric and floral patterns that enhanced the opulence of elite attire. In Central European folk costumes, eyelet cutwork featured prominently in Polish blouses, with intricate panels on cuffs and collars in regions like Poznań, reflecting regional craftsmanship in everyday and festive wear. For household and ceremonial purposes, cutwork embellished table linens, altar cloths, and christening gowns, often with symbolic motifs such as florals representing purity, fertility, and spiritual devotion. Italian nuns produced reticella cutwork for ecclesiastical vestments and altar frontals between 1480 and 1620, incorporating religious iconography like wheels and leaves to honor divine worship and monastery traditions. In Madeira, cutwork formed essential dowry pieces from the 15th century onward, decorating linens and garments passed through generations as symbols of familial heritage and marital preparation. Socially, cutwork held significant status as a luxury indicator from the 16th to 18th centuries, adorning portraits of nobility and signifying refined taste among the upper classes, while its creation underscored gender roles through domestic production by women and nuns. These pieces also carried cultural weight in ceremonial contexts, such as christening gowns evoking innocence. Preservation efforts maintain examples in institutions like the Victoria and Albert Museum, including 17th-century altar frontals, and as cherished heirlooms in private collections.

Modern and Commercial Uses

In contemporary fashion, cutwork has experienced a revival through laser-cut panels and eyelet details, enhancing garments with delicate, modern transparency. Designers like Valentino have incorporated intricate cutwork embroidery in collections such as the Spring-Summer 2012 ready-to-wear line, where lace-like effects and subtle perforations created ethereal silhouettes in neutral tones accented by vibrant pops. Similarly, Red Valentino's 2020 Spring-Summer presentation featured cutwork holes alongside sangallo lace and needlework, appearing in dresses, tops, and accessories to evoke playful, perforated motifs inspired by decorative arts. In lingerie and accessories, laser-cut techniques offer seamless edges for comfort and durability, contributing to minimalist aesthetics. As of 2025, cutwork remains a key trend in embroidery fashion, with innovative designs in dresses, suits, and trousers featured in seasonal collections and social media inspirations.^[53]^[54]^[55] For home decor, machine-embroidered cutwork adorns items like curtains and napkins, blending functionality with elegance in everyday settings. Sustainable applications utilize recycled fabrics, such as organic cotton or upcycled linens, to create eco-conscious table linens and window treatments that reduce environmental impact while maintaining traditional motifs. Platforms like Spoonflower enable custom cutwork patterns on sustainable materials, allowing for personalized, mass-produced decor that aligns with modern interior trends.^[56]^[57] Commercial production of cutwork has scaled through embroidery software and automated machines, facilitating mass-market items like affordable apparel and home goods. Tools such as Wilcom and EmbroideryWare digitize cutwork designs for high-volume output, enabling efficient creation of eyelet panels and lace effects on industrial embroidery equipment. Handmade revivals thrive on marketplaces like Etsy and at craft fairs, where artisans offer bespoke cutwork pieces, contrasting with software-driven production for broader accessibility.^[58]^[59]^[60] Innovations in cutwork include fusions with techniques like appliqué, where digital patterns combine cutouts with fabric overlays for textured, layered effects suitable for both fashion and decor. Machine embroidery software now generates hybrid designs, such as cutwork appliqué corners, streamlining production for home sewers via downloadable files compatible with consumer machines. These advancements allow precise replication of intricate motifs without manual cutting.^[61]^[62] Current trends emphasize eco-friendly dyes and ethical sourcing, with cutwork producers adopting organic threads and recycled polyester to minimize waste in garment and decor manufacturing. Post-2000, social media has fueled a resurgence, with platforms sharing tutorials and inspiring a Gen Z-led revival of embroidery techniques, including cutwork, for upcycling and personal expression. This digital influence has boosted popularity, integrating cutwork into sustainable, customizable projects.^[63]^[64]^[65]

References

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Jul 15, 2015 · My fabrics of choice include 100% linen, silk, wool, cotton, and, occasionally, blends made from these fibers (i.e. wool / silk blends, linen / ...
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Fabric for Embroidery: The Beginner's Guide
Nov 22, 2022 · Lower thread counts relate to a lower number of threads per inch, while higher thread counts relate to a higher number of threads per inch.Missing: properties | Show results with:properties
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DMC #107 Brilliant Cutwork Embroidery Thread Size 30 (40m) - White
Composed of 100% long staple cotton fibres of the highest quality. During the manufacturing process, the cotton is combed, twilled and double mercerized, thus ...
[41]
MERCERIZED COTTON THREAD - Dharma Trading
Rating 4.6 (14) · 30-day returns30wt Cotton General Purpose Thread is 100% Extra Long Staple Egyptian Cotton and is Mercerized for luster and strength. Can be used for all purpose sewing on ...Missing: edges | Show results with:edges
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Creative Cutwork for Knits - Threads Magazine
Nov 4, 2021 · The secret to cutwork on knits is using two different temporary stabilizers. The first stabilizer applied is an iron-on tear-away that controls the knit's ...Missing: principles | Show results with:principles
[43]
How To Preshrink Fabric For Sewing | Whipstitch
Dec 5, 2022 · All fabric needs to be prepared before cutting for sewing. Any shrinkage that takes place should happen to the YARDAGE, and then the pattern pieces cut out.Missing: cutwork | Show results with:cutwork
[44]
Video: Stabilize Lightweight Fabrics With Interfacing - Threads
Oct 5, 2016 · Video: Stabilize Lightweight Fabrics With Interfacing. Learn how to add stability to lightweight fabrics with three interfacing techniques.Videos In The Series · More Video Series · More From Threads<|control11|><|separator|>
[45]
https://www.threadsmagazine.com/2016/10/05/video-stabilize-lightweight-fabrics-with-interfacing
[46]
Dovo Embroidery Scissors - Mary Corbet's Needle 'n Thread
$$62.00 to $65.50 In stock $9.60 delivery$62.00 · Anne - Dovo's popular 3.5" embroidery scissors, brushed stainless steel, both blades pointed, perfect for every kind of fine surface embroidery, cutwork ...
[47]
Tools and Materials for Embroidery - Instructables
Embroidery hoops are used to hold fabric taut while stitching. · Embroidery scissors are small and sharp, perfect for trimming floss cleanly and closely.
[48]
How to Do Cutwork Machine Embroidery Step-by-Step
You can use any embroidery scissor, but I highly suggest using 6-inch double-edge curved scissor when it comes to cutwork embroidery. The reason is because of ...
[49]
https://embroiderylegacy.com/how-to-do-cutwork-embroidery-tutorial/
[50]
BERNINA CutWork Tool - cut directly with the machine
With the CutWork software and the CutWork tool, up to 15 layers can be cleanly cut out at once, depending on the material. You maintain precise edges quickly ...
[51]
Sharp and Small: Scissors for Hand Embroidery - NeedlenThread.com
Jan 21, 2009 · A decent pair of Gingher (made in Germany and very widely available) embroidery scissors run from $15 – $30, depending on the type and where you find them.
[52]
Effortless Lace and Embroidery at Valentino - The Cutting Class
Grazia Chiuri and Pier Paolo Piccioli, as the creative directors at Valentino, are finding ever more intricate ways to work with lace, and lace-like effects.
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Red Valentino 2020 Spring Summer Womens Presentation
Sep 4, 2019 · Red Valentino with designer Pierpaolo Piccioli conduct their 2020 Spring Summer Womens Runway Catwalk Looks during New York Fashion Week in the United States.Missing: modern | Show results with:modern
[54]
Angelina Wire-Free Microfiber Laser Cut Bralette (6-Pack)
Double layer front with removable cups · LASER CUT edge finish for invisible line effect · Ultra SOFT and SILKY microfiber material · Hand wash, line dry.
[55]
Cutwork Fabric, Wallpaper and Home Decor - Spoonflower
4.0 506 · $8 delivery · 30-day returnsShop Cutwork fabric by the yard, wallpapers and home decor items with hundreds of amazing patterns created by indie makers all over the world.
[56]
Cutwork Curtains - Amazon.com
Sustainability features. This product has sustainability features recognized by trusted certifications. ... Contains at least 50% recycled material.
[57]
Commercial Embroidery | Industry Solutions - Wilcom
Wilcom's software empowers businesses to create high-quality embroidery designs, with cutting-edge digitizing and editing capabilities.
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EmbroideryWare - Embroidery Digitizing software only $119
At $119 it is the most affordable full embroidery digitizing program available. Download your free 30 day trial. No credit card required.Tutorials · Testimonials · Digitizing Software · Shop
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Cutwork Embroidery - Etsy
4.7 1.5K Check out our cutwork embroidery selection for the very best in unique or custom, handmade pieces from our patterns shops.
[60]
Machine Embroidery Cutwork Designs - Etsy
4.7 1.5K Check out our machine embroidery cutwork designs selection for the very best in unique or custom, handmade pieces from our patterns shops.
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The Cutwork Design Tutorial: Applique Corner - YouTube
Apr 30, 2015 · Join Kathy and Lori Hernandez as they share how to create a beautiful cutwork design using an embroidery machine.Missing: manual steps preparation stitching finishing
[62]
Eco-Friendly Embroidery: How Sustainable Practices Are Changing ...
Aug 23, 2024 · Social media platforms, hobby forums, and workshops dedicated to eco-friendly embroidery are helping spread these important messages.Missing: cutwork sourcing 2000
[63]
https://merlinembroidery.com/2024/08/23/eco-friendly-embroidery-how-sustainable-practices-are-changing-the-industry/
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BBC says embroidery "coming back" for gen Z - free article linked
Apr 13, 2024 · Embroidery is enjoying a resurgence as a new generation taps into its potential – both for upcycling clothes and for making an empowering declaration.Missing: cutwork 2000<|separator|>