DJ Homicide
Craig Anthony Bullock (born December 17, 1970), better known by his stage name DJ Homicide, is an American DJ, musician, rapper, singer, record producer, and radio personality.[1] Best recognized as the longtime DJ and turntablist for the rock band Sugar Ray from 1994 to 2010,[2] he contributed to the group's breakthrough success, including their multi-platinum albums and hits like "Fly," which helped sell over 10 million records worldwide.[3] His career spans more than three decades, encompassing hip-hop roots, rock collaborations, radio hosting on stations like Power 106 in Los Angeles, and production work for artists on labels such as Def American Records and Capitol Records.[4] Bullock, who adopted the "DJ Homicide" moniker after a 1990s DJ battle, began DJing in 1985 and later founded his own label, CA Records, through which he has released edited hip-hop and R&B tracks in recent years.[5][6] Beyond music, he has appeared in films including Scooby-Doo (2002) and The Sweetest Thing (2002), often portraying himself or DJ roles.[7] As a radio host, he has presented shows such as "Friday Night Flava's" on Power 106 and "The Blast" on SKEE 24/7 via Dash Radio.[8][9]Early life
Upbringing in Pasadena
Craig Anthony Bullock, professionally known as DJ Homicide, was born on December 17, 1970, in Pasadena, California.[10] He spent his formative years growing up in this suburban city northeast of Los Angeles, immersed in its unique blend of cultural and natural beauty.[10] Pasadena, affectionately nicknamed the "City of Roses" for its world-famous annual Tournament of Roses Parade and the designation of the rose as its official flower since 1961, profoundly shaped Bullock's early identity.[11] The moniker reflects the city's floral heritage and vibrant community events, which Bullock honored with a prominent tattoo across his shoulders reading "City of Roses."[10] This personal tribute underscores the deep-rooted connection to his hometown, where roses symbolize both local pride and personal nostalgia. During the 1980s, as a teenager in Pasadena, Bullock discovered his passion for music through the dynamic radio landscape of Southern California. The pioneering hip-hop broadcasts on stations like KDAY, which introduced the genre to a wide audience starting in 1983, ignited his interest in DJing.[10][12] This exposure to local hip-hop artists and innovative radio programming laid the foundation for his future career, fostering an appreciation for turntablism and the energetic beats emerging from the West Coast scene.Family background
DJ Homicide, born Craig Anthony Bullock, grew up in a close-knit family in Pasadena, California, where his immediate relatives provided a supportive environment during his formative years. A significant personal loss occurred in 2004 when his father passed away, an event that left a deep emotional impact on Bullock, influencing his perspective on life and relationships.[10]Musical career
Early career and influences
Homicide's DJ and production style was profoundly shaped by the vibrant Southern California hip-hop scene of the 1980s and early 1990s, particularly through exposure to pioneering radio stations that amplified the genre's growth. Growing up in the region, he drew inspiration from local broadcasts on stations like KBLA 1580, which introduced him to influential hip-hop tracks and DJ techniques during his formative years starting in 1985. This built upon the broader impact of KDAY, the nation's first 24/7 hip-hop station, which popularized West Coast artists and electro-funk pioneers such as The World Class Wreckin' Cru and Egyptian Lover, fostering Homicide's appreciation for turntablism and beatmaking in a community-driven environment.[5][12] His early path gained further momentum through connections in the hip-hop world, including a recommendation from DJ Lethal of House of Pain that would later lead to opportunities with Sugar Ray. Following this, Homicide joined the Los Angeles-based hip-hop crew The Colored Section, where he served as a core member alongside rappers Coke and Che'-Ski. In 1998, the group released their debut and only album, Bomb M.C., on RPM Records, with Homicide handling production and scratches on key tracks including "Introduction," "Light Skinned," and "The Bomb." His contributions emphasized raw, minimalist beats rooted in '90s underground hip-hop, featuring sharp cuts and samples that complemented the crew's socially conscious and streetwise lyrics, earning critical praise for its authenticity within the L.A. rap landscape.[13][14]Time with Sugar Ray
DJ Homicide, whose real name is Craig Anthony Bullock, joined Sugar Ray in 1994 toward the end of the recording sessions for the band's debut album, Lemonade and Brownies. The album, released in 1995, included additional scratches by Homicide, signaling his early involvement, though he became a full member for live performances and subsequent projects. His addition came at a time when the band was shifting from underground rap-rock influences to broader appeal, helping to elevate their profile after initial sales of around 60,000 copies.[5][15] Over the next 15 years, Homicide played a key role in Sugar Ray's evolution, contributing to production, songwriting, and background vocals on albums beginning with Floored (1997) and notably 14:59 (1999). He co-wrote tracks such as "Someday" from 14:59 and provided turntables, samples, programming, keyboards, and backing vocals across the record, infusing hip-hop elements like scratching and loops into the band's pop-rock sound. One of his most recognizable contributions was delivering the spoken hook—"Shut the door baby, don't say a word"—in the hit single "Every Morning" from 14:59, which topped charts and helped the album achieve multi-platinum status. Similar credits appear on later releases like Sugar Ray (2001) and In the Pursuit of Leisure (2003), where he is listed for turntables, backing vocals, and co-writing on several songs, maintaining the blend of sunny pop hooks with hip-hop flair that defined the band's commercial peak.[16][17] In live settings, Homicide's turntable mastery and sound manipulations were central to Sugar Ray's high-energy tours, adding dynamic scratches, loops, and transitions that enhanced songs like "Fly" and "Every Morning" during performances. His hip-hop expertise allowed the band to incorporate freestyle elements and beat-matching, distinguishing their shows from standard rock concerts and contributing to sold-out arenas in the late 1990s and early 2000s. This role solidified his place in the lineup through extensive touring, including the 14:59 tour where he used custom DJ tools for seamless set integration.[5][16] Homicide's tenure ended on August 22, 2010, when Sugar Ray announced his departure via their official Twitter account, concluding a formative era for the band as they entered a period of reduced activity.[18]Solo career and label
DJ Homicide embarked on a solo DJ career in the mid-2000s, performing mash-ups in nightclubs and securing a residency in Las Vegas that highlighted his turntablism expertise.[5] DJ Homicide has since expanded into production, contributing tracks to artists including five songs on U-God's 2013 album Keynote Speaker. He maintains an active performance schedule at events, such as AIR MACK's CREW, and has incorporated a mix of hip-hop, R&B, and eclectic elements into his sets, exemplified by his blends of 1980s, 1990s, and 2000s R&B tracks.[19][20] DJ Homicide founded CA Records in 2024. As of November 2025, the label's inaugural 7-inch single, Pause Lion / Ghetto Scenario (CA001), features raw, bass-heavy hip-hop cuts and is available for pre-order with a release scheduled for November 28, 2025. The label's second release, a collaboration with King Most on Waiting 4 U / Playin' For Money (CA002), is slated for February 9, 2026, blending boom-bap rhythms with sultry vocals and also open for pre-order.[21][22]Other professional activities
Radio hosting
DJ Homicide has hosted radio programs including Friday Night Flava's on Power 106 in Los Angeles.[8] He also serves as the host of The Blast, a radio program broadcast on SKEE 24/7 through the Dash Radio platform.[9] The show debuted in March 2015, initially airing weekly on Friday nights from 7 to 10 p.m. PT on Dash Radio's Loud channel, co-hosted with Ben Baller.[23] The Blast emphasizes a diverse musical selection spanning contemporary genres from the 1980s onward, with a strong focus on hip-hop and R&B programming, including mash-ups, throwbacks, new releases, and original tracks that highlight Homicide's expertise as a DJ and producer.[10] Episodes often incorporate discussions on hot topics, social media humor, and features spotlighting top DJs, such as tributes to influential figures in the scene like DJ AM, blending audio content with cultural commentary.[23] Audience engagement is facilitated through interactive elements, including promotions via social media platforms like Instagram, where listeners are encouraged to follow hosts and the station for updates, live announcements, and community interaction tied to the broadcasts.[23] This approach leverages Homicide's established DJ background to create dynamic, listener-driven segments within the show's format.[10]Acting and media appearances
DJ Homicide, whose real name is Craig Anthony Bullock, made his film debut as a member of the band Sugar Ray in the 1997 comedy Father's Day, directed by Ivan Reitman and starring Robin Williams and Billy Crystal. In the movie, the band performs during a scene at a club, showcasing their early rap-rock style as part of the plot involving a search for a runaway teenager.[24] Bullock reprised his role as DJ Homicide with Sugar Ray in the 2002 live-action adaptation of Scooby-Doo, where the band appears as themselves in a concert sequence that integrates into the mystery storyline featuring Shaggy, Scooby, and the gang solving a supernatural puzzle on Spooky Island. This appearance highlighted Sugar Ray's pop-rock hits during the film's promotional tie-ins with Warner Bros.[25] In addition to films, DJ Homicide guest-starred alongside Sugar Ray on the NBC series Las Vegas in the 2004 episode "Sons and Lovers" from season one. The band performs live at the fictional Montecito Casino, tying into a subplot about a high-roller's daughter infatuated with lead singer Mark McGrath, blending their music with the show's casino drama.[26] Beyond acting roles, DJ Homicide participated in various media appearances during Sugar Ray's peak popularity in the late 1990s and early 2000s, often promoting the band's albums and tours. For instance, in 1999, he joined guitarist Rodney Sheppard for an interview with HBO Pictures, discussing the band's transition from rap-rock roots to mainstream success with hits like "Fly."[27] Similarly, in 2005, Bullock appeared on The Howard Stern Show with McGrath to promote Sugar Ray's Greatest Hits compilation, sharing anecdotes about their recording process and live performances.[28] These promotional spots, including radio and TV interviews, helped solidify his public profile as the band's turntablist during their commercial height.Discography
Collaborative works
DJ Homicide, whose real name is Craig Bullock, provided production and scratching contributions to the debut album Bomb M.C. by the hip hop group The Colored Section in 1998. He served as producer on tracks including "Introduction," "Light Skinnded," and "Tabitha," while also delivering scratches throughout the project.[13][29] In 1996, DJ Homicide remixed Chino XL's single "Kreep," creating the "Dirty Linen Remix," which featured his production work incorporating a sample from Sons of Champlin. This version appeared on various formats, including the CD maxi-single and promotional releases.[30][31] DJ Homicide collaborated with Tha Alkaholiks on the 2000 track "Make Room," a joint effort with Sugar Ray featured on the compilation album Loud Rocks. On this song, he handled production and mixing alongside engineer Dave Aron.[32] As a core member of Sugar Ray, DJ Homicide contributed turntables, scratches, and additional programming across multiple albums. On 14:59 (1999), he received writing credits on select tracks and performed as the band's DJ.[33] For the self-titled album Sugar Ray (2001), his role included turntables on several songs, supporting the band's pop-rock sound.[34] On In the Pursuit of Leisure (2003), he provided turntables, backing vocals, additional programming, and writing credits for tracks 1 ("Is She Really Going Out with Him?") and 6 ("Mr. Wonder").[17]Solo releases
DJ Homicide has released a series of independent promotional mixtapes and singles, focusing on mash-up compilations, electro, hip-hop, and R&B-infused tracks. These works highlight his skills as a DJ and producer, often drawing from live sessions and club performances. His output emphasizes creative remixes and blends, with limited commercial distribution but availability through digital platforms and physical formats via his labels. Early solo efforts include three full-length promotional CD mixes issued under SKAM Artist Records, though exact release dates remain undocumented in available records. Live From Los Scandalous is a CDr mixtape capturing high-energy club sets with a mix of hip-hop, R&B, and electronic elements, featuring tracks like "Intro," "Promiscuous Cheer," and "Shake Loop / Sexy Back."[35] Similarly, Homicide's House serves as a CD album promo blending house grooves and mash-ups, including cuts such as "Intro," "Beat Street (Homicide Loop Farm)," and "We Taken Ovaa!," showcasing his signature looping techniques.[36] The third, LASONIC, is a promotional mix emphasizing electro and hip-hop with house influences, compiled around 2008 but lacking a confirmed physical release date. Through his own CA Records label, DJ Homicide has ventured into vinyl production, starting with the 7" single Pause Lion / Ghetto Scenario (CA 001), scheduled for release on November 28, 2025.[4] The A-side "Pause Lion" delivers raw vocals over boom-bap drums, while the B-side "Ghetto Scenario" incorporates smooth reggae grooves and ragga-style vocals evoking early 2000s dancehall.[21] This marks his shift toward limited-edition physical formats for solo material, with additional vinyl projects planned for 2025 and 2026, including mash-up EPs and R&B-focused sessions, though specifics on titles and collaborators remain forthcoming from label announcements.| Release Title | Format | Label | Year | Notes |
|---|---|---|---|---|
| Live From Los Scandalous | CDr, Mixtape, Promo | SKAM Artist | Unknown | Club-oriented mash-ups; 20+ tracks including hip-hop and R&B blends. |
| Homicide's House | CD, Album, Promo | SKAM Artist / Mash Masters | Unknown | House and loop-based mixes; 36 tracks emphasizing DJ transitions. |
| LASONIC | Promotional Mix (Digital/CD) | SKAM Artist | ca. 2008 | Electro-hip-hop focus; available via artist platforms. |
| Pause Lion / Ghetto Scenario | 7", 45 RPM | CA Records | 2025 | Debut vinyl single; reggae-hip-hop fusion on both sides. |