Dice Raw
Dice Raw (born Karl Jenkins; January 1, 1980) is an American rapper, songwriter, producer, and hip-hop theater artist from Philadelphia, Pennsylvania, best known as a protégé and frequent collaborator of the hip-hop band The Roots.[1][2][3] Emerging in the mid-1990s, he debuted as a teenager on The Roots' tracks such as "Clones" from their 1996 album Illadelph Halflife and contributed verses to high-profile songs like "Adrenaline!" on 1999's Things Fall Apart, establishing his raw lyricism within Philadelphia's underground scene.[2][3] Jenkins released his solo debut album Reclaiming the Dead in 2000 via MCA Records, emphasizing old-school hip-hop influences amid collaborations with artists including Black Thought and Beanie Sigel.[2][4] Later works include the mixtape series The Greatest Rapper Never, the 2014 concept album Jimmy's Back addressing Black male incarceration, and co-writing contributions to The Roots' albums undun (2011) and ...And Then You Shoot Your Cousin (2014), earning him five Grammy nominations through these partnerships.[2][5] Beyond music, he founded Raw Life Records to mentor emerging artists and debuted the hip-hop stage play The Last Jimmy at Philadelphia's Kimmel Center in 2014, blending rap with theatrical narratives on social issues.[2]Early Life
Upbringing in Philadelphia
Karl Jenkins, professionally known as Dice Raw, was born on January 1, 1980, in Philadelphia, Pennsylvania.[1][6] Jenkins grew up in the Logan neighborhood of [North Philadelphia](/page/North Philadelphia), attending David G. Birney elementary school in the area.[7] The environment was characterized by pervasive crime, which Jenkins later described as fostering a culture where criminal-mindedness appeared aspirational to youth.[7] At age seven, while walking to school, he encountered discarded crack vials and delivered them to a local drug dealer, receiving money in return for items like fake glasses, cookies, and juice—an incident that highlighted the normalized proximity to drug trade and shaped his early cynical humor and awareness of urban trauma.[7] This formative setting in North Philadelphia, amid the city's vibrant yet gritty hip-hop culture, ignited Jenkins's interest in rapping during his teenage years.[7][8] Local acts, including The Roots who emerged from Philadelphia's scene, contributed to the ambient influences of street-oriented lyricism and social commentary that resonated in neighborhoods like Logan.[8] By his mid-teens, Jenkins had begun writing and performing rhymes, drawing from the raw realities of his surroundings rather than formal training.[7]Musical Career
Early Associations and Influences
Dice Raw entered Philadelphia's underground hip-hop scene in the mid-1990s, a period when the city's rap culture thrived in local venues such as clubs, skating rinks, parks, and block parties, prioritizing raw lyrical talent and substantive content over mainstream commercialization.[9] This environment fostered conscious rap styles, drawing from influences like the skill-focused battles and performances that emphasized intricate wordplay and social commentary prevalent among Philly MCs.[10] At age 13, around 1993, Raw initiated his musical pursuits through connections with the new jack swing group Bell Biv DeVoe, facilitated by mutual associates in the industry, marking his earliest professional exposure outside Philly's grassroots circuit.[8] These initial links introduced him to structured recording environments, including sessions at studios like Larry Gold in Philadelphia, where he honed a hard-hitting delivery suited to lyrical-driven hip-hop.[8] Raw cultivated his reputation as a skilled MC via local talent shows and community performances in Philadelphia, where his agile flow and creative approach stood out amid the competitive underground landscape, building a foundation in emphasizing technical proficiency and narrative depth before broader affiliations.[11]Collaboration with The Roots
Dice Raw established his professional relationship with The Roots in the mid-1990s, joining their crew at age 15 after being discovered by band producer Kelo at a Philadelphia talent show.[12] As a North Philadelphia native, he emerged as a principal songwriter, collaborator, and producer, infusing their music with gritty, street-level lyricism drawn from local hip-hop traditions.[12] His early cameos included vocal and lyrical contributions on tracks such as "The Lesson Pt. 1" from the band's 1995 album Do You Want More?!!!??!, marking the onset of recurring features across their discography.[7] Throughout the late 1990s and 2000s, Dice Raw provided verses and production input on several Roots projects, including "Adrenaline!" from Things Fall Apart (1999), where he rapped alongside Beanie Sigel, and "Get Busy" from Rising Down (2008), featuring Peedi Crakk.[13] These appearances solidified his role within the extended Roots collective, emphasizing raw narrative styles that complemented the band's jazz-inflected, live-band hip-hop approach.[12] Dice Raw's involvement peaked prominently on How I Got Over (2010) and Undun (2011), where he co-wrote multiple tracks and delivered key performances.[13] On Undun, a concept album exploring existential themes, he contributed raps and vocals to "Make My" (featuring Big K.R.I.T.), "One Time" (featuring Phonte), and "Lighthouse," enhancing the project's introspective depth with authentic Philly vernacular.[13][14] His consistent input helped maintain The Roots' reputation for conceptual rigor while grounding their sound in regional realism.[12]Solo Releases and Mixtapes
Dice Raw's independent solo releases, distributed primarily through his Raw Life Records label, represent a deliberate pivot toward unfiltered lyricism after his major-label debut. These works prioritize introspective narratives drawn from Philadelphia's street culture, personal hardships, and systemic societal critiques over commercial appeal, aligning with underground hip-hop's emphasis on authenticity. Released without mainstream promotion, they garnered niche acclaim for Raw's technical skill and narrative depth within Philadelphia's rap scene, though they achieved minimal chart presence or sales figures.[12][15] In 2012, Raw issued The Greatest Rapper Never: The Mixtapes Vol. 1, a 15-track collection serving as a preview to his planned album trilogy, featuring beats produced by collaborators including J期 and others from the local circuit. The project highlights Raw's dense, multisyllabic flows addressing urban survival, interpersonal betrayals, and the grind of independent artistry in a commercialized industry, with tracks like "Never" underscoring resilience amid obscurity. Critics in hip-hop outlets noted its cohesive, album-like quality despite the mixtape format, praising Raw's avoidance of trendy hooks in favor of substantive bars that evoke early-2000s East Coast grit.[16][17][18] Jimmy's Back, released in December 2013, stands as a concept album framed around themes of recidivism and mass incarceration, explicitly drawing from Michelle Alexander's The New Jim Crow to dissect cycles of poverty and judicial bias in Black American communities. Raw embodies a protagonist navigating post-prison reintegration, weaving in Philadelphia-specific references to block life, familial strain, and skepticism toward hip-hop's profit-driven shifts, as evident in tracks critiquing superficial gangsta tropes. While commercially overlooked, the release earned respect in indie circles for its bold structure and unflinching realism, with reviewers highlighting Raw's risk-taking as a counterpoint to mainstream rap's escapism.[19][20][21][22]Recent Musical Projects
In recent years, Dice Raw has directed his musical output toward introspective examinations of personal struggles, particularly mental health. His 2025 album The Insanity Project centers on themes of mental illness and psychological turmoil, as highlighted in promotional discussions where he described it as a deeply personal exploration of "insanity" through lyrical narratives.[23] This project marks a continuation of his narrative-driven style, evolving from earlier works by emphasizing raw, unfiltered accounts of inner conflict amid hip-hop's commercial shifts toward shorter, trend-driven formats. In an April 13, 2025, appearance on The Lo Theory podcast (Episode 68), Dice Raw elaborated on his enduring commitment to rap, attributing his initial motivations to childhood encounters with freestyling at the Police Athletic League in Philadelphia, where observing peers' improvisational skills sparked his interest in the craft.[24] He positioned this foundational drive as central to his persistence, contrasting it with modern industry pressures that prioritize virality over substantive storytelling, though he has not released full-length solo projects between 2015 and 2024, focusing instead on selective collaborations and conceptual development.[24] These efforts underscore Raw's adaptation to a landscape favoring brevity, yet his insistence on depth aligns with longstanding influences from Philadelphia's conscious rap scene.Other Ventures
Transition to Theater
Dice Raw's entry into theater marked a pivot from his rap career, beginning with collaborative projects that fused hip-hop aesthetics with dramatic narratives centered on Black American experiences of oppression and resilience. In 2014, he co-created The Last Jimmy, a hip-hop musical written with Phillip S. Brown and inspired by Dice Raw's 2013 album Jimmy's Back as well as Michelle Alexander's The New Jim Crow. Starring Dice Raw in the lead role, the production examined mass incarceration as a contemporary extension of Jim Crow-era injustices, employing rap verses and musical interludes to convey the protagonist's struggles within Philadelphia's socio-legal landscape. It debuted at the Freedom Repertory Theatre on October 24–25, 2014, followed by sold-out runs at the Kimmel Center and a March 2015 engagement at the Prince Music Theater.[25][26][7] Building on this foundation, Dice Raw co-wrote and starred in Henry Box Brown: A Hip Hop Musical in 2018, adapting the 1849 escape of enslaved Virginian Henry "Box" Brown, who shipped himself to Philadelphia in a three-foot crate to achieve freedom. The work integrated hip-hop flows, beats, and lyrical storytelling to highlight Brown's ingenuity and the era's abolitionist networks, while underscoring themes of self-emancipation and Philadelphia's role as a haven for fugitives. Directed by Phillip S. Brown, the world premiere was initially set for the New Freedom Theatre but relocated to the Community College of Philadelphia's Bonnell Auditorium after flooding damaged the original venue on January 23, 2018; it opened on February 1, 2018, coinciding with Black History Month and running through February 17.[27][28][29] These endeavors showcased Dice Raw's approach to hip-hop theater as a vehicle for reexamining historical and local narratives, where rap serves as both emotional propulsion and didactic tool, distinct from conventional musical forms by prioritizing rhythmic dialogue and freestyle elements to evoke urgency in tales of systemic adversity.[30][7]Leadership Roles and Community Work
In 2021, Karl Jenkins, professionally known as Dice Raw, assumed the role of CEO and board chair of Philadelphia's New Freedom Theatre, a historic institution founded in 1971 to produce works illuminating Black American experiences and cultural resilience.[31][32] Under his administration, the theatre has prioritized archival and educational programming to document African-American contributions across U.S. history, utilizing performing arts as a vehicle for public reeducation on verifiable historical events and figures.[33][7] Jenkins has directed institutional efforts toward community preservation initiatives, including the integration of hip-hop methodologies to foster local artist development and audience engagement in Philadelphia's Northeast neighborhoods.[7] These programs emphasize empirical historical recovery over interpretive narratives, such as through workshops that pair songwriting and acting with discussions of primary-source documented events, aiming to counteract selective historical omissions with evidence-based content.[34] A prominent example is the 2023 launch of "Forgotten Founding Fathers," an administrative project under Jenkins' oversight that spotlights underrepresented individuals—primarily African American and Latino figures—who influenced early American governance and innovation, drawing from documented records to underscore their tangible impacts.[35][7] This initiative extends the theatre's community outreach by offering free public access to streamed productions and related educational sessions, promoting civic awareness of foundational historical agency among Philadelphia residents.[36][37]Discography
Solo Albums and Mixtapes
Dice Raw released his debut solo album, Reclaiming the Dead, on October 24, 2000, through MCA Records, featuring tracks blending hardcore hip-hop with conscious and jazzy elements.[4][38] Following the dissolution of his major-label deal, Raw shifted to independent releases, beginning with the EP The Greatest Rapper Never: Preservation in 2011, which introduced themes of perseverance through introspective lyricism over production emphasizing raw delivery.[39] This led into the mixtape The Greatest Rapper Never: The Mixtapes Vol. 1, distributed independently on August 13, 2012, containing 15 tracks focused on lyrical prowess amid personal and street narratives.[40][16] In 2013, Jimmy's Back emerged as a concept album released on December 10, drawing directly from Michelle Alexander's The New Jim Crow to examine mass incarceration's impact on urban communities through structured storytelling and dense bars.[41][19] Later solo efforts include The Narrative, a 28-track album issued independently on September 18, 2018, offering an introspective critique of African American gangster culture via narrative-driven content.[42][43]| Title | Release Date | Notes |
|---|---|---|
| Reclaiming the Dead | October 24, 2000 | Debut studio album; MCA Records; 14 tracks exploring death, resilience, and street life.[4][44] |
| The Greatest Rapper Never: Preservation | 2011 | EP; 7 tracks; independent; foundational to self-titled series on undefeated lyrical persistence.[39] |
| The Greatest Rapper Never: The Mixtapes Vol. 1 | August 13, 2012 | Mixtape; 15 tracks; independent; emphasizes urban survival and craft over beats from various producers.[40][16] |
| Jimmy's Back | December 10, 2013 | Concept album; 11 tracks; independent; tied to mass incarceration themes from The New Jim Crow.[41][19] |
| The Narrative | September 18, 2018 | Studio album; 28 tracks; independent; narrative exploration of cultural stereotypes and personal reflection.[42][43][45] |
Appearances on The Roots Albums
Dice Raw has contributed vocals and featured verses to multiple albums by The Roots, beginning in the mid-1990s and continuing into the early 2010s, often providing raw, street-level perspectives rooted in Philadelphia experiences.[46] His appearances typically involve rapping or singing hooks that complement the group's dense, jazz-infused production, with notable roles in co-writing and performing on concept-driven records.[47] Early contributions include features on Illadelph Halflife (1996), where he rapped on "Clones" alongside M.A.R.S. and "Episodes."[48] [49] On Things Fall Apart (1999), Dice Raw delivered verses on "Adrenaline!" with Beanie Sigel, adding aggressive energy to the track's high-tempo beat.[50] In the mid-2000s, he appeared on Game Theory (2006) with vocals on "Here I Come" featuring Malik B.,[51] and Rising Down (2008) on "Get Busy" alongside Peedi Crakk.[52] For How I Got Over (2010), Dice Raw provided features on "Walk Alone" with Truck North and P.O.R.N., "Now or Never" with Phonte, and sang the hook on the title track.[53] [54] [55] His most prominent work came on undun (2011), a narrative album chronicling a fictional character's downfall, where Dice Raw co-wrote tracks and contributed vocals to "Tip the Scale," "Make My" with Big K.R.I.T., and "Lighthouse," infusing authentic Philly dialect into the storytelling.[47] [56] These efforts earned a Grammy nomination for Best Rap Album.[57]| Album | Year | Tracks | Role |
|---|---|---|---|
| Illadelph Halflife | 1996 | "Clones" (feat. M.A.R.S.), "Episodes" | Vocals/Feature[49][48] |
| Things Fall Apart | 1999 | "Adrenaline!" (feat. Beanie Sigel) | Vocals/Feature[50] |
| Game Theory | 2006 | "Here I Come" (feat. Malik B.) | Vocals/Feature[51] |
| Rising Down | 2008 | "Get Busy" (feat. Peedi Crakk) | Vocals/Feature[52] |
| How I Got Over | 2010 | "Walk Alone" (feat. Truck North, P.O.R.N.), "Now or Never" (feat. Phonte), "How I Got Over" | Vocals/Features/Hook[53][54] |
| undun | 2011 | "Tip the Scale," "Make My" (feat. Big K.R.I.T.), "Lighthouse" | Vocals/Features/Co-writing[47][56] |