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Drive Me Crazy

Drive Me Crazy is a 1999 American teen film directed by John Schultz and starring as Nicole Maris and as Chase Hammond. Adapted from the novel How I Created My Perfect Prom Date by , the screenplay was written by Rob Thomas. The story centers on two neighboring high school students from contrasting social circles who pretend to date to provoke jealousy in their recent exes ahead of their school's centennial celebration, but they gradually develop genuine romantic feelings for each other. Released on October 1, 1999, by 20th Century Fox, the film features a supporting cast including Susan May Pratt, Ali Larter, and Stephen Collins, and runs for 91 minutes. With a production budget of $8 million, it grossed approximately $22.6 million worldwide, achieving moderate commercial success during its theatrical run. The soundtrack, released concurrently, prominently includes Britney Spears' "(You Drive Me) Crazy (The Stop Remix!)", alongside tracks from Backstreet Boys, Jars of Clay, and Barenaked Ladies, capturing the late-1990s pop and alternative music scene. Critically, Drive Me Crazy received mixed reviews, praised for its lighthearted charm and the chemistry between leads Hart and Grenier, but critiqued for formulaic plotting typical of the era's teen comedies. It has since gained a as a nostalgic entry in youth cinema, often highlighted for its portrayal of high school dynamics and tropes.

Story and Characters

Plot

Drive Me Crazy is a 91-minute teen that follows the story of high school seniors Maris and Chase Hammond, neighboring childhood friends who have grown apart. , an ambitious student and editor of the newspaper, is devastated when her boyfriend, basketball star , dumps her to date a cheerleader from a rival just before the celebration. Meanwhile, Chase, a laid-back known for his rebellious streak, is recently single after his girlfriend Dulcie, a passionate activist, breaks up with him for refusing to join her in liberating lab rats from the . Determined to win Brad back and attend the upcoming centennial dance in style, Nicole proposes a scheme to Chase: they will pretend to be dating to incite in their exes. Chase, motivated by his own desire to reconcile with Dulcie, agrees to the plan, leading them to stage public displays of affection, attend events together, and even give Chase a to fit into Nicole's social circle. As part of the ruse, they navigate escalating pranks and conflicts; Chase and his friends, including the prank-loving videographer Ray and driver Dave, target the neighborhood and school with antics like dyeing the lawns orange using the sprinkler system, while and Dulcie respond with their own retaliatory schemes, heightening the drama. These conflicts are compounded by betrayals, such as Nicole's supposed best friend Alicia secretly undermining the fake relationship out of personal . Throughout the deception, and 's interactions reveal deeper compatibilities and growing genuine attraction, challenging their initial motivations. Family dynamics add further complications when they discover that Nicole's estranged is dating Chase's , creating awkward tensions amid their parents' budding and forcing both teens to confront unresolved issues from their divorced families. Misunderstandings peak, including Nicole witnessing Chase in a compromising moment with Dulcie, leading to a temporary rift in their partnership. The narrative culminates at the centennial dance, where the accumulated pranks, jealousies, and emotional revelations reach a breaking point. Nicole and Chase resolve their conflicts, confess their true feelings for each other, and choose to pursue a real romance, leaving their exes behind.

Cast

stars as Nicole Maris, an ambitious high school senior and editor of the newspaper, whose perfectionist nature often clashes with the more relaxed world around her. portrays Chase Hammond, Nicole's laid-back next-door neighbor, embodying a rebellious spirit that contrasts sharply with Nicole's structured ambitions. Their characters enter a fake arrangement to navigate pressures at . Susan May Pratt plays Alicia, Nicole's supportive yet skeptical best friend, who provides comic relief and grounded advice amid the teen drama. appears as Mr. Maris, Nicole's divorced father, offering a humorous take on parental involvement in his daughter's high school life. In supporting roles, Gabriel Carpenter is cast as Brad Seldon, Nicole's ex-boyfriend and a popular athlete who represents the typical . Additional notable cast members include as Dulcie, Chase's ex-girlfriend; Mark Metcalf as Principal Vigo; Kris Park as Ray Neeley, the prank-loving videographer; and as Dave Ednasi, the driver and quirky classmate. William Converse-Roberts appears as Mr. Hammond, Chase's father. The film features no prominent uncredited or cameo appearances by major celebrities.

Production

Development

"Drive Me Crazy" is an adaptation of Todd Strasser's 1998 "How I Created My Perfect Prom Date," with the written by Rob Thomas. The project originally carried the working title "Next to You," but in 1999, it was retitled "Drive Me Crazy" to align with Britney Spears' hit single "(You Drive Me) Crazy," which was included on the film's soundtrack. John Schultz directed the film as his second feature following "Bandwagon" (1996), envisioning it as a lighthearted teen typical of late-1990s high school fare. The production had a budget of $8 million and was overseen by producer , with co-producer Nancy Paloian-Breznikar. Casting emphasized rising stars, with selected for the lead role of Nicole Maris shortly after gaining widespread recognition from her starring role in the television series "." earned his breakout film role as Chase Hammond, building on his earlier supporting appearance in "" (1998).

Filming

Principal photography for Drive Me Crazy took place from September 15 to November 2, 1998, spanning approximately seven weeks primarily in , Utah, under the direction of John Schultz. The production captured the film's high school setting through scenes at local venues, emphasizing the everyday antics of teenage life. Cinematographer Kees van Oostrum handled the visuals, employing a bright, colorful palette typical of late-1990s teen comedies to evoke the energetic and vibrant atmosphere of suburban youth. The shoot faced creative hurdles, including decisions around character transformations; star later reflected that the makeover sequence for co-lead Adrian Grenier's character was misguided, as he appeared more appealing in his initial "slacker" look, prompting on-set discussions about authenticity in the rom-com trope. Practical elements for prank-heavy sequences, such as neighborhood disruptions and car chases, relied on straightforward location-based stunts without extensive digital intervention, aligning with the film's modest $8 million budget. by John Pace trimmed the footage to a 91-minute runtime, focusing on pacing the comedic beats and romantic buildup for theatrical appeal. On-set dynamics fostered a lively environment, with the young cast bonding amid the locations; Hart described Grenier as the "cool kid" who brought an indie-film depth to their scenes, leading to strong on-screen chemistry developed through repeated run-throughs with an coach. Improvisational moments emerged, particularly in integrating cues, as the title shift from Next to You to Drive Me Crazy—inspired by ' soundtrack contribution—occurred during . Romantic sparks also flew off-camera, including brief relationships between Hart and co-star Gabriel Carpenter () and between Grenier and (), adding to the collaborative, peer-driven vibe.

Filming locations

Principal photography for Drive Me Crazy took place primarily in and around , , chosen for its diverse suburban landscapes that effectively doubled as the generic American neighborhood of Brookfield Heights depicted in the film. The production utilized various local sites to capture the everyday suburban and urban elements essential to the story's teen comedy tone, with filming occurring from late to early 1998. Key locations included Ogden High School at 2828 Harrison Boulevard in , which provided both interiors and exteriors for the high school sequences, such as classrooms, hallways, and the centennial dance preparations. This historic school, with its classic , lent authenticity to the film's portrayal of American high school life. Nearby, Historic 25th Street in served as the backdrop for neighborhood prank scenes, leveraging its quaint, tree-lined streets to represent the protagonists' adjacent homes. Ogden Union Station, adjacent to 25th Street, appeared in transitional driving shots, adding a sense of local mobility to the narrative. In , the South Towne Center mall was the site for shopping and social interaction sequences, capturing the bustling retail environment typical of suburban teen hangouts. The in hosted the exterior and interior shots for the film's climactic final dance, utilizing the grand rotunda for its elegant, celebratory atmosphere. Residential scenes, including the house of character Brad, were filmed at the historic Antone Nielson Home in , which embodied the comfortable family homes central to the plot. Party and club scenes were shot inside Club Vortex on Exchange Place in , a venue that contributed to the film's energetic nightlife moments but has since closed. Utah's varied terrain, from urban centers to quiet suburbs, facilitated efficient and permitted filming, allowing the production to seamlessly blend real-world sites into the fictional setting without major set constructions. , some sites have undergone changes; for instance, Club Vortex no longer operates, while Ogden High School remains active and has hosted subsequent film projects.

Release

Theatrical release

Drive Me Crazy was released theatrically in the United States on October 1, 1999, distributed by 20th Century Fox in a across 2,222 theaters. The film earned a PG-13 rating from the of America for mild language, teen partying, and thematic elements involving romance and pranks. The marketing strategy capitalized on the film's teen appeal, incorporating a parody of ' "...Baby One More Time" within the storyline to evoke pop culture. Promotional efforts included tie-ins with Spears' "(You Drive Me) Crazy" single, where leads and made cameo appearances in the to cross-promote the film and the song. Posters highlighted the romantic comedy's lighthearted premise of fake dating turning real, targeting young audiences through airings on and radio spots featuring contemporary pop hits. Internationally, saw limited theatrical releases starting in early 2000, rolling out gradually in European and Asian markets with localized titles and or subtitles to suit local audiences. It competed for screens during its U.S. opening weekend against major releases like .

Critical reception

Upon its release, Drive Me Crazy received mixed to negative reviews from critics, who often highlighted its reliance on familiar teen comedy conventions. On , the film holds a 27% approval rating based on 37 reviews, with the critics' consensus describing it as an "unoriginal story." Similarly, assigns it a score of 42 out of 100, indicating "mixed or average" reception from 24 critics, with 21% positive, 54% mixed, and 25% negative assessments. Roger Ebert awarded the film 2.5 out of 4 stars, praising the appealing chemistry between leads and , whose performances lent charm to the characters' witty dialogue and personal growth arcs, though he criticized the predictable plot and lackadaisical direction that resulted in belabored scenes. In Variety, a review faulted the script for its formulaic structure, including standard character reversals and clichéd high school social dynamics, such as popularity contests and jealousy-driven makeovers, which rendered the narrative bland and uninvolving despite its teen-targeted energy. Common criticisms centered on the film's derivative plot, which echoed elements of contemporaries like 10 Things I Hate About You (1999), contributing to perceptions of it as a rote entry in the late-1990s teen boom. Praise, where present, focused on the cast's inherent likability and the lighthearted vibe, with reviewers noting the leads' ability to inject relatability into otherwise stereotypical roles. In retrospective analyses, Drive Me Crazy has been viewed as a emblematic of late-1990s teen cinema, appreciated for its nostalgic humor and unpretentious take on high school antics amid a crowded field of similar films. Modern critics have highlighted its role in capturing the era's whimsical, trope-heavy rom-com style, even if it lacks innovation.

Box office

Drive Me Crazy was released on October 1, , across 2,222 theaters, where it grossed $6.8 million during its opening weekend and debuted at number six at the North American . The film competed against strong performers such as , which topped the chart with $17.0 million, and in second place with $15.8 million. Over its domestic run, the movie earned $17.8 million in the United States and , supplemented by $4.7 million from international markets, resulting in a worldwide total of $22.6 million. Produced on an $8 million , these figures enabled the film to achieve profitability. The picture demonstrated steady mid-chart performance as a holdover, appealing primarily to teen audiences amid competition from larger releases like , which debuted strongly in mid-October. In its second weekend, it collected $6.2 million to rank fifth, followed by $2.3 million in the third weekend for eleventh place, before tapering off with reduced theater counts. Factors such as promotion featuring contemporary and positive word-of-mouth within demographics supported its modest longevity at the .

Media Releases

Soundtrack

The Drive Me Crazy soundtrack album was released on September 28, 1999, by Jive Records as a compilation featuring contemporary pop and rock acts of the era. The album, which runs approximately 47 minutes, includes 14 tracks, many of which were remixes or selections designed to align with the film's teen comedy tone, though not all songs appear in the movie itself. The film's title was ultimately changed from its original Next to You to capitalize on the popularity of Britney Spears' "(You Drive Me) Crazy," the album's lead single. Key tracks highlight major 1990s artists, such as Britney Spears' "(You Drive Me) Crazy (The Stop Remix!)" (3:16), which served as the promotional title track despite not being featured in the film; Backstreet Boys' "I Want It That Way (The Jack D. Elliot Remix)" (4:04); and The Donnas' cover of "Keep On Loving You" (3:11). Other notable inclusions are Jars of Clay's "Unforgetful You" (3:20), Barenaked Ladies' "It's All Been Done" (3:26), and Less Than Jake's "Help Save the Youth of America from Exploding" (2:53), blending pop, alternative rock, and punk elements. The full tracklist also features contributions from Plumb ("Stranded"), Matthew Sweet ("Faith In You"), Phantom Planet ("Is This Really Happening To Me?"), Steps ("One For Sorrow"), The Tamperer ("Hammer To The Heart"), Don Philip ("Sugar"), Mukala ("Regret"), Silage ("Original"), and closes with The Donnas' track. Notably excluded from the album but present in the film is "Turbo-Teen" by Sugar High, emphasizing the soundtrack's focus on "songs inspired by" the movie rather than a direct score compilation. The 's production was coordinated by to promote the film through radio-friendly hits from established and emerging acts, including remixes to enhance crossover appeal. Complementing the pop tracks is the film's original score, composed by Greg Kendall, which provides underscoring for comedic and dramatic scenes but was not released as a separate . The achieved commercial success, peaking at number 44 on the chart in October 1999, driven by strong radio play of its lead singles. As a , the album amplified the film's appeal to teenage audiences via cross-promotions, most prominently through Spears' for "(You Drive Me) Crazy," which featured lead actress in a diner scene, blurring lines between and music marketing. This helped boost both the soundtrack's sales and the film's visibility among fans during its theatrical run.

Home media

The film was first released on VHS and DVD formats on March 14, 2000, distributed by 20th Century Fox Home Entertainment in the United States. The DVD edition featured an presentation in the original 1.85:1 with audio, though no additional bonus content such as commentaries or deleted scenes was included. A Blu-ray edition followed on January 17, 2012, released by /, offering an upgraded transfer encoded in MPEG-4 AVC at an average bitrate of 26.90 Mbps, alongside a lossless 5.1 audio track for improved clarity over the earlier DVD. Like the DVD, the Blu-ray contained no special features. Digital and streaming availability began in the , with options to rent or purchase the film on platforms including Amazon Video, , and Fandango at Home. Following the 2019 Disney acquisition of 20th Century Fox, the movie became accessible for streaming on in select international markets such as the , , and , though it remains unavailable there in the United States as of November 2025. No 4K HD release has been produced.

Legacy

Accolades

The film Drive Me Crazy garnered limited formal accolades, primarily recognizing lead actress Melissa Joan Hart's performance. At the , Hart received the Blimp Award for Favorite Movie Actress for her role as Nicole Maris. Drive Me Crazy did not secure nominations from major industry awards, including the —for which it was eligible as a 1999 release—or the Golden Globes. Similarly, it received no recognition at the MTV Movie Awards. The film's soundtrack, featuring ' "(You Drive Me) Crazy" as the title track, achieved notable commercial success, with the single peaking at number 10 on the in November 1999, though it earned no separate awards tied to the movie. This modest awards profile reflects the film's status as a mid-tier teen of the era, appealing mainly to youth audiences without broader critical or industry elevation.

Cultural impact

Drive Me Crazy exemplifies the late-1990s boom in teen , capturing the era's focus on high school dynamics, first loves, and social awkwardness through its central fake dating premise, where neighbors Nicole and Chase pretend to be a couple to spark jealousy in their exes. This trope, popularized alongside films like (1999), has influenced subsequent , including modern hits such as To All the Boys I've Loved Before (2018), which adapts similar elements of contrived relationships evolving into genuine romance. The film has achieved cult status among , fueled by nostalgic revivals through 2000s DVD releases and 2010s streaming availability on platforms like and , which have introduced it to new generations appreciating its lighthearted portrayal of adolescent turmoil. Retrospectives, such as those marking its 20th anniversary in 2019 and 25th anniversary in 2024, often praise it as an underrated gem of the period, highlighting the on-screen chemistry between and as a key draw for repeat viewings. In pop culture, Drive Me Crazy has been referenced in later media for its encapsulation of 1990s clichés, including a cameo by Melissa Joan Hart in Not Another Teen Movie (2001), which spoofs elements of early-2000s teen films like it. The film's 20th anniversary in 2019 sparked discussions in outlets like Entertainment Tonight and ABC News, emphasizing its wholesome appeal as a feel-good escape amid the era's edgier teen fare. As of 2025, no official remakes or sequels have materialized, though fan interest persists through occasional cast interactions; Hart has maintained contact with Grenier and shared nostalgic reflections on , including memories tied to the film's production during anniversary periods. This ongoing affinity underscores the movie's enduring place in nostalgic pop culture conversations.

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