Efya
Efya, born Jane Fara Fauzzier Afia Boafowaa Yahaya Awindor on April 10, 1987, in Kumasi, Ghana, is a prominent singer, songwriter, and actress celebrated for her neo-soul and Afro-soul musical style that blends jazz, R&B, and African rhythms.[1][2][3] She rose to fame in 2008 as a finalist on the talent competition Stars of the Future, Ghana's premier music reality show, which launched her career as one of the country's leading female vocalists.[4][5] The daughter of Nana Adwoa Awindor, a renowned filmmaker and former host of the television program Greetings from Abroad, Efya grew up in an artistic family that influenced her creative path; she later graduated from the University of Ghana with a degree in theatre and music.[6][7][2] Efya's discography includes notable releases such as her debut mixtape T.I.N.T. (2014), studio album Janesis (2016), the EP No More Tears (2023), and recent singles like "SAVE THE DATE" (2025) and "RADAR" (2025), featuring hits like "Skin Tight" and "Until the Dawn" that showcase her emotive vocals and songwriting prowess.[8][9][10][11] She has earned widespread acclaim, including four consecutive wins for Best Female Vocal Performance at the Ghana Music Awards from 2011 to 2014, making her the first artist to achieve this feat in the category.[2][12][4] Additional honors include the 2016 AFRIMMA Award for Best Female Artist in West Africa and collaborations with international acts like Wizkid, under whose Starboy Entertainment label she signed in 2016.[13][2] Beyond music, Efya serves as an ambassador for the Awal Children of the Future Foundation and has appeared in films, solidifying her influence in Ghanaian entertainment.[2][14]Early life and education
Family background and upbringing
Jane Fara Fauzzier Afia Boafowaa Yahaya Awindor, professionally known as Efya, was born on April 10, 1987, in Kumasi, Ghana.[2][15] She is the daughter of Nana Adwoa Awindor, a prominent Ghanaian filmmaker and television host known for the long-running show Greetings from Abroad.[15][16] Efya grew up alongside two brothers and one sister in a family environment steeped in the entertainment industry, which provided her with early insights into media and performance.[15][17] Raised in Kumasi, the cultural heart of Ghana's Ashanti Region, Efya was immersed in the vibrant local music scene from a young age, including the enduring highlife traditions that have long defined the area's artistic heritage.[14] Her family's musical household further nurtured this exposure, as she received voice training from relatives, fostering her innate affinity for melody and rhythm.[17][18] This setting in Kumasi, with its blend of traditional sounds and familial encouragement, laid the groundwork for her creative development during childhood.[19] Efya's early interest in the performing arts manifested through active participation in school events, where she showcased her talents in theatre and music.[15] Additionally, in the 1990s, she made television appearances on her mother's program Greetings from Abroad, gaining initial public visibility and a taste for the spotlight within Ghana's burgeoning media landscape.[15] These formative experiences in Kumasi highlighted her emerging passion for performance, shaped by both personal and cultural influences.[20]Academic pursuits and early influences
Efya completed her secondary education at Yaa Asantewaa Girls' Secondary School in Kumasi, an institution known for fostering discipline and academic excellence among young women.[21] She subsequently enrolled at the University of Ghana in Legon, where she pursued a Bachelor of Arts degree in theatre arts, directing, and music.[15] This program provided a structured foundation in performance, production, and musical theory, aligning with her burgeoning artistic interests. Her family played a supportive role in encouraging this path, offering early voice training that complemented her formal education in the arts.[15] During her university years, Efya actively engaged in campus performances, balancing rigorous coursework with live shows that allowed her to experiment with stage presence and vocal delivery.[22] These experiences marked her initial forays into songwriting and theatrical productions, where she explored blending narrative elements with melody in student-led initiatives. Her exposure to diverse genres through university events and peers introduced her to neo-soul and jazz aesthetics, while highlife rhythms from Ghanaian traditions remained a core influence, shaping her early creative experiments.[14]Music career
Breakthrough and early releases (2008–2012)
Efya's breakthrough came through her participation in the inaugural season of Charterhouse's Stars of the Future talent show, which aired from 2006 to 2008. She auditioned in 2006 and advanced to the finals, ultimately finishing as the first runner-up to winner Irene Logan in 2008, earning national recognition for her soulful vocals and stage presence. This exposure marked her entry into Ghana's music industry, building on her academic background in Theatre Arts and Music from the University of Ghana, which honed her performance skills.[21][23][24] Following the competition, Efya and Logan formed the duo Irene & Jane, securing a three-year recording contract that led to their collaborative debut album, Unveiled, released in 2007 primarily in South Africa.[15] The album featured key tracks such as "Baby" and "Heated Up," blending R&B and soul influences, and received positive local and international acclamation for its fresh sound and vocal chemistry.[25][26] It established the duo as promising talents, though they disbanded after this single project, allowing Efya to pursue a solo path.[27] In the years immediately following, Efya signed with One Nation Entertainment in 2011, releasing her first solo single "Little Things" in 2010, which showcased her neo-soul style and gained modest radio play in Ghana.[28][24] She followed with "The Get Away" in 2011, further solidifying her emerging presence.[29] During 2009–2012, Efya attracted initial media attention through interviews and features highlighting her post-competition journey, while making live appearances at local events and concerts in Ghana, including performances at venues in Accra that helped build her fanbase.[29][15]Major projects and collaborations (2013–2016)
In 2013, Efya solidified her presence in the Ghanaian music scene with the release of her debut mixtape T.I.N.T. (This Is Not The Album) on November 11, through One Nation Entertainment.[30] The 13-track compilation included previously released songs from her early career alongside unreleased material that did not make her debut album cut, serving as a deliberate prelude to her forthcoming full-length project.[30] Produced in part by multi-platinum artist John Bido, the mixtape explored themes of love across diverse melodies, ranging from power ballads to odes on heartbreak.[30] It was promoted through singles "Getaway" and "Best in Me," which highlighted her soulful vocals and contributed to building anticipation for her evolution as an artist.[31] Building on this momentum, Efya unveiled the lead single "Forgetting Me" on January 11, 2014, from her delayed debut studio album, earning widespread acclaim for its emotive delivery and introspective lyrics on moving on from relationships.[32] The album, titled Janesis, arrived on April 22, 2016, after multiple postponements from its initial 2013 target date due to her extensive touring schedule.[33] Spanning 21 tracks and over 80 minutes, it presented an Afro-soul journey through romance, empowerment, and vulnerability, blending pop sensibilities with traditional Ghanaian influences.[34] Standout tracks included the introspective opener "Can I," the upbeat "Jorley" featuring Sarkodie, the collaborative "One of Your Own" with Bisa Kdei, and the dance-infused "Hele mi" with Stonebwoy, demonstrating her versatility in balancing heartfelt ballads and rhythmic anthems.[35] Critics lauded the project's strong lyricism, varied production, and Efya's commanding vocal range, describing it as a poignant emotional narrative and awarding it a 3.5 out of 5 rating for its depth and market potential.[34] That same year, in May 2016, Efya expanded her reach by signing with Nigerian artist Wizkid's Starboy Entertainment label, a move announced onstage at the Vodafone Ghana Music Awards alongside fellow Ghanaian acts R2Bees and Mr Eazi.[36] This partnership facilitated prominent cross-border collaborations, most notably her feature on Wizkid's "Daddy Yo," released in December 2016, where her harmonious vocals complemented the track's dancehall-infused vibe and propelled it to become one of the year's defining Afrobeats hits.Recent developments and ventures (2017–present)
In 2017, Efya released the single "Until the Dawn," a soulful track produced by Maleek Berry that showcased her emotive vocals over an Afrobeat-reggae fusion, marking a pivotal shift toward more personal and introspective songwriting in her post-Janesis era.[37] The song's official music video, directed and released in June of that year, highlighted themes of enduring love and commitment, resonating with fans across Ghana and the diaspora.[38] By 2020, Efya expanded her collaborative reach with "The One," a duet featuring Nigerian artist Tiwa Savage, released on June 5 and produced by Blaqjerzee, blending Afrobeats rhythms with harmonious R&B elements to explore romance and empowerment.[39] This track underscored her growing international presence, bridging Ghanaian and Nigerian music scenes during a period of heightened Afrobeats global popularity. Efya's creative momentum continued into 2023 with the release of her EP No More Tears on November 3, a four-track project delving into heartbreak, liberation, and self-empowerment, featuring standout songs like "Set Me Free," "Mr High," "No More," and "My Helper (Oluwa)."[40] Produced primarily by Louddaaa, the EP reflected her evolution toward raw emotional narratives, with "No More" later receiving an official video in 2024 to commemorate its anniversary.[41] In 2024, the official music video for "My Helper (Oluwa)," a track from the No More Tears EP, was released on January 26, an uplifting Afro-soul piece invoking themes of divine guidance and resilience, produced by Louddaaa.[42] This was followed in 2025 by "RADAR," released on February 28, a cinematic Afro-fusion love song with sci-fi undertones in its April music video, emphasizing urgency in relationships.[43] Later that year, on April 29, she featured on Beeztrap KOTM's "SAVE THE DATE," a collaborative track blending rap and soul to celebrate commitment and future plans.[44] In January 2025, Efya announced plans for a new full-length album within the next two years, teasing additional singles throughout 2025 to build anticipation while emphasizing her commitment to innovative Afro-soul sounds.[45] On November 7, 2025, she released the single "Catch The Feeling" featuring King Paluta, celebrating joy and connection in relationships. Complementing her music, she embarked on an international tour in March 2024, performing at the Rolling Cocoa Independence concert in Washington, D.C., on March 9, followed by her headline show EFYA LIVE IN UK at The Brickhouse in Slough on March 16, connecting with global audiences amid rising Afrobeats demand.[46] Post-2020, her catalog has seen sustained streaming growth, aligning with Afrobeats' expansion to over 38 million monthly plays in Ghana alone by 2024, though specific milestones for her tracks highlight consistent plays in key markets like Lagos and Accra.[47]Notable live performances
Efya made her debut live performance at the 2011 Ghana Music Awards at the Grand Arena in Accra, showcasing her vocal prowess alongside artists like Ruff-N-Smooth and Stonebwoy, which helped solidify her rising status in the industry.[21] She has since become a recurring performer at the event, delivering memorable sets that highlight her soulful range and stage command. In 2024, at the 25th Telecel Ghana Music Awards, Efya delivered an unforgettable performance that captivated audiences with her dynamic vocals and presence.[48] In 2013, Efya performed at the Hope City Launch Celebration Concert at Accra Sports Stadium, headlined by Chris Brown, where she took the stage backed by six dancers and a live band, thrilling the crowd with renditions of "Sexy Wahala," "Get Away," "Little Things," and "Best in Me."[49] Later that year, on December 20, she appeared at the annual Girl Talk concert at the National Theatre in Accra, headlined by Becca, contributing to the all-female lineup that celebrated empowerment through music.[15] Efya expanded her international presence post-2016 with standout appearances, including a performance at the BET Experience in Los Angeles in 2016, where she represented Ghanaian music on a global stage.[4] She has since toured internationally, performing at events like the Gidi Culture Festival in Nigeria and embarking on a 2024 international tour that showcased her Afrobeats-infused sound to diverse audiences.[50] In August 2025, Efya delivered a captivating set at Afro Future in Detroit, blending hits with Ghanaian rhythms to engage fans abroad.[51] In 2024 and 2025, Efya focused on live shows promoting her "No More Tears" EP and new singles, including a thrilling appearance at the Ambusa Experience alongside Sarkodie and Samini, where she highlighted tracks from the project.[52] She also performed at the MTN Festival in December 2024, featuring songs from the EP, and joined the Rapperholic concert lineup, energizing crowds with fresh material amid her ongoing ventures.[53][54]Artistry
Musical style and evolution
Efya's musical style is primarily rooted in Afro-soul, seamlessly blending elements of R&B, pop, and highlife to create a distinctive sound that resonates with emotional depth and cultural authenticity.[14][55] Her vocal delivery is characterized by a soulful timbre and emotive phrasing, allowing her to convey vulnerability and strength in equal measure, often drawing comparisons to classic soul traditions while adapting to contemporary African rhythms.[14][34] Over the course of her career, Efya's sound has evolved from neo-soul foundations evident in her early collaborative work on the 2009 album Unveiled with Irene Logan, which emphasized intimate R&B and soul arrangements, to a more expansive palette in her solo projects.[23] Her 2016 debut album Janesis marked a shift toward neo-soul and Afropop integration, incorporating hip-hop and ragga influences alongside Afro-soul cores to explore broader sonic landscapes.[34][56] This progression continued with the 2023 EP No More Tears, where Afrobeats elements infuse her Afro-soul base, resulting in tracks that balance introspective melodies with upbeat, dance-oriented production for a more dynamic and resilient expression.[57][58] Her recent singles, including "My Helper (Oluwa)" (2024), "Radar" (2025), and "Catch The Feeling" (2025, featuring King Paluta), further this evolution by blending Afrobeats and highlife with smooth R&B, emphasizing romance, joy, and emotional depth.[59][60][61] Lyrically, Efya's work consistently centers on themes of love, empowerment, and self-reflection, using personal narratives to address heartbreak, resilience, and relational dynamics in a way that fosters emotional connection with listeners.[34][62] In Janesis, these themes unfold through an emotion-laden journey of romantic introspection, while No More Tears channels frustrations into empowering anthems of personal growth and closure.[34][57] Her production approach highlights collaborations with skilled producers who prioritize live instrumentation to enhance organic textures, as seen in the fusion of Afro-soul with contemporary beats on No More Tears, produced by Louda, and earlier works featuring contributions from Kill Beatz and EL.[57][56] This emphasis on layered, instrument-driven arrangements underscores her commitment to a sound that feels both polished and authentically rooted.[14]Influences and inspirations
Efya's musical influences draw heavily from both Ghanaian and international artists, shaping her distinctive Afro-soul sound. She has frequently cited highlife legend Kojo Antwi as a primary inspiration, appreciating his mastery of rhythmic melodies and emotional depth in Ghanaian music.[63] Similarly, American soul icon Aretha Franklin profoundly impacted her vocal delivery, with Efya admiring Franklin's raw power and improvisational flair during her formative years.[63] International figures like Alicia Keys also resonate with her, influencing her blend of piano-driven soul and contemporary R&B elements in songwriting.[64] Culturally, Efya's work is rooted in Ghanaian traditions, particularly highlife rhythms that echo communal storytelling and celebration, which she integrates to ground her music in local heritage. Her affinity for old-school jazz further enriches this foundation, providing a improvisational structure that allows for expressive vocal runs and harmonic complexity. Globally, she draws from Afrobeats pioneers such as Fela Kuti, whose fusion of African percussion with Western funk inspires her rhythmic experimentation and socially conscious themes.[63][14] On a personal level, Efya's family background in the arts, including her mother's career as a filmmaker, instilled an early appreciation for narrative-driven creativity and visual storytelling, which she channels into her lyrical content. Her university education in theatre and music at the University of Ghana honed her performative skills, emphasizing emotional authenticity and stage presence from vocal training received within her family circle.[65] These influences manifest prominently in Efya's songwriting, where she weaves personal introspection with cultural motifs, often using metaphorical language inspired by jazz improvisation and highlife's melodic flow to explore themes of love and resilience. Vocally, her approach features soulful ad-libs and dynamic range reminiscent of Franklin and Keys, combined with theatre-honed expressiveness that conveys vulnerability and strength in live interpretations.[55][64]Other activities
Fashion and business endeavors
In December 2019, Efya launched her clothing line, The Native Chic, as an extension of her successful singing career.[66][67] The brand centers around Efya's pure and loving essence, reinforcing her image as a multifaceted artist who bridges music and fashion.[55] By integrating her entrepreneurial ventures with promotional elements from her music career, the line has contributed to broadening her personal brand beyond entertainment.[55] As of 2025, the business maintains an online presence at thenativechic.com with worldwide shipping and a physical storefront at 191 Aviation Road, Accra, Ghana.[68]Acting roles
Efya's foray into acting stems from her academic foundation in theatre arts and music at the University of Ghana, which equipped her with skills in performance and storytelling.[15] Her early acting credit was in the 2015 Ghanaian TV series Heartbeat, where she played the role of a singer under her birth name, Jane Awindor.[69] This appearance marked her initial step into on-screen performance, leveraging her vocal talents within a narrative context. In 2016, Efya took on a supporting role in the musical film Purple, directed by Prince Dovlo and featuring a cast of prominent Ghanaian musicians including Pappy Kojo, Stonebwoy, and Samini.[70][71] The movie, a romantic drama infused with music, showcased her ability to integrate singing with dramatic elements, contributing to scenes that highlighted themes of love and artistic expression. Efya extended her acting into music videos with her appearance in R2Bees' "Could This Be Love" in 2018, where she portrayed a central romantic figure alongside the duo in a visually narrative-driven production set against themes of budding affection.[72][73] This role exemplified her seamless blending of acting and music, using performative storytelling to amplify the song's emotional depth.[73] Efya has accepted cameo roles in movies, underscoring her versatility as a multifaceted performer in Ghanaian entertainment.[74]Humanitarian contributions
Efya has been an official ambassador for the Awal Children of the Future Foundation (ACOTF) since around 2012, a non-profit organization dedicated to supporting orphans, street children, and victims of physical and emotional trauma in Ghana by providing rehabilitation, resources, and community aid.[55][19] Through this affiliation, she collaborates with fellow artists to promote the foundation's efforts in helping at-risk youth access basic needs and recovery programs.[19] In addition to her ambassadorial work, Efya has engaged in charity events and performances to advance social causes, particularly those related to children's welfare and women's empowerment. She performed at the 2024 Euphoria Africa Charity Gala in Accra, an event aimed at raising funds and awareness for domestic violence prevention and mental health support, contributing to broader initiatives for women's safety and empowerment in Ghana.[75] In May 2025, she headlined the Hoodtalk Music Festival at Independence Square, where proceeds supported the DreamChild Foundation's mission to construct pediatric hospitals, thereby aiding healthcare access for underprivileged children.[76][77] These contributions reflect Efya's ongoing dedication to philanthropy, with her involvement in ACOTF and select charity concerts post-2010 helping to amplify support for vulnerable populations and foster community resilience in Ghana through 2025.[78]Personal life
Efya met her biological father for the first time at the age of 23 in an interview she described as casual, after her mother informed her of his visit from Germany, where he had been due to business and family commitments.[79] She was primarily raised by her mother and later had a stepfather from the age of 10. In a 2017 interview, Efya expressed her desire to have one child when she felt ready, likening the announcement to releasing a music single.[80] As of October 2025, she stated that she has warned her family against pressuring her into marriage or having children, emphasizing, “When I get to when I’m ready to do those things, I’ll do them. If you pressure me I’ll stop picking up your phone calls and I’ll block you.” She added that she is not afraid of divorce but of the marriage process itself, citing a lack of loyalty and honesty in contemporary relationships.[81] Efya has not publicly confirmed any current romantic relationships or marriage.Discography
Albums and EPs
Efya's earliest major release was the collaborative album Unveiled, recorded with singer Irene Logan under the duo name Irene & Jane and released in 2009. This project marked their debut following a recording contract from a talent competition, blending R&B and soul influences with production handled by South African and Ghanaian teams. Key tracks included "Baby" and "Heated Up," which showcased their harmonious vocals and earned a nomination at the 2008 Channel O Music Video Awards. The album received positive attention for its fresh duo dynamic but was limited in distribution, primarily released in South Africa.[29][82] In 2013, Efya released her debut solo project, the mixtape T.I.N.T. (This Is Not The Album), on November 11 via One Nation Entertainment. This 13-track compilation gathered previously released singles from 2011 to 2013 alongside new material, emphasizing neo-soul, jazz, and R&B elements. Standout tracks like "Get Away," "Best in Me," and "Little Things" highlighted her vocal range and emotional depth, with production from local talents. The mixtape was well-received for bridging her early career hits into a cohesive body of work, boosting her profile in Ghana's music scene.[83][30] Efya's first full-length solo album, Janesis, arrived on April 22, 2016, and featured 21 tracks exploring themes of love, introspection, and relationships through Afro-soul arrangements. Notable songs included "Can I," "Sometimes," "Jorley" (featuring Sarkodie), "One of Your Own" (featuring Bisa Kdei), "Forgetting Me," and "Getting You" (featuring Ice Prince), with production by Kaywa and others. The album charted well in Ghana and received acclaim for its emotional storytelling and vocal delivery, described as an "emotional journey through love" in reviews, earning strong fan support and multiple award nods.[84][34] The EP No More Tears was released on November 3, 2023, comprising four concise tracks that delve into love, liberation, and personal empowerment with a mix of Afro-soul and contemporary production by Linz and Hemmy. The tracklist features "Set Me Free" (a melodic opener on romantic warmth), "Mr High," "No More" (a poignant title track), and "My Helper (Oluwa)." Critics praised its emotionally charged vibe and Efya's passionate delivery, noting it as a therapeutic outlet for frustrations in relationships.[85][57] In January 2025, Efya announced plans for a new full-length album slated for release within the next two years (2025–2027), following a series of singles in 2025 to build anticipation. Details on the project's theme or collaborators remain forthcoming, but it promises to continue her evolution in Afro-soul.[45]Singles
Efya's singles career began with soulful R&B-infused tracks that established her as a prominent voice in Ghanaian music, often blending Afro-pop elements with introspective lyrics. Her early releases gained traction through radio play and music videos, contributing to her breakthrough in the mid-2010s. As her discography evolved, collaborations with international artists highlighted her versatility, while recent singles reflect a mature fusion of Afrobeats and emotional depth.Early Singles
Efya's initial singles were pivotal in building her fanbase, promoting her 2013 mixtape T.I.N.T.. "Getaway," released on November 10, 2011, served as the lead single, featuring upbeat rhythms and a music video directed by Sony Addo, filmed in Accra. The track received acclaim for its catchy hook and earned recognition as an award-winning release in Ghanaian circles. Following it, "Best in Me," dropped on February 14, 2012, with its official music video uploaded in September 2013, directed by Big OJ Films; it peaked in popularity through strong vocal delivery and became another award-winning effort. In 2014, "Forgetting Me" emerged as a heartfelt ballad, released in January, showcasing Efya's emotive range and marking a shift toward more personal themes ahead of her debut album.Mid-Career Singles
Transitioning into the late 2010s, Efya's singles emphasized production collaborations and broader appeal. "Until the Dawn," released on June 10, 2017, and produced by Maleek Berry, featured an accompanying official music video that amplified its romantic narrative; the track resonated widely in West Africa for its smooth Afro-pop vibe. In 2020, "The One" featuring Tiwa Savage, released on June 5, brought cross-border synergy, with the duo's chemistry driving streams exceeding 700,000 on Spotify within the first year; an official video followed in August, enhancing its visual storytelling.Recent Singles
Efya's output in the 2020s has leaned into contemporary Afrobeats with spiritual and relational undertones. "My Helper (Oluwa)," a gospel-infused track released on January 26, 2024, as part of her No More Tears EP, included an official music video emphasizing themes of faith and resilience; it garnered positive reception for its uplifting message. Entering 2025, "RADAR," her first solo single of the year, dropped on February 28, blending sci-fi visuals in its April music video with introspective lyrics on love and urgency. Later that year, "SAVE THE DATE," a featured collaboration with Beeztrap KOTM released on April 30, incorporated Afrobeat rhythms and a visualizer video, highlighting Efya's ongoing role in vibrant ensemble projects. In November 2025, Efya released "Catch The Feeling" featuring King Paluta on November 7, a joyful Afro-pop track celebrating love and connection, produced by Khendi Beatz, with a lyric video amplifying its upbeat vibe.[86]| Single Title | Release Date | Collaboration | Notable Details |
|---|---|---|---|
| Getaway | November 10, 2011 | None | Lead single for T.I.N.T. mixtape; official music video by Sony Addo; award-winning in Ghana. |
| Best in Me | February 14, 2012 | None | Second single from T.I.N.T.; official video by Big OJ Films (2013); award-winning track. |
| Forgetting Me | January 2014 | None | Pre-Janesis album release; emotional ballad with strong radio play. |
| Until the Dawn | June 10, 2017 | None | Produced by Maleek Berry; official music video; popular in West African markets. |
| The One | June 5, 2020 | Tiwa Savage | Over 700,000 Spotify streams in first year; official video released August 2020. |
| My Helper (Oluwa) | January 26, 2024 | None | From No More Tears EP; official music video; gospel-Afro fusion. |
| RADAR | February 28, 2025 | None | Debut 2025 single; sci-fi themed music video (April 2025). |
| SAVE THE DATE | April 30, 2025 | Beeztrap KOTM | Afrobeat collaboration; visualizer video; catchy ensemble track. |
| Catch The Feeling | November 7, 2025 | King Paluta | Joyful Afro-pop track; lyric video; celebrates love and connection. |
Awards and nominations
Ghana Music Awards
Efya's acclaim at the Ghana Music Awards is primarily anchored in her exceptional vocal abilities, where she has secured five wins in the Best Female Vocal Performance category, the most by any artist. She made history as the first Ghanaian female to win the award four consecutive times, from 2011 to 2014, solidifying her status as a vocal powerhouse in Ghanaian music. These victories underscored her soulful delivery and technical prowess, setting a benchmark for female vocalists in the industry.| Year | Song | Citation |
|---|---|---|
| 2011 | Little Things | [17] |
| 2012 | I'm In Love With You | [87] |
| 2013 | Best in Me | [17] |
| 2014 | Life | [17] |
| 2019 | Hold You Down | [88] |