Fact-checked by Grok 2 weeks ago

Electronicore

Electronicore is a fusion genre of music that blends the aggressive instrumentation and vocal styles of and with elements, such as synthesizers, drops, and club-oriented production. It typically features down-tuned guitars, double-kick drumming, screamed verses, and melodic clean choruses interspersed with EDM breakdowns and trance-like builds, creating a high-energy sound that appeals to both metal and rave audiences. The genre emerged in the early 2000s in the , with British band widely regarded as its pioneers after forming in 1999 and releasing their debut album in 2007, which incorporated riffs with and . Their track "Sorry You're Not a Winner" gained significant exposure through inclusion in the video game , helping propel electronicore's popularity across the Atlantic by 2008. The style, sometimes called trancecore or synthcore, peaked in the late 2000s and early 2010s through platforms like , where American and international acts experimented with the formula, often aligning with the "scene" subculture's fashion and themes of youth angst, introspection, and catharsis. Notable early bands include Attack Attack!, an American band known for their 2008 debut album that popularized electronic breakdowns in ; I See Stars, an American act from who fused electronicore with pop sensibilities on albums like (2010); and Abandon All Ships, a Canadian band that emphasized drops alongside harsh vocals before disbanding in 2014. Internationally, Japan's Crossfaith brought a chaotic, sci-fi edge to the genre on releases like (2015), while Sky Eats Airplane and Breathe Carolina explored melodic and trance-heavy variations. In the 2010s and beyond, electronicore evolved to incorporate influences from , , and , with bands like adding deathcore aggression and Fear, and Loathing in Las Vegas infusing J-rock energy. Modern acts such as Germany's Electric Callboy (formerly Eskimo Callboy) have revitalized the genre with humorous, party-oriented tracks that mix pulses with breakdown-heavy , as seen on their 2022 album . continues to innovate, topping UK charts with politically charged albums like A Kiss for the Whole World (2023), which reflect the genre's ongoing fusion of raw intensity and electronic experimentation. As of 2025, the genre remains active with tours like The Browning's Electronicore 2025 and teases of reunions from acts like . Despite niche status, electronicore's hybrid appeal has influenced broader metal and scenes, maintaining a dedicated following through festivals and streaming platforms.

History and Origins

Origins in the Late and Early

Electronicore emerged as a fusion genre combining the aggressive breakdowns and screamed vocals of with electronic elements drawn from , , and sounds. The style's roots lie in the late and early , when underground bands in the UK and began experimenting with digital production tools to integrate synths and samples into and frameworks. A key pioneer was the UK band , formed in 1999 in St. Albans, , initially as Hybryd before adopting their current name in 2003. Their 2007 debut album marked an early high point, blending riffs and electronics with trance-like synths and dance beats, influencing the genre's development through its DIY ethos and live energy. This release showcased how electronic layers could enhance metalcore's intensity, setting a template for future acts. In the US, Horse the Band, formed in 1998 in Lake Forest, California, contributed to the genre's foundations by coining "Nintendocore" to describe their chiptune-infused metalcore sound. Their 2003 debut R. Borlax introduced 8-bit video game-inspired keyboards amid chaotic post-hardcore aggression, while the 2005 album The Mechanical Hand further emphasized these electronic-metal hybrids, drawing from the accessibility of early digital tools. The band's experimental approach highlighted chiptune's role in bridging gaming culture with underground metal scenes. The initial underground growth of electronicore in and scenes was facilitated by the rise of workstations (DAWs) in the early , such as GarageBand's 2004 launch, which made electronic sampling and production affordable for independent musicians without studio access. This technological shift enabled bands to layer synths and beats over structures easily, fostering experimentation in DIY communities. The term "electronicore" first appeared explicitly in online forums and media around 2008, often linked to emerging acts like , a band formed in 2006. Their 2009 debut exemplified the style with dual vocals, thrashy riffs, and electronics, solidifying the genre's identity amid the boom.

Evolution and Peak in the

The surge in electronicore's popularity during the early was closely tied to the mainstream rise of , particularly the aggressive "brostep" style popularized by artists like , which inspired hybrids blending breakdowns with electronic drops. This period, roughly 2010 to 2015, saw electronicore gain traction as (EDM) dominated global charts and festivals, drawing fans into danceable, synth-heavy soundscapes. Key releases exemplified this fusion, such as ' debut album Geeving in 2010, which merged synth breakdowns with aggression to capture the era's hybrid energy. Similarly, ' 2012 Renegades Forever incorporated dubstep-influenced drops alongside metal elements, creating tracks that bridged mosh pits and club beats. These works built on the electronic experimentation of early pioneers like , amplifying the genre's accessibility through prominent electronic-metal contrasts. The genre expanded significantly through festival circuits in the 2010s, with events like the Vans Warped Tour serving as a primary platform for electronicore acts amid a wave of synth-driven performances. Bands such as leveraged these opportunities, gaining widespread exposure by infusing metalcore sets with electronic textures that appealed to diverse audiences at major touring festivals. Post-2015, as dubstep's popularity waned amid audience fatigue and shifting trends toward and , electronicore evolved into diverse substyles and maintained relevance through new fusions and dedicated tours into the . Technological advancements facilitated this evolution, with widespread adoption of software like enabling bands to manipulate electronic elements in during live metal performances, enhancing the genre's dynamic stage presence.

Musical Characteristics

Core Instrumentation and Production

Electronicore's core instrumentation draws heavily from metalcore foundations, featuring heavily distorted electric guitars tuned to low registers such as Drop C to achieve a sense of heaviness and aggression, often employing palm-muted chugging riffs and breakdowns. Drums typically include patterns and reinforced kits with samples to provide tight, punchy rhythms that support both metal breakdowns and faster electronic tempos around 140–150 . Vocals alternate between screamed or growled harsh deliveries and clean singing, with the latter frequently processed using to create a polished, -infused melodic quality. The components integrate synthesizers for melodic and atmospheric , including sequenced arpeggios for trance-like leads, supersaw waveforms in choruses, and plucks in verses, often emulating classic analog designs to blend warmth with precision. Sequencers drive repetitive patterns, while samplers incorporate chiptune-inspired sounds or effects, such as stuttered edits and artifacts, to add textural complexity alongside conventional instrument recordings. frequently feature growl or wobble synths reminiscent of , layered with traditional to maintain low-end power during drops. Production techniques emphasize hybrid layering, where electronic pads and ambient synths underpin metal breakdowns to enhance intensity without overpowering the core riffs, achieved through surgical and multiband for clarity. is applied selectively to clean vocals for pitch correction and stylistic sheen, while integration allows for synchronized triggering of electronic drops and effects in both studio and live contexts. Key effects include reverb-heavy synth processing to evoke atmospheres, lush delay tails for spatial depth, and sidechain that ducks pads, bass, or synths against the kick drum, creating a pumping that unifies the metal and electronic pulses. In live performances, setups often incorporate keytars for onstage synth manipulation or laptops running DAWs to overlay elements via triggers and backing stems, ensuring seamless integration with the band's traditional instruments while maintaining click tracks for tempo synchronization. This approach allows for dynamic control of transitions, such as triggering risers, sweeps, or interruptions, heightening the genre's high-energy delivery.

Song Structure and Electronic Integration

Electronicore songs typically follow a verse-chorus structure augmented by breakdowns, a hallmark of metalcore, with electronic builds—such as rising synth lines—creating tension that resolves into heavy drops, resulting in tracks averaging 3-4 minutes in length. This format allows for dynamic shifts where ambient electronic intros or verses give way to intense choruses and mid-song breakdowns, maintaining the genre's high-energy pacing. Integration of electronic elements often involves clean electronic verses that transition smoothly to screamed choruses, incorporating dubstep-style "wobbles" in bridges and ambient breakdowns interrupted by glitch effects for added unpredictability. Synthesizers and sequencers layer over traditional metalcore riffs, with EDM-influenced beats enhancing the transitions between sections, as seen in the use of bass wobbles to amplify breakdown intensity. These techniques blend the aggression of metal with the euphoria of electronic music, creating a hybrid sound that emphasizes contrast and release. Vocal duality is central, featuring harsh, screamed vocals delivered over pulsating electronic beats in verses to build aggression, contrasted by melodic, often auto-tuned clean vocals in hooks that heighten emotional peaks and facilitate tension-release dynamics. This approach, influenced by trance and electronica, allows singers to alternate between raw intensity and polished, synthesized delivery, reinforcing the genre's emotional range. Rhythmic fusion manifests in half-time breakdowns synchronized to approximately 140 electronic pulses, merging 4/4 metal grooves with syncopated rhythms for a disorienting yet cohesive drive. Double-kick patterns from drums interlock with percussion, enabling seamless shifts from fast-paced verses to slower, heavier sections without losing momentum. Thematic audio motifs frequently include recurring synth riffs that mirror or harmonize with guitar melodies, fostering cohesion across a track's sections and underscoring lyrical themes of chaos and transcendence. These motifs, often drawn from and influences, provide a unifying thread that ties and metal components together, enhancing the overall flow.

Notable Artists and Bands

Pioneering Acts

Enter Shikari, formed in 1999 in Hertfordshire, UK, emerged as one of the earliest and most influential acts in electronicore, blending trance-metal hybrids with politically charged lyrics that addressed social and environmental issues. Their debut album Take to the Skies (2007) marked a breakthrough, integrating electronic synths and bass wobbles over post-hardcore structures, helping normalize electronic elements within metalcore scenes. Follow-up Common Dreads (2009) further solidified their sound, expanding on trance influences while maintaining a DIY ethos in production. The band continued releasing music into the 2020s, including the bootleg live album Live at Wembley in July 2025. Horse the Band, also formed in 1999 in , USA, pioneered —a substyle of electronicore characterized by chaotic riffs overlaid with 8-bit synths inspired by soundtracks. Their experimental approach, evident in albums like The Mechanical Hand (2005), emphasized keyboard-driven electronics amid aggressive breakdowns, distinguishing them as innovators in fusing retro digital sounds with heavy music. After a period of inactivity, the band reunited in 2025 for shows celebrating the 20th anniversary of The Mechanical Hand and released a new EP, their first music in over a decade. Precursors to these acts included The Dillinger Escape Plan's late-1990s experiments with electronics in mathcore, which laid groundwork for genre-blending by incorporating sound design elements into extreme metal frameworks, though full integration came in later works like Ire Works (2007). These pioneering bands established DIY electronic production techniques within metal communities, influencing subsequent label signings at Sumerian Records, which amplified electronicore's reach through artists adopting similar hybrid styles in the late 2000s.

Influential Mid-2010s Bands

During the mid-2010s, electronicore reached a commercial peak through bands that innovated on the genre's fusion of aggression and electronic production, expanding its appeal within circles, with many acts continuing to release music into the . , formed in 2006 in , exemplified this evolution with their blend of , , and elements, creating danceable tracks that bridged mosh pits and nightclubs. Their 2012 album Renegades Forever and 2013 release New Demons highlighted this style, featuring heavy synths and drops alongside screamed and clean vocals delivered by Devin Oliver. The band released their sixth studio album The Wheel on September 12, 2025, via . Abandon All Ships, originating in Toronto, Canada, in 2006, further popularized the subgenre's electronic drops rooted in post-screamo structures. Their debut album Geeving (2010) introduced synth-heavy breakdowns that became a staple, though the band underwent significant lineup changes after 2012, leading to shifts in their sound and a disbandment in 2014. After a hiatus, they returned in 2025 with the single "Take One Last Breath" on October 3 and teased new music for 2026. We Came As Romans, established in 2005 in , integrated trance-like electronic layers into their framework, emphasizing melodic positivity in lyrics about personal growth and hope. Their 2013 album Tracing Back Roots showcased these elements through uplifting synth progressions and anthemic choruses. The band continued their evolution, releasing All Is Beautiful… Because We're Doomed on August 22, 2025, via SharpTone Records. These acts, building on foundational influences from earlier pioneers, achieved broader impact through frequent appearances from 2010 to 2015 and viral presence, which propelled electronicore's temporary dominance in scenes by normalizing EDM-metal hybrids.

Reception and Cultural Impact

Critical Reception

Electronicore has elicited a range of responses from music critics since its inception, often highlighting its bold fusion of metalcore aggression and electronic textures as both innovative and polarizing. Early works by pioneering acts like were lauded for revitalizing a stagnant scene through genre-blending experimentation; their 2007 debut album earned the John Peel Award for Musical Innovation, with reviewers commending its "head-bending mix of hardcore metal and trance" as a fresh departure that sold out 2,000-capacity venues independently. The album's trancey synthesizers layered over hard-as-nails metal riffs were seen as particularly effective in tracks like "," a "Faithless-meets-Napalm Death wig-out" that demonstrated the potential for noisy, boundary-pushing innovation. Critics have frequently praised the high-energy atmosphere of electronicore live performances, where mosh pits converge with rave-inspired elements to create dynamic, crowd-engaging spectacles. At festivals like Download 2025, acts performing the genre were noted for delivering "circle-pit inducing guitar heft with shafts of computerised noise," fostering an exhilarating blend of physical intensity and electronic euphoria that captivates audiences. Despite these strengths, electronicore has faced accusations of gimmickry, particularly during its dubstep-influenced phase in the early , where electronic flourishes were sometimes viewed as superficial trends diluting metal's authenticity. Pitchfork's review of captured this sentiment, calling the ravey keyboards and synth blasts an "unholy union" with thrash that offered "surprising moments of effectiveness" but ultimately functioned as a "semi-clever gimmick" prone to overuse and staleness. Later examples, such as Electric Callboy's 2022 Tekkno, drew similar critiques for its party-oriented electronicore, with reviewers noting that the "disparate elements refuse to mix" and the vocals come across as "annoying," underscoring concerns over reliance on electronics overshadowing cohesive songcraft. In recent years, post-2020 assessments have shown a more appreciative in critical views, crediting electronicore's foundational role in modern hybrid sounds. Kerrang!'s 2025 review of ' The Wheel highlighted the band's return as a "consistent" of the , blending past influences with forward-looking production to reaffirm its enduring vitality. This shift reflects broader recognition of electronicore's influence on subsequent metal-electronic crossovers, moving beyond initial dismissals toward acknowledgment of its lasting impact on scene innovation.

Influence on Broader Metal and Electronic Scenes

Electronicore's integration of electronic elements into significantly influenced the broader metal scene, particularly by normalizing synths, samples, and production techniques that bridged heavy riffs with dance-oriented sounds. This shift was exemplified by Bring Me the Horizon's 2013 album Sempiternal, which redefined through the contributions of keyboardist Jordan Fish, blending traditional breakdowns and screams with electronic keyboards and atmospheric synths in tracks like "Shadow Moses" and "." The album's success, reaching #3 on the and #11 on the while achieving Gold status in the and Silver in the UK, inspired a wave of bands to adopt similar fusions, moving away from purely aggressive structures toward more layered, electronically enhanced compositions that echoed nu-metal's experimental edge. In the electronic music sphere, electronicore paved the way for EDM-metal hybrids, particularly impacting the late-2010s rise of through shared influences in genre-blending and high-energy production. Pioneering electronicore acts like Attack Attack! and I See Stars, known for incorporating drops and trance elements into , directly shaped artists such as , whose members and cited bands including Attack Attack! and as formative inspirations from their experiences. This connection manifested in 's chaotic mixes of electronic glitches, heavy guitars, and breakdowns, as seen in ' remix of Linkin Park's "One Step Closer," which fused nu-metal aggression with EDM experimentation, and their collaboration with act on tracks blending rock and . Dorian Electra's 2020 album further exemplified this hybrid, featuring -style breakdowns alongside synth-heavy production reminiscent of electronicore's trancecore substyle. The genre's legacy extended to the proliferation of "core" subgenres in the , fostering electronic fusions within heavier variants like and contributing to greater stylistic diversity in metal festivals. Bands such as and helped establish electronicore's synth-driven breakdowns and wobbles as a standard in , influencing subsequent acts to experiment with and integrations that spilled into , where electronic atmospheres enhanced brutal riffing and blast beats. In the 2020s, electronicore's echoes persist in digital revivals, with broader waves that reintegrate electronic elements amid trends.

Connections to Metalcore Variants

Electronicore maintains a direct lineage to 's development in the , a period when the genre evolved from its roots by blending aggressive breakdowns and melodic structures, as seen in emo-influenced bands like . This foundation allowed electronicore to emerge as an extension, integrating synthesizers and sequencers into 's core framework without abandoning its punk-derived intensity. Pioneering electronicore acts built upon this by layering digital production over traditional riffs, creating a hybrid that retained the emotional depth of early while introducing electronic textures. The genre overlaps significantly with other metalcore variants, particularly and , where electronic elements enhance existing complexities. In , bands like fuse electronic breakdowns with brutal, low-tuned riffs and guttural vocals, amplifying the subgenre's aggression through glitchy synths and techno-infused drops that maintain 's visceral heaviness. Similarly, acts such as incorporate synthesizers into intricate, polyrhythmic structures, using electronic orchestration to add atmospheric depth to their progressive breakdowns and shifting time signatures, thereby bridging 's technicality with electronicore's sonic experimentation. Despite these ties, electronicore diverges from variants like and nu-metalcore revivals in its production priorities and rhythmic emphasis. While centers on soaring guitar harmonies and clean vocal melodies, electronicore shifts focus to digital layers, sequencers, and synthesized leads that often overshadow traditional , creating a more hybridized sound palette. In contrast to nu-metalcore's incorporation of rap-rock grooves and downtuned chugs, electronicore prioritizes danceable beats derived from , fostering a rhythmic drive suited for both and movement. Shared across these variants, however, is a breakdown-centric that fuels live , alongside a where electronicore's synth-driven atmospheres introduce greater variety, blending heavy pits with electronic in shared performance spaces. Electronicore draws heavily from , incorporating uplifting builds and melodic synth progressions reminiscent of artists like , where sequenced arpeggios and anthemic choruses create euphoric tension before metal breakdowns. These elements, often featuring supersaw synths and risers, provide a sense of escalation that mirrors trance's emotional peaks, as seen in early adopters blending them with aggression. Similarly, dubstep's influence is prominent through wobble basslines and rhythms at 140–150 , particularly post-Skrillex in the , where explosive drops integrate growl effects and syncopated patterns to heighten the genre's intensity. Bands utilized these dubstep-derived techniques to craft hybrid sections that transition seamlessly from heavy riffs to electronic surges. Beyond these core borrowings, electronicore ties into and via 8-bit video game soundtrack samples, evoking nostalgic pixelated sounds layered over metal instrumentation for a playful yet . rhythms appear in faster breakdowns, contributing rapid breakbeats and deep sub-bass to propel the pace and add neurofunk-like complexity to transitions. Occasional elements surface in melodic sections, with club-oriented synth stabs, sidechained pads, and 120–130 grooves providing a danceable undercurrent that contrasts the genre's harsher edges. The genre's bidirectional flow with is evident in how electronicore infused metal's heaviness into , fostering collaborations that bridged the scenes during the , such as incorporating aggressive breakdowns and distorted guitars into dance tracks. This exchange normalized electronic production in metal while exposing EDM producers to hardcore structures, resulting in crossover appeal at festivals. Electronicore's evolutions have spawned substyles like cyber-metal, which amplifies electronics with futuristic synths and effects while preserving screamed vocals as a distinguishing feature from pure . This progression retains the genre's core fusion but emphasizes aesthetics and digital distortion for a more immersive, dystopian sound.

References

  1. [1]
    Electronicore: A Genre Rising - Dance Music Northwest
    Jan 6, 2014 · Electronicore evolved from a combination of electronic and hardcore music to arouse the senses and tempt us to enter the mosh pit.<|separator|>
  2. [2]
    Electric Callboy Songs, Albums, Reviews, Bio &... - AllMusic
    German electronicore outfit fuse the pulsing, late-night sounds of European EDM with punishing, breakdown-heavy metalcore.
  3. [3]
    Abandon All Ships Songs, Albums, Reviews, Bio ... - AllMusic
    A Toronto-based electronicore band who fused metalcore with EDM before announcing their breakup in 2014.
  4. [4]
    Xeno - Crossfaith | Album - AllMusic
    Rating 6.7/10 (22) On their fourth album of electronicore mayhem, Japan's Crossfaith shoot for the stars with a sci-fi concept about artificial intelligence, the conflicts ...
  5. [5]
    The Radical Politics of Enter Shikari - Progressive.org
    Jun 3, 2023 · The ascendence of English rock band Enter Shikari reflects the public's appetite for their unique fusion of “electronicore”—a genre that ...
  6. [6]
    Electronicore Music Genre Overview - AllMusic
    Find Electronicore Albums, Artists and Songs, and Hand-Picked Top Electronicore Music on AllMusic.
  7. [7]
    Early DAWs: the software that changed music production forever
    Feb 21, 2020 · Join us for a history lesson, as we uncover the ancestry of Cubase, Logic, Ableton Live and more.From Live Looping To Studio... · The Dawn Of Plugins · Sequencers Vs DawsMissing: underground | Show results with:underground<|control11|><|separator|>
  8. [8]
    Enter Shikari Songs, Albums, Reviews, Bio & Mo... - AllMusic
    English post-hardcore band known for its dynamic live show and DIY business sense. Read Full Biography Active 2000s - 2020s Formed 2003 in Hertfordshire, ...
  9. [9]
    HORSE the Band Songs, Albums, Reviews, Bio & M... - AllMusic
    California's HORSE the Band debuted in 2003 with R. Borlax, a noisy but undoubtedly leading light in the burgeoning post-hardcore subgenre of Nintendocore.
  10. [10]
  11. [11]
    I See Stars Songs, Albums, Reviews, Bio & More... - AllMusic
    Hard-rocking Michigan sextet that mixes emo, thrash metal, and dance-pop, and features dual lead vocalists. Read Full Biography. Active. 2000s - 2020s ...
  12. [12]
    Dance Dance Revolution: How EDM Conquered America in the 2010s
    Nov 7, 2019 · Skrillex ended up bringing a new breed of aggressive electronic music to teeming masses that may not have been exposed to it otherwise. His rise ...
  13. [13]
    The Mainstreaming Of EDM And The Precipitous Drop That Followed
    Nov 13, 2019 · The US record-biz term for electronic dance music's early-2010s commercial surge through Avicii, Deadmau5, Skrillex and a number of new festivals.
  14. [14]
    10 metalcore bands who normalized electronic influences in the 2000s
    May 6, 2020 · During the 2000s and early 2010s, a surge of electronic influences found their way into metalcore as EDM became the biggest genre in music ...
  15. [15]
    Album Review: Abandon All Ships - Geeving - Alter The Press!
    Oct 10, 2010 · The combination of hardcore and electronic elements is a challenging one, some bands manage to pull it off (see Enter Shikari) and some ...Missing: influence | Show results with:influence
  16. [16]
    We Came As Romans comes to a turning point - Detroit Free Press
    Jul 21, 2015 · For Troy metalcore band We Came As Romans, Warped Tour's Detroit-area stop on Friday is more than just another hometown show.
  17. [17]
    Electronicore - Melodigging
    Electronicore is a fusion of post-hardcore/metalcore and electronic dance music. It blends down-tuned, chugging guitars, double-kick breakdowns, ...
  18. [18]
    What are the distinguishing features of metalcore? - Music
    Jul 9, 2014 · The most common tunings are Drop D, Drop C, and Drop C#. Some bands use Drop G or F#. Double bass drumming is very characteristic of metalcore.Missing: distorted | Show results with:distorted
  19. [19]
  20. [20]
    ELECTRONICORE, a metal music subgenre
    Electronicore is characterized by typical metalcore instrumentation, breakdowns, and heavy use of sequencers, conventional instrument recorded-note samplers, ...Missing: key | Show results with:key
  21. [21]
    Electronicore - TV Tropes
    Electronicore or "synthcore" is a music genre that rose to prominence in the late 2000's, largely on social media websites such as MySpace and music sharing ...Missing: key credible
  22. [22]
    13 facts you might not know about Enter Shikari - Rayo
    Apr 29, 2025 · Enter Shikari was originally a three-piece called HYBRYD. Rou Reynolds, Chris Batten and Rob Rolfe formed the band in 1999 after becoming ...<|separator|>
  23. [23]
  24. [24]
  25. [25]
    Horse the Band puts keyboards at the core of metalcore
    Dec 10, 2009 · His fondness for trying to replicate the sound of Nintendo video games led to Horse the Band's music being dubbed Nintendocore. Its role in the ...
  26. [26]
    The Dillinger Escape Plan: Ire Works Album Review | Pitchfork
    Feb 21, 2008 · ... electronics, and occasional pop moments. Faith No More and Nine Inch Nails were obvious influences; on 2006's Plagiarism covers EP, Puciato ...<|separator|>
  27. [27]
    Label Spotlight: Sumerian Records - New Noise Magazine
    Aug 4, 2016 · Now, a decade down the line, his label has become one of the biggest names in the alternative music world with artists like Circa Survive, ...
  28. [28]
  29. [29]
    Renegades Forever - Album by I See Stars | Spotify
    Listen to Renegades Forever on Spotify · album · I See Stars · 2013 · 11 songs.
  30. [30]
    I See Stars - MusicBrainz
    May 1, 2014 · The band currently consists of lead vocalist Devin Oliver ... The band's fourth studio album, New Demons, was released October 22 ...
  31. [31]
  32. [32]
    Abandon All Ships - Apple Music
    Formed in Toronto in 2006, Canadian metalcore band Abandon All Ships combine elements of electronic music and post-hardcore and technical metal into a ...
  33. [33]
    Geeving - Album by Abandon All Ships | Spotify
    Listen to Geeving on Spotify · album · Abandon All Ships · 2010 · 10 songs. ... More by Abandon All Ships. Infamous. Album • 2012 · Geeving. Album • 2010.
  34. [34]
    Abandon All Ships music, videos, stats, and photos | Last.fm
    Abandon All Ships are a post-hardcore band founded in 2006 in Toronto, Canada. Originally, playing covers of Norma Jean songs and having gone through many ...
  35. [35]
    We Came as Romans hometown, lineup, biography - Last.fm
    Sep 17, 2025 · We Came as Romans (often abbreviated as WCAR) is an American metalcore band from Troy, Michigan. Formed in 2005, the band has undergone one name ...
  36. [36]
    We Came As Romans - Tracing Back Roots Lyrics and Tracklist
    Jul 23, 2013 · Tracing Back Roots is the third album by Michigan metalcore band We Came as Romans. The album was released on July 23, 2013 through Equal Vision ...Missing: formation elements melodic positivity electronicore
  37. [37]
    I See Stars | Warped tour Wiki | Fandom
    I See Stars is an American electronicore band that formed in 2006 based in Warren, Michigan. Dates Warped Tour 2010 Warped Tour 2013 Warped Tour 2016Missing: Ships Came Romans
  38. [38]
  39. [39]
    Enter Shikari, Take to the Skies | Music | The Guardian
    Mar 16, 2007 · Take to the Skies is a demanding listen, its hard-as-nails metal kicking seven bells out of the trancey synthesiser.
  40. [40]
    The big review: Download Festival 2025 – Sunday | Kerrang!
    Jun 16, 2025 · Playing a deviant brand of electronicore, combining circle-pit inducing guitar heft with shafts of computerised noise, it's no surprise to ...
  41. [41]
    “An exploration into human possibility”: Inside Enter Shikari's most…
    Apr 15, 2020 · Enter Shikari frontman Rou Reynolds takes us deep into Nothing Is True & Everything Is Possible; the album that will define them for years to come.
  42. [42]
    Enter Shikari: Take to the Skies Album Review | Pitchfork
    Jan 29, 2008 · English band's unholy union of post-hardcore thrash, Cookie Monster vocals, and ravey keyboards has surprising moments of effectiveness.
  43. [43]
    Album review: Electric Callboy – Tekkno - Kerrang!
    Sep 16, 2022 · The vocals are annoying, the disparate elements of the music are all so brightly coloured that often they refuse to mix, instead talking loudly ...
  44. [44]
    Album review: I See Stars – The Wheel | Kerrang!
    Sep 9, 2025 · The Wheel consistently switches up its personality by reaching into the pockets of previous I See Stars records and also looking to the future.
  45. [45]
    This is Sempiternal: how Bring Me The Horizon made this ...
    Mar 31, 2023 · Ten years ago, Bring Me The Horizon released an album that'd change their careers forever and influence metal for a generation to come.
  46. [46]
    Why hyperpop owes its existence to heavy metal | Kerrang!
    Apr 14, 2021 · And they've had a massive influence on hyperpop's biggest artists, with 100 gecs, Gupi and Fraxiom in particular all praising the pair. “I used ...
  47. [47]
    Alive Or Just Breathing: how Killswitch Engage saved metal from itself
    May 25, 2020 · With Alive Or Just Breathing and The End Of Heartache, Killswitch Engage buried nu metal and sparked the metalcore revolution.
  48. [48]
    The Influence of Killswitch Engage on the Metalcore Genre
    Killswitch Engage emerged onto the music scene in the early 2000s and quickly established themselves as a defining force in the metalcore genre. Blending heavy ...
  49. [49]
    ALBUM REVIEW: The Browning - End of Existence - Boolin Tunes
    Dec 1, 2021 · All of the synth work on display here sounds deep and well-crafted, but the metalcore and deathcore foundation beneath it tends to fall a bit ...
  50. [50]
    The Browning are Electronic Deathcore. - ASK EARACHE
    Sep 12, 2011 · The album is littered with electronica-style glitches, even some 8-bit chiptune parts, but best of all is the overall catchiness and aggression ...Missing: electronicore | Show results with:electronicore
  51. [51]
  52. [52]
    Electronicore - Music genre - Rate Your Music
    Like metalcore, electronicore is associated with and popular among the "scene" subculture. The style was pioneered by the English group Enter Shikari, who ...Best Electronicore albums of... · ReVertPunk! · Nullmatrix · Wonderland
  53. [53]
    Top artists of Electronicore music genre - Chosic
    The genre often features heavy breakdowns ... It combines the aggression and intensity of metalcore with the catchiness and danceability of electronic music.
  54. [54]
    Electronicore artists, songs, albums, playlists and listeners - volt.fm
    Electronicore is a genre of music that combines elements of metalcore and electronic music. It typically features heavy distorted guitars, blast beats, and ...<|separator|>