Fact-checked by Grok 2 weeks ago

Deathcore

Deathcore is a subgenre of heavy metal music that fuses the aggressive breakdowns, melodic riffs, and emotional intensity of metalcore with the growled vocals, blast beats, and technical extremity of death metal.^[1] Characterized by its chaotic energy, detuned guitars in drop tunings, guttural vocal styles including low growls and high-pitched shrieks, and a blend of fast-paced aggression with mid-tempo grooves, deathcore emphasizes instrumental breakdowns designed for mosh pits and circle pits.^[2] This combination creates a sound that is both brutal and accessible, often incorporating elements like pig squeals on guitars and virtuosic solos inspired by death metal traditions.^[2] The genre originated in the early 2000s within the United States' extreme metal underground scene, evolving from the late 1990s and early 2000s experimentation by bands seeking to merge hardcore punk's raw energy with death metal's heaviness.^[1] Early pioneers included Despised Icon from Canada, whose 2002 debut album Consumed by Your Poison helped define the style through its integration of hardcore breakdowns with death metal ferocity, and All Shall Perish from California, whose 2003 self-titled EP introduced technical precision and complex song structures.^[2] By the mid-2000s, deathcore gained wider prominence through albums like Job for a Cowboy's 2005 EP Doom, which popularized the genre's signature brutality via internet platforms and independent labels.^[1] Musically, deathcore distinguishes itself from pure death metal by incorporating metalcore's emphasis on emotional dynamics and nu metal-influenced grooves, while diverging from traditional metalcore through its unrelenting focus on low-end heaviness and thematic extremity often exploring horror, violence, and existential despair.^[2] Over time, the genre has evolved into substyles such as technical deathcore, which prioritizes instrumental complexity as seen in bands like The Red Chord, and nu deathcore, blending hip-hop and electronic elements in the 2010s.^[2] Despite initial criticism for its perceived lack of innovation, deathcore has sustained a dedicated fanbase and continues to influence modern heavy music.^[3] Notable bands that shaped deathcore include Suicide Silence, whose 2007 album The Cleansing brought melodic hooks to the forefront and achieved mainstream metal success, Whitechapel from Tennessee, known for their Southern-infused grooves on albums like 2008's This Is Exile, and Carnifex, whose relentless aggression on 2007's Hell Chose Me exemplified the genre's core brutality.^[1] These acts, along with others like Bring Me the Horizon in their early career, helped propel deathcore from niche underground status to festival headliners by the late 2000s.^[2]

Characteristics

Musical elements

Deathcore's defining rhythmic foundation lies in its breakdowns, which consist of slow, palm-muted guitar riffs executed on heavily drop-tuned instruments, typically in drop A or lower tunings, to maximize sonic weight and density. These sections prioritize chugging, single-note patterns that encourage mosh-pit activity, drawing from hardcore influences while amplifying brutality through low-string emphasis.^[4]^[5]^[3] High-speed passages integrate death metal-derived techniques, including blast beats on drums—characterized by rapid, alternating bass and snare hits—alongside tremolo picking on guitars and relentless double bass patterns, creating bursts of unrelenting intensity.^[3]^[6]^[2] Guitar arrangements blend aggression with technical flair through dissonant harmonies that evoke tension, frequent pinch harmonics for piercing, squealing accents, and sweep picking to introduce fluid, melodic runs amid the chaos.^[4]^[7] Songs typically follow a structure that alternates fast-paced verses fueled by blast beats and tremolo riffs with extended, groove-heavy breakdowns designed for crowd participation.^[8]^[9] In production, deathcore emphasizes raw power via heavily compressed drum tracks to ensure tight, punchy transients and amplified low-end frequencies that reinforce the genre's visceral heaviness.^[10]

Vocals and lyrics

Deathcore vocals are characterized by a heavy reliance on extreme harsh vocalizations, including deep death growls, guttural screams, and high-pitched pig squeals, which dominate verses to convey raw aggression and brutality.^[11]^[12] These techniques, often produced using false vocal folds or vocal fry to minimize strain, allow performers to sustain intense delivery without permanent damage, as demonstrated in physiological studies of extreme metal singers.^[11] In contrast, choruses frequently incorporate cleaner singing or higher-pitched screams to create melodic hooks that enhance emotional accessibility, blending death metal's ferocity with metalcore's structure.^[13] Lyrically, deathcore draws from death metal's emphasis on extremity while incorporating metalcore's introspective edge, focusing on themes of horror and gore—such as graphic depictions of impalement and ritualistic violence—as seen in Whitechapel's "Hymns in Dissonance."^[14] Anti-religious motifs are prevalent, often critiquing institutional faith through blasphemous imagery, as explored in Thy Art Is Murder's works addressing spiritual hypocrisy.^[15] Existential dread and personal struggles, including addiction and suffering, add layers of emotional depth, exemplified by Slaughter to Prevail's explorations of mortality and torment.^[16] Over time, production techniques have evolved to include multi-tracked growls for added density and pitch-shifted effects to introduce variety, enabling vocals to cut through dense instrumentation during breakdowns.^[13] Iconic performances, such as Will Ramos of Lorna Shore deploying pig squeals and layered gutturals in breakdowns, heighten audience participation by syncing vocal intensity with rhythmic heaviness.^[12] This integration amplifies the genre's visceral impact, fostering mosh pit energy without delving into broader stylistic rejections.^[13]

Rejection of the term

The term "deathcore" originated in the early 2000s amid online forums and media discussions surrounding bands fusing death metal's brutality with metalcore's hardcore breakdowns and structures, particularly through platforms like MySpace that amplified underground scenes.^[17] Early adopters such as Despised Icon and Antagony helped solidify the label, but it quickly became contentious as artists sought to distance themselves from its implications of trendiness or limitation.^[2] Numerous bands have explicitly rejected the "deathcore" designation, preferring identifications with broader genres like metalcore or death metal to emphasize their artistic range. For instance, Job for a Cowboy's bassist Nick Schendzielos explained in a 2024 interview that while their debut EP Doom (2005) fit the style, subsequent albums like Ruination (2009) and Demonocracy (2012) moved away from breakdowns central to the tag, stating, "our last two albums were not deathcore and we are kind of just doing our own thing now."^[18] Similarly, The Acacia Strain's vocalist Vincent Bennett disavowed the label in a 2008 interview, stating, "deathcore is the new nu-metal. You see the same kids and the same ethic. It sucks. And if anyone calls us deathcore then I might do something very bad to them."^[19] Whitechapel, often pigeonholed early on, has evolved toward melodic death metal influences in albums like The Valley (2019), with frontman Phil Bozeman noting in discussions on genre evolution that the term no longer fully captures their sound.^[20] Critics and purists within the metal community have lambasted deathcore as a diluted "mallcore" hybrid—evoking associations with commercialized, scene-oriented nu-metal—devoid of death metal's technical complexity, atmospheric depth, and riff-driven intricacy.^[21] This perspective frames the genre as simplistic and formulaic, prioritizing mosh-friendly breakdowns over progressive songwriting or sonic innovation, a view echoed in analyses of its reliance on hardcore tropes that undermine metal's traditional sophistication.^[22] Despite widespread ambivalence, some artists have embraced or redefined the term to highlight its maturation, pushing beyond stereotypes of generic aggression. Carnifex vocalist Scott Ian Lewis affirmed in 2019 that the band proudly upholds deathcore's core while innovating, stating they are "fighting the good fight" amid peers abandoning the sound for broader appeal.^[23] Ov Sulfur's Chase Wilson similarly joked in 2024 about embracing the label as a "metalcore band in disguise," using it to explore melodic and atmospheric expansions that challenge early 2000s clichés.^[24] The ambivalence toward "deathcore" has profoundly shaped genre perception, fostering "tagging wars" on early platforms like MySpace that divided fans into purist camps versus scene enthusiasts, often influencing band marketing to avoid niche constraints for wider accessibility.^[25] This rejection dynamic has led to strategic rebranding—such as emphasizing death metal credentials—which bolsters credibility among traditionalists but fragments fanbases, with some viewing it as inauthentic evolution and others as necessary progression amid commercial pressures.^[26]

History

Predecessors (1990s)

In the 1990s, death metal solidified its extreme foundations through bands like Morbid Angel and Cannibal Corpse, which introduced technical complexities and aggressive vocal styles that would underpin later hybrid genres. Morbid Angel's 1991 album Blessed Are the Sick exemplified arcane, Lovecraftian riffing paired with off-kilter blast beats, creating a disorienting intensity driven by rapid drumming and intricate guitar work.^[27] Similarly, Cannibal Corpse's 1994 release The Bleeding amplified guttural vocals—deep, phlegmatic growls delivered with unrelenting ferocity—alongside pulverizing blast beats in tracks like "Pulverized," establishing a blueprint for brutal, high-speed extremity that emphasized precision amid chaos.^[27] These elements, rooted in Florida's burgeoning death metal scene, provided the sonic ferocity essential for future fusions. Concurrently, metalcore precursors such as Hatebreed and Converge infused hardcore punk with metallic aggression, prioritizing breakdowns and rhythmic structures designed for mosh pits. Hatebreed's 1997 album Satisfaction Is the Death of Desire captured this through chugging, palm-muted riffs that slowed into heavy breakdowns, fostering an energetic, communal mosh dynamic while channeling hardcore's raw emotion and straight-edge ethos.^[28] Converge, active since the early 1990s, pushed boundaries with chaotic, angular riffs and relentless tempos on releases like Halo in a Forever Sky (1994), blending hardcore's visceral energy with metallic dissonance to create unpredictable, mosh-friendly rhythms that encouraged physical audience participation.^[29] These bands shifted hardcore toward heavier, riff-driven territory, emphasizing groove and breakdown sections over traditional punk speed. Late-1990s fusion attempts bridged these worlds, as bands like Abnegation and End of One integrated death metal's guttural growls and technical riffing into metallic hardcore frameworks. Abnegation's raw, demo-era output from the late 1990s mixed brutal death vocals with breakdown-heavy structures, creating volatile hybrids that prioritized aggression over melody.^[30] Regional underground scenes in the US Midwest and Canada amplified this experimentation through cassette tapes and local shows; Quebec emerged as a death metal hub in the early 1990s, with bands trading demos that incorporated hardcore's directness.^[31] In the Midwest, venues and tape-trading networks facilitated style-blending gigs, where death and hardcore enthusiasts converged. Affordable recording technologies, such as ADAT digital multitrack systems and home studios, democratized production, allowing DIY bands to experiment with layered gutturals and complex beats without major-label resources.^[32]

Origins (early 2000s)

Deathcore emerged in the early 2000s as a fusion of death metal's technical brutality and metalcore's rhythmic breakdowns, primarily through underground scenes in the United States and Canada. Early pioneers included Despised Icon from Canada, whose 2002 debut album Synarchy integrated hardcore breakdowns with death metal ferocity, and All Shall Perish from California, whose 2003 self-titled EP introduced technical precision and complex song structures.^[2] Bands such as Suicide Silence, formed in Riverside, California in 2002, and Job for a Cowboy, established in Glendale, Arizona in 2003, were among the first to pioneer this sound by blending extreme vocals, blast beats, and hardcore-style mosh parts. These groups gained initial traction via MySpace, where they shared demos and built fanbases in the post-nu metal era, as the decline of nu metal around 2003–2005 created space for heavier, more aggressive hybrids to proliferate among younger audiences.^[33]^[34]^[35] Key early releases helped solidify deathcore's identity by 2007–2008, with Suicide Silence's debut album The Cleansing (2007, Century Media Records) introducing polished production of guttural vocals over syncopated riffs and breakdowns, influencing countless followers. Similarly, Job for a Cowboy's Genesis (2007, Metal Blade Records) amplified the genre's extremity with complex song structures and thematic depth drawn from apocalyptic motifs. Whitechapel, formed in Knoxville, Tennessee in 2006, contributed to this crystallization through their second album This Is Exile (2008, Metal Blade Records), which standardized the integration of death metal growls with hardcore breakdowns while exploring themes of exile and inner turmoil. Labels like Metal Blade and Century Media played pivotal roles in promoting these acts, providing distribution and touring support that elevated deathcore from demo circuits to wider metal audiences.^[33]^[36] Internationally, the genre sparked in the United Kingdom with Bring Me the Horizon's formation in Sheffield in 2004, whose early output added melodic electronic elements to the core deathcore template. Their debut album Count Your Blessings (2006, Visible Noise Records) featured chaotic breakdowns and screamed vocals, offering a transatlantic twist that highlighted deathcore's adaptability. Festivals such as Ozzfest began incorporating similar heavy acts in the mid-2000s, providing exposure, though deathcore bands like Suicide Silence appeared more prominently in later iterations around 2008, aiding the genre's transition from niche to festival staple. Ferret Music, active since 1996, supported adjacent hardcore and early extreme metal releases, fostering the promotional ecosystem that allowed deathcore to gain momentum amid shifting metal trends.^[37]

Expansion (late 2000s–2010s)

During the late 2000s, deathcore saw a significant surge in band signings to major metal labels, as the genre gained traction within the broader heavy music industry. Acts like Suicide Silence, who had already established themselves with their 2007 debut The Cleansing on Century Media Records, continued to expand their reach with the 2009 release of No Time to Bleed, which peaked at number 32 on the Billboard 200 and introduced more melodic elements to appeal to a wider audience.^[38] Similarly, UK band Asking Alexandria signed to Sumerian Records in 2008 and released their debut album Stand Up and Scream in 2009, blending deathcore breakdowns with electronic synths and clean vocals to attract fans of both metal and dance music, marking an early fusion that broadened the genre's commercial viability. Roadrunner Records, known for signing heavy acts, contributed to the scene's growth by supporting related metalcore bands that shared deathcore's aggressive ethos, though direct deathcore signings were more common on labels like Sumerian and Metal Blade.^[39] The genre's popularity peaked in the early 2010s through dominance at major festivals, where deathcore bands drew massive crowds and sold-out tours. The Vans Warped Tour, a key platform for punk and metal acts, featured prominent deathcore performers like Emmure, Whitechapel, Bring Me the Horizon, and The Word Alive in 2010, helping solidify the style's place in mainstream touring circuits with high-energy sets that emphasized breakdowns and mosh pits.^[40] Events like Download Festival in the UK also showcased the genre, with bands such as Suicide Silence and Asking Alexandria performing to tens of thousands between 2010 and 2015, contributing to sold-out international tours and increased media coverage.^[41] This festival exposure not only boosted album sales—such as Whitechapel's This Is Exile exceeding 100,000 copies by 2010—but also highlighted deathcore's role in the evolving metalcore landscape.^[42] Subcultural shifts accompanied this growth, as deathcore fans embraced a distinct fashion aesthetic influenced by the broader scene kid movement, including snapback hats, skinny jeans, and band merchandise layered over graphic tees. These elements became staples at shows and online, fostering tight-knit communities on platforms like YouTube, where fan-uploaded live footage and reaction videos amplified the genre's visibility and helped bands like Thy Art Is Murder gain early traction through viral clips.^[43] The platform's role in fan engagement was pivotal, with channels dedicated to deathcore breakdowns attracting millions of views by the early 2010s, creating a digital subculture that extended beyond live events. Despite its success, the expansion phase brought challenges, including criticisms of oversaturation as numerous bands adopted formulaic breakdowns, leading to the derogatory term "breakdowncore" for repetitive, riff-light compositions. This backlash prompted some acts to pivot toward djent's polyrhythmic grooves or progressive metal structures; for instance, Bring Me the Horizon transitioned from deathcore roots on their 2008 album Suicide Season to more experimental sounds by 2013's Sempiternal.^[44] The influx of similar-sounding groups diluted innovation for some critics, though it also spurred diversification within the scene.^[45] Deathcore's global spread accelerated during this period, particularly to Europe and Australia, where regional adaptations emerged. Australian band Thy Art Is Murder, formed in 2006 in Sydney, exemplified this with their 2010 debut Infinite Death on Stolen Records, incorporating brutal slams and anti-religious themes that resonated locally before touring Europe and the US, helping export the genre's intensity to international audiences.^[46] Their success, including appearances at European festivals like Impericon, underscored deathcore's adaptability beyond its American origins, solidifying core characteristics like guttural vocals and blast beats while hinting at early fusions with other styles.^[38]

Revival (2020s)

The deathcore genre experienced a significant resurgence in the 2020s, fueled by the widespread adoption of streaming platforms such as Spotify, where monthly listener counts for leading bands like Lorna Shore surpassed millions by 2025.^[47] This boom was particularly propelled by social media virality, exemplified by Lorna Shore's 2021 single "To the Hellfire," which has amassed over 75 million streams on Spotify as of November 2025 and gained traction through user-generated content on TikTok, introducing the genre to broader audiences.^[48] Building on the foundations laid in the 2010s amid temporary popularity dips, this revival marked a recovery through digital accessibility and algorithmic promotion. The COVID-19 pandemic played a pivotal role in sustaining momentum, as lockdowns prompted metal bands, including deathcore acts, to pivot to virtual concerts and home-based recording setups. Events like the Impericon Festival's online edition in 2020 featured deathcore performers, reaching global viewers without live venues, while artists improvised with household equipment to produce diverse releases during isolation.^[49] These adaptations not only maintained fan engagement but also encouraged experimental outputs, contributing to the genre's evolution. By 2025, the scene reached a landmark phase with major album releases from established acts such as Whitechapel (Hymns in Dissonance, March 2025, Metal Blade Records) and Brand of Sacrifice (Blueprints of the Great Suffering, November 2025).^[50]^[51] Whitechapel's "Hymns in Dissonance" tour, announced for early 2025 and featuring Brand of Sacrifice, 200 Stab Wounds, and Alluvial, underscored this innovative push, blending intricate compositions with thematic depth.^[52] Mainstream crossovers further amplified visibility, with deathcore elements appearing in late-night television performances by heavy acts and selective collaborations integrating pop and electronic influences, as seen in Brand of Sacrifice's use of synth layers alongside brutal breakdowns.^[53] Demographic shifts reflected this growth, attracting younger fans through platforms like TikTok while expanding globally into Asia and Latin America, where local scenes adopted and localized the style.

Fusions and subgenres

Integrations with other metal styles

Deathcore has frequently integrated elements from adjacent metal subgenres, resulting in hybrid sounds that expand its rhythmic and atmospheric palette while retaining core breakdowns and guttural vocals. These fusions often draw on deathcore's foundational aggression to incorporate polyrhythms, symphonic textures, and electronic grooves, particularly evident in the 2010s and 2020s.^[12] One prominent integration occurs with djent, a style characterized by low-tuned guitars and complex grooves, as seen in the work of Volumes during the 2010s. Their debut album Via (2011) blends deathcore breakdowns with djent's polyrhythmic structures and ambient clean vocal sections, creating a progressive edge that influenced subsequent hybrid acts. This fusion emphasizes intricate guitar work over straight-ahead heaviness, allowing for dynamic shifts between aggression and melody.^[54]^[55] Blackened deathcore represents another key crossover, incorporating black metal's tremolo-picked riffs and atmospheric intensity into deathcore's framework. Lorna Shore exemplifies this through their albums like Immortal (2020) and Pain Remains (2022), where orchestral elements and symphonic layers amplify the genre's brutality with epic, cinematic scope. These additions, including shrieked highs and blast beats, heighten the music's emotional depth and ferocity.^[56]^[57] Crossovers with metalcore, infused with emo and screamo sensibilities, appear in bands like Bad Omens, whose melodic structures prioritize soaring choruses and introspective themes. On The Death of Peace of Mind (2022), they merge deathcore's heaviness with metalcore's accessibility and emo's emotional vulnerability, using clean vocals and atmospheric builds to bridge extreme and alternative metal. This approach broadens deathcore's appeal by emphasizing lyrical introspection alongside technical aggression.^[58]^[59]^[60] Revivals of industrial and nu-metal influences manifest in Slaughter to Prevail's use of electronic drops within breakdowns, evoking early 2000s aggression with modern production. Their album Kostolom (2021) punctuates deathcore riffs with nu-metal grooves and industrial synths, creating a gritty, machine-like intensity that revitalizes the style for contemporary audiences.^[61]^[62] In 2020s releases, deathcore has further merged pig squeals—a high-pitched guitar technique (pinch harmonics)—with thrash metal's rapid tempos, accelerating breakdowns into frenetic, speed-driven assaults. Bands pushing this boundary, such as those highlighted in evolving deathcore scenes, use these squeals to add chaotic energy, distinguishing hybrids from traditional forms.^[12]

Emergent subgenres

As deathcore matured beyond its foundational sound in the mid-2010s, it spawned several emergent subgenres that responded to the genre's mainstream saturation by emphasizing specialized aesthetics and innovations, particularly after 2015 when bands sought to differentiate through melody, technicality, or nostalgic revival.^[3] This diversification accelerated during the 2020s revival, with integrations from other metal styles serving as precursors to these distinct branches.^[63] Melodic deathcore incorporates clean vocals, soaring guitar leads, and symphonic orchestration to create atmospheric, narrative-driven compositions, often structured as concept albums exploring sci-fi or mythological themes. Shadow of Intent exemplifies this subgenre through their 2016 album Primordial, which blends athletic riffs with orchestral elements inspired by symphonic death metal acts like Fleshgod Apocalypse, elevating the technical deathcore template with emotional depth and storytelling cohesion.^[64] Beatdown deathcore prioritizes ultra-slow, crushing breakdowns with minimal melodic interludes, focusing on raw aggression and mosh-pit intensity to strip the genre to its hardcore roots. Emerging prominently post-2015, this style draws heavy influence from metallic hardcore pioneers like Knocked Loose, whose 2019 album A Different Shade of Blue centers on floor-punching, rhythmically punishing sections that redefine heaviness through relentless low-end grooves and screamed urgency.^[65]^[63] Progressive deathcore integrates complex time signatures, polyrhythms, and jazz-infused improvisations to challenge deathcore's straightforward brutality, fostering intricate compositions that reward repeated listens. Enterprise Earth's technical explorations, as heard in their 2024 album Death: An Anthology, incorporate these elements within a deathcore framework, featuring shifting meters and atmospheric progressions that echo deathcore's breakdown heritage while pushing toward avant-garde experimentation.^[66] In the nu-deathcore revival, bands revive the raw, MySpace-era aesthetics of 2000s deathcore—characterized by gritty production, electronic flourishes, and nu-metal-infused breakdowns—updated with polished modern mixes to capture nostalgic aggression for contemporary audiences. American act Darko US represents this wave, blending early deathcore's chaotic energy with nu-metalcore grooves and electronic elements on albums like Starfire (2024), evoking the genre's formative years while appealing to revival-era listeners.^[67]

References

[1]
Deathcore Music Style Overview | AllMusic
Find Deathcore Albums, Artists and Songs, and Hand-Picked Top Deathcore Music on AllMusic.
[2]
Deathcore Music: The History and Sound of Deathcore - MasterClass
Sep 23, 2021 · Deathcore music combines the hardcore punk energy of metalcore with the extreme lyrics and virtuosic playing of death metal.
[3]
Deathcore: that genre that refuses to die - Louder Sound
Aug 31, 2020 · Deathcore has been derided and discredited, yet metal's most maligned genre is as strong as it's ever been.Missing: definition characteristics
[4]
Death Squad: The Deathcore Round-Up | Guitar World
May 13, 2009 · Most deathcore guitar work features breakdowns and melodic riffs, a trait that is attributed to the hardcore aspect of its metalcore influence.
[5]
DEATHCORE VS SLAM METAL: HOW 2 TELL THEM APART
Apr 4, 2011 · First things first: you must understand the difference between BREAKDOWNS and SLAMS. Breakdowns are single-note, palm-muted, chugga-chugga riffs ...Missing: techniques | Show results with:techniques
[6]
Interview: Mark Heylmun and Chris Garza of Suicide Silence
Jun 16, 2011 · Sure, there are plenty of tremor-inducing breakdowns and blowtorch death metal riffs on the new album, but it's what's between the blast beats ...Missing: elements techniques
[7]
Metal Music and the Aesthetics of Heaviness: Sonic, Structural, and ...
Aug 10, 2025 · “The Aesthetic-Sonic Shift of Melodic Death Metal.” Metal Music Studies, vol. 4, no. 1, 2018, pp. 5–23. doi: 10.1386/mms.4.1.5_1. (Open in a ...
[8]
How to Write a Deathcore Song - Riffhard
Mar 18, 2025 · Deathcore songs often follow a verse-chorus structure but don't be afraid to break the mold. Start with a strong intro to grab attention. A ...Missing: blast | Show results with:blast
[9]
Suicide Silence: return to deathcore - Louder Sound
May 28, 2020 · ... musicians' combination of blastbeats, double-bass rolls and ripping seven-string guitar riffs and visceral breakdowns. At the same time ...Missing: elements beats techniques<|control11|><|separator|>
[10]
How to Mix Metal Drums (for Death Metal, Black Metal, and Deathcore)
Jun 24, 2022 · Aim for about 10db of compression, at a 4:1 ratio, using a slow attack and a fast release. It's important to keep transients in mind when ...
[11]
Research explores how heavy metal singers scream and squeal
May 31, 2024 · By demonstrating that harsh vocals can be sung safely, the researchers hope to reduce the stigma around deathcore and related musical genres.
[12]
Beyond Breakdowns and Pig Squeals: 10 Rising Bands Pushing ...
Feb 7, 2022 · Beyond Breakdowns and Pig Squeals: 10 Rising Bands Pushing Deathcore Forward · AngelMaker · Babirusa · Brand of Sacrifice · Lorna Shore · Mental ...
[13]
https://www.nailthemix.com/best-deathcore-mixes
[14]
Hear WHITECHAPEL's blasphemous deathcore song "Hymns in ...
Jan 15, 2025 · Lyrically, “Hymns in Dissonance” has Bozeman disgustingly describing hellacious vignettes of impalements, throat-chewin' sacrifices and other ...
[15]
"I Was The Deathcore Charlie Sheen" – THY ART IS MURDER's CJ ...
Sep 22, 2017 · We spoke about a variety of topics from the lyrical meanings behind some of the new songs, anti-religous themes, his previous drug addiction struggles, ...<|separator|>
[16]
Who is ALEX TERRIBLE? The complicated story of SLAUGHTER TO ...
Jan 11, 2024 · Before Slaughter to Prevail, he had already found mild success in a previous deathcore band, Acrania, but the guitarist-songwriter had grander ...
[17]
The Real Myspace Revival: Deathcore's Resurgence in Unlikely ...
Nov 23, 2024 · These modern bands need fancy live production like backing tracks and vocal layers and light shows to perform in decent-sized venues with ...
[18]
Job For A Cowboy Interview: Nick Schendzielos on 'Moon Healer'
Mar 7, 2024 · ... not deathcore so they didn't want anything to do with it but we still get called a deathcore band, you know? I think for people that are ...
[19]
Whitechapel on Evolution of Deathcore + 'Our Endless War' - YouTube
Aug 19, 2014 · If you're new, Subscribe! → http://bit.ly/subscribe-loudwire Whitechapel talk with Graham 'Gruhamed' Hartmann on deathcore's evolution and ...Missing: band reject
[20]
THE EVOLUTION OF DEATHCORE: A FRAMEWORK FOR ANALYSIS
Aug 15, 2011 · But the truth is that deathcore is actually really easy to define: it's mallcore kids trying to play death metal, and try as they might, they ...
[21]
Contempt-of-Core (Chapter 20) - The Cambridge Companion to ...
As Marcus Erbe notes in his analysis of male frustrations in deathcore ... mallcore' (which is sardonically gendered as well). In music journalism of the ...
[22]
Full Deathcore Jacket: Carnifex - New Noise Magazine
Aug 14, 2019 · Vocalist Scott Ian Lewis and company have been fighting the good fight, continuing to represent deathcore while many bands have left the sound ...
[23]
Interview: Ricky Hoover and Chase Wilson of Ov Sulfur Talk Touring ...
Mar 6, 2024 · Chase: I always joke that Ov Sulfur is a metalcore band in disguise as a deathcore band, and we kind of embrace it because that's what I grew up ...
[24]
View of 'MySpace bands' and 'tagging wars': Conflicts of genre, work ...
or the origin of the genre — has never been bound to a specific ...
[25]
JOB FOR A COWBOY, ALL SHALL PERISH, ANIMOSITY ...
Dec 3, 2008 · ... not deathcore) show. The slow motion car crash of the band's slam riffs painted them as an above adequate deathcore band, and an excellent ...
[26]
The 15 greatest death metal albums of the '90s - Kerrang!
Jul 20, 2019 · For many old-school fans, Morbid Angel's debut Altars Of Madness defined early death metal. But it was on the Tampa quartet's sophomore effort, ...Missing: fusion | Show results with:fusion
[27]
15 '90s metalcore albums that still resonate today - BrooklynVegan
Aug 26, 2019 · I've put together a list of 15 essential metalcore albums from the genre's formative decade, the 1990s, that still resonate in today's music world.
[28]
Halo in a Forever Sky: Converge 1990 - 2001 - Invisible Oranges
Nov 1, 2017 · Halo is a raw, almost pure hardcore record, with flairs of characteristic tumult peppered throughout as a reminder of what would be.
[29]
Old School Deathcore 101: Metalcore for Death Metal Fans
Jan 8, 2019 · In the US, bands like Abnegation, End of One, Upheaval and Day of Suffering were some of the notable bands that actually began mixing a ...<|separator|>
[30]
The story of Canadian metal in 6 songs | CBC Music
Aug 21, 2024 · As the more aggressive and boundary-pushing side of metal exploded in the early 1990s, the province of Quebec became a hotbed of death-metal ...
[31]
The Development of Technology and its Influence on Recorded ...
This study focuses on the relationship between technology and recorded Heavy Metal (HM) music between 1969 and 2015.
[32]
Suicide Silence - Century Media Records
The band's debut album, The Cleansing, was released in September of 2007, and was produced by John Travis. The album was a bit of a mover and shaker in the ...
[33]
Job for a Cowboy - Encyclopaedia Metallum: The Metal Archives
Jul 6, 2005 · Deathcore/Death Metal (early); Progressive Death Metal (later); Themes: Death, Apocalypse, Society, Politics; Current label: Metal Blade Records.
[34]
16 Bands Who Got Their Start on MySpace - Loudwire
Jun 20, 2019 · The bands who found the greatest success through the social media platform were in the deathcore, metalcore, screamo and emo genres.
[35]
Whitechapel - Encyclopaedia Metallum: The Metal Archives
Jul 30, 2007 · Formed in: 2006 ; Genre: Deathcore ; Themes: Whitechapel murders (early); Anti-religion, Corruption, Inner struggles, Conceptual stories (later) ...Hymns in Dissonance · The Somatic Defilement · Phil Bozeman · The Valley
[36]
https://www.metal-archives.com/bands/whitechapel/100482
[37]
10 Greatest Deathcore Bands - Loudwire
Nov 2, 2022 · A little over 15 years ago, Job for a Cowboy released their Doom EP and, all of a sudden, deathcore became the next big thing in metal.
[38]
20 greatest Roadrunner Records bands, from Slipknot to Turnstile
Dec 6, 2021 · 20 greatest Roadrunner Records bands, from Slipknot to Turnstile ; Since its foundation in 1980, Roadrunner Records ; From carrying Slipknot ; in ...
[39]
Warped Tour 2010 Lineup and Dates Announced
Jan 28, 2010 · Of note to the metal and 'core crowd are: Alesana, Andrew W.K., Bring Me The Horizon, Dillinger Escape Plan, Emmure, Every Time I Die, Eyes Set ...Missing: 2011 | Show results with:2011
[40]
20 Best Metal Albums of 2010 - Loudwire
Jan 14, 2020 · With metalcore dominating the 2000s, many were wondering what would be metal's next biggest evolution as a new decade approached.
[41]
15 Essential Deathcore Albums - Revolver Magazine
Jun 1, 2021 · We picked 15 albums that are among the very best and/or most significant from throughout deathcore's storied history.
[42]
Scene | Aesthetics Wiki | Fandom
Scene is a youth subculture that originated in the early 2000s from the U.S. emo and hardcore punk scenes, gaining widespread popularity among adolescents ...
[43]
Why Did Bring Me the Horizon Go Pop? - Loudwire
Jan 25, 2019 · Following the metalcore explosion, deathcore naturally became the next big movement. The reaction to metalcore's breakdowns was too good to pass ...
[44]
10 Essential Metalcore Albums From 2009: Year Changed
Jul 12, 2021 · From ahead-of-the-curve embraces of nu-metal and impeccably sleek production, to first-wave deathcore influence and pop-punk choruses, these are 10 essential ...
[45]
Thy Art Is Murder - Encyclopaedia Metallum
Oct 28, 2010 · Thy Art Is Murder. Country of origin: Australia; Location: Blacktown, New South Wales; Status: Active; Formed in: 2006. Genre: Deathcore; Themes ...
[46]
The 15 Most Popular Deathcore Bands In 2025 (According to Spotify)
Angelmaker is renowned for their nostalgic classic deathcore sound that brings in heavy influences from death metal and blackened thrash. The band brings it ...
[47]
How Lorna Shore became deathcore's biggest success story | Louder
Feb 17, 2024 · Quite how it happened, no one seems to be able to fully articulate, but To The Hellfire went viral. TikToks and YouTube reactions popped up from ...
[48]
COVID-19: The Livestreams You Need To Watch
Mar 24, 2020 · Impericon Festival, Europe's biggest celebration of metalcore, deathcore and hardcore will host a virtual festival via their YouTube channel.
[49]
The State Of Deathcore In 2025: LORNA SHORE, WHITECHAPEL ...
Mar 14, 2025 · Deathcore continues to thrive in 2025, driven by groundbreaking releases from genre titans like Lorna Shore, Chelsea Grin, and Brand of Sacrifice.
[50]
WHITECHAPEL Announces March/April 2025 Tour With BRAND OF ...
Dec 16, 2024 · WHITECHAPEL Announces March/April 2025 Tour With BRAND OF SACRIFICE, 200 STAB WOUNDS And ALLUVIAL ; WHITECHAPEL will return to North American ...
[51]
Metal Music Popularity 2025: Heavy Music Returns To Mainstream
Jul 10, 2025 · Explore the explosive metal music popularity 2025 saw as heavy bands like Sleep Token, Spiritbox, and Gojira hit the charts, late-night TV, ...
[52]
Volumes - Via (album review ) - Sputnikmusic
May 18, 2013 · There are much polyrythmic work on this album , in many cases i feel bands in the same category only use polyrythms as an excuse to show off ...
[53]
but did it djent? - Everything Is Noise
Oct 15, 2024 · Dotted with quality ambient sections, furious prog-djent-metalcore, and climaxes that take you aback, it's a captivating and invigorating ...
[54]
Why Blackened Deathcore Is Metal's Most Brutal And Cinematic ...
Oct 22, 2025 · A: Blackened deathcore adds black metal elements like tremolo riffs, shrieked vocals, and massive symphonic layers. This gives it a much ...
[55]
Lorna Shore - I Feel The Everblack Festering In Me - Metal Epidemic
Sep 10, 2025 · Deathcore ... Pain Remains, a nearly 70 minute roller coaster of atmospheric symphony blended with black metal pacing and death metal ferocity.
[56]
Bad Omens - The Death of Peace of Mind - Metal Epidemic
Mar 7, 2022 · Rising post-hardcore/metalcore quartet, Bad Omens, have released their newest, and third LP, The Death of Peace of Mind, since forming in 2015.
[57]
Bad Omens – 'THE DEATH OF PEACE OF MIND' Album Review
Jan 30, 2023 · Virginian, metalcore-meets-pop-punk quartet Bad Omens try to differentiate themselves from the hordes of middling punk nostalgia acts by combining sounds ...
[58]
The Day Metalcore Went Emo - Wix.com
Mar 1, 2018 · So many modern metalcore bands take influence from emo pop these days, that the style is all but integrated into its DNA.
[59]
Album Review: SLAUGHTER TO PREVAIL Kostolom - Metal Injection
Rating 7/10 · Review by Max HeilmanAug 11, 2021 · Slaughter to Prevail punctuate their brutal deathcore sound with a surprising turn for nu metal, and it mostly works!Missing: industrial | Show results with:industrial
[60]
Slaughter to Prevail - Kostolom - Metal Temple Magazine
SLAUGHTER TO PREVAIL is easily a popular band, and with an album that is awesome to the ears, this was a fun review to get to write. "Bonebreaker" - Industrial, ...Missing: electronic | Show results with:electronic<|control11|><|separator|>
[61]
https://metalinjection.net/reviews/slaughter-to-prevail-kostolom
[62]
https://metal-temple.com/review/slaughter-to-prevail-kostolom/
[63]
Album Review: Knocked Loose - 'A Different Shade of Blue'
Aug 20, 2019 · Calling Kentucky's Knocked Loose a “beatdown” band isn't inaccurate—their music is built around floor-punching breakdowns, the ones where ...Missing: deathcore | Show results with:deathcore
[64]
THE WEEKLY INJECTION: New Releases From RIVERS OF NIHIL ...
... RIVERS OF NIHIL, A PALE HORSE NAMED DEATH. Genre: Technical/progressive death metal. Origin: Reading, Pennsylvania Label: Metal Blade. The Work is easily ...
[65]
Thrown, Varials, No Cure & Heavensgate Reveal 2025 North ...
Nov 12, 2024 · Swedish nü-metalcore faction thrown will be embarking on a North American headlining run in early 2025. Metalcore experimentalists Varials ...