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Equal Vision Records

Equal Vision Records is an founded in 1991 by , the vocalist of the bands and , initially to release albums by Cappo's band and other Krishna-conscious music. Under Cappo's vision, the label started as a platform for straight-edge and spiritually influenced punk acts, but it quickly evolved after Steve Reddy, a label manager, acquired it in 1993 and shifted operations from a apartment to broader distribution. Reddy's leadership expanded the roster beyond niche into , , , and , establishing Equal Vision as a key player in the underground music scene. The label gained prominence in the late 1990s with releases like Saves the Day's breakthrough album Can't Slow Down in 1998, which helped diversify its sound and attract and audiences. Notable artists signed to Equal Vision include hardcore pioneers Converge and 108, as well as mainstream successes like , whose 2003 album In Keeping Secrets of Silent Earth: 3 sold over 500,000 copies, and . Other prominent acts span genres, such as , , , , H2O, and The Bled, contributing to the label's reputation for nurturing innovative and influential bands in and subcultures. In 2015, Equal Vision launched the Graphic Nature Records imprint in partnership with producer Will Putney, focusing on experimental and heavy music to further diversify its catalog. By 2025, the label relocated its headquarters to a renovated facility in , New York's South End, consolidating operations including its vinyl pressing arm, Burlington Record Pressing, and e-commerce platform MerchNow to support growth and eco-friendly manufacturing. This move underscores Equal Vision's enduring commitment to production and distribution in the digital age.

History

Founding and early years

Equal Vision Records was founded in 1991 by , the vocalist of the bands and . The label was established primarily as a platform to release music from Cappo's band and other artists influenced by philosophy, reflecting Cappo's own involvement in the . This origin tied the label closely to the Krishna-conscious , emphasizing spiritual and ethical themes within music. From its inception, Equal Vision focused on and genres infused with ideals, serving as a niche outlet for bands blending punk energy with philosophical lyrics. The label's earliest releases included Shelter's 1991 7-inch single "In Defense of Reality / The News" and their 1992 album Quest for Certainty, marking the debut full-length output under Equal Vision after Shelter's prior work on . Additional early signings encompassed like-minded acts such as 108, another band with Krishna influences, helping to build a small but dedicated catalog in the early . These initial efforts prioritized community-driven, independent distribution over commercial aims, fostering a presence in the Northeast scene. In 1993, Steve Reddy, who had served as the label's manager and was a former roadie for Youth of Today, acquired Equal Vision from Cappo. Under Reddy's ownership, the label began transitioning toward broader independent distribution of punk and hardcore bands, while maintaining its foundational commitment to ethical, community-oriented music rooted in straight edge principles. This shift, occurring by the mid-1990s, allowed Equal Vision to expand its scope without abandoning its origins in spiritually informed hardcore.

Expansion and key developments

In the mid-1990s, Equal Vision Records, under the stewardship of Steve Reddy following his 1993 acquisition of the label, began signing pivotal acts that elevated its profile within the and scenes. Key additions included in 1998, whose debut full-length It All Comes Down to This was released the following year, Converge around 1996, and in 1998 with their debut Can't Slow Down. These signings, alongside bands like One King Down, positioned Equal Vision as a cornerstone of the , , and movements, attracting a dedicated following through raw, energetic releases that captured the era's DIY . Building on this foundation, the label expanded into emo and indie rock territories during the late 1990s and early 2000s, diversifying its sound while maintaining its punk roots. Landmark albums such as Saves the Day's Through Being Cool (1999), which blended melodic hooks with emotional intensity and helped propel the emo wave, and Converge's critically acclaimed Jane Doe (2001), a genre-defining metalcore masterpiece noted for its intricate structures and emotional depth, exemplified this growth. Additional signings like Coheed and Cambria in 2002, whose progressive rock-infused The Second Stage Turbine Blade sold steadily and built a cult audience, further broadened the label's artistic scope and commercial reach. Operationally, Steve Reddy drove significant changes to support this expansion, transitioning the label from its initial base in his apartment—where it operated as a lean DIY venture in the early —to a more structured setup with partnerships like RED Distribution for wider reach. By the early 2000s, the catalog had grown substantially, encompassing dozens of releases across , , and experimental veins, reflecting a shift from niche Krishna-core origins to a robust independent operation focused on artist development and genre innovation. The 2000s also marked the inception of experimental initiatives, including the signing of supergroup in 2006 for their album Lover, the Lord Has Left Us, which pushed boundaries with psychedelic and elements. These ventures allowed Equal Vision to test diverse formats and collaborations, enhancing its reputation for fostering creative risk-taking within the ecosystem.

Recent partnerships and growth

During the , Equal Vision Records adapted to the rise of streaming services by emphasizing digital releases alongside physical formats, allowing the label to sustain its artist roster amid shifting industry dynamics. This period saw strategic moves to bolster distribution and internal development, including a return to partnership with RED Distribution in for enhanced physical and digital reach in the U.S. In the same year, frontman launched Rory Records as an imprint under Equal Vision, enabling targeted support for emerging acts while aligning with the label's and alternative ethos. Building on these foundations, the label continued to evolve through collaborative ventures. Specific relaunch details for associated imprints like Velocity Records remain tied to broader in the early 2020s, with reactivation in 2021. Equal Vision maintained its focus on artist development amid digital transitions. By 2025, the label marked significant growth with the announcement of a with Kill Iconic Records on , integrating fresh talent such as Dwellings and Mella to diversify into and genres. This extended the label's offerings for 2025 and beyond, reinforcing its independent identity while expanding creative opportunities. Equal Vision's commitment to its roots persisted through infrastructure investments, including a relocation to an expanded facility in April 2025, which consolidated , , and to meet rising demand. expansion also accelerated, exemplified by a September 2025 partnership with label Civilians for releases from artists like and , including Armor for Sleep's album There Is No Memory on November 8, 2025, broadening the label's global footprint. These developments underscored Equal Vision's resilience, evolving from 2010s adaptations to a more diverse, internationally oriented operation by late 2025.

Operations

Sublabels and imprints

Equal Vision Records has established several sublabels and imprints to expand its reach into specialized genres and creative extensions, allowing for targeted artist development and thematic focus while leveraging the parent label's infrastructure. Mantralogy, launched in 2009 by Equal Vision Records in collaboration with artists Gaura Vani and Rasa Acharya, is dedicated to Krishna-conscious and spiritual hardcore music, serving as a of the label's original roots in promoting yoga-inspired sounds. This sublabel supports yogic musicians and visual artists within the tradition, aligning with the label's early emphasis on spiritually infused . In 2012, Rory Records emerged as an imprint founded by of , concentrating on and acts to nurture emerging talent in those styles under Equal Vision's umbrella. This venture provided Bemis with creative control to sign and release music from bands fitting the emotional and introspective punk-adjacent scene. Also in 2012, Cave & Canary Goods was introduced as an imprint label in partnership with of , focused on releasing music for and projects, including integrated merchandise and apparel lines to enhance fan engagement around specific artist outputs. In 2015, Equal Vision partnered with producer Will Putney to launch Graphic Nature Records, an imprint focused on experimental and heavy music, curating bands in those genres to expand the label's heavy music offerings. Velocity Records was relaunched in 2021 through a with Equal Vision, shifting emphasis toward , , and experimental genres to diversify the label's portfolio with innovative, genre-blending acts. This collaboration revived the sublabel's focus on forward-thinking sounds, incorporating influences into rock and frameworks. In 2025, Equal Vision entered a with Kill Iconic Records, integrating and artists to signal a strategic push into broader modern sounds and underground creativity. This alliance combines Equal Vision's established resources with Kill Iconic's grassroots approach, aiming to amplify boundary-pushing talent in contemporary scenes.

Distribution and business model

Equal Vision Records primarily utilizes The Orchard, a subsidiary of , for its U.S. distribution, facilitating both digital streaming and physical product availability to a worldwide audience. This arrangement supports the label's independent status by providing scalable access to major platforms and retailers without compromising ownership. Internationally, the label established a key partnership with in May 2013 to handle manufacturing, promotion, and distribution of its releases specifically in and , broadening its reach in those markets. The of Equal Vision Records has transitioned from its DIY foundations—initially focused on self-releasing niche and Krishna-core titles—to a framework that emphasizes , ethical operations, and diversified revenue. This evolution includes integrating merchandise sales directly through its online store and producing limited-edition vinyl reissues to engage collectors and sustain catalog value. In 2025, the partnership with Kill Iconic Records marked a significant expansion in distribution capabilities, combining Equal Vision's established infrastructure with Kill Iconic's emerging network to support joint releases and new artist signings more effectively.

Roster

Current artists

Equal Vision Records maintains a diverse roster of active artists spanning , , and genres, with several bands contributing to the label's enduring presence in the scene as of 2025. , a progressive outfit from , continues to anchor the main roster through consistent releases and touring; their seventh studio album, cut. turn. fade. back., arrived in October 2025, featuring intricate and introspective that highlight the band's within the label's . Shallow Pools, an band from , joined the roster in 2023 and has solidified their place with melodic, introspective songwriting; their debut full-length I Think About It All The Time captured themes of personal reflection and emotional vulnerability, reinforcing EVR's support for emerging indie acts in the alternative landscape. Be Well, a Baltimore-based group, embodies the label's roots with raw, anthemic energy; signed in 2019, they released The Weight and the Cost in 2020, blending aggressive riffs and motivational themes that align with EVR's hardcore heritage. (Note: Wikipedia cited only for band origin and signing date; primary source is label announcement.) Saves the Day, an influential emo band, originally signed to Equal Vision in 1998 and released breakthrough albums Can't Slow Down (1998) and Through Being Cool (1999) before departing in 2000; they returned to the label in 2013 and continue as active artists, with ongoing releases and reissues maintaining their key role in the emo and pop-punk roster. Among longstanding acts, bearvsshark, a Michigan post-hardcore band known for their chaotic, genre-blending sound, marked a resurgence in 2025 with anniversary reissues and live performances, including shows celebrating Terrorhawk's 20th anniversary, which underscores the label's commitment to revitalizing catalog artists. Bitter Branches, a post-hardcore ensemble featuring veterans from the scene, debuted on EVR with Your Neighbors Are Failures in 2022, delivering visceral critiques of suburban complacency through dense, aggressive compositions that contribute to the label's gritty identity. Coliseum, a pioneering band from , remains affiliated despite an indefinite hiatus since 2015, with 2024's 20th-anniversary reissue of their self-titled debut maintaining their legacy on the roster; frontman Ryan Patterson's involvement in new projects like Mirrorless, a band signed to EVR in 2025, further ties the band to EVR's ongoing narrative. The 2025 partnership with Kill Iconic Records integrated Dwellings, an /emo band, into the main roster; their signing brought fresh, atmospheric sounds, with upcoming releases poised to expand EVR's reach into more experimental territories. In July 2025, Acceptance, a post-hardcore band known for their early 2000s work, rejoined the roster, signaling EVR's focus on revitalizing influential acts from the alternative scene.

Artists on sublabels

Equal Vision Records operates several sublabels and imprints, each catering to specific musical niches and artist rosters distinct from the main label's offerings. Rory Records, founded in 2012 by Max Bemis of Say Anything as an imprint of Equal Vision, focuses on emo and indie acts. Key artists include Say Anything, as well as Perma—a side project of Bemis and his wife Sherri DuPree-Bemis blending indie pop elements—and Merriment, known for their indie-pop sound with releases like Sway. Velocity Records, relaunched in partnership with Equal Vision in 2016 and reactivated in 2021, specializes in electronic, experimental, and artists following its initial founding in 2009. Notable signings post-relaunch include the instrumental band And So I Watch You From Afar, whose album Jettison was issued via the partnership, emphasizing intricate, genre-blending compositions. More recent additions feature and underground acts like Rosecoloredworld, signed in 2024 for their energetic, dance-influenced sound. In 2025, Equal Vision announced a partnership with Kill Iconic Records, an independent label founded to spotlight boundary-pushing underground talent, integrating it as a collaborative imprint for eclectic indie and alternative music. The roster includes Moondough, Lobby Boxer, Mella, Resilia, ahh-ceh, and Golden Necklace, alongside Dwellings, highlighting diverse styles from to experimental alternative. Mantralogy, established in 2009 as a sublabel returning to Equal Vision's roots in Krishna-conscious music, features reissues and releases from bands with spiritual and hardcore influences. It spotlights acts like 108 and Shelter, with reissues such as 108's Holyname and Shelter's Attaining the Supreme, emphasizing edgy punk with yogic themes. The imprint also supports kirtan and sacred music artists like Gaura Vani, blending traditional chants with modern instrumentation.

Former artists

Equal Vision Records has been home to several influential acts in the , , and scenes that eventually parted ways with the label, contributing significantly to its early reputation as a cornerstone of independent rock and punk music. Among the most iconic former artists is Converge, which joined the roster in 1997 with the release of and remained until 2001, when their seminal album Jane Doe marked their final output on the label before transitioning to for broader distribution and production resources. Similarly, The Bled, who debuted on the label in 2003 with Pass the Flask and left shortly thereafter for , driven by desires for expanded reach in the landscape, and , which signed in 2003 and issued their U.S. breakthrough Watch Out! in 2004 before shifting to the Canadian-based in 2006 to align with their origins and gain more control over international distribution. Departures like these often stemmed from label shifts to major or specialized imprints for enhanced promotion, artistic independence amid genre evolution toward more melodic or experimental sounds, or disbandments following peak activity, as seen with acts like Alive in Wild Paint, which released material on Equal Vision until dissolving in 2009. These former artists profoundly shaped Equal Vision's legacy in and , with Converge's intense, innovative sound establishing the label as a hub for boundary-pushing , while The Bled and further solidified EVR's role in fostering aggressive yet melodic , contributing to the label's enduring credibility in underground scenes. In recognition of their impact, Equal Vision has maintained reissue programs for key works by these , such as expanded editions of Converge's early catalog remaining available through the label's online store, ensuring their contributions continue to introduce new generations to EVR's foundational ethos.

Notable releases

Mantralogy series

Mantralogy was established in as a sublabel of Equal Vision Records, dedicated to Krishna-conscious music and yoga-inspired sounds, reflecting the parent label's origins in spiritual hardcore pioneered by founder through bands like . The imprint emerged from a collaboration between Equal Vision and producers Gaura Vani and Rasa , aiming to fuse rock's edgy underground attitude with devotional themes and positive philosophical lyrics to foster communal spiritual experiences. The Mantralogy compilation series highlights this ethos through multi-artist collections that emphasize chanting, , and meditative music, distinguishing itself from Equal Vision's broader and catalog by prioritizing lyrical depth rooted in Vedic philosophy and collective harmony. A key early entry, Chant4Change Live (2010), captures live performances from a benefit event organized by instructor Shiva Rea, featuring contributions from Grammy-nominated artists such as , Dave Stringer, Gaura Vani & As Kindred Spirits, and Daphne Tse, with proceeds supporting global charities aligned with the Sankirtan movement. This release underscores the series' role in bridging contemporary devotional music with activist themes, promoting and awakening through accessible, event-based recordings. Into the 2020s, the series evolved to incorporate newer acts while maintaining its focus on communal and philosophical content, as seen in Mantra Mala, Vol. 1 (2025) by the 21 Taras Collective, which includes collaborative chants by artists like Nina Rao, Genevieve Walker, and Chandra Easton, exploring traditional mantras in a modern production style. Unlike Equal Vision's core output of aggressive and metal, Mantralogy's compilations cultivate a reflective, mantra-driven space that revives the label's foundational Krishna-core spirit—exemplified by seminal acts like and 108—by shifting toward inclusive, yoga-infused expressions that encourage listener participation and ethical living.

Key albums and compilations

Equal Vision Records has released several landmark albums that have shaped the landscapes of hardcore, metalcore, and post-hardcore music. One of the label's most influential releases is Converge's Jane Doe, issued on September 4, 2001, which pushed the boundaries of metalcore with its intense aggression and emotional depth, establishing it as a genre-defining work. The album's raw sonic innovation and therapeutic nihilism influenced subsequent bands in the hardcore scene, solidifying Equal Vision's role in elevating underground metalcore to critical acclaim. Similarly, Saves the Day's Through Being Cool, released on November 9, 1999, marked a pivotal moment in pop-punk and emo, blending melodic hooks with introspective lyrics to help popularize the genre during the late 1990s. Its reissues, including a 20th-anniversary edition in 2019, underscore its enduring appeal and contribution to Equal Vision's catalog of youthful, anthemic rock. Bane's Give Blood, dropped on October 30, 2001, further exemplified the label's hardcore roots, delivering straightforward, high-energy punk that resonated with the straight-edge community and emphasized themes of resilience. The album's reissues, such as the 2023 deluxe edition, highlight its lasting impact on the punk scene. In addition to individual albums, Equal Vision has produced notable compilations that showcased the diversity of its early roster. The Equal Vision Records Label Sampler from 2000 featured tracks from artists like Saves the Day, One King Down, and Snapcase, providing an accessible entry point to the label's burgeoning hardcore and post-hardcore lineup during the 1990s and early 2000s. Other samplers, such as the Equal Vision Summer Sampler 2017 and the Warped Tour 2016 Sampler, continued this tradition by highlighting emerging talent and tour-friendly tracks, fostering community among fans and bands in the punk and alternative scenes. These collections not only promoted roster diversity but also reinforced Equal Vision's legacy as a hub for innovative, high-energy music that bridged underground and mainstream punk audiences. More recently, Equal Vision has supported evolving sounds within its core genres, with Hail the Sun's New Age Filth in 2021 exemplifying the label's commitment to progressive through its intricate compositions and emotional intensity. The band's sixth album, cut. turn. fade. back., released on October 24, 2025, builds on this with singles like "War Crimes" and "Live Forever," signaling continued growth in the post-2010s era. In 2025, Equal Vision expanded its reach via a partnership with Kill Iconic Records, announced on May 15, integrating fresh releases like Mella's debut Or So I've Been Told (October 10, 2025) to blend grassroots creativity with the label's established infrastructure. In November 2025, the label released Armor for Sleep's There Is No Memory on November 7, marking a return for the band with themes of memory and loss, and Murals' self-titled debut album on November 14, introducing the trio's experimental sound. These developments have bolstered Equal Vision's influence, adapting its foundation to contemporary while maintaining a focus on genre-pushing artistry.

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