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Eva Habermann

Eva Felicitas Habermann (born 16 January 1976) is a actress and producer best known for her portrayal of in the television series (1997–1998). With over 30 years of experience in film, television, and theater, she has appeared in more than 80 productions, spanning genres from sci-fi and crime dramas to comedies and international features. As the founder of the production company FANTOMFILM, Habermann has also taken on producing and writing roles in projects like (2021; German: Die wahre Schönheit)—in which she starred as Mona, gaining 15 kilograms for the role—and (2020). Habermann was born in Hamburg, West Germany, and developed an early interest in performing arts, receiving acting lessons from age 14 after her father gifted her a theater subscription at 12. She began her career in 1994 as the youngest presenter on ARD's children's program Pumuckl-TV at age 18, followed by her acting debut in the TV series Immenhof. Her breakthrough came with Lexx, where she played the cluster lizard-human hybrid Zev, before being succeeded by Xenia Seeberg in later seasons. Other prominent television roles include Karin Klein in Inspector Rex (1998), and Dr. Rosalind Steiner in Code Name: Eternity (2000). She has made recurring appearances in long-running German series such as Küstenwache (1997–2011) and Tatort, alongside the Schwarzwaldklinik reboot, guest spots in Rosamunde Pilcher adaptations and Wilde Engel, and a guest role as Sabine Weber in an episode of the action series Alarm für Cobra 11 – Die Autobahnpolizei (2012). In film, Habermann has starred in comedies like Angel Express (1999) and Feuer, Eis & Dosenbier (2002), as well as thrillers such as Angst (2003) and The Clown: Payday (2005), where she portrayed Leah Diehl. Her recent work includes horror and genre films like Under ConTroll (2019) as Vanessa Majer and Sky Sharks (2020). Beyond acting, she has performed in theater, notably as Kitty LaBelle in the Karl-May-Spiele (2010), and expanded into music with her debut single "Lioness" released on 17 January 2025. Habermann is also developing the youth series Göörls and serves as a mediencoach using her PKW-Method to help others overcome stage fright, as detailed in her 2025 book Lampenfieber lieben lernen.

Early life and education

Childhood and family background

Eva Felicitas Habermann was born on January 16, 1976, in , (now ). She spent her early childhood growing up in , a city renowned for its vibrant cultural scene, including prominent theaters that shaped the local artistic environment. At the age of 12, Habermann's father gifted her a subscription to the Thalia Theatre, one of 's historic and prestigious venues, which provided her with regular exposure to live performances and ignited her passion for acting. This family-supported introduction to marked a pivotal moment in her formative years, fostering an early appreciation for the dramatic arts amid 's theatrical heritage.

Acting training and early aspirations

During her mid-teens, Eva Habermann pursued her , the German high school diploma, at Buckhorn in while pursuing a demanding academic curriculum in preparation for the Abitur and university-level studies. This demanding academic schedule did not deter her growing interest in , as she simultaneously committed to extracurricular to build foundational skills. Starting at age 14 in 1990, Habermann enrolled in weekly lessons in speech, , , and , recognizing these as essential for honing her talents and demonstrating proficiency in applications to professional programs. These classes, which she attended consistently for three years, were specifically aimed at equipping her with the versatility required for stage and screen work, reflecting her deliberate preparation amid her school commitments. By 1993, at age 17, Habermann's dedicated training culminated in her first on-camera experience, marking her initial entry into media exposure just before completing her the following year. This early opportunity validated the efforts she had invested since adolescence and served as a pivotal step toward professional pursuits. Habermann's aspirations were firmly centered on attending a state immediately after graduation, motivated by a passion for theater that had been sparked in her childhood through her father's gift of a Thalia Theatre subscription at age 12. She viewed acting not merely as a career but as a means to emotionally engage audiences and transport them to imaginative realms, a vision that guided her intensive skill-building during these formative years.

Career

Early television work

Eva Habermann began her television career as a at the age of 18, becoming the youngest moderator for the ARD network with the children's program Pumuckl TV, which aired from 1995 to 1996 and featured episodes from popular kids' series alongside interactive segments. In this role, she hosted content aimed at young audiences, marking her initial entry into the German media landscape through engaging, family-oriented broadcasting. Transitioning to acting, Habermann secured minor roles in established German television series during the mid-1990s. She appeared as Paula Hengold in one episode of the ARD drama Gegen den Wind in 1997, portraying a character within the show's narrative of interpersonal relationships and coastal life. Similarly, she took on the role of in the 1999 episode "Wintersaat" of the crime series Rosa Roth, contributing to the storyline involving investigative themes and personal drama. These appearances provided her with foundational experience in scripted television while she was still emerging in the industry. Habermann faced the challenge of managing her burgeoning media commitments alongside completing high school, as she began receiving singing and dancing training and landed her first on-screen role in the series Immenhof while preparing for her examinations around 1994–1995. This period required careful scheduling to fulfill academic requirements, including advanced placement-level studies, even as opportunities like Pumuckl TV arose shortly after her graduation.

International breakthrough and Lexx

Habermann landed the role of Zev Bellringer in the science fiction series Lexx: The Dark Zone (1996–1997), a German-Canadian co-production, at the age of 20, marking her debut in scripted television acting. The casting came through an open call specifically seeking a German actress for one of the three lead roles, allowing her prior experience as a television presenter to contribute to her confident on-screen presence. Filming for the first season, consisting of four feature-length episodes, took place in 1996, with the series premiering on Canadian broadcaster Citytv in April 1997. In the role, Habermann portrayed , a rebellious security technician from the planet B3K who is sentenced to transformation in a "wife factory," emerging as a seductive love slave enhanced with cluster lizard DNA, creating a form that blends allure with instincts. This character became central to the series' inaugural season, serving as a key member of the ragtag crew aboard the massive, sentient spaceship , driving much of the early plot through her quest for freedom and complex relationships with fellow fugitives Stanley Tweedle and . Habermann's performance, combining vulnerability and ferocity, helped establish the show's distinctive mix of , , and surreal sci-fi elements. Following the completion of season 1, Habermann departed the series due to a two-year production hiatus and scheduling conflicts arising from commitments to other German television projects, such as the miniseries Der Clan der Nordperle. She made a brief return for the first two episodes of season 2 in 1998, appearing in hallucinatory sequences that tied up her character's arc before the role transitioned to a new actress. The portrayal of propelled Habermann to international recognition, introducing her to audiences beyond through Lexx's broadcast on networks like Sci-Fi Channel in the United States and its growing popularity in . The series developed a dedicated among sci-fi enthusiasts for its boundary-pushing narrative and unconventional characters, with Habermann's often cited as an iconic figure that solidified her status in the genre.

Film roles and television expansion

Following her international breakthrough with the role of Zev Bellringer in Lexx, Eva Habermann expanded her career into German feature films and television series during the late 1990s and 2000s, demonstrating versatility across comedy, drama, and thriller genres. Her film debut came in 1999 with the comedy Angel Express, where she portrayed Svenja, a supporting character in a story exploring urban nightlife and personal encounters in Hamburg. This role marked her transition from science fiction to lighter, character-driven narratives in German cinema. She followed this in 2002 with a lead performance as Heidi in the cult comedy Feuer, Eis & Dosenbier, a road-trip adventure involving two friends on civil service duty who embark on chaotic escapades, blending humor with themes of friendship and absurdity. The film became a box-office success in Germany, grossing over 3 million euros and highlighting Habermann's comedic timing. Habermann continued building her film portfolio with more dramatic roles, including Laura, a prostitute, in the 2003 psychological drama Angst (also known as Der alte Affe Angst), directed by Oskar Roehler, which delves into themes of fear, addiction, and human vulnerability through the story of a theater director's downfall. In 2005, she took on the lead role of Diehl in the action-thriller Der Clown: Payday, a from the popular TV series, where her character navigates high-stakes crime and revenge in a fast-paced narrative. This performance showcased her ability to handle intense, action-oriented parts. Later, in 2008, Habermann starred as Olivia O'Rourke in the romantic drama Olivia and Jai, an adaptation of Rebecca Ryman's novel set against cultural clashes in , co-starring . Her expansion into horror and thriller culminated in 2020 with the role of Nurse Patricia in , an American-German about a parasitic infection terrorizing a family, emphasizing her international appeal in genre work. On television, Habermann secured recurring and guest roles in prominent German crime and drama series, often portraying strong, multifaceted women. She played Lena Heitmann, a key member of an all-female vigilante team, in nine episodes of the action-comedy series Wilde Engel from 2003 to 2005, contributing to its blend of empowerment themes and lighthearted crime-solving. Guest appearances included Sonja Wasberg in an episode of the long-running crime anthology Tatort in 2001, focusing on investigative tension. In Der Ermittler, she portrayed Verena Christiansen in the 2002 episode "Der letzte Anruf," a procedural drama centered on detective work and personal stakes. Similarly, in Die Kommissarin, Habermann appeared as Kristina Hansen in the 2004 episode "Heißes Grab," adding to the series' exploration of female-led police investigations. She also featured in the revival of the classic medical drama Die Schwarzwaldklinik (The Black Forest Clinic) in 2005, taking the lead role of Dr. Sophie Schwarz in Die nächste Generation and Neue Zeiten, which updated the hospital storyline with modern interpersonal conflicts. Earlier, in 1998, she had a lead role in the Rosamunde Pilcher adaptation Two Sisters (Zwei Schwestern), a romantic drama about family secrets and reconciliation in Cornwall. By the mid-2010s, Habermann had amassed over 50 credits in television episodes and films, predominantly in German-language productions that underscored her range from ensemble casts to leading parts.

Producing, music, and recent projects

In the 2010s, Habermann transitioned into producing, co-founding Fantomfilm in to develop independent projects in . Her producing debut came with the 2019 horror-comedy Under ConTroll, where she served as a key producer alongside Alexander König, drawing on German folklore about an ancient troll revived in modern . The film received a nomination for Best at the 2019 FANtastic Festival in , highlighting her entry into genre production. Habermann expanded her creative role in 2021 with (also known as Die Wahre Schönheit), which she co-wrote with director Krishna Ashu Bhati and starred in as , a navigating family tensions after an . The project incorporated autobiographical elements from her life, focusing on themes of and relationships, and was released on Blu-ray and VOD in November 2022. She has since been developing the youth series Göörls through Fantomfilm, a comedy-drama concept she co-created with Alexander König about teenage boys confronting , , and , with scripting by Torsten Dewi. Beyond film, Habermann returned to in 2022, portraying in an open-air production of Hugo von Hofmannsthal's Jedermann during the Landesgartenschau in , , under director Nicolai Tegeler. In 2025, she took the lead role of Sophie Delassere in the comedy Vier linke Hände (Four Left Hands) at Weyher Theater in Weyhe, adapting Pierre Chesnot's play about an unlikely romance between a free-spirited woman and a conservative bachelor, with performances running from January 10 to 12. Habermann ventured into music with her debut single "Lioness," released on January 17, 2025, which she described as an anthem of female empowerment, emphasizing self-confidence and overcoming criticism through lyrics like "I am the lioness, hear me roar." The accompanying music video, shot in 2024, featured her performing in dynamic, symbolic settings to underscore themes of strength and independence. Available on platforms like Spotify and Apple Music, the track marked her first foray as a singer-songwriter. In recent acting projects, Habermann appeared as flight attendant Nathalie in the 2023 horror film Monster on a Plane, directed by Ezra Tsegaye, where an exotic creature mutates into a threat aboard a transatlantic flight; the film premiered internationally in 2024. To further her producing expertise, she was selected in November 2024 as one of 15 European participants in the fourth edition of the Erich Pommer Institute's SERIES' WOMEN program, a leadership initiative running through April 2025 with modules on script development, financing, and international co-productions.

Personal life

Marriage and relationships

Eva Habermann was married to Hans-Ullrich Hauenstein in 1998, but the union lasted only a few months before ending in . Since approximately , Habermann has been in a relationship with filmmaker Alexander König, with whom she collaborates professionally on projects. The couple became engaged in 2021 but has chosen not to marry, as Habermann has indicated that formal documentation holds little significance for her. Habermann and König have no children together, and she has publicly stated that while she once desired motherhood, she now views the possibility as no longer viable given her age and circumstances.

Interests outside acting

Eva Habermann has maintained a lifelong dedication to theater and as a personal creative outlet, rooted in her childhood experiences with live performances. At the age of 12, her father gifted her a subscription to Hamburg's Thalia Theatre, which sparked her passion for and shaped her artistic pursuits beyond professional commitments. She has continued to engage with theater as a means of personal expression, taking , , and lessons since age 14 to nurture this interest independently of her screen career. Habermann advocates for female through personal creative endeavors, most notably her release "," which she described as a statement on , strength, and among women. In promoting the track, she emphasized its role in inspiring and , aligning with her broader values of outside her acting roles. This project reflects her commitment to using art as a platform for social messages that resonate personally with her. Beyond visual media, Habermann extends her creativity into audio plays, , and moderation, viewing these as fulfilling artistic extensions that allow for diverse expression. She has contributed to numerous national and international productions in these areas, including moderating the children's program Pumuckl TV in the mid-1990s. These activities provide her with opportunities to explore voice work and narrative storytelling in intimate, non-visual formats. Habermann maintains significant privacy regarding her family life beyond romantic relationships, with no public details available about siblings or extended family members. While her parents, Gerd and Edeltraud Habermann, are occasionally referenced in biographical contexts, she has chosen not to disclose further information on her familial background. This discretion underscores her preference for keeping personal matters separate from her public persona.

Filmography

Feature films

Habermann's feature film career spans a variety of genres, including , and , with approximately 15 credits across theatrical releases and productions. Her roles often highlight her versatility, transitioning from supporting parts in early comedies to lead positions in international and self-produced projects. Her film debut came in the 1998 experimental drama Angel Express, directed by Rolf Peter Kahl, where she portrayed Svenja, a young woman navigating Berlin's underground scene amid themes of desire and urban alienation. The film, set in late-1990s , marked her entry into independent cinema. She followed this with the 2002 stoner comedy Feuer, Eis & Dosenbier, directed by Mathias Dinter, playing in a road-trip tale of mishaps and camaraderie among friends, emphasizing her comedic timing in a hit. The 2003 (also known as Der alte Affe Angst), directed by Oskar Roehler, featured Habermann as Laura, a entangled in a story of obsession and emotional turmoil, showcasing her dramatic range in a critically noted exploration of human fears. Habermann's 2005 thriller Der Clown: Payday, directed by Roland Leyer and Sebastian Vigg, saw her as Leah Diehl, the love interest and ally to a vigilante clown in a gritty crime narrative filled with heists and revenge. The film adapted elements from the German TV series of the same name. In 2015's animated fantasy , she voiced , a mythical figure in a tale inspired by lore, aimed at family audiences. Habermann entered with 2019's Under ConTroll, directed by Schlock! Shock Productions team, playing Vanessa Majer in a comedic creature-feature about a terrorizing a set, where she also served as producer. This marked her growing involvement in filmmaking. Her 2020 output included two entries: , where she portrayed nurse Patricia in a body- narrative of parasitic infection, and executive produced the project; and , directed by Marc Fehse, as Diabla Richter, a Nazi pilot in a attack blending gore and absurdity. In 2021, Habermann took a in The Ugly Truth (original title Die wahre Schönheit), directed by Krishna Ashu Bhati, starring as Mona Kaufmann while co-writing and producing the romantic comedy about and relationships, highlighting her multifaceted contributions to independent cinema. Her most recent film, the 2024 horror-comedy Monster on a Plane, directed by Ezra Tsegaye, features Habermann as Nathalie, a facing a rampaging during a flight, continuing her trend in creature-feature genres.

Television series and guest roles

Eva Habermann's early television work included hosting the children's program Pumuckl-TV on ARD from 1995 to 1996, marking her initial entry into broadcasting at age 18. That same year, she made her acting debut with a guest role as Paula in the ARD drama series Gegen den Wind, appearing in one episode. She also appeared in the TV movie Immenhof (1994). In 1997, Habermann portrayed Laurie Dillan in the ZDF television adaptation : Two Sisters, a single-episode story centered on family dynamics and romance. Her international breakthrough came shortly after with the role of in the series , where she appeared in six episodes across seasons 1 and 2 from 1997 to 1998, playing a cluster lizard love slave who joins the crew of the spaceship Lexx; she departed the series due to scheduling conflicts after the second-season premiere. From 1999 to 2002, she had a recurring role as Viola Kimmling in the family drama series Die Strandclique (39 episodes). She had a guest role in 1999 as Carmen in the episode "Wintersaat" of the ZDF crime series Rosa Roth. In 2001, she guest-starred as Sonja Wasberg in the episode "Verhängnisvolle Begierde" of the long-running ARD crime anthology Tatort. This was followed by a 2002 guest spot as Verena Christiansen in "Der letzte Anruf" of the ZDF series Der Ermittler. Around the same period, she appeared as Kristina Hansen in an episode of the crime drama Die Kommissarin. From 2003 to 2005, Habermann starred as the lead character Lena Heitmann in the action-comedy series Wilde Engel on , appearing in nine episodes as a rookie and driver for an elite undercover unit of female agents. In 2005, she played Dr. Sophie Brinkmann in two episodes of the revived Die Schwarzwaldklinik on , titled "Die nächste Generation" and "Neue Zeiten," portraying the wife of a young doctor navigating hospital intrigue. She also appeared in the TV movie Götterdämmerung – Morgen stirbt Berlin (1999, minor role), Witness to a Kill (2001, as Monica), Just Think of Us Both (2010, as Eliza Myers), and (also titled Die Jahrhundertlawine, 2008, as Valérie Lutz). Habermann's career features over 30 guest appearances across various German crime dramas and miniseries, including roles in Alarm für Cobra 11 (2012, as Sabine Weber), SOKO Wien (2009, as Manuela Petrik), SOKO Stuttgart (2014, as Linda Goldinger), and Die Rosenheim-Cops (as Elena Winkler). She also appeared in lighter fare such as (2021, as Carola Albrecht). Overall, her television credits exceed 50, predominantly on major German networks like ARD, , and , spanning hosting, series regulars, and episodic guest roles in genres from sci-fi and medical dramas to crime procedurals.

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