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Troll

A troll is a supernatural creature in Scandinavian folklore and Norse mythology, typically portrayed as a large, grotesque, humanoid monster dwelling in isolated wilderness areas such as mountains, forests, and caves.^[1] These beings are often depicted as immensely strong, dim-witted yet magically adept, and hostile toward humans, serving as antagonists in tales where they kidnap people, guard treasures, or terrorize villages.^[1] Rooted in Old Norse literature from the medieval period, trolls embody the dangers of the untamed natural world and have evolved in cultural narratives to explain rock formations and other landscape features.^[2] The term "troll" derives from Old Norse trǫll, which could refer to a giant, demon, or any hostile supernatural entity, with etymological links to words meaning "to enchant" or "to turn into a monster."^[3] In early sources like the Poetic Edda and various Icelandic sagas, trolls appear interchangeably with giants (jǫtnar) or as shape-shifting witches and sorcerers practicing trǫlldómr (troll-magic), highlighting their association with the uncanny and forbidden arts.^[1] For instance, in Grettis saga (ca. 14th century), trolls are cave-dwelling predators slain by the hero Grettir, underscoring their role as embodiments of chaos and peril in a Christianizing Scandinavia.^[1] Physically, trolls vary widely in folklore accounts: some are enormous, tree-tall figures with rough, stone-like skin, bushy hair, and exaggerated features like multiple heads or tails, while others are smaller or more humanoid.^[2] They are predominantly nocturnal, as exposure to sunlight petrifies them into stone—a motif that persists in 19th-century collections like those of Peter Christen Asbjørnsen and Jørgen Moe, who documented oral traditions linking trolls to Norway's rugged terrain.^[2] Behaviorally, trolls are mischievous or malevolent, capable of feats like crossing oceans or brewing potions, but they are repelled by Christian symbols such as crosses and church bells, reflecting the influence of medieval Christianity on pagan lore.^[4] In broader cultural significance, trolls represent the boundary between the human and the otherworldly, often outwitted by clever protagonists in folktales, as seen in stories like "The Troll with No Heart in His Body," which emphasize themes of bravery and cleverness.^[3] Scholarly analysis, such as that by folklorist John Lindow, traces their persistence over a millennium, from Snorri Sturluson's Prose Edda (ca. 1220) to modern interpretations, where they symbolize Norway's national identity and connection to nature.^[3] Today, trolls influence art, literature, and media, appearing in works by illustrator Theodor Kittelsen and films like Trollhunter (2010) and the Netflix movie Troll (2022), while physical representations like troll statues dot Scandinavian landscapes as tourist attractions.^[2]

Origins and Etymology

Etymology

The word "troll" originates from the Old Norse noun trǫll, which denoted a giant, monster, evil spirit, or supernatural being not of the human race.^[5] This term is derived from the Proto-Germanic root *truzlą (or *truzlaną), possibly referring to a "creature that walks clumsily" or a fiend associated with sorcery and otherworldly powers. The etymology suggests connotations of mischief or enchantment, linking to related Old Norse concepts of magic and the uncanny. Earliest attestations of trǫll appear in 9th- to 10th-century Old Norse texts, including the Poetic Edda, where it describes "troll-women" (Old Norse trollkynna) inhabiting the Ironwood forest east of Midgard in the poem Grímnismál.^[6] These references portray trolls as hostile, supernatural entities, distinct yet overlapping with giants (jǫtnar) in Norse lore. The noun trǫll is connected to verbal forms implying enchantment, such as Old Norse trylla ("to turn into a troll" or "to enchant") and trolldómr ("witchcraft" or "sorcery").^[5] In modern Scandinavian languages, troll retains its nominal sense as a mythical creature, while derived verbs like Norwegian and Swedish trolla mean "to charm," "bewitch," or "perform magic," highlighting the word's enduring association with supernatural influence.^[5]

Linguistic Evolution

The term "troll," originating from Old Norse trǫll denoting a supernatural giant or evil spirit, entered Middle English through Viking influences in regions like the Orkney and Shetland Islands, where Norse speakers settled during the medieval period.^[5] By the late 16th century, it appeared in English texts with a supernatural connotation (often as the variant "trow"), reflecting the borrowing of Norse vocabulary into the emerging English lexicon amid cultural exchanges.^[5] This early adoption is evidenced in isolated uses, such as in a 1596 Shetland court document cited by the Oxford English Dictionary as one of the first recorded instances. During the 19th-century Romantic movement, the semantics of "troll" broadened in English to encompass not only malevolent giants but also mischievous or ugly dwarfish figures, influenced by the revival of folklore that romanticized Scandinavian myths as symbols of nature and the uncanny.^[5] This shift was amplified by English translations of Nordic tales, where translators rendered the Norse term consistently as "troll" to evoke a unified image of grotesque, otherworldly beings.^[7] Folklore collectors like Peter Christen Asbjørnsen played a pivotal role in this standardization; his collaborations with Jørgen Moe in compiling Norske Folkeeventyr (1842–1845), translated into English by George Webbe Dasent as Popular Tales from the Norse (1859), popularized the term by using it for a range of supernatural entities, thereby embedding it firmly in English literary discourse.^[7] In contemporary Scandinavian languages, "troll" retains its core association with supernatural beings, though with regional nuances: in Swedish and Danish, it primarily signifies mythical creatures akin to goblins or imps, often linked to enchantment (trolla meaning "to bewitch" in Swedish).^[8] In Norwegian, the term extends to include mountain-dwelling entities, reflecting folklore traditions of trolls inhabiting remote, rocky terrains.^[2] The word has also been borrowed into non-Germanic languages through Swedish influence; in Finnish, trolli directly adopts the Swedish form to denote similar folklore creatures, illustrating linguistic diffusion in the Nordic region.

Mythology and Folklore

Norse Mythology

In Norse mythology, trolls are depicted as a class of supernatural beings closely associated with the jötnar, or giants, often serving as antagonistic forces to the Æsir gods. The term "troll" appears in Old Norse texts like the Eddas, where it is used interchangeably with words such as þurs (giant or demon) and risi to describe these entities, emphasizing their role as embodiments of primordial chaos opposing the ordered cosmos of the gods.^[9] In the Prose Edda, compiled by Snorri Sturluson in the 13th century, trolls are frequently portrayed as hostile jötnar who challenge divine authority, reflecting broader mythic themes of conflict between civilization and wild, disruptive nature.^[10] Key narratives highlight trolls' confrontations with the gods, underscoring their destructive potential. In the poem Völuspá from the Poetic Edda, troll-like beings akin to thursar (giants) emerge as harbingers of Ragnarök, the apocalyptic battle where they ally with chaotic forces like Loki and Fenrir to overthrow the Æsir, symbolizing the inevitable return of disorder.^[9] A prominent example is the duel between Thor and the jötun Hrungnir in the Prose Edda's Skáldskaparmál, where Hrungnir, described with trollish traits such as immense strength and a heart of stone, boasts of destroying Asgard before being slain by Thor's hammer Mjölnir; this encounter illustrates trolls' hubris and their vulnerability to godly intervention.^[11] Such stories portray trolls not merely as physical threats but as catalysts for cosmic upheaval, linked to natural disasters like storms and earthquakes attributed to their rage or the battles they provoke.^[12] Physically, trolls in the Eddas exhibit immense size, often towering over humans and gods, with rugged, enduring forms suited to their primal existence; for instance, Hrungnir's stone heart and head signify a rocky, unyielding constitution.^[11] Some possess shape-shifting abilities, allowing them to assume animal or human guises to deceive or ambush foes, as seen in tales of jötun women who transform into wolves or hags.^[13] They harbor an aversion to sunlight, which in mythic extensions petrifies them into stone, reinforcing their nocturnal, shadowy nature tied to darkness and the underworld.^[9] Habitats center on remote, untamed landscapes—mountains, dense forests, and underground caverns—where they dwell in small kin groups, guarding treasures or plotting against intruders, and their presence evokes the untamed forces of nature prone to calamity.^[9] Interactions with humans in Norse myths often involve peril, but also rituals to mitigate trollish wrath, particularly in Icelandic sagas that preserve mythic elements. Communities offered sacrifices, such as food or livestock, to appease trolls and avert hauntings or bergtagning (mountain-taking), where individuals were lured or kidnapped into their realms.^[9]

Scandinavian Folklore

In Scandinavian folklore from the 17th to 19th centuries, trolls emerged prominently in oral folktales shaped by Christian influences, often portrayed as devilish remnants of pagan beliefs hostile to the church and its symbols.^[14] These narratives reflected a worldview where trolls embodied chaotic wilderness forces opposing Christian order, frequently turning to stone upon hearing church bells or exposure to holy objects.^[1] Collectors like Peter Christen Asbjørnsen and Jørgen Moe documented these tales in their 19th-century Norwegian compilations, preserving stories that blended moral lessons about cunning over brute strength with warnings against straying from Christian paths.^[15] Iconic examples include the Norwegian tale "Three Billy Goats Gruff," where clever goats outwit a greedy bridge-dwelling troll, emphasizing themes of resourcefulness and the triumph of the weak over the foolish.^[14] In Swedish folklore, stories like "The Troll and the Young Man" depict a youth encountering a troll during a perilous journey, using wit to escape its grasp and return home transformed.^[16] These tales, gathered from rural storytellers, served as cautionary entertainment at gatherings, reinforcing community values amid the spread of Lutheran teachings.^[17] Trolls were typically characterized as large, ugly beings with one or multiple heads, marked by greed, stupidity, and a penchant for riddles or brute force, yet vulnerable to specific weaknesses that symbolized Christian or human superiority.^[18] Common frailties included aversion to iron tools, the sound of church bells, and especially sunlight, which petrified them into stone formations still attributed to trolls in Scandinavian landscapes.^[17] This duality—formidable yet comically inept—highlighted folklore's role in humanizing natural fears while promoting cleverness as a divine virtue.^[19] In social roles, trolls often guarded hidden treasures in remote mountains or forests, testing human intruders with challenges that rewarded the pious or astute.^[18] They were notorious kidnappers of brides or infants, swapping children with changelings to infiltrate human society, a motif tied to anxieties over unexplained illnesses or disappearances.^[19] Occasionally, trolls appeared as helpers in disguise, aiding protagonists who showed kindness, particularly in tales linked to Midsummer Night when the veil between worlds thinned and trolls roamed freely.^[20] Cultural customs reflected these beliefs, such as Swedish traditions of "troll dances" on Midsummer Eve, where communities mimicked troll revelries around bonfires to appease or mock the creatures and ensure bountiful harvests.^[21] In rural Norway, protective charms like iron troll crosses or silver amulets were hung over cradles or doorways to ward off troll abductions, a practice rooted in folk magic blending pre-Christian and Lutheran elements.^[17] These rituals underscored trolls' enduring presence in everyday life, bridging ancient mythic foundations with post-medieval moral frameworks.^[14]

Regional Variations

In Norwegian folklore, trolls are often portrayed as mountain-dwelling creatures inhabiting remote, rugged landscapes such as the Hardanger region, where local legends describe them as territorial yet family-oriented beings capable of abducting humans into their underground homes.^[22] These trolls, typically large and dim-witted, form familial groups led by kings or elders, as exemplified in tales from the Dovrefjell area featured in Henrik Ibsen's Peer Gynt, where the Dovre trolls live in a hierarchical society under the Mountain King, engaging in feasts and dances while plotting against humans.^[22] In Hardanger-specific stories, such as those surrounding Trolltunga (Troll's Tongue), trolls are said to have turned to stone upon exposure to sunlight, emphasizing their vulnerability and ties to the natural terrain, with narratives highlighting protective family bonds during encounters with intruders.^[23] In Swedish folklore, related supernatural beings include forest-dwelling spirits known as skogsrå (forest spirits), depicted as seductive female entities who lure hunters and woodsmen into the wilderness, rewarding compliant suitors with bountiful game but dooming those who reject them to misfortune or madness.^[22] These beings rule over forest animals and appear as beautiful women from the front but hollow or bark-covered from behind, blending allure with peril in tales collected from rural Sweden.^[21] 19th- and 20th-century illustrations and stories sometimes portray smaller, mischievous trolls integrated into city life, often as harmless tricksters haunting alleys or markets, reflecting a shift from wild nature spirits to more domesticated figures.^[24] Danish and Icelandic traditions exhibit stark differences in troll size and habitat, with Denmark favoring smaller, household-oriented nisse—gnome-like beings often conflated with trolls in popular retellings but traditionally distinct as farm guardians who demand porridge offerings at Christmas, rewarding diligent farmers with prosperity but retaliating vengefully against neglect, as in tales of fodder theft or ship warnings.^[22] In Iceland, by contrast, wild trolls are gigantic and destructive, often ogresses grinding salt or gold in remote mountains, fleeing church bells or drowning in trenches, while huldufólk (hidden people) represent smaller, elusive elf-like kin with human traits, sometimes intermarrying with mortals but distinct from the brutish giants; this duality is evident in sagas like Grettis Saga, where trolls embody chaotic wilderness forces battled by heroes.^[22]^[25] Along the Finnish-Swedish border, troll lore coexists with Sami influences on regional magic, where Finns and Sami shamans (noaidi) are depicted as shape-shifting magicians capable of soul journeys and wind-making to aid or hinder humans, as seen in narratives of retrieving lost items through trance-like rituals or combating rival spirits; trolls themselves remain brutish giants in these traditions, distinct from these shamanic figures.^[22] These hybrids emphasize shamanic elements in the broader supernatural landscape, with trolls guarding sacred sites, drawing from Finland-Swedish folk traditions where intertextual biblical motifs sometimes frame trolls as devilish foes in communal legends.^[26] By the 20th century, belief in trolls across Scandinavia waned significantly due to urbanization, industrialization, and the spread of rational education, transforming rural oral traditions into literary or touristic motifs rather than living fears.^[22] Despite this decline, trolls endure in geographic nomenclature, such as Trolltunga in Norway's Hardanger or Trollberget in Sweden, serving as enduring markers of cultural heritage and natural features shaped by folklore.^[22]^[27]

Depictions in Literature and Art

Traditional Literature and Sagas

In medieval Icelandic literature, trolls appear as formidable monsters or outlaws often slain by heroic figures, embodying supernatural threats to human society. The 13th-century Grettis saga prominently features trolls as antagonists encountered by the outlaw hero Grettir Ásmundarson, who battles them in remote locations such as haunted farms and mountainsides.^[1] In one notable episode, Grettir confronts a troll-woman on Christmas Eve who abducts a farmer, ultimately defeating her through strength and cunning after a fierce struggle.^[28] These depictions portray trolls as embodiments of chaos and isolation, frequently associated with darkness and the wilderness, reinforcing themes of heroic triumph over otherworldly perils in the saga tradition.^[1] By the 19th century, trolls transitioned into more accessible written forms through collections of Scandinavian folklore, where they served as comic yet menacing antagonists in tales emphasizing wit over might. Peter Christen Asbjørnsen and Jørgen Moe's Norske Folkeeventyr (1841–1844) compiled numerous stories featuring trolls as greedy, dim-witted creatures outsmarted by clever protagonists, such as in "The Three Billy-Goats Gruff," where the goats trick a bridge-dwelling troll into letting them pass. This framing humanized trolls while preserving their role as obstacles in moral narratives, drawing from oral traditions to highlight human resourcefulness against brute force.^[29] The collection's influence extended across Europe, popularizing trolls as archetypal foes in children's literature. Romantic-era authors further adapted troll motifs, blending them with Norse inspirations to explore deeper psychological and epic dimensions. J.R.R. Tolkien drew early concepts for his trolls from Icelandic sagas like Grettis saga, envisioning them as stone-like giants vulnerable to sunlight and driven by primal instincts, as seen in preliminary sketches and notes from the 1910s onward.^[30] These works marked a shift toward introspective uses of troll imagery, influencing later fantasy while rooting in traditional saga elements. Central themes in these literary portrayals include heroic quests where protagonists navigate perilous encounters, underscoring moral contrasts between human ingenuity and trollish brute force. In sagas, heroes like Grettir embody societal values by vanquishing trolls, restoring order to disrupted communities.^[1] Folktale collections by Asbjørnsen and Moe amplify this through humorous resolutions, where cleverness—such as riddles or deceptions—prevails over physical power, teaching lessons on perseverance and ethics. Romantic interpretations, including Tolkien's, deepen these motifs by portraying trolls as metaphors for unchecked nature or inner darkness, yet consistently defeated through intellect and courage.^[30] The artistic legacy of these texts is evident in late 19th-century illustrations that brought trolls to visual life within literary editions. Norwegian artist Theodor Kittelsen's evocative drawings for Asbjørnsen and Moe's folktales, published in works like Trolddommen (1900), depicted trolls as grotesque, moss-covered beings emerging from misty landscapes, enhancing the narrative's atmospheric dread and whimsy.^[31] These illustrations not only popularized standardized troll iconography but also bridged textual traditions with emerging print culture, ensuring the creatures' enduring place in Scandinavian literary heritage.^[29]

Visual and Folk Art Representations

In medieval Norwegian stave churches constructed between the 12th and 14th centuries, intricate wood carvings frequently portrayed mythical creatures, including grotesque troll-like figures that embodied evil and chaotic forces in opposition to the emerging Christian symbolism of the structures.^[1] These carvings, often found on portals and beam ends, served as apotropaic elements to ward off malevolent spirits, drawing from pre-Christian folklore where trolls represented supernatural threats lurking in the natural world.^[32] During the 19th-century Romantic period, Swedish artist John Bauer (1882–1918) revolutionized troll depictions through his illustrations for the anthology Bland tomtar och troll (Among Gnomes and Trolls), published annually from 1907 to 1915. Bauer's works portrayed trolls as grotesque yet whimsically integrated into misty forests and rocky landscapes, blending earthy tones and shadowy forms to evoke a sense of enchantment and melancholy.^[33] Influenced by National Romanticism's emphasis on fosterlandskärlek (love of the homeland), these illustrations transformed trolls from mere antagonists in sagas into complex figures symbolizing the untamed wildness of Swedish nature, often contrasting their dim, moss-covered realms with the luminous purity of human children.^[33] Folk crafts in Scandinavia further manifested troll imagery through traditional wood carvings, particularly in Denmark and Norway during the 19th century, where artisans created small figurines as precursors to later commercial troll dolls, capturing the creatures' bulky forms and exaggerated features rooted in local legends.^[34] Symbolically, trolls in these visual representations stood for the raw, unpredictable aspects of nature's wildness, frequently appearing in pastoral scenes that juxtaposed forested wilderness against human settlements to underscore themes of isolation and the uncanny.^[33] Over time, artistic portrayals evolved from the fearsome, demonic giants of early medieval carvings—depicted as hulking destroyers—to the more endearing, introspective figures in 19th-century Romantic prints, mirroring broader cultural shifts toward romanticizing folklore amid industrialization.^[1] This progression highlighted trolls' role as mediators between humanity and the primal environment, occasionally referencing literary inspirations like Asbjørnsen and Moe's fairy tales without delving into narrative specifics.^[32]

Modern Interpretations

Popular Culture Adaptations

In the 20th and 21st centuries, trolls from Norse and Scandinavian folklore have been adapted into various forms of mass media, evolving from monstrous antagonists into multifaceted characters that blend horror, fantasy, and humor. These depictions often draw loosely from traditional folklore inspirations, such as isolated mountain dwellers, while emphasizing visual spectacle and narrative accessibility in film, television, and video games.^[13] In film, trolls frequently appear as formidable foes. Peter Jackson's The Lord of the Rings trilogy (2001–2003) portrays them as hulking, orc-allied brutes, including the cave troll assaulting the Fellowship in Moria and the battle trolls at Minas Tirith, emphasizing their raw strength and vulnerability to sunlight.^[35] The 1986 horror-comedy Troll, directed by John Carl Buechler, reimagines them as diminutive, shape-shifting suburban monsters led by a troll king seeking a transformative ring, invading a San Francisco apartment complex in a campy blend of fantasy and domestic chaos.^[36] More recently, the Norwegian Netflix film Troll (2022), directed by Roar Uthaug, depicts a massive mountain troll awakened in modern Norway, causing destruction and prompting a military response, blending folklore with disaster-action elements. Its sequel, Troll 2 (2025), continues the story with returning characters facing a new, more dangerous troll threat across Norway.)^[37] Television adaptations have expanded trolls into ensemble roles within hidden worlds. The Netflix animated series Trollhunters: Tales of Arcadia (2016–2018), created by Guillermo del Toro, depicts trolls as a diverse, stone-skinned society coexisting secretly beneath the town of Arcadia Oaks, where protagonist Jim Lake Jr. becomes their guardian against threats, highlighting themes of protection and cultural integration.^[38] Video games often position trolls as interactive antagonists or allies with distinct abilities. The Warcraft series, beginning with Warcraft: Orcs & Humans (1994), features troll races like the agile, regenerating Darkspear tribe as playable Horde characters, skilled in voodoo magic and melee combat, evolving into key factions across expansions.^[39] In God of War (2018), Norse-inspired stone trolls serve as environmental bosses, massive guardians infused with elemental powers such as ice or fire, challenging players in puzzles and battles throughout the Nine Realms.^[40] Recurring tropes in these media include trolls as dim-witted brutes suited for brute-force roles, as in the destructive allies of The Lord of the Rings, or as redeemable anti-heroes with redeemable traits and societal depth, evident in the protective communities of Trollhunters.^[41] Commercialization has further popularized these figures through merchandise like the Troll dolls, created in 1959 by Danish woodcarver Thomas Dam as whimsical good-luck charms with colorful hair, which surged in popularity during the 1960s and inspired tie-in products and animations.^[42] This media evolution reflects a broader cultural shift, transforming trolls from folklore villains into comic relief or sympathetic figures in family-friendly content, broadening their appeal beyond horror to inclusive storytelling in global entertainment.^[41]

Contemporary Folklore and Urban Legends

In the digital age, the concept of trolls has evolved into internet folklore, where the term "troll" refers to users who deliberately provoke online reactions, echoing the mischievous and deceptive traits of Scandinavian mythical trolls. This linguistic link stems from early 1990s Usenet discussions, where "trolling" was likened to fishing for reactions, but gained mythical resonance due to trolls' folklore reputation as tricksters inhabiting remote or hidden spaces. The "Trollface" meme, originating from a 2008 MS Paint drawing by artist Carlos Ramirez to depict frustration with video game distractions, became a symbol of digital mischief and has been used in over millions of rage comics, blending ancient lore with 21st-century humor.^[43] Contemporary urban legends in Scandinavia continue to draw on traditional troll motifs, such as bridge-dwelling guardians from tales like "Three Billy Goats Gruff," preserving themes of danger in liminal spaces. In Sweden, the term "troll" is sometimes used metaphorically for dissidents or provocative figures, as in accounts of nocturnal protesters in urban areas like Stockholm, symbolizing resistance to societal changes following events like the 2015 refugee crisis.^[44] Remnants of troll belief endure in rural Iceland, where media reports from the 2010s document alleged sightings of large, shadowy figures in mountainous areas, often tied to unexplained noises or livestock disappearances. A 2009 survey revealed that 60% of Icelanders believe in trolls.^[45] This belief influenced public actions like the 2013 protests against a proposed highway from Álfanes to areas near Reykjavík, which threatened an elf church and potential habitats for local elves, trolls, and fairies; advocates, including seers, successfully halted construction pending court review, highlighting the intersection of folklore and environmental activism.^[46]^[47] Similar delays occurred in other projects, such as the relocation of a 50-tonne boulder housing elves after a 2010 accident involving parliament member Árni Johnsen, who credited the elves for saving his life.^[48] Troll-themed tourism has spurred a revival of folklore across Scandinavia, transforming mythical narratives into economic and cultural assets. In Norway, Hunderfossen Family Park near Lillehammer features over 150 troll sculptures, interactive exhibits, and a 14-meter-tall guardian troll, attracting families to explore fairytale caves and rides inspired by traditional stories.^[49] Opened in 2023, the Home of the Trolls research station in Rindal offers guided tours, workshops, and accommodations centered on troll ecology and local legends, positioning itself as a global hub for mythical studies.^[50] Sweden's Trolltagen, a ballet depicting troll abduction of village girls, has been performed annually at outdoor venues like Storforsen since the 1980s, drawing thousands to immersive folklore spectacles in 2018 and beyond.^[51] Globally, troll archetypes have influenced non-Western folklore adaptations, particularly in Japan where oni—hulking, horned demons akin to trolls—are depicted as mountain-dwelling ogres who punish the wicked or guard sacred sites in yokai traditions. These comparisons appear in cross-cultural studies, noting parallels in their isolation, brute strength, and role as cautionary figures, with modern anime and manga blending oni with troll-like traits to appeal to international audiences.^[52]

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"This is what Trolls really look like": The Folklore that is Norway ... Ironically, crediting Kittelsen with fixing the image of the Troll is to ...Missing: depiction | Show results with:depiction
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The Ambiguous Portrait of Trolls: Defining Trolls in Icelandic Saga ...
... (Asbjørnsen and Moe 7). Through the oral tradition of such folktales, trolls became associated with certain characteristics. They frequently lived in heavily ...
[31]
Sandra K. Dolby - Theodor Kittelsen, Troll Magic: Hidden Folk from ...
Feb 16, 2023 · Kittelsen's Troll Magic, translated by Tiina Nunnally, with its thirty-three illustrations (including a color “Self-Portrait” of Kittelsen at ...
[32]
Trolls in the Middle Ages - Medievalists.net
Jan 6, 2015 · Where did trolls come from? What did medieval and early modern people think of trolls? How did the concept of the modern day troll evolve?
[33]
[PDF] Re-Imagining the Swedish Nation through Text and Image in the ...
While the adult trolls failed to adapt to human society, a troll-child successfully completes the transition from a “state of nature” to civilization in the ...Missing: broadening | Show results with:broadening
[34]
This Copenhagen artist turns trash into trolls - National Geographic
Jun 15, 2020 · This Copenhagen artist turns trash into trolls · prebuilt troll parts in Chicago. Thomas Dambo premakes the heads for his giant trolls. · the ...
[35]
Troll - New World Encyclopedia
Another explanation for the troll myth is that the trolls represent the remains of the forefather-cult which was ubiquitous in Scandinavia until the ...
[36]
Every Type Of Troll Featured In The Lord Of The Rings Movies
Mar 5, 2025 · Every Type Of Troll Featured In The Lord Of The Rings Movies · 5 Mountain Trolls · 4 Cave Trolls · 3 Stone Trolls · 2 Olog-Hai · 1 Snow Trolls.
[37]
Troll (1986) - IMDb
Rating 4.6/10 (12,517) A wicked troll king in search of a mystical ring that will transform him to human form invades a San Francisco apartment complex where a powerful witch lives.Full cast & crew · Troll 2 · Trivia · Jenny Beck
[38]
Watch Trollhunters: Tales of Arcadia | Netflix Official Site
After uncovering a mysterious amulet, an average teen assumes an unlikely destiny and sets out to save two worlds. Created by Guillermo del Toro.
[39]
Troll - World of Warcraft - Blizzard Entertainment
Read about the Troll race in World of Warcraft. Learn about their history, abilities, available classes and more.
[40]
Trolls Bestiary Entries | God of War PS4 (GoW 4) - Game8
Feb 9, 2021 · This is a list of all bestiary entries for Trolls in God of War (2018) for the PS4. Read on to learn about each Troll, useful information, as well as tips from ...
[41]
The Evolution of Troll | Psyche - Vocal Media
Trolls were said to have been reclusive beasts. They were mean, grumpy characters and by the paintings of our ancestors, they looked hideous. Another key ...
[42]
The Colorful History of the Troll Doll - Smithsonian Magazine
Apr 9, 2020 · The story of troll dolls began in the small town of Gjøl, Denmark ... By 1959, Dam established a small factory in Gjøl, and in 1961, he ...
[43]
A history of Troll Face memes - The Daily Dot
Jan 1, 2024 · Troll Face, or Trollface, was created by Carlos Ramirez, an Oakland-based artist, on September 19th, 2008. Initially drawn as part of a webcomic ...
[44]
The night I met a troll in Stockholm - BBC
Sep 8, 2018 · Trolls predate the arrival of Christianity in Scandinavia by many centuries. Probably millennia. But when it did arrive, and traditional ...
[45]
Trolling around Iceland - Western News
Sep 9, 2010 · A survey last year revealed that 60 per cent of Icelanders believe in trolls. Construction crews will often build roads around bumps for fear of ...Missing: sightings | Show results with:sightings
[46]
Highway In Iceland May Be Sidetracked By Elves - NPR
Dec 24, 2013 · Elf advocates have joined forces with environmentalists to urge the Icelandic Road and Coastal Commission and local authorities to abandon a highway project.Missing: protests | Show results with:protests
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Elf lobby blocks Iceland road project - The Guardian
Dec 22, 2013 · Elf advocates in Iceland have joined forces with environmentalists to urge authorities to abandon a highway project that they claim will disturb elf habitat.Missing: protests 2010s
[48]
Hunderfossen Eventyrpark
Meet the enormous Hunderfossen Troll, rediscover folk tales in Ivo Caprino's Fairy-tale Cave and enjoy our pool area with water slides and water games for the ...
[49]
Trolltagen - välbesökt till tusen | Älvsbyns kommun
Jul 9, 2018 · Trolltagen är den bedårande baletten som handlar om de sex små flickorna som rövas bort av en virvelvind och sätts i fångenskap hos de fula tro ...Missing: Sweden | Show results with:Sweden
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20 Well-Known Yokai in Japanese Folklore | Nihongo Master
Oct 21, 2022 · 20 Well-Known Yokai in Japanese Folklore. Published October 21st ... Oni are similar to ogres, trolls, and orcs. They are massive and ...