Evan Handler
Evan Handler (born January 10, 1961) is an American actor, author, and screenwriter best known for his portrayal of Harry Goldenblatt, the divorce lawyer who becomes Charlotte York's husband, in the HBO series Sex and the City and its revival And Just Like That..., as well as Charlie Runkle, the sleazy talent agent, in Californication.[1][2] Handler was diagnosed with acute myeloid leukemia at age 24 and underwent experimental treatments that led to his survival, an experience he later transformed into the off-Broadway one-man show Time on Fire, adapted into the 1996 memoir Time on Fire: My Comedy of Terrors.[3][4] Trained at the Juilliard School's Drama Division, Handler began his career in theater, appearing in Broadway productions such as Six Degrees of Separation and I Hate Hamlet, before transitioning to film and television roles including Ransom (1996) and guest appearances on series like The Good Wife.[5][1] In 2013, he published It's Only Temporary: The Good News and the Bad News of Being Alive, reflecting on life, relationships, and gratitude following his cancer battle and subsequent personal upheavals.[4][6] Handler has been married to actress Elisa Atti since 2003, with whom he has a daughter born in 2011.[7]Early life
Upbringing and family background
Evan Handler was born on January 10, 1961, in New York City to secular Jewish parents.[7][8] His mother, Enid Irene Handler, worked as a mental health administrator, while his father, Murry Raymond Handler, was an advertising designer and agency owner.[7][9][8] As the youngest of three children, Handler grew up in a secular Jewish household in Cortlandt, located in New York's Hudson Valley region approximately an hour north of Manhattan; his siblings were Lowell and Lillian.[10][11] He later described his Jewish upbringing as consisting primarily of a "watered-down version of Jewish history lessons," reflecting the family's non-observant approach to faith.[12]Education and early interests
Handler attended Hendrick Hudson High School in Montrose, New York, graduating in three years due to his eagerness to relocate to New York City for acting pursuits.[13][14] His family's residence in the nearby Town of Cortlandt, approximately an hour from Manhattan, did not diminish his drive to accelerate his secondary education and immerse himself in the city's theater scene.[15] Following high school, Handler interned at the Chelsea Theater Center, gaining hands-on exposure to professional theater operations.[14] At age 17, he enrolled in the drama division of the Juilliard School in New York City, studying acting from 1979 to 1981.[8][16] His early interests focused intensely on performance arts, prompting him to forgo completing the program in favor of on-screen opportunities, including his debut role in the 1981 film The Chosen.[17][8]Cancer diagnosis and recovery
Initial diagnosis and medical treatment
In 1985, at the age of 24, Evan Handler was diagnosed with acute myeloid leukemia (AML), a fast-progressing cancer of the blood and bone marrow then viewed by physicians as incurable, with an initial prognosis of six months to live.[9][18] The diagnosis came shortly after he had begun establishing himself in theater, including as an understudy in a Neil Simon play on Broadway, prompting him to leave the production to prioritize treatment.[18] Handler's initial medical treatment involved aggressive, high-dose chemotherapy aimed at inducing remission by targeting rapidly dividing leukemia cells, a standard induction phase for AML that often requires hospitalization due to risks of infection and other complications.[19][20] Despite achieving remission through this regimen, the disease's recurrence necessitated a bone marrow transplant from an unrelated donor—a procedure considered experimental and high-risk at the time, with Handler facing a reported 50% chance of graft-versus-host disease, where donor cells attack the recipient's body.[20][21] The transplant, performed after multiple rounds of chemotherapy and amid repeated infections, ultimately succeeded in eradicating the leukemia, though it left him with lasting physical and psychological effects from the ordeal.[22][21]Long-term survival and personal impact
Handler achieved long-term remission following a bone marrow transplant in the late 1980s, with survival odds estimated at 35 percent for patients in his position after a second relapse of acute myeloid leukemia.[23] By 2008, over two decades post-treatment, he reported managing a successful acting career alongside emotional self-care and family life, including the birth of his first child.[24] More than 30 years after diagnosis, Handler described himself as healthy and actively sharing his experiences to inspire others facing similar challenges.[25] The ordeal profoundly shaped Handler's worldview, fostering a perspective of impermanence that he explored in his 2008 memoir It's Only Temporary: The Good News and Bad News of Being Alive, which reflects on post-cancer existence rather than the disease itself.[26] His earlier work, Time on Fire: My Comedy of Terrors (1996), derived from an autobiographical play, candidly addressed the physical toll of chemotherapy and transplant—such as infertility risks and relational strains—alongside emotional turbulence marked by anger toward medical conformity and existential fears.[27] Handler credited the experience with cultivating resilience, emphasizing patient empowerment as key to his survival, a stance he advocated publicly by urging skepticism toward passive acceptance of prognoses.[22] ![Evan Handler in 2009][float-right] Long-term psychological impacts included a shift from acute mortality fears to concerns over potential late-onset treatment side effects, though Handler noted in 2014 that this evolved into daily gratitude for his vitality.[28] He has positioned himself as a living testament to defying statistical bleakness—initially given slim odds at age 24—without succumbing to survivor guilt, instead channeling the narrative into motivational storytelling that highlights humor amid adversity.[20] This personal evolution underscored a commitment to authenticity over conformity, influencing his refusal to "play the good patient" during recovery and informing ongoing reflections on health as a precarious yet reclaimable state.[29]Writing and memoirs
Key publications
Handler's debut memoir, Time on Fire: My Comedy of Terrors, was published in 1996 by Little, Brown and Company.[3] The 279-page work chronicles his diagnosis of acute myeloid leukemia at age 24, subsequent bone marrow transplants, and five-year path to remission, blending raw accounts of medical ordeals with humor derived from his off-Broadway one-man show of the same title.[30] [31] In 2008, Handler released It's Only Temporary: The Good News and the Bad News of Being Alive through Riverhead Books, a 223-page follow-up extending reflections on survival beyond leukemia.[32] [33] The book examines themes of impermanence, romantic pursuits, professional setbacks in acting, and philosophical musings on vitality, drawing from post-recovery experiences including encounters with Hollywood figures and personal epiphanies.[34]Themes and reception
Handler's memoirs primarily explore the psychological and existential dimensions of surviving acute myeloid leukemia, blending raw personal testimony with sardonic humor to dissect the absurdities of medical bureaucracy and human vulnerability. In Time on Fire: My Comedy of Terrors (1996), he chronicles his 1989 diagnosis at age 24, subsequent treatments including chemotherapy and bone marrow transplantation, and the disorienting "hellish journey" through hospital protocols, portraying illness as a "comedy of terrors" marked by grim ironies and institutional inefficiencies, such as his critiques of Memorial Sloan Kettering Cancer Center's rigid procedures.[35] The narrative emphasizes resilience amid chaos, drawing on first-hand encounters with pain, isolation, and improbable survival odds—Handler was given a 25% chance of living—while highlighting themes of love and hope intertwined with anger at systemic failures.[36] His later work, It's Only Temporary: The Good News and the Bad News of Being Alive (2008), shifts to post-recovery introspection, examining life's impermanence through self-examination of relationships, career setbacks, and the "grumpy" internal battles that persist after physical remission, framing survival not as triumph but as an ongoing negotiation with mortality and mediocrity.[34][26] Reception of Handler's writings has centered on their unflinching candor and literary accessibility, with critics praising the dark humor that renders harrowing experiences "painfully funny" and "life-affirming," comparable to Norman Cousins's Anatomy of an Illness for its value in illuminating patient perspectives.[37] Reviewers have noted the books' "piercing eloquence" in conveying illness's emotional toll, including bureaucratic victimization and the quest for narrative control over trauma, positioning them as insightful contributions to illness memoir literature that avoid sentimentality.[35][36] It's Only Temporary drew acclaim for its "intensely self-examining" style—evoking goosebumps through honest prose—and quirky blend of memoiristic humor with philosophical reflection, though some observed its focus on personal grievances post-cancer as occasionally self-indulgent yet touchingly authentic.[38][34] Overall, the works have been valued for demystifying long-term survival's complexities, influencing discussions in medical humanities on patient agency, though they remain niche compared to Handler's acting fame.[39]Acting career
Theater and early film roles
Handler's professional acting career commenced in the early 1980s with off-Broadway engagements in New York City. After high school, he interned at the Chelsea Theater Center and secured roles in productions such as Biography: A Game and Strider: The Story of a Horse, where he assumed the lead role following the original performer's departure.[40] His early theater work also encompassed appearances in The Chosen (1981) as Sidney Goldberg and Dear Mr. Wonderful (1982) as Ray.[5] Diagnosed with acute myeloid leukemia at age 24 in 1985 while serving as an understudy in a Broadway production, Handler underwent treatment that interrupted his momentum but did not derail his trajectory.[41] Upon recovery, he returned to the stage, notably taking over the lead in Neil Simon's Broadway Bound on Broadway, a role he described as a pivotal affirmation of his viability as an actor.[42] Handler achieved greater visibility on Broadway in the early 1990s. He joined Six Degrees of Separation in November 1990, performing through its run until January 1993.[43] In April 1991, he originated the role of Andrew Rally in I Hate Hamlet at the Walter Kerr Theatre, but the production gained notoriety when Handler exited the stage mid-performance on May 2, 1991, after co-star Nicol Williamson deviated from the script, physically grabbed him, and ad-libbed aggressively, culminating in Williamson wielding a skull prop as a weapon.[44] Additional off-Broadway credits included world premieres of Donald Margulies' Found a Peanut at the New York Shakespeare Festival/Public Theater and What's Wrong with this Picture? at Manhattan Theatre Club.[45] Parallel to his theater pursuits, Handler debuted in film with supporting roles in the mid-1980s, including Sweet Lorraine (1987) as Bobby Stein and Invisible Thread (1987).[40] By the mid-1990s, he appeared as David, a crime scene investigator, in Oliver Stone's Natural Born Killers (1994), followed by parts in Ride for Your Life (1995) and Ron Howard's Ransom (1996), where he portrayed a minor character amid the high-profile kidnapping thriller starring Mel Gibson.[46] These early screen credits, often in ensemble or supporting capacities, laid groundwork before his prominence in television.[40]Television breakthroughs
Evan Handler's television career gained significant momentum with his portrayal of Harry Goldenblatt in HBO's Sex and the City, starting in the fifth season on June 22, 2002.[17] As the unassuming Jewish divorce lawyer who evolves into Charlotte York's husband, Goldenblatt appeared in 17 episodes, providing a counterpoint to Charlotte's early emphasis on physical appearance and social status.[47] Handler described the role as his breakthrough after 20 years of theater and minor screen work in Manhattan, secured via an audition tip from an ex-girlfriend on the writing staff just days after he relocated to Santa Monica.[47] The character's arc, emphasizing compatibility over conventional attractiveness, resonated with audiences and shifted Handler's professional image toward romantic leads, evidenced by increased nude scenes and fictional intimacies post-casting.[47] Building on this visibility, Handler starred as Charlie Runkle in Showtime's Californication, which premiered on August 13, 2007, and ran for seven seasons until 2014.[17] Runkle, the protagonist Hank Moody's loyal yet self-sabotaging literary agent and best friend, featured in all 84 episodes, blending humor with moral ambiguity in Hollywood's underbelly.[17] Handler contrasted the series with Sex and the City, noting its focus on relational dysfunction after partnership, which allowed exploration of rawer, adult-oriented comedy distinct from his prior network guest spots.[47] These premium cable roles elevated Handler from supporting theater and film parts to recurring ensemble prominence, leveraging his naturalistic delivery for characters defying polished archetypes.[47]Recent and ongoing roles
Handler reprised his role as Harry Goldenblatt, Charlotte York's husband, in the HBO Max revival series And Just Like That..., which premiered on December 9, 2021.[48] He has appeared in all 20 episodes across the first two seasons, portraying the character as a supportive yet comically hapless family man navigating modern marital dynamics.[48] The series, a continuation of Sex and the City, marked Handler's return to the franchise after originating the role in the original HBO series from 2002 to 2004.[9] The third season of And Just Like That... is scheduled to premiere on Max on May 29, 2025, consisting of 12 episodes, with Handler confirmed to continue as a series regular.[49] In interviews promoting the new season, Handler discussed Harry's storyline involving family challenges and personal growth, emphasizing the character's enduring appeal amid the show's exploration of contemporary issues.[50] In film, Handler appeared in Reverse the Curse (released in 2024 in the U.S., following its 2023 Tribeca Film Festival premiere), portraying one of the barbershop friends to the protagonist's father in David Duchovny's dramedy adaptation of the novel Bucky Fcking Dent*.[51] [52] The role contributed to the ensemble depicting a tight-knit group of Boston Red Sox fans dealing with illness and legacy during the 1978 pennant race.[52] No additional ongoing television or major film projects for Handler have been announced as of October 2025.Personal life
Marriage and family
Handler married Italian-born chemist Elisa Atti on October 12, 2003.[7][17] The couple welcomed their only child, daughter Sofia Clementina Handler, on January 17, 2007.[17][13] In a 2008 interview, Handler described the profound shift fatherhood brought to his family life, particularly highlighting his wife's initial uncertainties about motherhood transforming into evident joy and fulfillment in parenting their daughter.[53] He has drawn parallels between his personal experiences and his on-screen role as Harry Goldenblatt, emphasizing the value of a supportive partnership rooted in mutual growth.[54] No further children or separations have been reported in public records or interviews as of 2025.[17]Activism and public views
Handler has been an outspoken advocate for cancer patient empowerment, drawing from his personal experience surviving acute myeloid leukemia diagnosed in 1985 at age 24. After initial chemotherapy achieved remission, the cancer recurred, leading to a bone marrow transplant in 1988 with survival odds estimated at under 10 percent; he has remained cancer-free since.[22][55] In interviews and his memoirs, such as Time on Fire: My Comeback from Cancer (1996) and It's Only Temporary: The Good News and the Bad News of Being Alive (2008), he emphasizes the importance of patients acting assertively—termed "bad patients"—to challenge medical authority when necessary, arguing this approach improves outcomes by ensuring errors are caught and inappropriate treatments avoided.[20][24] Specific examples from his treatment include firing a hostile oncologist who yelled at him and his father, forging a doctor's signature to expedite blood tests at a more efficient lab, and refusing medications despite nurses' insistence, citing prior adverse reactions documented in his chart.[22] Handler's advocacy extends to public speaking and media appearances promoting self-advocacy in healthcare, including suggestions like writing detailed complaint letters to underperforming physicians to leverage market incentives for better care.[22] He has described the medical system's tendency to prioritize institutional factors over individual patient needs, urging survivors to manage long-term trauma through humor and persistence rather than passive compliance.[55] While not formally affiliated with specific organizations, his narrative has influenced discussions on patient-centered care, as evidenced by features in outlets like NPR and WebMD.[20][24] In broader public commentary, Handler has expressed views supportive of the #MeToo movement, recounting a 2018 personal encounter at a bar where an aggressive advance highlighted vulnerabilities women face, leading him to affirm "#IBelieveHer" in solidarity.[56] Politically, he has voiced strong opposition to Donald Trump, stating in a February 2025 social media post that the United States is "running and jumping as fast as it can" into fascism under Trump's influence, and in other posts equating Republican actions to Nazi-like tendencies.[57][58] He has also condemned anti-Semitism, explicitly denouncing Kanye West's 2022 remarks as abhorrent in a December post.[59] These statements reflect personal opinions shared primarily on social media platforms.Filmography
Film roles
Handler debuted in film with a supporting role as Edward West, a cadet, in the 1981 military drama Taps, directed by Harold Becker.[60] He followed with Sidney Goldberg in the 1982 adaptation of The Chosen, a coming-of-age story set in 1940s Brooklyn.[60] Early 1980s credits also encompass Floyd in the 1985 comedy Sweet Liberty and Biff Baxter in Woody Allen's 1987 semi-autobiographical Radio Days.[60] In the late 1980s and early 1990s, Handler appeared as Win Hockings in the 1987 thriller Someone to Watch Over Me and Philip in the 1992 independent drama The Naked Truth.[60] His role as Roger Henderson in the 1994 ensemble comedy Radioland Murders marked a transition to more mainstream projects.[60] A breakthrough came in 1996 with Miles Roberts, a key associate in the kidnapping plot, in Ron Howard's Ransom, starring Mel Gibson.[61] [62] The late 1990s and early 2000s featured Handler in ensemble casts, including Eric in the 1999 New Year's Eve comedy 200 Cigarettes and Brian in the 2000 fantasy drama The Family Man opposite Nicolas Cage.[60] He portrayed Sam in Woody Allen's 2003 romantic comedy Anything Else, Dr. Alexander in The Perfect You (2004), and Claude in the 2004 hit Along Came Polly with Ben Stiller.[60] Further roles included Bentley in The Weather Man (2005), Dr. Harry Glass in The Sisters (2006), and Marty in Nicole Holofcener's Friends with Money (2006).[60] Handler reprised his television character Harry Goldenblatt in the big-screen adaptations Sex and the City (2008) and Sex and the City 2 (2010).[63] Subsequent films include Harv in the 2011 family dramedy The Family Tree, Carl in the 2015 retirement comedy I'll See You in My Dreams, and Coach Frank in the 2016 sports drama Natural Selection.[60] In 2018, he played Gabriel in the heist comedy The Con Is On, followed by James Mitchell, a CIA psychologist, in the 2019 political thriller The Report. Later appearances encompass Isaac Krinsky in The Many Saints of Newark (2021), Ashcroft in the 2022 #MeToo drama She Said, Eric Maropakis in Lying and Stealing (2019), and Benny in Reverse the Curse (2024). [64]| Year | Title | Role |
|---|---|---|
| 1981 | Taps | Edward West |
| 1996 | Ransom | Miles Roberts |
| 2008 | Sex and the City | Harry Goldenblatt |
| 2010 | Sex and the City 2 | Harry Goldenblatt |
| 2019 | Lying and Stealing | Eric Maropakis |
| 2024 | Reverse the Curse | Benny |
Television roles
Evan Handler's television career spans guest appearances, recurring roles, and series regulars, often portraying complex supporting characters in drama and comedy series.[1]| Year(s) | Title | Role |
|---|---|---|
| 1999–2001 | It's Like, You Know... | Shrug[66] |
| 2000–2004 | Ed | Dr. Crazy[67] |
| 2002–2004 | Sex and the City | Harry Goldenblatt |
| 2005 | 24 | David Weiss[68] |
| 2007–2014 | Californication | Charlie Runkle[69] |
| 2015 | The Astronaut Wives Club | Duncan Sloane[70] |
| 2016 | The People v. O.J. Simpson: American Crime Story | Alan Dershowitz[71] |
| 2017 | The Breaks | Kato[70] |
| 2019–2020 | Power | Jacob Warner[72] |
| 2021–2023 | And Just Like That... | Harry Goldenblatt[72] |