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Far Out Man

Far Out Man is a 1990 American comedy film written, directed by, and starring Tommy Chong as an aging hippie who embarks on a cross-country road trip to reunite with his long-lost girlfriend and son from the 1960s era. The film follows Chong's character, a former counterculture figure still clinging to his free-spirited ways, as he hitchhikes and encounters a series of eccentric characters while searching for his family in the modern 1990s landscape. Produced by CineTel Films with producers Lisa M. Hansen and Jon Paré, it features a runtime of 81 minutes and includes cameo appearances by notable actors such as Martin Mull, C. Thomas Howell, Judd Nelson, and Michael Winslow. Chong incorporates elements from his real life into the story, casting his wife as the long-lost girlfriend and their son Paris Chong as the son, alongside daughter in a supporting role, blending personal autobiography with satirical humor about culture's clash with contemporary society. The movie premiered in theaters on May 11, 1990, by , grossing $71,400 at the U.S. box office, and has been available for streaming on various platforms, including in the past. Critically, it received mixed audience reception, earning a 49% approval rating on based on over 2,500 user ratings, often noted for its crude, episodic comedy rather than a tight .

Synopsis and cast

Plot

The aging hippie protagonist, known as Far Out Man, lives a reclusive and stagnant life in the , haunted by the loss of his ex-wife and their infant son who left him years earlier. Prompted by his concerned daughter, he undergoes a session with a , which reignites his desire for purpose and leads him to set out on a cross-country to locate his long-lost family. Leaving behind his aimless routine, he takes on a job as a roadie for a rock band, loading up his van with equipment and heading across America in search of reconciliation. As the journey unfolds episodically over the film's 81-minute runtime, Far Out Man encounters a series of absurd and comedic mishaps that highlight the clash between his mindset and modern realities. While driving through , he unknowingly tows a trailer containing his teenage son, who has stowed away after rebelling against his stepfather's strict lifestyle and fleeing concert. Upon discovering the boy—revealed to be his unknown son—Far Out Man allows him to join the trip, leading to awkward bonding moments amid constant partying and detours. The duo faces blunders, such as picking up eccentric roadside characters including a self-proclaimed militant and bizarre drifters, and navigates chaotic band gigs that devolve into drug-fueled chaos. Further along the route, Far Out Man reunites serendipitously with scattered family members, including an encounter with an old friend driving a who provides cryptic advice, and brief cameos from past acquaintances that underscore his isolated past. The travels emphasize humor through improbable situations, like a mistaken identity mix-up with a and a wild overdose gag at a , rather than a strict linear . These set pieces build toward the culmination in a sprawling hippie-style gathering where the finally reconnects with his ex-wife and son, resolving the story through a chaotic but heartfelt that implies themes of via shared and .

Cast

The principal cast of Far Out Man includes as the aging hippie protagonist Far Out Man, as himself (ex-wife's partner/stepfather), as the protagonist's daughter playing herself, as the ex-wife Tree, and Paris Chong as the long-lost son Kyle.
ActorRole
Far Out Man
Himself (ex-wife's partner/stepfather)
Herself (protagonist's daughter)
Tree
Paris ChongKyle
The supporting cast features as Dr. Liddledick, Judd Nelson in a brief role as himself, Michael Winslow as a comedic side character (airport cop), Paul Bartel in a minor part as Weebee Cool, Cheech Marin as a truck passenger in a cameo appearance, and Floyd Sneed as a musician in a cameo as band drummer.
ActorRole
Dr. Liddledick
Himself
Airport Cop
Weebee Cool
Truck Passenger
Band Drummer
Several Chong family members portray semi-fictionalized versions of themselves, highlighting personal involvement in the production. The total cast size is around 20, including principal actors, supporting players, and extras.

Production

Development

Following the 1985 breakup of his comedy partnership with Cheech Marin, Tommy Chong conceived and wrote Far Out Man as his first solo directorial effort, drawing from semi-autobiographical elements to portray an aging hippie navigating life in a changing America. The script satirized Chong's own experiences as a counterculture icon trapped in the mindset of the Woodstock era, blending personal reflection with fictional adventures to explore themes of relevance and generational shifts. Chong described the story as "sort of like a satire of my own life," emphasizing his motivation to demonstrate that "old hippies" could still hold cultural sway in the 1990s while critiquing the era's anti-drug sentiments and moral hypocrisies. The film was developed as a low-budget production, financed through CineTel Films with producers Lisa M. Hansen and Jon Paré overseeing early involvement to manage costs and streamline the creative process. This approach allowed Chong to retain full control over the project, aligning with his post-split desire for personal artistic expression without the constraints of major studio backing. Pre-production advanced in the late , enabling Chong to incorporate authentic family dynamics by casting relatives such as his wife , daughter , and son Paris Chong in key roles. This decision not only reduced expenses through non-professional talent but also enhanced the film's intimate, lived-in feel, turning the production into a genuine endeavor. The film was initially planned for a 1989 release but premiered in 1990.

Filming

Principal photography for Far Out Man took place in , USA, from May 31 to July 1988. The film was produced by Cinetel Films under the direction of on a budget of $500,000. Due to its status as a low-budget , the production adhered to a tight schedule to control costs. Filming primarily occurred in and around , leveraging urban streets and nearby roadside areas to create the illusion of an extensive without requiring widespread or travel. The production utilized standard 35mm for capture, consistent with theatrical comedies of the era. Emphasis was placed on during comedic scenes to enhance the film's spontaneous vibe, particularly in interactions involving Chong's members in supporting roles. Practical effects were incorporated for humorous elements, such as sequences involving the protagonist's van being towed, relying on simple on-location setups rather than elaborate . Budget limitations necessitated minimal , with many scenes shot in practical locations to maintain efficiency. On set, the atmosphere fostered collaboration, allowing for quick filming of celebrity cameos to capitalize on availability without additional logistical expenses. Challenges arose from the constrained resources, leading to creative adaptations like reusing local urban environments for multiple scenes.

Release

Theatrical release

Far Out Man was released theatrically in the United States on May 11, 1990, distributed by . As an independent production with a modest budget, the film received a limited theatrical rollout, premiering in select markets following an earlier screening in , on January 19, 1990. The of America (MPAA) assigned the film an due to its depictions of drug use and profane language. Internationally, the film saw limited distribution, including a theatrical release in the on May 18, 1990, and in on February 1, 1991; in , it was handled by Alliance for theatrical exhibition. There was no wide global rollout, reflecting the film's niche appeal and independent origins.

Home media

Far Out Man was initially released on home video in the United States via VHS by RCA/Columbia Pictures Home Video, a division of Sony Pictures Home Entertainment. International VHS editions followed, including distributions by Sony Video, Ascot Video in Germany, Odyssey in Brazil, and Alliance in Canada, catering to regional markets and contributing to the film's cult status in the video rental era. These physical tapes emphasized the movie's appeal to fans of 1990s counterculture comedy, with slipcase packaging common for U.S. copies. In the , the film transitioned to DVD format through a release by Platinum Disc Corporation, offering standard-definition video in a single-disc edition without special features. This budget DVD became a staple in secondary markets, available through retailers and online sellers, though it lacked high-definition upgrades. As of 2025, no official Blu-ray edition has been produced, limiting physical media options to earlier analog and DVD versions. Digital availability has expanded in recent years, with Far Out Man streaming on free ad-supported platforms like and , as well as subscription services such as , Fawesome, and . These options have sustained accessibility for international audiences, including Canadian variants tied to Alliance's original distribution, without notable remastering efforts beyond basic digital transfers. The enduring presence in cult video collections underscores ongoing interest driven by Tommy Chong's fanbase.

Reception

Critical response

Upon its release in , Far Out Man received mixed reviews from critics, who praised its nostalgic evocation of the era while critiquing its underdeveloped narrative. The described the film as a "blast from the " that effectively resurrects the through Chong's portrayal of a rocker, but noted its "rambling adventure" and thin plot structure that fails to cohere into a compelling story. Similarly, characterized it as a "pathetic story" with weak of the psychedelic , highlighting simplistic gags like a marijuana roach joke that fell flat for contemporary audiences. currently has insufficient critic reviews for a Tomatometer score (1 review as of November 2025), though audience reception has remained steady at 49% approval from over 2,500 ratings. Critics identified several positive elements amid the uneven execution, particularly its authentic stoner comedy vibe and the inclusion of Chong's family members in key roles. Performances by as an exasperated daughter and in a comedic send-up of a actor were highlighted for adding energy and humor, contributing to the film's endearing quality as a personal family project. Martin Mull's portrayal of a quirky also drew praise for providing some of the film's funnier moments. On the negative side, reviewers frequently faulted the movie for its meandering storyline, reliance on recycled jokes reminiscent of Chong's earlier collaborations, and low-budget production values that undermined its ambitions. pointed to nepotism in casting Chong's relatives as a detracting factor, resulting in performances that were adequate but not elevating. Audience reception echoed these sentiments, with an average IMDb user rating of 4.9 out of 10 from 1,324 votes as of November 2025, often citing the film's dated humor and lack of polish. Retrospectively, Far Out Man has been reevaluated as a cult oddity that showcases Chong's distinctive solo voice beyond his partnership with , with later analyses appreciating its manic energy and unpretentious stoner charm despite its flaws. A review described it as a "riotously funny romp" and an enjoyable time-waster among 1990s quasi-stoner comedies, marking it as Chong's last strong on-screen effort. This shift highlights growing fondness for its personal, low-fi authenticity over time.

Box office

Far Out Man grossed $71,414 in U.S. theaters, a figure reflecting its limited release and niche appeal to fans of . The film was produced on a of $500,000, leading to a financial loss. No international data is available. Released in 1990, a year when the market was dominated by major blockbusters like ($217,631,306) and ($178,406,268), the film's distribution by restricted it to narrow theatrical rollout rather than . Its underperformance stemmed from the timing, coming after the decline in Cheech & Chong's popularity following the duo's in the mid-1980s, as well as Chong's challenges amid the era's intensified drug war policies that contributed to blackballing of marijuana-associated figures.

Legacy

Cultural impact

Far Out Man exemplifies the low-budget stoner comedies that emerged in the , continuing the marijuana-themed humor pioneered by and in their earlier collaborations while incorporating elements of narratives and family dynamics. The film draws heavily on nostalgia, centering on an aging figure trapped in the mindset of the era, embarking on a cross-country quest that satirizes the fading ideals of that period. Chong's stoner aesthetics influenced subsequent genre entries like (1998), which echoed their portrayal of through comedic exaggeration. The movie has cultivated a niche among enthusiasts and advocates for marijuana legalization, bolstered by its availability on and streaming platforms, where it resonates as a lighthearted artifact of weed-inspired cinema. It receives occasional references in media explorations of and Chong's career, appearing in compilations of overlooked stoner films that highlight the genre's evolution. Released during the height of the U.S. , Far Out Man serves as a humorous act of resistance, with Chong addressing the societal scrutiny faced by stoner comedians who were often scapegoated for promoting drug use despite merely satirizing it. Through its portrayal of an unapologetic , the film underscores the tension between countercultural humor and conservative anti-drug sentiments of the era.

Chong's career

Far Out Man marked Tommy Chong's first solo directorial effort in a feature film, following his co-directing roles in the Cheech & Chong comedies such as Cheech & Chong's Next Movie (1980), Nice Dreams (1981), Still Smokin' (1983), and Cheech & Chong's The Corsican Brothers (1984). This project came five years after the 1985 dissolution of his comedy partnership with Cheech Marin, driven by creative differences and Marin's pivot toward mainstream acting. The film represented a significant career pivot for Chong, emphasizing independent productions deeply intertwined with his family; he cast his wife Shelby Chong, daughter Rae Dawn Chong, son Paris Chong, and other relatives in key roles, fostering a collaborative "family affair" dynamic. Chong continued to portray similar laid-back hippie characters in his later work, including his recurring role as Leo on That '70s Show from 1998 to 2006. The film's semi-autobiographical elements further underscored its personal resonance, satirizing Chong's own life as an aging figure trapped in the era, complete with drug references and reflections on . By blending real family dynamics with fictional escapades, Far Out Man served as Chong's attempt to reclaim relevance in the conservative "" 1990s, embodying his enduring identity amid shifting cultural tides. In the long term, Far Out Man laid groundwork for Chong's career resurgence, paving the way for reunions with Marin, including their tours from 2008 to 2013, joint projects like (2013), as well as the 2025 documentary Cheech & Chong's Last Movie, which received positive reviews with an 87% approval rating on as of November 2025. This solo endeavor highlighted Chong's versatility as a writer-director-actor, sustaining his legacy in stoner despite periods of reduced visibility.

References

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