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Fish in a Drawer

"Fish in a Drawer" is the seventeenth episode of the fifth season of the sitcom , originally broadcast on on May 5, 2008. The episode, the 113th overall in the series, centers on the Harper family during Evelyn Harper's , where a mysterious death prompts an investigation parodying forensic procedural dramas. As the opening installment of a rare crossover event with CSI: Crime Scene Investigation, "Fish in a Drawer" was penned by CSI writers , , Sarah Goldfinger, and Evan Dunsky, under the supervision of Two and a Half Men co-creator . Directed by Jeff Melman, it blends the sitcom's humor with -style elements, including dim lighting, flashbacks, forensic analysis, and intense interrogations, as a team probes the death of Evelyn's groom, Teddy Leopold (played by ), discovered in Charlie Harper's bed. Guest stars include as Teddy's daughter Courtney and a by CSI actor , heightening the crossover's novelty. The episode's title derives from a darkly comedic anecdote Evelyn shares about her early cooking mishap that led to her first husband's death from food poisoning caused by storing fish in a kitchen drawer. It attracted 13 million viewers, ranking third for the night, and set up the follow-up CSI episode "Two and a Half Deaths," which continued the storyline with appearances by Two and a Half Men cast members Charlie Sheen, Jon Cryer, and Angus T. Jones. Praised for its inventive format shift, the episode exemplifies the creative risks taken in network television crossovers during the late 2000s.

Overview

Episode background

"Fish in a Drawer" is the seventeenth episode of the fifth season of the sitcom , marking the 113th episode overall in the series. The episode originally aired on May 5, 2008, at 9:00 PM ET/PT. It was directed by Jeff Melman and written by a team of CSI: Crime Scene Investigation writers, including teleplay contributors Sarah Goldfinger and Evan Dunsky, along with story contributors and . This collaborative writing approach stemmed from a unique crossover event between the two series, with a companion episode titled "" airing three days later on May 8, 2008, on . The episode parodies the procedural style of CSI: Crime Scene Investigation, centering on a mock forensic investigation into a mysterious death discovered at Charlie Harper's house amid Evelyn Harper's wedding reception. Running approximately 22 minutes in length, it adheres to the standard half-hour sitcom format, excluding commercials. The production features a guest appearance by George Eads, known for his role on CSI, portraying himself as a wedding guest.

Series context

"Fish in a Drawer" is the 17th episode of the fifth season of the American sitcom Two and a Half Men, which follows the dysfunctional lives of brothers Charlie and Alan Harper, along with Alan's son Jake, in Charlie's Malibu beach house. Charlie Harper, a carefree jingle writer known for his playboy lifestyle, serves as the central figure whose home becomes a chaotic setting for family interactions and mishaps. Alan Harper, Charlie's divorced brother and a struggling chiropractor, often crashes at the house with his adolescent son Jake, highlighting ongoing themes of financial dependency and sibling rivalry. Their mother, Evelyn Harper, is a narcissistic real estate agent frequently clashing with her sons, while Berta, the no-nonsense housekeeper, provides wry commentary on the household's absurdities. The episode builds on prior developments in season 5, where announces her to Leopold, a suave but duplicitous businessman introduced in episode 9, "Tight's Good." , portrayed as Evelyn's latest romantic interest amid her pattern of tumultuous relationships, warns to avoid his supposed daughter, Courtney Leopold, due to her scheming nature. Despite the caution, becomes romantically entangled with Courtney, who is later revealed to be involved in cons, including posing as 's daughter to exploit . These events escalate the season's exploration of and familial . Within the broader season 5 storyline, "Fish in a Drawer" contributes to resolving the intrigue surrounding Evelyn's engagement to Teddy, intertwining it with the 's persistent dysfunction through comedic revelations and confrontations. The narrative reinforces the series' core themes of adult humor, romantic entanglements, and satirical dynamics, with Charlie's residence acting as the inevitable for escalating comedic . This setup aligns with the show's established of blending everyday mishaps with exaggerated interpersonal conflicts.

Synopsis

Key plot events

The episode opens at the wedding reception of Evelyn Harper and her new husband , where , played by , intends to propose to his girlfriend Courtney, Teddy's daughter portrayed by . and Courtney discover Teddy's lifeless body in Charlie's bed while preparing for an intimate moment, setting off immediate panic among the family. A CSI-style team promptly arrives at Charlie's Malibu , cordoning off the area as a and treating the premises with forensic precision. The primary suspects emerge from the wedding attendees, including Charlie, his brother Alan (Jon Cryer), their mother Evelyn (Holland Taylor), housekeeper Berta (Conchata Ferrell), nephew Jake (Angus T. Jones), and Courtney herself. The detectives, in a nod to the procedural genre, systematically question each suspect to establish timelines and motives tied to the chaotic reception. During the parodic interrogations, alibis are revealed through tense, humorous exchanges: Charlie claims he was occupied with Courtney during the key timeframe, Alan insists he was preoccupied with eating at the buffet, Evelyn recalls mingling with guests, Berta states she was handling cleaning duties, and Jake admits to playing video games away from the main events. These scenes highlight interpersonal tensions, with flashbacks illustrating fragmented recollections of the evening's excesses. The investigation incorporates mock forensic analysis, including ultraviolet light scans and fiber analysis, all pointing toward interpersonal conflicts without conclusive direction. Throughout, the episode amplifies humor via over-the-top tropes, featuring dramatic low-angle lighting during reveals, slow-motion sequences for clue discoveries, and banter among the detectives delivered with mock seriousness, such as quips about the improbability of the crime scene's disarray. These elements parody the procedural format while weaving in the show's signature family dysfunction, briefly alluding to Courtney and Teddy's shared history as con artists to heighten suspicion.

Resolution and twists

As the investigation unfolds, the team uncovers that Leopold's true identity is Nathan Krunk, a seasoned , and his supposed daughter Courtney is actually Fishman, his longtime partner in crime who posed as family to facilitate scams targeting wealthy individuals like Harper. The duo had faked their identities to defraud by gaining access to her assets through the impending marriage. The cause of Krunk's death is revealed not as but a heart attack during an illicit sexual encounter with Fishman in Charlie's bed, rendering the entire case a non-criminal matter. This revelation subverts the mystery, as no foul play occurred despite the suspicious circumstances, including a pre-existing head from an unrelated earlier incident. Fishman is arrested on charges of upon the exposure of their scheme, leading to the immediate cancellation of Evelyn's wedding and the dispersal of the wedding guests. The Harper family is cleared of suspicion, allowing them to return home. In the final scenes, Charlie expresses lingering romantic feelings for Fishman despite her deception, vowing to wait for her release in a comically misguided display of affection. The family reconvenes for a mundane , reflecting humorously on the day's chaos—Evelyn quips about her ill-fated nuptials while planning a solo trip to , where she quickly encounters another potential suitor, underscoring her resilient pursuit of romance. Jake's ill-timed punctuates the return to normalcy, eliciting groans from and Alan. The episode's parody payoff arrives as the CSI investigators deliver their findings in an overly dramatic, procedural style typical of the genre, only to conclude with the anticlimactic sitcom resolution: a natural death amid a petty , mocking the high-stakes seriousness of through absurd, lighthearted closure. This writer-swap crossover with emphasizes the contrast between forensic intensity and domestic comedy.

Production

Development and writer swap

The idea for the writer swap between and originated in 2007, when series co-creator pitched the concept to executive producer during discussions at the World Media Festival. The proposal aimed to create self-contained episodes where the writing teams exchanged shows, blending with elements to highlight creative contrasts across genres. Lorre and Mendelsohn further refined the idea on their flight back from the festival, securing initial interest from despite logistical hurdles like cross-studio coordination. The script for "Fish in a Drawer," the episode, was penned by writers Evan Dunsky, Sarah Goldfinger, , and , who infused forensic investigation techniques and procedural structure into the comedy format. This collaboration sought to parody 's crime-solving style while preserving the show's humorous core, resulting in a storyline centered on a mock murder mystery at Charlie's house. The episode was directed by Jeff Melman. Development faced several challenges, including initial hesitation from the due to the departure from the sitcom's typical lighthearted tone. reportedly reacted with "Are you serious?" upon learning of the plot, reflecting broader concerns about integrating a dead body into the series. Lorre highlighted the difficulty of maintaining humor amid the procedural elements, noting, "The biggest challenge for us was doing a with a in it," and questioning whether the audience would accept such a tonal shift. The project was conceived in early 2007 and finalized for inclusion in 's fifth season, airing as episode 17 on May 5, 2008. It was paired with a companion episode on , titled "," written by the team and broadcast on May 8, 2008, completing the swap experiment.

Filming and cameos

The episode was directed by Jeff Melman, who incorporated CSI-inspired visual elements such as dimmed lighting, flashbacks, dramatic zooms, and forensic evidence examination to the procedural drama's style within Charlie's house. Filming took place in a standard multi-camera setup at Stage 26 on the lot in , where the production focused on tight comedic timing to juxtapose humorous beats against the episode's mock-investigative pacing. The beach house set was adapted as a , featuring yellow tape, evidence markers, and props simulating forensic analysis, including a mock setup to heighten the satirical tone. The principal cast delivered performances central to the parody: as the exasperated Charlie Harper, as the neurotic Alan Harper, as the oblivious Jake Harper, as the scheming Evelyn Harper, as the divorced Judith Melnick, and as the sardonic housekeeper Berta. Guest stars included as the conniving Courtney Leopold and as her father Teddy Leopold. A notable cameo featured , known for playing on , appearing as a wedding guest, while other investigators were portrayed by guest actors in archetypal CSI-style roles to enhance the crossover humor.

Broadcast and reception

Airing details and viewership

"Fish in a Drawer" premiered on on May 5, 2008, at 9:00 PM ET/PT, serving as the penultimate episode of the fifth season of . The episode drew 13.61 million viewers in the United States, securing third place for the night behind ABC's and 's . It ranked as the fifth most-watched program on for that week. In the adults 18-49 demographic, it achieved a 4.9 with a 12 share. The episode was subsequently aired in international markets, including the on on July 3, 2009. As part of a promotional writer-swap event between and : , the episode led into the companion CSI installment "," which aired three days later on May 8, 2008.

Critical reviews

Critics praised the episode's effective of the procedural format, blending absurdity with crime drama elements in a way that highlighted the Harper family's dysfunction. commended how "Fish in a Drawer" brilliantly showcases the show's ability to integrate external elements while maintaining its comedic core, with the interactions between the main cast and the CSI investigators adding a fresh layer of humor that stands out from the series' typical domestic antics. While the genre fusion was largely successful, some reviewers identified mixed elements, particularly in the execution of the crossover gimmick. New York Magazine observed that the episode features the obvious sort of pandering that crossovers so often indulge in, suggesting that the procedural segments occasionally strained the sitcom's pacing to accommodate the dramatic parody. The overall consensus positions "Fish in a Drawer" as a fun one-off special that elevated the series' visibility via its high-profile CSI tie-in, offering a memorable departure from standard episodes without overshadowing the core humor. It earned an 8.2/10 rating on IMDb from 1,822 user votes (as of November 2025), reflecting strong audience appreciation for the novelty. No aggregated Tomatometer score exists on Rotten Tomatoes, though individual critiques consistently noted the effective comedic contributions from the ensemble, including Conchata Ferrell's sharp timing as Berta amid the chaos.

Legacy

Crossover impact

The writer swap for "Fish in a Drawer" represented a pioneering crossover between the sitcom and procedural genres, as the CSI: Crime Scene Investigation writing team—, , Sarah Goldfinger, and Evan Dunsky—penned the episode to infuse procedural elements into the comedic format. This experiment, initiated by co-creator , sparked conversations about innovation in television scripting and production, with outlets like noting its potential to push creative boundaries across network shows. CBS News described the event as making "TV history" by having writers from both series exchange scripts, marking a rare collaboration between CBS's top comedy and drama. The episode's cultural footprint extended to broader discussions of genre-blending in TV history, often cited as an early example of inter-show creative mashups that highlighted the feasibility of stylistic cross-pollination. Adweek characterized the swap as potentially "a TV first," emphasizing how it merged forensic drama techniques with sitcom humor to create a parody that resonated beyond immediate airings. While not replicated on the same scale, the event demonstrated the viability of writer exchanges for promotional and artistic purposes, though subsequent productions have favored more traditional crossover formats. Fan and audience response underscored the episode's appeal, boosting interest in both series through its memorable CSI parody, which earned high viewer engagement with an 8.5 household rating and 13.6 million viewers on premiere night. The paired airing strategy—following "Fish in a Drawer" on May 5, 2008, with the reciprocal episode "Two and a Half Deaths" on May 8—enhanced cross-audience exposure, drawing procedural fans to the and vice versa, as reported by for its positive ratings impact. This increased visibility contributed to sustained popularity for the involved shows during the 2007-2008 season.

Awards consideration

Conchata Ferrell submitted her performance as Berta in "Fish in a Drawer" for consideration in the Outstanding Supporting Actress in a Comedy Series category at the in . However, she did not receive a nomination, with the award going to for her role in Samantha Who?. Ferrell, who portrayed Berta throughout the series, died on October 12, 2020, at age 77 from complications following ; her co-stars, including and , paid tribute to her, highlighting her enduring impact on the show. The episode secured no major awards or additional industry recognitions, though it has been referenced in retrospective analyses of 's crossover specials without earning formal honors. These submissions underscored producer confidence in the episode's distinctive comedic amid competitive fields.

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