Fred Again
Frederick John Philip Gibson (born 19 July 1993), known professionally as Fred again.. (stylized as fred again..), is an English record producer, songwriter, and DJ.[1][2] Born in Balham, south London, Gibson began creating music at the age of eight, initially focusing on classical piano and self-teaching instruments like marimba, xylophone, drums, and guitar.[3][4] He attended Marlborough College, a boarding school in Wiltshire, where his dedication to music persisted despite the academic environment.[4] At age 16, Gibson started working with renowned producer Brian Eno, co-producing Eno's 2014 albums Someday World and High Life with Karl Hyde by the time he was 18.[4][3] As a songwriter and producer, he contributed to approximately 30% of the UK's number-one singles in 2019, including tracks like Ed Sheeran's "I Don't Care" and "Beautiful People," and Stormzy's "Own It" and "Take Me Back to London."[3][4][5] Other notable collaborations include work with Charli XCX on "After the Afterparty," Little Mix, Ellie Goulding, Shawn Mendes, Clean Bandit, Rita Ora, AJ Tracey, Roots Manuva, Flowdan, J Hus, and Stefflon Don.[3][4] In 2020, at age 26, he became the youngest-ever recipient of the Brit Award for Producer of the Year.[3][4] Gibson launched his solo artist project "fred again.." in 2021, releasing the Actual Life trilogy—Actual Life (April 14th to June 2nd 2020), Actual Life 2 (February 2nd – October 15th 2021), and Actual Life 3 (January 1st – September 4th 2022)—which feature emotive electronica built from personal audio samples, voicemails, and social media clips.[4][3] The trilogy achieved commercial success, with Actual Life 3 peaking at number 4 on the UK Albums Chart in October 2022.[4] He earned second place in the BBC's Sound of 2023 poll for his innovative blend of house music and emotional storytelling.[3] Subsequent releases include the 2023 collaborative album Secret Life with Brian Eno and the 2024 project Ten Days, expanding his psychedelic and pop-influenced sound. In 2025, he launched the USB002 project, an ongoing series of releases accompanied by a global tour.[1][6] Gibson has become renowned for immersive live performances, including sold-out secret shows—like a 2024 event at the Sydney Opera House that crashed the ticketing website due to over 120,000 users queuing—and his first stadium concert at Los Angeles' SoFi Stadium in July 2024.[2][7] His work has garnered multiple Grammy Awards and nominations, including a win for Best Dance/Electronic Album in 2024 and further nominations in 2026, solidifying his status as a pivotal figure in modern electronic and pop music.[1][8]Early life and education
Early life
Frederick John Philip Gibson, known professionally as Fred Again, was born on 19 July 1993 in Balham, South London.[9] He grew up in a family with deep aristocratic roots; his father, Charles Anthony Warneford Gibson KC, is a prominent barrister descended from Huntingdonshire gentry, while his mother, Mary Ann Frances Gibson (née Morgan), hails from a lineage connected to the Earls of Dundonald and other British nobility.[10][11] Public details about his siblings, including a younger sister named Georgie and a brother Benjy, remain limited, with little shared about their upbringing or personal dynamics beyond occasional musical dedications.[12] Gibson's childhood was marked by early exposure to music through his family's environment, blending classical traditions with emerging electronic elements. At the age of eight, he began learning piano and experimenting with recording classical pieces on his aunt's Boss 8-track tape recorder during family visits.[4][9] He was largely self-taught on instruments such as marimba, xylophone, drums, and guitar.[3] This hands-on approach fostered a deep affinity for music from a young age, influenced by familial connections to the arts scene, including proximity to figures like Brian Eno, a neighbor and family acquaintance.[4] As a teenager, Gibson's interest in music production intensified; at age 15, he started using Logic software, initially introduced through his guitar teacher, which expanded his creative toolkit beyond traditional instruments.[13] This period also saw him attending his first music festival, Reading, at age 16, an experience that sparked further passion for electronic and live music scenes.[14] At the same age, he met Eno through a family friend, where he honed early production skills in a supportive, music-rich setting. At 13, he transitioned to formal education in a boarding environment, though his focus remained predominantly on musical pursuits.[4]Education
Frederick Gibson attended Marlborough College, a prestigious private boarding school in Wiltshire, England, from 2006 to 2011, with tuition fees supported by his family's financial resources.[10][15] During his time at the school, Gibson developed an early interest in music production, frequently skipping classes to access the music room and experimenting with laptops and digital tools.[4] He received classical piano training as a child but pursued electronic music production largely through self-directed efforts, starting with a Boss BR-1600CD recorder and transitioning to Logic Pro after an introduction from a guitar teacher at age 15.[16][13] Around age 18, he experimented with Ableton Live in an attempt to adapt his workflow but ultimately continued using Logic as his primary digital audio workstation.[16] Gibson briefly enrolled at Trinity College London to study classical composition, where he created an experimental orchestral piece, but departed to focus on contemporary production without pursuing formal conservatory training.[17] After completing his schooling in 2011, Gibson engaged in informal skill-building during what amounted to a gap year, including an ongoing mentorship with producer Brian Eno that began at age 16 and emphasized practical studio experience, laying the groundwork for his entry into the music industry.[4]Career
Beginnings and early collaborations
Fred Gibson, known professionally as Fred Again, began his career in the music industry during the early 2010s, initially focusing on production and songwriting behind the scenes. His first major production credits arrived in 2014, when he co-produced and co-wrote several tracks on Brian Eno and Karl Hyde's collaborative albums Someday World and High Life, marking his entry into working with prominent artists.[5] These projects showcased his emerging skills in electronic and experimental production, honed through self-taught techniques developed during his education. Throughout the mid-2010s, Gibson established himself as a sought-after ghost producer and songwriter for major acts across pop, grime, and electronic genres. He contributed to sessions for productions associated with BBC Radio 1's Live Lounge, building a reputation for versatile, high-impact work without seeking personal spotlight. A standout contribution came in 2018, when he co-wrote George Ezra's "Shotgun," which topped the UK Singles Chart for four weeks and held a Top 3 position for 12 consecutive weeks, demonstrating his ability to craft commercially successful pop anthems.[5][18] To cultivate his reputation independently, he issued early releases, allowing his sound to gain traction without a defined stage persona. These efforts laid the groundwork for his later breakthroughs, emphasizing innovative sampling and emotional depth in electronic music.[19][20]Actual Life series and breakthrough
In 2020, during the height of the COVID-19 lockdowns, Fred Gibson, performing as Fred again.., conceptualized Actual Life (April 14 – December 17 2020) as a mixtape project that sampled voicemails, voice memos, and social media clips from friends and online sources to create a "collaborative diary" capturing real-life moments of isolation, grief, and fleeting connection.[21] An initial EP was released on 15 May 2020, followed by the full 17-track album on 16 April 2021 under Atlantic Records. Tracks like "Marea (We've Lost Dancing)" directly addressed the pandemic's toll on nightlife and social interaction, blending melancholic house beats with sampled laments to evoke communal loss.[19] Building on this foundation, Actual Life 2 (February 2 – October 15 2021) was released in November 2021, expanding the series' focus on personal narratives through evolving emotional landscapes, from grief processing to tentative hope.[22] The album incorporated features from artists including The xx's Romy on "Romy (Not the Pool)," which layered her vocals over ambient field recordings to explore introspection amid recovery.[23] Like its predecessor, it drew from Gibson's phone folder of everyday audio, transforming snippets of conversations and ambient sounds into euphoric yet vulnerable electronic tracks.[24] The trilogy culminated with Actual Life 3 (January 1 – September 9 2022), released in October 2022, which shifted toward post-pandemic vibrancy while retaining the series' intimate sampling approach.[25] Standout track "Delilah (pull me out of this)," featuring Delilah Montagu, achieved viral success on TikTok through its raw, uplifting chorus and relatable themes of emotional escape, amplifying the album's reach.[25] The Actual Life series received widespread critical acclaim for its innovative fusion of diary-like sampling and dance music, earning placements on year-end best albums lists from outlets like Billboard and Variety, and marking Gibson's breakthrough as a solo artist.[26] Actual Life 3 debuted at number four on the UK Albums Chart, while the trilogy has collectively amassed over one billion streams.[19]Ten Days and recent projects
In 2023, Fred Again released the collaborative album Secret Life with Brian Eno in May, followed by several key singles that highlighted his evolving collaborative approach, including "Rumble" with Skrillex and Flowdan, which became a defining track in electronic music and won the Grammy Award for Best Dance/Electronic Recording in 2024.)[27] Another notable release was "leavemealone" featuring Baby Keem, which showcased his blend of introspective production with hip-hop influences. In August 2025, he released a collaborative EP with Skepta, featuring tracks such as "Victory Lap" with PlaqueBoyMax, "Back 2 Back," "21 Years," "Last 1s Left," and "London."[28] The album Ten Days, released on September 6, 2024, marked Fred Again's fourth studio album and a shift toward more structured, day-specific narratives drawn from intimate moments over the previous year.[29] Comprising ten principal songs interspersed with transitional tracks, it features collaborations with artists such as Obongjayar on "adore u," Jozzy and Jim Legxacy on "ten," Sampha on "places to be," Anderson .Paak on "sammy," Four Tet and Skrillex on "fear less," and Emmylou Harris on "just stand there."[30] The project reflects on themes of love, vulnerability, and human connection through euphoric electronic soundscapes and subtle vocal samples.[31] Building on this momentum, Fred Again launched the USB002 project in September 2025, an extension of his experimental USB series that distributes tracks via USB drives at pop-up events, emphasizing surprise releases and live integration.[32] The initiative includes ten new songs rolled out weekly over ten weeks, accompanied by shows in ten different cities.[33] As of November 2025, key singles from the project include "you're a star" with Amyl and the Sniffers in October, incorporating raw, genre-blending elements like grime, punk, and bass-heavy electronics.[34] Throughout 2023 and 2025, Fred Again continued forging ties with artists like Charli XCX through live edits of tracks such as "360" during performances, PinkPantheress via remixes and festival sets incorporating her style, and Four Tet in both studio work on Ten Days and high-profile joint appearances. These collaborations culminated in memorable festival moments, including a surprise closing set at Coachella 2023 alongside Four Tet and Skrillex, which drew massive crowds with extended mixes of hits like "Baby Again.." and "Rumble."[35]Musical style and influences
Production techniques
Fred Gibson, known professionally as Fred again.., employs a production approach centered on sampling everyday audio captures, which he processes extensively within Logic Pro to form the foundation of his electronic tracks. He heavily relies on recordings from his iPhone or iPad, including voicemails and voice memos from friends, field recordings of ambient environments like pub conversations, and clips sourced from social media platforms such as Instagram and TikTok. These elements are selected for their raw, honest quality, with Gibson scrolling through feeds to identify snippets that evoke emotional resonance before importing them into Logic for manipulation.[21][36] In Logic Pro, Gibson experiments iteratively with these samples, often spending months adjusting pitch, BPM, and tonal qualities to integrate them seamlessly into rhythmic structures—sometimes transforming spoken words into melodic hooks or percussive elements. He builds tracks by layering these processed samples over foundational beats drawn from house, UK garage, and 2-step genres, creating syncopated rhythms that emphasize shuffled snares and swinging hi-hats characteristic of 2-step patterns. This layering process prioritizes emotional "tummy feelings" over perfection, involving thousands of variations until a compelling arrangement emerges.[16][36][37] Gibson's workflow is inherently iterative and mobile, beginning with spontaneous recordings of daily life snippets during travel or social encounters, which he then develops in real-time sessions on his laptop. He incorporates live instrumentation, such as piano chords played on a Korg MIDI keyboard or vocals recorded in impromptu jams, to add organic warmth and immediacy to the electronic beats. This self-taught method, honed since his education under mentors like Brian Eno, allows for rapid prototyping where tracks evolve as "sonic timestamps" of personal experiences, refined through repeated playback and revision without rigid planning.[21][36][16]Themes and sampling
Fred again..'s music is deeply rooted in themes of intimacy and loss, often drawn from real-life voicemails and personal recordings that capture raw emotional moments. In his Actual Life trilogy, released between 2021 and 2022, Gibson incorporates voice memos from friends and loved ones to evoke the isolation and yearning of the COVID-19 pandemic, transforming mundane exchanges into poignant reflections on human connection. For instance, tracks like "Sabrina (i am a party)" feature manipulated spoken-word poetry addressing vulnerability, highlighting how everyday communications can underscore profound grief and resilience.[21][38] His approach to sampling emphasizes ethical practices, always seeking permission before using audio from personal sources to respect the individuals involved. Gibson has expressed discomfort with altering voices that carry deep emotional weight, viewing them as "souls" that require careful handling, yet he proceeds with consent to amplify authentic stories of mental health struggles and fractured relationships. This permission-based method evolved from intimate, private recordings in early works to broader incorporations of social media clips and friend-submitted content, maintaining a focus on consent while broadening the narrative scope.[21][39] Central to Gibson's sound is the juxtaposition of euphoric electronic builds with melancholic undertones in both lyrics and samples, creating an emotional duality that mirrors life's complexities. Songs often blend uplifting house rhythms with samples exploring heartbreak and recovery, as seen in "Marea (We've Lost Dancing)" which layers hopeful beats over dialogues about enduring hardship. This balance addresses themes of mental health and interpersonal bonds, fostering a sense of shared catharsis.[39][38]Influences
Fred again..'s musical style draws from a range of electronic and pop genres, including house, UK garage, 2-step, breakbeat, and indie pop/dance, influenced by his classical piano training and London club culture. Key figures include mentor Brian Eno, whose ambient and experimental approaches shaped his production ethos from age 16, and collaborator Skrillex, with whom he shares a close creative partnership that has influenced high-energy electronic elements in recent works. Personal experiences and the raw energy of UK bass music further inform his emotive, sample-driven sound.[36][40] In recent projects, such as the 2024 album ten days, Gibson shifts toward more communal experiences by integrating crowd-sourced elements and collaborative voice notes, expanding beyond personal circles to embrace fan and audience contributions, with psychedelic and pop-influenced textures. Tracks like "Places to Be" feature exuberant yet sorrowful samples that evoke collective joy amid loss, while live performances incorporate on-the-spot recordings from crowds to heighten interactivity. This evolution continued in 2025 with the USB series, including USB002 (released December 2025), which features 16 tracks with new collaborations like "you're a star" with Amyl and The Sniffers, emphasizing shared narratives through voice notes and interactive sampling.[41][42][43][44]Live performances and tours
Early shows
Fred again.., born Fred Gibson, began his foray into live performances in 2019, shortly after releasing his debut single "Kyle (i found you)". He has stated that DJing became his primary outlet for connecting with audiences that year, marking a shift from studio production to onstage work.[45] His initial gigs included radio DJ sets and club appearances in London, where he experimented with blending his emotive electronic sound in intimate settings. A key early broadcast was his guest mix for Rinse FM on 30 November 2019, showcasing tracks like remixes and originals that highlighted his emerging style of sampling and bass-heavy beats. This period saw him performing under his own name without widespread recognition, often in underground venues to build confidence and refine his sets.[46] In October 2019, Gibson made one of his first festival appearances with a DJ set at the Boiler Room Festival, delivering a high-energy mix that captured his raw, improvisational approach to electronic music. These early outings were typically laptop-driven, relying on software like Logic Pro for on-the-fly mixing and looping, before evolving to include hardware such as the Native Instruments Maschine for more layered, interactive performances.[47][48][49] By 2019, Gibson had secured support slots at events, including opening for artists in the UK electronic scene and contributing to festival lineups that helped establish his live presence. Challenges during this formative phase included overcoming initial nerves associated with performing, which influenced the creation of his "Fred again.." persona as a means to foster emotional intimacy with crowds through personal storytelling in sets. His early live work laid the groundwork for incorporating visuals and occasional guest vocalists, transitioning from solo DJing to a collaborative stage dynamic.[22]Major tours and residencies
Fred Again's rise to prominence following the release of his Actual Life series in 2021 and 2022 led to a series of innovative live performances that emphasized surprise announcements and intimate crowd experiences. In early 2022, he organized spontaneous pop-up raves, including a last-minute event in London on January 20 to coincide with the release of "Lights Out" featuring Romy and HAAi, announced via social media just days prior and drawing hundreds of fans to a warehouse venue. Later that year, on August 5, he hosted another unannounced pop-up at H0L0 in New York City, collaborating with artists like Four Tet and Swedish House Mafia, which attracted thousands through rapid online buzz and highlighted his signature blend of DJ sets and live remixing. These events, part of a broader Actual Life-inspired tour that included scheduled North American dates in fall 2022 such as shows at The Warfield in San Francisco and Terminal 5 in New York, established his reputation for high-energy, narrative-driven performances that captured the emotional immediacy of his albums.[50][51][52] By 2023, Fred Again scaled up to major festival headline slots, showcasing extended sets that integrated DJing with live band elements and vocal samples from his recordings. At Glastonbury Festival on June 23, he delivered a euphoric performance on the Other Stage to a packed crowd exceeding the arena's capacity, featuring tracks like "Delilah (pull me out of this)" and attempting to break a festival record for the most people on shoulders during the set. In April, he joined Skrillex and Four Tet for a last-minute closing headline set on Coachella's main stage during Weekend 2, an "in-the-round" production that blended their styles into a triumphant two-hour marathon, replacing the original headliner and electrifying over 100,000 attendees with unreleased collaborations. That September, he undertook a residency at London's Alexandra Palace, playing four sold-out nights on September 4, 5, 6, and 8, where immersive staging and fan interactions allowed previews of upcoming material, solidifying his status as a live act capable of arena-level production while retaining pop-up spontaneity.[53][35][54] In 2024, supporting the release of his album Ten Days, Fred Again embarked on multi-city tours emphasizing immersive experiences and direct fan engagement across continents. His Australian run in early 2024 included arena shows and a surprise performance at the Sydney Opera House, culminating in a 35,000-capacity event in Perth announced just three days in advance, where he incorporated unreleased tracks and live band visuals to create narrative arcs drawn from the album's themes. The North American leg, announced in August, featured amphitheater and arena dates starting September 11 at Ball Arena in Denver, with sets that previewed new material and encouraged audience participation through on-stage dedications and real-time sampling. These events maintained his innovative format of blending pre-recorded elements with spontaneous elements, fostering a sense of communal storytelling.[55][56][57] Extending into 2025, Fred Again's world tour incorporated larger arena productions in Europe and North America, noted for their high-energy delivery and evolving stage narratives. Building on prior successes, the tour included extensions to cities such as Toronto and Los Angeles. In October 2025, he launched the "USB002" project with a 10-city pop-up series, announcing venues via social media just days ahead—starting in Glasgow on October 3 and spanning locations like Brussels, Dublin, and New York—each unveiling new tracks with intimate, surprise-driven crowds that echoed his early career style while reaching global audiences. As of November 2025, the ongoing USB002 tour has included recent shows in Toronto on November 14 and continues through December 12 with additional cities, underscoring his ability to adapt pop-up intimacy to massive scales, with sold-out shows emphasizing fan interactions and unreleased previews.[56][32][58]Discography
Studio albums
Fred Again..'s debut studio album, Actual Life (April 14 – December 17 2020), was released on April 16, 2021, via Atlantic Records. The project chronicles personal experiences from the specified period through interwoven voice notes, field recordings, and electronic production, capturing the isolation and emotional nuances of the COVID-19 pandemic. Standout track "Kyle (i found you)" exemplifies the album's intimate sampling approach, blending a poetry reading with uplifting house elements to evoke themes of connection and discovery. It received acclaim for its innovative structure and emotional depth, earning an 8/10 from Loud and Quiet, which praised its impressive range beyond Gibson's prior collaborations.[59] The follow-up, Actual Life 2 (February 2 – October 15 2021), arrived on November 19, 2021, also on Atlantic Records, continuing the diaristic format with a focus on grief and recovery. It incorporates guest features, including Obongjayar on "Obongjayar (feel like)", alongside Kodak Black and Tate McRae, blending raw vocal samples with garage-influenced beats. Critics noted its cohesive flow and thematic progression from the debut, positioning it as a vital evolution in his Actual Life series.[60] Actual Life 3 (January 1 – September 9 2022) was released on October 28, 2022, via Atlantic Records, shifting toward post-pandemic vitality while retaining introspective samples. Key tracks like "Delilah (pull me out of this)" highlight its blend of euphoric builds and vulnerable narratives, with contributions from artists such as Four Tet and Skrillex on "Rumble". It won the Grammy Award for Best Dance/Electronic Album at the 2024 ceremony, recognizing its impact on the genre. Reception was mixed, with Pitchfork awarding it 5.9 for its competent production amid formulaic elements.[61][62][63] Gibson's fourth studio album, Ten Days, was released on September 6, 2024, through Atlantic Records, peaking at No. 7 on the UK Albums Chart. Structured around the 10 days of its creation, the record features candid audio interludes from Gibson's notes, exploring the vulnerabilities of the artistic process through contemplative electronica. Notable collaborations include Overmono and Lil Yachty on "stayinit", which fuses glitchy rhythms with introspective lyrics. The album emphasizes narrative arcs over fragmented samples, reflecting a maturation in Gibson's songwriting while maintaining his signature emotional layering.[64]Collaborative albums
Secret Life (with Brian Eno) was released on May 5, 2023, via Text Records. The ambient album features experimental soundscapes blending electronic and ambient elements.)Extended plays and compilations
Fred Again.. has utilized extended plays and compilations to experiment with stripped-back arrangements, collaborative projects, and evolving collections of singles, often serving as companions or precursors to his full-length albums. One of his earliest notable releases in this format is the EP Actual Life, released on May 15, 2020, via Again.. Records. The collaborative mixtape GANG with UK rapper Headie One was issued on April 3, 2020, via Relentless Records, peaking at No. 49 on the UK Albums Chart. This 8-track project fuses drill rhythms with electronic textures, featuring guest appearances from artists like FKA twigs on the interlude "Judge Me," and showcases Fred Again..'s production versatility in a hip-hop context.[65] Complementing his Actual Life trilogy, Fred Again.. produced a series of piano EPs that reimagine select tracks in acoustic, piano-led versions, highlighting raw emotional narratives. The inaugural Actual Life Piano EP (April 14 – December 17 2020), released June 25, 2021, includes four intimate renditions such as "Marea (we've lost dancing)" and "Babydontstop," emphasizing vulnerability through minimal instrumentation.[66] This was followed by Actual Life 2 Piano EP (February 2 – October 15 2021) on April 29, 2022, with piano adaptations like "Rumble" and "Turning Pages (chloe)," captured in live studio sessions for a reflective tone.[67] The final installment, Actual Life 3 Piano EP (January 1 – September 9 2022), arrived December 22, 2022, featuring five tracks including "Eyelar (stamford street)" and "Mustafa (southbank)," further exploring themes of loss and connection via solo piano performances.[68] In 2022, Fred Again.. introduced the USB series as an innovative compilation format, billed as an "infinite album" that aggregates and iteratively updates singles and collaborations. The debut USB, launched digitally on January 18, 2022, compiles tracks like "Jungle" with Four Tet and "Admit It (U Dont Want 2)" with I. JORDAN, evolving through remixes and additions over time; a vinyl edition titled USB001 followed on June 14, 2024, peaking at No. 29 on the UK Albums Chart, solidifying its role in curating his rapid-release output.[69][70] The USB concept expanded in 2025 with USB002, an ongoing compilation of 10 new tracks released weekly from September 2025, tied to a series of 10 pop-up performances across global cities, as of November 2025, with the complete edition scheduled for December 12, 2025. Highlights include "You're a Star" featuring Amyl and the Sniffers, blending punk energy with electronic beats.[58] That same year, Fred Again.. teamed up with longtime collaborator Skepta for the EP Skepta .. Fred, released August 29, 2025, via Epic Records, peaking at No. 72 on the UK Albums Chart, which gathers recent collaborative singles like "Victory Lap" (with PlaqueBoyMax and others) and "London" (with Oppidan), merging grime flows with pulsating basslines for a high-energy UK fusion.[71] Two More Days was released on December 13, 2024, via Atlantic Records.Awards and nominations
| Year | Award | Category | Nominee/Work | Result | Ref. |
|---|---|---|---|---|---|
| 2020 | Brit Awards | Producer of the Year | Fred again.. | Won | [72] |
| 2022 | DJ Mag Best of British Awards | Best Live Act | Fred again.. | Won | [73] |
| 2023 | BBC Sound of... | — | Fred again.. | 2nd place | [3] |
| 2024 | Grammy Awards | Best New Artist | Fred again.. | Nominated | [74] |
| 2024 | Grammy Awards | Best Dance/Electronic Album | Actual Life 3 (January 1 – September 9, 2022) | Won | [74] |
| 2024 | Grammy Awards | Best Dance/Electronic Recording | "Rumble" (Skrillex, Fred again.., Flowdan) | Won | [74] |
| 2024 | Grammy Awards | Best Dance/Electronic Recording | "Strong" (Romy, Fred again.., Stuart Price) | Nominated | [74] |
| 2025 | Brit Awards | British Dance Act | Fred again.. | Nominated | [75] |
| 2026 | Grammy Awards | Best Dance/Electronic Album | Ten Days | Nominated | [8] |
| 2026 | Grammy Awards | Best Dance/Electronic Recording | "Victory Lap" (Four Tet & Fred again..) | Nominated | [8] |