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Get It Up

"Get It Up" is the debut single by the American funk band The Time, released in 1981 as the opening track on their self-titled debut album. The song, written and produced by (credited as Jamie Starr), features lead vocals by and showcases the band's signature blending funk, rock, and R&B elements. It achieved commercial success, peaking at number six on the Hot R&B/Hip-Hop Songs chart and reaching number 16 on the chart. The track's energetic groove and provocative lyrics helped establish The Time as a key act in the early funk scene, with Prince playing most instruments except Day's vocals and Dez Dickerson's . "Get It Up" has endured as a classic, influencing subsequent artists and receiving notable covers, including a cover by for the Poetic Justice soundtrack, which incorporated elements while retaining the original's infectious bassline and rhythm. The song's legacy underscores 's role in shaping the band's career and the broader evolution of into the .

Original version by The Time

Background and recording

"Get It Up" was written by and initially recorded by him alone on 11 February 1981 at his Kiowa Trail Home Studio in . The track was offered to the funk band , who declined it. later re-recorded the song in April 1981, adding vocals by , whom he had recruited as lead singer for his new band The Time. The recording was produced by under the Jamie Starr and featured playing nearly all instruments, with the exception of Day's vocals and a by . The session captured the essence of the emerging Minneapolis sound, with Prince aiming to create a rival act to established funk groups like Parliament-Funkadelic. Background vocals were provided by Sue Ann Carwell and possibly Lisa Coleman, though credited vaguely as "various girlfriends." Other band members, including Jimmy Jam, Terry Lewis, and Jesse Johnson, were credited but did not participate in the recording.

Composition and style

"Get It Up" is a song exemplifying the , characterized by synthesizers, prominent bass lines, driving drums, and guitar solos that fuse R&B, , and elements. Drawing from Prince's era, it features raw, keyboard-driven grooves, punkish synth tones, and aggressive rhythms evoking an electro-disco vibe designed for the dance floor. The track follows a verse-chorus structure with an energetic build-up, repetitive groove-oriented sections, and rhythmic tension maintained through layered . The album version runs 9:05, while the single edit is approximately 3:05. Lyrically, it delves into sexual and party energy, delivered via Morris Day's charismatic vocals, including spoken-word asides and call-and-response chants that enhance its playful, provocative tone. Instrumentally, it includes a synthesizer solo by Doctor Fink on Oberheim (uncredited), a driving bass line played by Prince (credited to Terry Lewis), and a guitar solo by Dez Dickerson that draws influences from Eddie Hazel.

Release and promotion

"Get It Up" was released as The Time's debut single on 26 June 1981 by Warner Bros. Records, serving as the opening track on their self-titled debut album issued on 29 July 1981. It was issued in formats including 7-inch vinyl and 12-inch promo singles, with the B-side "After Hi-School." The album's promotion included touring with Prince on his Controversy Tour, where The Time's energetic performances helped build their profile, though tensions arose from their strong reception. Radio airplay focused on R&B and dance formats, leveraging the track's club appeal. The single's success contributed to the album peaking at number 50 on the and number 7 on the Top R&B/Hip-Hop Albums chart.

Commercial performance

"Get It Up" achieved moderate success, particularly in R&B and dance markets, helping establish The Time in the early 1980s funk scene. It peaked at number 6 on the chart in August 1981, spending 19 weeks on the chart. On the dance side, it reached number 16 on the chart. The track did not enter the . The single's performance boosted the debut album's sales, which outperformed Prince's in 1981, underscoring Prince's strategic role in promoting his protégés. No RIAA certifications were awarded for the single.

Chart performance

Chart (1981)Peak position
US Hot R&B/Hip-Hop Songs6
US Dance Club Songs16

TLC cover version

Background and recording

TLC recorded their cover of "Get It Up" in 1993 specifically for inclusion on the soundtrack to John Singleton's film , which starred and . The soundtrack album, released on June 29, 1993, by Arista and , featured the track as its , issued on June 6, 1993. This selection aligned with TLC's burgeoning career momentum following the November 1992 release of their debut album , which had propelled the group to national prominence with hits like "" and "." The recording sessions occurred at D.A.R.P. Studios and Studio LaCoCo, both located in , , where was based under the label. Produced by and the duo (Tim Kelley and Bob Robinson), the cover transformed the original 1981 funk track by The Time—written and produced by —into a contemporary R&B and hip-hop-infused rendition. Key adaptations included rap verses delivered by Lisa "Left Eye" Lopes, layered harmonies from Tionne "T-Boz" Watkins and Rozonda "Chilli" Thomas, and refreshed beats that amplified the song's sensual energy while preserving its foundational groove. Several remixes were created during production, with handling additional remixing duties for extended club and variants, such as the 12" Extended Club , to broaden the track's appeal across radio and formats. These efforts reflected TLC's signature blend of bold and innovative production, tailored for synergy with the film's urban narrative and cultural impact.

Release and promotion

TLC's cover of "Get It Up" was released as a soundtrack single in 1993 from the Poetic Justice: Music from the Motion Picture, which debuted the track as its opening song. The single tied directly into the film's July 1993 theatrical release, appearing in key scenes to underscore its urban romance narrative. Promotional efforts leveraged the movie's hype, with the song featured prominently in marketing materials that highlighted TLC's emerging bold, sexy persona alongside the film's themes of South Central Los Angeles life and empowerment. The single was issued in multiple formats, including CD maxi-single, cassette maxi-single, and 12-inch vinyl, each containing various tailored for radio and club play. Notable versions included the 12" Remix (6:36), 12" Remix (5:49), Radio Mix (4:00), and Radio Edit, produced by alongside original producers and . Promotional copies, such as advance CDs with the Radio Edit, LP Version, Radio Mix, and Quiet Storm Mix, were distributed to industry insiders and stations to build early buzz ahead of the soundtrack's launch. Promotion centered on radio airplay targeting R&B and dance formats, where the track gained traction through heavy rotation on urban contemporary stations. TLC supported the release with appearances to showcase their energetic performance style, amplifying exposure amid the group's rising profile from their debut album. The strategy effectively positioned "Get It Up" as a bridge between TLC's era and their growing cinematic ties. Years later, the track was reissued on TLC's 2000 greatest hits compilation Now and Forever: The Hits.

Commercial performance

TLC's cover of "Get It Up" experienced moderate commercial success upon its 1993 release, particularly within the R&B and pop markets, reflecting the group's rising popularity following their debut album . The single peaked at number 42 on the , marking their third entry on the chart that year after "" and "". It performed stronger on the R&B side, reaching number 15 on the chart and spending nine weeks in the top 20. Internationally, the track saw limited but notable traction, debuting and peaking at number 25 on the Singles Chart, where it charted for seven weeks. In the US dance market, it climbed to number 3 on the Hot Dance Singles Sales chart, underscoring its appeal in club and remix formats. On year-end tallies, "Get It Up" ranked number 100 on the Hot R&B/Hip-Hop Songs chart for 1993, contributing to 's growing presence in the genre. It also placed at number 41 on the Cash Box Top 100 Pop Singles year-end chart, highlighting its crossover impact. The single received no RIAA certifications itself, but its inclusion on the Poetic Justice soundtrack helped drive the album's sales, earning Gold certification from the RIAA on August 25, 1993, for 500,000 units shipped in the United States.

Chart performance

Chart (1993)Peak position
US Billboard Hot 10042
US Hot R&B/Hip-Hop Songs (Billboard)15
US Hot Dance Singles Sales (Billboard)3
New Zealand Singles (RMNZ)25

Music video

The music video for TLC's cover of "Get It Up" was directed by Lionel C. Martin and released in July 1993. Shot in , it features the group members T-Boz, Left Eye, and Chilli performing amid urban settings with energetic dance choreography, intercut with clips from the film Poetic Justice to tie into the soundtrack. The visuals emphasize themes of empowerment and sensuality through the group's dynamic movements and confident expressions. With a runtime of approximately 4 minutes, the low-budget production captures TLC's early signature style of baggy clothes and bold aesthetics, highlighted by Left Eye's prominent rap sequences. It premiered on and during the summer of 1993 to promote the single. An official HD version has been available on since the 2010s.

Personnel and production

The Time personnel

The recording of "Get It Up" by The Time featured Morris Day as the lead vocalist, delivering the song's charismatic funk delivery. Prince, under his pseudonym Jamie Starr, provided backing vocals along with all primary instrumentation, including guitar, bass, drums, and synthesizers, though these contributions remained uncredited on the original release. Keyboardist Doctor Fink (Matthew Fink) of Prince's backing band The Revolution contributed the track's notable synthesizer solos, also uncredited. Bass duties were credited to Terry Lewis, a founding member of The Time, but he did not participate in the recording. Similarly, drums were credited to Jellybean Johnson, another band member, though he had no involvement in this specific track. Production was officially attributed to Jamie Starr and , with overseeing the process as the uncredited architect behind the arrangement and sound.

TLC personnel

TLC's cover of "Get It Up" featured vocals by the group's core members: Tionne "T-Boz" Watkins provided lead vocals on verses 1 and 2, Rozonda "Chilli" Thomas on a break, and "Left Eye" Lopes on the rap verse (verse 3). The production for the track was led by and the duo , who updated the beats while incorporating samples from the original 1981 recording by The Time. A remix version was additionally produced by . Executive production oversight was provided by Antonio "L.A." Reid and Kenny "Babyface" Edmonds. Songwriting credits for the cover were attributed to , as the original composer, with publishing handled by Controversy Music.

Reception and legacy

Critical reception

Upon its 1981 release, The Time's "Get It Up" was praised for its energetic grooves and innovative production, which captured the raw essence of the emerging . Critics highlighted the track's nine-minute length as a showcase of synth-laden jams and guitar solos, blending raunchy innuendos with danceable rhythms that exemplified 's hands-on role as producer (credited as Jamie Starr). The song was seen as a bold debut , kicking off the band's self-titled album with hedonistic swagger and braggadocio that set it apart in the landscape. Retrospectively, "Get It Up" has been acclaimed as a cornerstone of the , influencing the fusion of , and R&B in the early . Reviews of compilations tracing the scene's origins emphasize its role in establishing the vibrant, keyboard-driven energy that defined the era's output. awarded the parent 3.5 out of 5 stars, noting the track's spiky funk and anthemic qualities as highlights amid Prince's creative dominance. TLC's 1993 cover, featured on the Poetic Justice soundtrack, received contemporary acclaim for infusing the original with a fresh R&B and edge, transforming its suggestive into a sassy, sexually charged party anthem. Critics appreciated the group's playful delivery, which slowed the synth riff into a sleazy buzz while emphasizing through bold, fun reinterpretations of the innuendos. In comparative critiques, the original is often viewed as a raw prototype rooted in innovation, while TLC's version is lauded as a polished update that adapts the track for audiences with flair and empowering vocal dynamics. Later assessments, such as those ranking TLC's catalog, note how the cover outshines its film context by evolving the song's energy into something more versatile and enduring.

Cultural impact and other uses

The Time's original version of "Get It Up" has left a lasting mark on through its frequent sampling, influencing artists across decades. For instance, 2Pac and incorporated elements of the track into their 1994 "Is It Cool 2 Fuck," while drew from it in "Oaktown" the same year, and more recently, sampled the synth riff in his 2025 track "That Salt and Pepper." These uses highlight the 's funky and synth hooks as foundational elements in production, extending Prince's uncredited songwriting into the genre. Additionally, a live rendition appears on Morris Day's 2004 album It's About Time, where it segues into "777-9311," capturing the band's enduring stage energy from their roots. TLC's 1993 cover, reimagined with a smoother R&B edge, amplified the song's reach into film and pop culture, notably as part of the Poetic Justice soundtrack starring Janet Jackson and Tupac Shakur. The track plays during key scenes, underscoring themes of sensuality and urban romance, and helped propel the film's diverse hip-hop/R&B compilation to commercial success. While it inspired minor R&B interpretations, no major covers emerged by 2025, though remixes like the 12" Hip-Hop and Radio versions appeared on dance-oriented EPs, fitting into early '90s club compilations. Beyond direct adaptations, both versions exemplify Prince's songwriting legacy in the , a synth-funk style that shaped '80s Black music innovation, as detailed in analyses of his production for acts like The Time. TLC's rendition, in particular, contributed to girl group empowerment narratives by blending bold sexuality with harmonious vocals, aligning with the era's shift toward female-led R&B assertiveness. By 2025, the song maintains visibility through streaming on platforms like , where it garners steady plays, and received nods during TLC's 2022 Oooooooh... On the TLC Tip 30th anniversary celebrations, including retrospective playlists.

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