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Greg Fitzsimmons

Gregory Sebastian Fitzsimmons (born April 5, 1966) is an stand-up , television writer, producer, and podcaster recognized for his incisive wit and scathing sarcasm. With more than 35 years in the comedy industry, Fitzsimmons has earned four as a writer and producer on . Fitzsimmons began his career honing stand-up in before gaining prominence through writing credits on shows such as HBO's , , and the broadcast, as well as contributing to Crashing on . He has released comedy specials and performed extensively on , including frequent guest spots on , , and Jimmy Kimmel Live!. As a podcaster, he hosts Fitzdog Radio—available on and independently—along with Sunday Papers and Childish, often interviewing comedians and entertainers. His work emphasizes personal anecdotes on sobriety, family, and the challenges of life on the road, reflecting over three decades of sobriety.

Early life

Upbringing and formative influences

Gregory Sebastian Fitzsimmons was born on April 5, 1966, in to Patricia Marie Judith McCarthy and , a whose career exposed the young Greg to the world of broadcasting and entertainment from an early age. The family relocated to , where Fitzsimmons spent his formative childhood years in a household shaped by strong Irish-American traditions, with all four grandparents having immigrated from to . This Catholic background instilled a distinctive cutting sensibility and sense of resentment-tinged humor, which Fitzsimmons later credited as foundational to his comedic voice, reflecting the sharp-witted, sardonic style common in such family dynamics. His father's profession in radio further influenced his early fascination with performance and , providing indirect mentorship through exposure to on-air and audience engagement, though Fitzsimmons has described his youth as marked by and disciplinary challenges detailed in his Dear Mrs. Fitzsimmons. Prior to pursuing comedy, Fitzsimmons attended , graduating in 1989 from both the College of General Studies and the , where he first experimented with humor through the student troupe Uncontrolled Substances, bridging his upbringing's irreverent influences to his emerging professional interests.

Comedy and writing career

Stand-up beginnings and development

Fitzsimmons initiated his pursuits during his undergraduate years at , graduating in 1989 from the College of General Studies and , where he participated in the campus Uncontrolled Substances. He entered the professional circuit in the late 1980s amid Boston's robust environment, undertaking demanding club performances, including alongside emerging comedian . This period marked his immersion in a scene noted for its intensity and talent development, fostering skills through repeated exposure to varied audiences. Transitioning rapidly, Fitzsimmons achieved full-time status as a within about 18 months of commencing performances, capitalizing on the era's expanding opportunities for stand-up acts. His early career involved grinding through smaller venues in and subsequently , refining a style characterized by sharp observational humor and self-deprecating anecdotes drawn from personal experiences. By the early 1990s, he had established a presence on national television through guest spots on programs like and , which amplified his visibility and booking prospects. Fitzsimmons' development progressed with the release of his debut audio CD, Fitz of Laughter, in 2000, followed by half-hour specials that showcased his evolving material on topics ranging from family dynamics to cultural absurdities. In 2013, he produced Life on Stage, his first full-length special filmed in his hometown of , reflecting two decades of stage refinement and thematic consistency. Subsequent works, including the 2024 special You Know Me distributed via , demonstrate sustained evolution toward more personal and politically unfiltered commentary, maintaining relevance through consistent touring and adaptation to digital platforms.

Television writing credits and achievements

Fitzsimmons began his television writing career contributing scripts to Politically Incorrect with Bill Maher on ABC, where he honed satirical commentary on current events during the late 1990s. He later served as head writer for The Man Show on Comedy Central from 1999 to 2004, co-created by Jimmy Kimmel and Adam Carolla, producing segments that emphasized provocative, male-oriented humor across eight seasons. From 2003 to 2006, Fitzsimmons worked as a and on the first three seasons of , crafting material and sketches that helped establish its format; for this, he received four for Outstanding Writing for a Series in 2006, 2007, 2008, and 2009, along with one additional nomination. Other credits include writing for on in 2002–2003, contributing to its stand-up showcase episodes, and head writing duties on in 2010. In 2006, he wrote multiple episodes for HBO's , Louis C.K.'s single-camera sitcom that ran for one season and explored working-class family dynamics through improvised elements. Fitzsimmons also penned material for broadcasts and served as head writer for short-form series like Tiny Tonight. His work extended to HBO's Crashing in 2017, where he contributed scripts to the Pete Holmes-led comedy about a comedian crashing with peers after personal setbacks. These credits underscore Fitzsimmons' versatility across network, cable, and premium formats, with his Emmy wins highlighting sustained excellence in daytime variety writing amid competition from established programs. No further major television writing awards beyond the Daytime Emmys are documented in primary professional records.

Broadcasting and media presence

Radio hosting and podcasting

Fitzsimmons began hosting The Greg Fitzsimmons Show on SiriusXM's Howard 101 channel in 2006, where the program features comedy segments, guest interviews, and discussions often aligned with the channel's irreverent style. The show airs weekly and has established him as a staple in satellite radio comedy programming. In 2009, he launched the Fitzdog Radio , which consists of extended, candid interviews with fellow comedians and media figures, including , , and , emphasizing unfiltered humor and personal anecdotes. Distributed through platforms such as Libsyn and , the releases episodes twice weekly and has amassed over 1,100 installments by 2025, maintaining a focus on industry insights without scripted segments. Fitzsimmons co-hosts the Sunday Papers with writer Mike Gibbons, launched around 2019, which delivers satirical breakdowns of weekly news headlines drawn from print media, blending with current events commentary. Episodes typically run 60-90 minutes and highlight absurdities in politics, entertainment, and culture, positioning it as a lighter, news-oriented complement to his interview-style work. Throughout his broadcasting tenure, Fitzsimmons has made over 50 appearances as a guest on , contributing to segments on comedy, personal experiences, and cultural critiques, which have informed his own hosting approach.

Guest appearances and specials

Fitzsimmons has released several specials. His debut half-hour special aired on on December 29, 1998. A second installment followed on March 17, 2006. In 2013, he filmed in , which premiered on on August 17. His most recent special, , recorded on November 18, 2023, at The Comedy Mothership in , was released on on August 27, 2024. Fitzsimmons has made numerous guest appearances on late-night television, including multiple spots on , , and . He served as a panelist on VH1's for five years. From 2010 to 2014, he appeared over 40 times on E!'s . On radio, Fitzsimmons is a frequent guest on , with more than 50 appearances. He has also guested repeatedly on and .

Political and social commentary

Critiques of political correctness and cultural shifts

Fitzsimmons has critiqued for constraining by discouraging performers from crossing boundaries essential to honing material and addressing uncomfortable truths. In a September 2024 interview, he emphasized that comedy thrives on experimentation and risk, noting that audiences generally grasp irony and context, but online clips stripped of nuance amplify backlash, as seen in cases like ' 2006 onstage outburst. He attributed difficulties on college campuses to heightened sensitivity, citing comedians and Jerry Seinfeld's decisions to avoid such venues due to restrictive atmospheres that hinder candid exploration of topics like race and sex. Fitzsimmons has argued that cancel culture's influence is waning, pointing to the commercial triumphs of comedians previously targeted for controversial material. In a September 2024 discussion, he highlighted filling arenas and selling out two consecutive shows following their cancellations, suggesting a backlash against overreach that rewards unfiltered humor. He contended that potent jokes must often venture into "wrong" territory to elicit laughter, criticizing sanitized, overproduced as dull and ineffective compared to raw, substantive acts like Richard Pryor's, which confront societal flaws directly without pandering. On broader cultural shifts, Fitzsimmons has addressed how evolving norms challenge comedians' , advocating for universal appeal in material that transcends audience ideologies. During a 2022 appearance on , he explored nuanced joke construction to critique issues like without endorsing them, illustrating comedy's role in dissecting societal tensions amid pressures to conform. He maintains that enduring humor requires honesty over accommodation, even if it alienates some, as selective offense is inherent to the craft's boundary-pushing nature.

Notable public statements and debates

Fitzsimmons has frequently criticized the impact of on , arguing that it stifles honest expression and humor derived from observational truths about . In a September 7, 2024, interview on The Michael Berry Show, he described how among comedians has intensified, with performers avoiding topics like , dynamics, or cultural hypocrisies to evade audience backlash or platform restrictions. He contended that this environment favors sanitized material over provocative insights, leading to a decline in comedic quality, as evidenced by his observations of club performances where audiences demand reassurance rather than challenge. In multiple appearances on , including episode #1876 aired in 2022, Fitzsimmons debated the erosion of free speech in entertainment, asserting that corporate sensitivity training and outrage cycles compel artists to prioritize approval over authenticity. He highlighted examples from where writers self-edit jokes to align with prevailing ideologies, contrasting this with earlier eras of boundary-pushing comedy on shows like The Man Show, where he contributed. During episode #2196 in August 2024, he extended this to broader cultural shifts, warning that overemphasis on avoiding offense diminishes comedy's role in exposing societal absurdities. Fitzsimmons has made pointed comments on electoral politics, particularly critiquing loyalties. In a December 13, 2016, segment on The David Feldman Show, he remarked on women who supported , stating that such votes reflected disillusionment with promises rather than ideological alignment, though he expressed frustration with the electorate's choices in hyperbolic terms like telling Trump voters to "go fuck yourself," which he later contextualized as emblematic of post-election . In his 2012 stand-up bit "Irish Double Standard," he questioned Irish-American tendencies to vote despite historical grievances against progressive policies, using it to illustrate perceived ethnic inconsistencies in political allegiance. Regarding workplace culture, Fitzsimmons publicly addressed the Ellen DeGeneres Show environment, where he worked as a from 2003 to 2005. In a June 1, 2025, discussion on The Mike Calta Show, he detailed a "toxic" atmosphere marked by favoritism and intimidation, predating the 2020 exposé that corroborated employee accounts of and unequal treatment. He attributed this to unchecked celebrity power, drawing from his Emmy-winning tenure there, and contrasted it with healthier dynamics in unscripted settings. In September 2024, on Howie Mandel's podcast, Fitzsimmons declared cancel culture's decline, citing reduced public appetite for performative outrage and examples of resilient comedians who persist despite past targeting, signaling a potential return to merit-based evaluation in humor. These statements underscore his consistent advocacy for unfiltered , often framed through first-hand industry anecdotes rather than abstract theory.

Personal life

Family and relationships

Greg Fitzsimmons has been married to Erin Fitzsimmons since July 31, 1999. The couple has two children: a son named Owen and a named JoJo. In a 2015 interview, Fitzsimmons described residing with his wife and children in Venice, California, noting Owen was then 14 years old and JoJo was 11. By 2021, he referenced marking 20 years of in his stand-up routine, indicating the union's longevity. Fitzsimmons has occasionally incorporated dynamics into his , portraying his wife and children as central to his without detailing prior relationships or separations in public records.

Philanthropic activities and interests

Fitzsimmons co-founded the Gerry Red Wilson Foundation following the 1998 death of comedian Gerry Red Wilson from , a that also afflicted his at nine months old. The foundation aims to fund research, increase awareness, and honor Wilson through annual comedy benefit shows featuring performers such as , , and , often held at venues like City's Town Hall. By 2008, at least seven such events had raised over $200,000 for affiliated organizations including the Association of . Beyond the foundation, Fitzsimmons has donated his performances to various charity events, including the 2012 NETumor Humor Benefit at Westside Comedy Theater in Santa Monica for the Carcinoid Cancer Foundation, which sought to promote discussion of neuroendocrine tumors through humor. In 2015, he spoke at the second annual Fire Foundation Gala in to support firefighters and related emergency services. He also contributed a set to the for Children's Rights' "Right to Laugh" benefit, alongside comedians like and , helping raise over $300,000 for children's legal advocacy.

Major works

Books

Fitzsimmons published his debut book, the Dear Mrs. Fitzsimmons: Tales of from an Mailbox, on January 5, 2010, through . The work frames his autobiographical anecdotes from childhood and adolescence as a series of disciplinary letters purportedly sent to his mother, interwoven with actual incident reports, school notices, and newspaper clippings documenting his misadventures in a strict Catholic household in . This epistolary structure highlights themes of rebellion, family dynamics, and personal growth, drawing on Fitzsimmons's experiences with authority figures and early comedic impulses. An enhanced e-book edition, released concurrently, incorporated exclusive video content featuring Fitzsimmons and collaborators to illustrate key stories. The audiobook version, also from 2010, was narrated primarily by Fitzsimmons with guest voices including , , , , and , adding performative flair to the readings. The book achieved commercial success, reaching the New York Times bestseller list in the humor category and garnering praise for its candid humor and nostalgic appeal. Reviews from outlets like highlighted its "hilarious and heartfelt" portrayal of Irish-American upbringing, while Vanity Fair noted its effective blend of irreverence and redemption. No subsequent books by Fitzsimmons have been published as of 2025.

Stand-up specials and albums

Greg Fitzsimmons has released several specials and accompanying audio albums, focusing on personal anecdotes, cultural observations, and irreverent humor. His specials often premiered on cable networks or digital platforms, with releases available in video and audio formats. One of his prominent works is the hour-long special Life on Stage, recorded in , and premiered on in 2013. The performance delivers cutting commentary on life experiences, including debt, relationships, and everyday absurdities, and was named a top comedy release of the year. It is available as a CD and DVD set, with audio tracks such as "Mistakes Are Fun" and "Debt Is Fun" streamable on platforms like and . In August 2024, Fitzsimmons released You Know Me, a full special recorded live on November 18, 2023, at The Comedy Mothership in , and premiered directly on . The set reflects on , , and career after over three decades in . An audio album of the special is available on . Earlier in his career, Fitzsimmons featured in multiple half-hour specials, establishing his presence on the network with routines on topics like family dynamics and social hypocrisies. He also released audio albums, including Fitz of Laughter, available as a CD. These works contributed to his reputation for sharp, observational stand-up.

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