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Greg Leon

Gregory Jay Leon (born May 19, 1958) is an American hard rock guitarist, singer, and multi-instrumentalist best known for his early involvement in the music scene of the late and , including brief stints with influential bands such as , , and Mötley Crüe. Born in , Leon grew up immersed in the emerging hard rock culture, drawing inspiration from guitar heroes like , , and during his formative years in the . By the late , he had established himself as a versatile musician proficient on guitar, drums, and keyboards, fronting the band Suite 19 alongside drummer Gary Holland (later of ) and, for a period, future Mötley Crüe drummer . In 1980, Leon co-founded what would become Mötley Crüe with Lee, serving as the original guitarist and contributing to early demos, but he departed shortly after joined due to creative differences, paving the way for to take the role. Leon's career included a pivotal replacement of in following Rhoads' departure to join in 1979, during which he performed live and impressed bandmates with his technical skill. He later toured with in the early 1980s at the invitation of , predating George Lynch's long-term tenure, and introduced Rhoads to Guitars, influencing custom instrument designs in the rock world. Beyond performing, Leon worked as a guitar instructor at Delores Rhoads' studio in Burbank, teaching up to 80 students weekly, and became renowned for modifying guitar amplifiers. In the and beyond, Leon formed bands like and Vyper, releasing the album Wishing Well in 1997, and launched his project the Greg Leon Invasion in the 1980s with bassist (later joined by others), releasing albums such as Guitars, Cars, and Women (1983), Unfinished Business (2005), and Tell the Children (2021). His contributions to the and eras have been highlighted in media, including Mötley Crüe's 2019 biopic , where his early role is depicted. Leon remains active, married to singer Suza Wood since the early , and continues to perform and produce music from .

Early life

Upbringing

Gregory Jay Leon was born on May 19, 1958, in . He grew up in this foothills suburb of , a region that positioned him amid the vibrant music landscape of the era. Glendale's proximity to fostered an early awareness of the local culture, which permeated the surrounding communities during Leon's childhood. Little is publicly documented about his immediate family background, with available accounts emphasizing his deep roots in the area rather than personal familial specifics. This formative environment in the foothills laid the groundwork for Leon's later immersion in music during adolescence.

Musical beginnings

Growing up in —a suburb that served as a gateway to the vibrant Los Angeles music opportunities—Greg Leon discovered his passion for music during his early teenage years. Born in 1958, he initially took up the drums around age 12 but soon transitioned to guitar after observing and replicating chords played by friends in informal jam sessions. Entirely self-taught without any formal lessons, Leon acquired his first guitar for just $6 from a local pawn shop and honed his skills by listening to records and practicing relentlessly, building a foundation that would define his raw, intuitive playing style. As a teenager attending Glendale High School in the mid-1970s, Leon's fascination with and emerging sounds took hold, influenced by the era's dynamic blend of theatrical energy and guitar-driven intensity. He drew primary inspiration from iconic guitarists such as , , , , and , whose innovative techniques and powerful riffs captivated him during this formative period. Additionally, exposure to his parents' diverse musical tastes—from and classical to —and early encounters with at age six further sparked his interest, leading him to experiment with covers of glam-tinged artists like alongside staples from and . Leon's immersion in the Los Angeles local scene during the 1970s profoundly shaped his hard rock interests, as he frequently attended early shows and participated in the grassroots circuit. Starting in junior high around 1973, he formed his first band, performing covers at school talent shows—where they won with renditions like Chuck Berry's "Johnny B. Goode"—and played 20 to 30 backyard parties in Glendale, Burbank, and Pasadena. By high school (1973–1976), these gigs evolved into near-weekly events, including assemblies and quad performances, and he caught influential live sets, such as Van Halen at Glendale College in 1977. These experiences, amid the Sunset Strip's burgeoning hard rock energy, provided hands-on exposure that refined his stage presence and commitment to the genre before transitioning to professional endeavors.

Career

Early bands (1970s)

Greg Leon began his musical journey in the mid- during high school, forming a group known as the Greg Leon Band that performed at local parties, dances, and functions in areas like Glendale, Burbank, and Pasadena. These early gigs helped him hone his guitar skills and gain initial exposure in the burgeoning rock scene. By the late , Leon formed the trio Suite 19, a pivotal band in his pre-fame career, initially featuring bassist Don Peterson and drummer Gary Holland on drums and backup vocals. The band's name derived from the ages of its members, all around 19 years old at the time, and was chosen after discovering an existing group called . When Holland departed, Leon recruited 17-year-old drummer (then known as Tommy Bass), who had been following the band and knew their material well, leading to a year-and-a-half collaboration that strengthened their lineup. Suite 19 became a fixture in the Los Angeles hard rock and glam scene, playing hundreds of shows at clubs on the Sunset Strip and surrounding Hollywood venues during the vibrant era dominated by acts like Van Halen and Quiet Riot. Their sound blended influences from Jimi Hendrix, Ritchie Blackmore's Rainbow, and early Van Halen with elements of Rick Derringer and Johnny Winter, creating a heavier, riff-driven style that resonated with local audiences. The band drew large crowds, particularly a strong female fanbase, and built Leon's reputation as a standout guitarist through consistent live performances rather than recorded releases. These experiences in Suite 19 provided essential networking opportunities in the underground LA music circuit, connecting Leon with future collaborators and solidifying his role as an emerging talent in the late-1970s landscape.

Quiet Riot and Dokken (late 1970s–early 1980s)

In late 1979, Greg Leon joined as the lead guitarist, replacing after Rhoads departed to play with ; the move was recommended by Rhoads himself, who suggested Leon for the role based on their prior musical acquaintance. Leon's early band experience in the scene had built his reputation as a skilled guitarist, leading to this recruitment. During his tenure, which lasted until 1980, Leon performed live shows with the band, often under the temporary name "DuBrow" at the insistence of vocalist , as they sought a record deal to revert to the original moniker; these performances included notable appearances at venues like the in . Although specific recordings from this period are limited, the band worked on new material to sustain momentum post-Rhoads. Leon served as the band's lead guitarist, bringing technical proficiency in heavy metal riffing and solos that aligned with Quiet Riot's hard rock foundation, drawing from his neoclassical influences while adapting to the group's high-energy style. However, interpersonal tensions arose, particularly with DuBrow, whom Leon later described as difficult to collaborate with due to ego clashes and unprofessional behavior. These conflicts, compounded by the band's inability to secure a major label deal amid the competitive L.A. scene, led to Leon's departure in 1980; he cited DuBrow's actions, including industry blackballing, as key factors in the split. Following his exit from , Leon joined in as lead guitarist, recruited by vocalist after impressing at a local showcase; he also recommended Gary Holland for the lineup. The band toured extensively from to 1981, building an international following through club and festival dates that honed their sound. During this time, Leon contributed significantly to early material, including demo recordings produced by Dieter Dierks in , which showcased his melodic yet aggressive guitar work central to Dokken's emerging style. Despite these efforts, faced setbacks when U.S. label executives rejected their demos, dismissing the music as outdated "dinosaur rock" amid shifting tastes toward ; internal issues, such as unfulfilled promises from management and lack of creative respect, further strained the group. Leon's technical prowess as lead guitarist—emphasizing intricate solos and harmonic depth—elevated the band's edge during tours and sessions, but these rejections and frustrations prompted his exit in early 1981 to pursue independent projects. The demos he helped create later aided in securing a deal for their 1983 Breaking the Chains, though Leon received no formal credits.

Mötley Crüe involvement

In early 1981, following his departure from , guitarist Greg Leon partnered with drummer and bassist to form a new band in , which was initially intended to become Mötley Crüe. Leon and Lee had previously connected through their work in the band Suite 19, which facilitated this collaboration. The trio conducted rehearsals together, focusing on developing their sound through jamming sessions that included early songwriting efforts. These sessions took place starting around January 17, 1981, marking the nascent stages of what would evolve into Mötley Crüe, though no live performances occurred with this lineup. Leon departed the group shortly thereafter due to disagreements over 's bass-playing abilities and the overall band direction, with Leon stating that Sixx "simply was not capable" and lacked the technical skill needed for the high-caliber he envisioned, akin to or . He informed Lee, "If this is the guy you want, I’m leaving," exiting just before guitarist joined the lineup.

The Greg Leon Invasion and later projects (1980s–present)

In 1981, Greg Leon formed The Greg Leon Invasion in , drawing on his prior experience with bands like and to pursue original compositions as the band's leader, vocalist, and . The initial lineup featured bassist —later of , , and —and drummer Carl Elizondo, who performed under the stage name Carl James and later joined Jag Wire. This configuration emphasized Leon's songwriting and performance style, releasing the independent single "Every Time" b/w "Stay With Me Tonite" in 1982. The band released its self-titled debut as a on Azra Records in 1983 and toured extensively in the club circuit, with performances at venues like the . Lineup changes occurred, including Vera's departure in 1983 and replacement by Chuck Stevenson, but the band maintained its hard rock focus through multiple incarnations. In the late , Leon fronted the project , releasing a self-titled album in 1997 that blended and elements, featuring contributions from drummer Marc Droubay and bassist Stuart Brooks. Sporadic guest appearances followed, including production work and collaborations in the scene. The band resumed activity in the with albums like Unfinished Business in 2005 and a European festival tour that year, alongside a performance at in 2007. Post-pandemic, The Greg Leon Invasion released the album Tell the Children in 2021, marking a return to recording amid resumed live shows on the LA club circuit. Leon has remained active into 2025, with recent interviews discussing his career, including a 2023 feature in Guitar World on his early ties to Mötley Crüe and a January 2024 podcast appearance reflecting on his discography and influences. These efforts underscore his ongoing commitment to hard rock performance and education.

Musical style and influences

Playing style

Greg Leon's guitar playing is characterized by powerful and riffs combined with melodic solos that emphasize strong hooks and layered guitar arrangements. His approach prioritizes driving rhythms and precise execution, delivering energetic performances that capture the intensity of the late 1970s and early 1980s scene. This style allows for fluid transitions between aggressive riffing and soaring leads, creating a dynamic sound that balances aggression with accessibility. During his time with and , Leon replaced in and adapted to the band's setlist. He toured with , contributing to the band's heavier sound. Over time, Leon's style has evolved toward a more mature framework in his Greg Leon Invasion projects, shifting to heavier, riff-driven compositions that maintain melodic depth while exploring broader dynamics. Albums like Tell the Children exemplify this progression, featuring intensified guitar layers and a focus on timeless rock structures that reflect his unwavering commitment to original, hook-laden music without conforming to trends. This development underscores his versatility as a performer, blending foundational precision with refined intensity across decades.

Key influences

Greg Leon's guitar playing and songwriting were heavily shaped by the pioneering guitarists of the 1970s and scenes. In a 2007 interview, Leon identified , of and , of , and as his primary influences, noting that Marino's recordings particularly impacted his own style. These artists inspired Leon's emphasis on melodic solos, heavy riffs, and expressive phrasing, evident from his early bands through his solo projects. Growing up in the vibrant music scene of the , Leon drew from the local and emerging metal acts that defined the era. He has referenced classic heavy influences like early and during Ronnie James Dio's tenure. This exposure contributed to Leon's blend of technical virtuosity and arena-ready hooks, setting the foundation for his work in groups like and . A comprehensive list of Leon's inspirations, as detailed by his label FNA Records, includes fellow guitar icons such as of , , , Pat Travers, Rory , Danny Johnson, , and . In his later independent endeavors, particularly with The Greg Leon Invasion—a format—Leon incorporated these elements, prioritizing raw, riff-driven compositions reminiscent of Hendrix's and Trower's improvisational energy over more polished production.

Personal life

Family and marriage

Greg Leon has been married to Canadian singer Suza Wood since the early 2000s. The couple shares a close professional bond through their mutual involvement in the music industry, including collaborations that supported Wood's career as a vocalist in melodic rock and projects. In , Leon produced Wood's debut album Sweet Freedom. Leon and Wood maintain a private personal life, with no public information available regarding children or extended family members. Their shared interests in music have fostered ongoing creative partnerships, particularly during joint endeavors in the 2000s.

Teaching and community involvement

Leon has been a long-term guitar instructor at the Musonia School of Music in since the early 1980s, taking over lessons originally taught by after Rhoads departed to join in 1979. Rhoads specifically recommended Leon for the role, allowing him to continue teaching at the school founded by Rhoads' mother, Delores. During his tenure, Leon handled a substantial teaching load, including up to 85 students at one time, focusing on developing technical skills and musical expression for aspiring guitarists. Through his instruction at Musonia and involvement in the local scene, Leon has mentored numerous emerging musicians in the Los Angeles hard rock community. Leon also gained recognition for modifying and repairing guitar amplifiers for musicians such as Jackson Browne and Lemmy Kilmister. A notable example is Guns N' Roses guitarist Tracii Guns, who has publicly acknowledged Leon as a pivotal influence, describing attendance at Leon's early band Suite 19 shows as akin to "our guitar lesson" and crediting him as one of his biggest inspirations. Leon's hands-on guidance has emphasized practical performance techniques drawn from his own experiences, helping to nurture talent within the vibrant 1980s hard rock ecosystem. Leon has actively contributed to preserving the history of the 1970s and Los Angeles music scene through participation in and retrospectives. In a 2024 podcast episode, he discussed his and the formative LA environment, providing firsthand accounts of key figures and events. Similar appearances in prior years, such as a 2010 detailing his time at Musonia and interactions with peers like Rhoads, have helped document the era's underground dynamics and collaborations. His career experience with bands including and underpins this expertise, offering authentic insights into the period's evolution.

Discography

The Greg Leon Invasion

The Greg Leon Invasion, formed in the early as Greg Leon's vehicle to showcase his songwriting and guitar work after stints with and , produced a series of releases emphasizing Leon's versatile playing and melodic hooks. The band's debut , Greg Leon Invasion, was an independent release in 1983 on Azra , featuring nine original tracks that captured the raw energy of the scene, including standout songs like "I'm Leaving You" and "." The album was initially pressed as a , highlighting its cult status among early '80s metal enthusiasts, and showcased Leon handling lead vocals and guitar alongside bassist Chuck Stevenson and drummer Carl Elizondo. In 1984, the band released a , "Every Time" / "Stay With Me Tonight," on Kondor , which later appeared as bonus tracks on reissues. After a long hiatus, Unfinished Business emerged in as a compilation of unreleased material from the , comprising ten tracks that revived the band's classic style with influences ranging from UFO to , including the bluesy title track and ballad "Could Have Been Love." Produced by , the album addressed "unfinished" demos from the band's early days, marking a return to activity and earning praise for its hot guitar work in underground metal circles. In 2010, Guitars, Cars and Women was issued as a re-release and expanded edition of the 1983 debut, retitled to evoke its thematic focus on anthems celebrating freedom, speed, and romance, with bonus tracks like alternate versions of "Stay With Me Tonight." The album retained the original's fiery essence while adding modern production touches, reinforcing Leon's commitment to the power trio format he favored. The most recent release, Tell the Children (2021), arrived post-pandemic as a mature statement, featuring 13 tracks of classic AOR-infused songs produced by the core trio of Leon, Ronnie Ciago, and Rick Brandt, from the urgent title opener to the cover of Deep Purple's "." Described as an exciting, expertly crafted collection designed for repeated listens, it reflects Leon's evolved style while honoring his roots in melodic heavy .

Wishing Well and other projects

In the late , Greg Leon fronted the trio , which featured former drummer Marc Droubay and bassist Stuart Brooks, known for his work with bands including Bones, , and The Pretty Things. The band released a self-titled album in 1997 on the indie label Invasion Music, blending with elements and showcasing Leon's guitar work alongside his lead vocals. The album Wishing Well consists of ten original tracks, including "Soldier of Love," "You Leave Me Shakin'," and "Train, Train," which highlight the group's energetic, riff-driven sound influenced by traditions. Produced independently, it received limited distribution but captured Leon's collaborative spirit during a period of exploring side endeavors beyond his primary band commitments. No further official releases from Wishing Well followed, though the project represented a brief but notable diversion in Leon's career trajectory into the . Beyond , Leon's 1990s and 2000s activities included minor unreleased demo work with informal side ensembles, such as early recordings under the moniker L.A. Getaway from the late 1970s that surfaced in collector circles but remained unofficial and tied to his exploratory jam sessions rather than full band efforts. These efforts, often featuring collaborators like Joel Scott-Hill and , were never formally released and served primarily as creative outlets without commercial pursuit.

Production and guest work

In 2005, Greg Leon produced the debut album Sweet Freedom by Canadian singer Suza Wood, contributing guitar performances, arrangements, and instrumentation on most tracks while co-writing several songs. This project marked a significant behind-the-scenes role for Leon, leveraging his experience in the rock scene to shape the album's melodic sound. On her 2016 follow-up album Love Warrior, he served as guest guitarist and backing vocalist, with additional drum contributions on select tracks.

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