Half Moon Run
Half Moon Run is a Canadian indie rock band formed in 2009 in Montreal, Quebec, by multi-instrumentalists Devon Portielje (vocals and guitar), Conner Molander (guitar and keyboards), and Dylan Phillips (drums and synthesizer).[1] Known for their intricate layered percussion, three-part vocal harmonies, and a blend of alternative pop, folk, and psychedelic elements, the group emerged from Montreal's experimental music scene, initially recording demos in the DIY Torn Curtain studio.[1][2] The band's debut album, Dark Eyes (2012), featured the single "Full Circle," which gained prominence in the trailer for the video game Assassin's Creed IV: Black Flag, helping establish their international profile.[3] Following this success, they received the International Achievement Award at the 2014 Francophone SOCAN Awards in Montreal.[4] Their follow-up, Sun Leads Me On (2015), marked a more expansive sound. A Blemish in the Great Light (2019) became their highest-charting release in Canada, debuting at No. 3 on the Billboard Canadian Albums chart, and won a Juno Award for Adult Alternative Album of the Year in 2020.[5][6] During the COVID-19 pandemic, Half Moon Run released the live album The Covideo Sessions (2020).[3] Their fourth studio album, Salt (2023), revisited early cassette demos while incorporating pandemic-era writings, produced at Treehouse Studio with Connor Seidel, and highlighted their evolving collaborative chemistry.[1][7] Throughout their career, Half Moon Run has won multiple Juno Awards, including Adult Alternative Album of the Year in 2020 and 2022, solidifying their reputation for innovative song structures and emotional depth.[8] The band, which temporarily expanded to include Isaac Symonds on bass and vocals from 2014 to 2020, continues to tour extensively and release singles like "Alco" from Salt, maintaining a devoted following for their acrobatic, harmony-driven performances. In 2025, they contributed the original song "Shadows of Night" to Season 4 of the Netflix series The Witcher.[9][10][11]History
2009–2013: Formation and early years
Half Moon Run formed in 2009 in Montreal's Mile End neighborhood when Devon Portielje, originally from Ottawa, Ontario, connected with Conner Molander and Dylan Phillips, both from Comox, British Columbia.[1][12] The three musicians, drawn by the city's vibrant indie music scene, relocated there to pursue opportunities, sharing a small apartment and honing their multi-instrumental skills through collaborative songwriting.[1][13] In their early years, the band built a local following with performances at intimate Montreal venues, including spots in the Mile End area that fostered the neighborhood's creative community.[1] By 2011, their rising profile led to a signing with Indica Records for Canada, followed by an international deal with Glassnote Records, setting the stage for wider exposure.[14][15] The group recorded their debut album, Dark Eyes, over 2012, self-producing alongside engineer Nygel Asselin, with additional engineering contributions from Daniel Lagacé and Chris Russell; some tracks were captured at Public Hi-Fi studio in Austin, Texas.[16] Released on March 27, 2012, in Canada via Indica Records, the album arrived internationally in July 2013 through Glassnote, peaking at No. 8 on the Canadian Albums Chart and earning gold certification in Canada.[17][18] Early singles "Full Circle" and "Call Me in the Afternoon" highlighted the band's signature layered vocal harmonies and intricate percussion, driving initial buzz.[16] Following the Canadian release, Half Moon Run embarked on their first headlining tours across Canada and select European dates, including opening slots that expanded their audience.[19] Dark Eyes received positive critical acclaim for its rich harmonies and dynamic rhythms, with reviewers noting the band's ability to blend folk-infused indie rock with precise multi-part vocals and punchy percussion elements.[20][21][22] The album also garnered nominations for Québec's Félix Awards in 2013, including Album of the Year – Other Interpretation.[23]2014–2019: Sun Leads Me On and A Blemish in the Great Light
Half Moon Run's sophomore album, Sun Leads Me On, was released on October 23, 2015, through Indica Records in Canada and Glassnote Records internationally.[24] The record was produced by Jim Abbiss and recorded primarily at Bathouse Studios in Bath, Ontario.[25] Lyrically, the album explores themes of personal self-discovery, marking a shift from the melancholic alt-folk of their debut toward more eclectic, harmony-driven indie rock.[26] The album achieved moderate commercial success, peaking at No. 4 on the Canadian Albums Chart and earning gold certification in Canada.[27] Key singles included "Trust" and "Turn Your Love," which helped propel the band's rising international profile through extensive touring.[28] Half Moon Run supported these releases with sold-out shows across North America and Europe, including opening slots for The Head and the Heart on select dates.[19] Their live performances continued to showcase the intricate vocal harmonies that defined their sound from the debut album. Following the 2015-2016 tour cycle, the band entered a period of hiatus, allowing members to pursue individual projects amid creative recharge. Drummer Dylan Phillips released his debut solo EP Undercurrents in 2020.[29] Half Moon Run returned in 2019 with their third studio album, A Blemish in the Great Light, released on November 1 via Crystal Math Music. The band self-produced the record in Montreal, emphasizing raw emotional introspection and mental health struggles through its introspective lyrics and dynamic arrangements.[30] The album received strong critical and commercial acclaim, debuting at No. 3 on the Canadian Albums Chart—their highest charting release to date—and winning Adult Alternative Album of the Year at the 2020 Juno Awards.[5][31] Singles such as "Then Again" and "7/24" highlighted the album's blend of urgent rhythms and soaring melodies, further solidifying the band's evolution. To promote the release, Half Moon Run performed at major festivals, including a standout set at Osheaga in Montreal on August 3, 2019.[19]2020–2022: Lineup changes, The Covideo Sessions, and Inwards & Onwards
In early 2020, as the COVID-19 pandemic began disrupting live music worldwide, Half Moon Run faced significant internal changes when multi-instrumentalist Isaac Symonds announced his departure from the band on May 25.[32] Symonds, who had joined as the group's fourth member in 2012 to enhance live performances, cited the lockdown as a catalyst for his amicable exit after eight years, allowing the original trio—Devon Portielje, Conner Molander, and Dylan Phillips—to reconnect with their foundational dynamic.[5][33] The band adapted their percussion style to the reduced lineup, relying more on multi-instrumental layering among the trio to maintain their signature rhythmic complexity.[34] To sustain fan engagement amid isolation, Half Moon Run initiated The Covideo Sessions, a series of remote, split-screen video performances featuring acoustic rearrangements of songs from their catalog, such as "Sun Leads Me On" and "Grow Into Love."[5] These virtual jams, recorded separately by each member during lockdown, were first shared on YouTube starting in May 2020 and later compiled into a live album of isolation versions, released on September 4, 2020, via Glassnote Records.[35] The project captured the band's improvisational spirit in a constrained environment, emphasizing harmony and intimacy over their usual orchestral scope.[34] Building on this momentum, the band released the EP Seasons of Change on July 17, 2020, comprising six tracks including new originals like "Monster" and reworked material written during self-isolation.[36] The EP reflected the uncertainties of the pandemic, blending folk-infused introspection with the trio's vocal interplay to explore themes of adaptation and resilience.[5] By mid-2021, Half Moon Run channeled the period's reflective mood into their EP Inwards & Onwards, self-produced and recorded in their Montreal practice space and released on June 18.[37] The six-track collection delved into personal introspection, with songs like "How Come My Body" and "It's True" addressing internal struggles and forward momentum amid external limitations, as Portielje noted the title's inversion of "onwards and upwards" to signify inward focus during restricted times.[38] Pandemic restrictions curtailed touring, limiting promotion to virtual performances and small-scale digital releases that kept the audience connected through platforms like YouTube and Bandcamp.[34]2023–2025: Salt and recent activity
In early 2023, Half Moon Run marked their return to recording as the original trio of Devon Portielje, Conner Molander, and Dylan Phillips, following the band's transition to this lineup after Isaac Symonds' departure in 2020. The announcement came alongside the release of their lead single "You Can Let Go" on March 3, which showcased the group's renewed collaborative energy and intricate harmonies.[39][40] The band's fourth studio album, Salt, was released on June 2, 2023, via BMG, marking their first full-length project as a trio since 2015's Sun Leads Me On. Recorded primarily at producer Connor Seidel's off-grid Treehouse Studio north of Montreal, the album draws from a mix of newly written material and archived demos dating back to the early 2010s, reflecting themes of personal renewal, heartbreak, longing, and environmental concerns amid global uncertainty.[41][42][43] Preceding the album, Half Moon Run issued singles "Alco" on April 19 and "9beat" on release day, both highlighting the band's signature blend of folk-rock introspection and experimental percussion. Critics praised Salt for its cohesive, ethereal sound and mature songwriting, with outlets noting the album's ability to weave nostalgic elements into a fresh, immersive listening experience. To support the release, the band embarked on an extensive 2023 tour spanning North America, the UK, and Europe, including headline dates in cities like London and Toronto, where their live performances emphasized the trio's multi-instrumental chemistry.[41][44][45] In 2024, Half Moon Run continued building momentum with the release of the live EP Live from the Treehouse, capturing intimate sessions from Seidel's studio that underscored their evolving acoustic dynamics. The following year saw further orchestral explorations, including a high-profile collaboration with the Orchestre symphonique de Montréal (OSM) for three sold-out performances at the Maison symphonique in May 2025, arranged by Blair Thomson with contributions from Phillips; these shows reimagined the band's catalog with sweeping symphonic arrangements, earning acclaim for their emotional depth.[46][47][48] Half Moon Run's 2025 output included a series of singles—"Back on the Road" on January 31, "The Message" on March 20, and "Shadows of Night" on October 31 for Netflix's The Witcher series—alongside the EP Another Woman in April, which expanded on themes of introspection and resilience with stripped-back production.[49][50][51] Touring expanded significantly that year, featuring festival appearances like a headline slot at the Cigale Festival in Quebec City on August 8 and additional orchestral dates with L'Orchestre FILMharmonique across Canada, signaling the band's ongoing commitment to innovative live presentations.[52]Musical style
Core elements and influences
Half Moon Run's sound is characterized by intricate layered percussion, often delivered through multi-instrumental setups by drummer Dylan Phillips, who frequently combines drums with keyboards and synthesizers during performances.[53][54] This approach creates a rhythmic density that underpins the band's dynamic live shows, where all members contribute to percussion elements alongside their primary roles. Complementing this foundation are the group's signature vocal harmonies, featuring three-part blends from vocalists Devon Portielje, Conner Molander, and Phillips, which evoke a sense of communal introspection and emotional depth.[55][56] Portielje's falsetto leads often soar above these harmonies, adding a haunting, ethereal quality to the tracks.[57][58] The band's core style fuses indie rock with folk and psychedelic influences, resulting in a textured sound that balances acoustic warmth with experimental edges. Instrumentation centers on acoustic and electric guitars handled primarily by Portielje and Molander, piano and keyboards played across the lineup, and Molander's distinctive pedal steel guitar, which introduces twangy, atmospheric layers reminiscent of country-tinged introspection.[59][60] Percussion remains a constant, with Phillips' setups emphasizing organic, hand-played rhythms over electronic beats. Lyrically, Half Moon Run explores themes of melancholy, nature's vastness, and personal introspection, often drawing on imagery of emotional isolation and environmental reflection to convey a bruised yet resilient worldview.[55][43][61] These elements are shaped by the members' diverse backgrounds and broader musical inspirations. Portielje, raised in Ottawa, was immersed in folk music from a young age, influenced by his father's performances as a bar folk singer who played guitar and sang lullabies to him.[62] Molander and Phillips, both originating from Comox on Vancouver Island in British Columbia, drew from the region's indie music scene, where they connected before relocating to Montreal's vibrant Mile End neighborhood.[5] The band's influences include folk-rock pioneers like Bob Dylan and Fleet Foxes for their harmonic complexity and narrative depth, as well as classic acts such as The Beatles, James Taylor, and Led Zeppelin, which inform their blend of pop-rock structures with psychedelic experimentation.[63][55][64] Additional touchstones like Patrick Watson contribute to their atmospheric, multi-layered arrangements.[61]Evolution across albums
Half Moon Run's debut album, Dark Eyes (2012), established a raw folk-indie sound characterized by heavy percussion, intricate harmonies, and melancholic themes, drawing from alt-folk influences with punchy rhythms and subtle darker undertones.[20][21] The album's production emphasized organic instrumentation and vocal interplay, creating an immediate, earthy intensity that highlighted the band's multi-instrumental capabilities.[65] With Sun Leads Me On (2015), the band shifted toward a more polished production, incorporating psychedelic layers, electronic touches, and dynamic song structures that expanded beyond the debut's folk roots into mature indie-rock territory.[66] This evolution retained the core harmonies and rhythmic flair but introduced a relaxed, exploratory feel with gentle instrumental flourishes and broader sonic textures, marking a deliberate maturation in their collective sound.[67][68] The third album, A Blemish in the Great Light (2019), represented a darker, more introspective pivot, integrating ambient elements, synths, strings, and piano to craft an emotional, radio-friendly depth that contrasted the earlier works' immediacy.[69] This phase emphasized dense guitar atmospheres and a wider instrumental palette, fostering a sense of mystery and maturity while evolving the band's harmonies into more atmospheric arrangements.[70][71] During the 2020–2021 transitional period, lineup changes returned the group to its original trio, leading to the acoustic, stripped-down arrangements of The Covideo Sessions, recorded in isolation amid the pandemic, which highlighted clear vocal layers and intimate instrumentation without the fuller production of prior releases.[72] These works briefly adapted the sound to a raw, homebound vulnerability, echoing the debut's organic roots but in a sparser, pandemic-constrained form. The return to a full trio with Salt (2023) reinvigorated their dynamics, blending orchestral swells, strings, and piano into a serene, nostalgic folk-rock maturity that built on previous evolutions with emotional balance and breathtaking arrangements.[42][73] This lineup restoration influenced a cohesive, uplifting sound that persisted into 2025 releases like the singles "Back on the Road," "The Message," and "Another Woman," which continued incorporating rich orchestral elements and the band's authentic, harmonious folk-rock essence.[74][75]Band members
Current members
Half Moon Run's current lineup consists of the founding trio, following Isaac Symonds's departure in 2020.[1] Devon Portielje serves as the band's lead vocalist, guitarist, pianist, and percussionist since its formation in 2009. Born and raised in Ottawa, Ontario, he is the primary songwriter, responsible for approximately 95% of the group's material, often drawing from personal introspection and collaborative refinements with his bandmates.[23][76][64] Conner Molander provides backing vocals and plays guitar, keyboards, pedal steel, bass, and harmonica, contributing to the band's multi-instrumental sound since 2009. Originally from Comox, British Columbia, where he attended middle and high school, Molander plays a key role in shaping the group's layered arrangements, frequently selecting lyrical choices and enhancing melodic structures during song development.[23][77][13] Dylan Phillips handles backing vocals and performs on drums, percussion, piano, and keyboards since 2009. Hailing from Comox, British Columbia, where he grew up alongside Molander, Phillips anchors the band's rhythmic drive through innovative techniques like simultaneous drumming and keyboard playing. He pursued a brief solo endeavor with the 2020 piano EP Undercurrents.[23][78][79]Former members
Isaac Symonds joined Half Moon Run in 2012 as a multi-instrumentalist and backing vocalist, initially supporting the band's live performances following the release of their debut EP Dark Eyes.[5] He was promoted to full-time member around 2014 after two years of collaboration, enhancing the group's dynamic with his versatility on guitar, keyboards, percussion, pedal steel, and contributions to their signature four-part vocal harmonies.[5] During his tenure, Symonds played a key role in the band's evolution, appearing on their second studio album Sun Leads Me On (2014) and third album A Blemish in the Great Light (2019), while also supporting extensive international touring that solidified Half Moon Run's reputation for intricate, layered live shows.[32][23] Symonds departed the band in May 2020 on amicable terms, prompted by a personal reassessment of priorities amid the COVID-19 lockdown, as he sought to explore new creative directions including songwriting and production.[32][5] His exit marked a transitional period for the group, reducing them to their founding trio and influencing their shift toward more intimate, self-produced releases like The Covideo Sessions (2020) and Inwards & Onwards (2022).[34] Since leaving, Symonds has focused on solo work and collaborations, such as the ambient album Natura Sophia with Yaehsun in 2021.[80]Discography
Studio albums
Half Moon Run's debut studio album, Dark Eyes, was released in 2012 by Communique/Glassnote Records and peaked at No. 8 on the Canadian Albums Chart.[81] Their second album, Sun Leads Me On, followed in 2015, via Communique/Glassnote, peaking at No. 4 on the Canadian Albums Chart and No. 9 on the US Heatseekers Albums chart. In 2019, the band issued A Blemish in the Great Light through Independence/Communique Records; it peaked at No. 3 on the Canadian Albums Chart and won the Juno Award for Adult Alternative Album of the Year in 2020.[27][82][83] The group's fourth studio album, Salt, arrived in 2023 on BMG and peaked at No. 48 on the Canadian Albums Chart.)| Title | Release date | Label | Peak chart positions | Notes |
|---|---|---|---|---|
| Dark Eyes | 2012 | Communique/Glassnote | CAN: 8 | Debut album |
| Sun Leads Me On | 2015 | Communique/Glassnote | CAN: 4, US Heatseekers: 9 | Second studio album |
| A Blemish in the Great Light | 2019 | Independence/Communique | CAN: 3 | Juno Award winner for Adult Alternative Album |
| Salt | 2023 | BMG | CAN: 48 | Fourth studio album |
Extended plays
Half Moon Run's extended plays represent interim releases that bridge their full-length albums, often featuring original material developed during transitional periods in the band's career. Seasons of Change is an independent EP released on July 17, 2020, via the band's Bandcamp page during the early stages of the COVID-19 pandemic.[36] This six-track collection consists of original songs written amid global lockdowns and lineup shifts, capturing introspective and resilient themes through the band's signature harmonies and percussion-driven arrangements.[84] The tracklist includes:- "Monster"
- "You Won't"
- "Look Me in the Eyes (Skitstövel)"
- "Grow Into Love"
- "All at Once"
- "Seasons of Change"
- "Another Woman"
- "The Message"
- "Back on the Road"
- "Loose Ends"[85]
Singles
Half Moon Run's singles have played a key role in promoting their albums, often achieving chart success in Canada and featuring in media placements. The band's debut single "Full Circle", released on March 19, 2012, from the album Dark Eyes, marked their breakthrough, charting on the Canadian alternative charts and gaining exposure through its use in the "Horizon" trailer for the video game Assassin's Creed IV: Black Flag.[5] The lead single "Trust", released on August 7, 2015, from Sun Leads Me On, topped the Canadian adult alternative (AAA) chart at No. 1, helping propel the album to commercial success.[86][87] From their third album A Blemish in the Great Light, singles included "Then Again" and "Flesh and Blood" in 2019, showcasing the band's evolving sound with intricate harmonies and percussion.[30] In 2023, "You Can Let Go" (March 3) and "Alco" (April 20) served as promoted singles from Salt, contributing to the album's reception during the band's return to touring.[88] More recently, in 2025, Half Moon Run released several standalone singles, including "Back on the Road" on January 31, reflecting themes of resilience and movement. "The Message", released on March 20, explored introspective lyrics amid the band's ongoing activity. Additionally, "Shadows of Night", released on October 31, 2025, was created for the Netflix series The Witcher, featuring a Witcher version tailored for the show's soundtrack and emphasizing atmospheric folk-rock elements.[75][51] Other 2024-2025 releases include "Loose Ends" (November 28, 2024) and "Boots of Spanish Leather" (December 23, 2024, cover).[89]| Single | Year | Album/Association | Notes |
|---|---|---|---|
| Full Circle | 2012 | Dark Eyes | Debut single; featured in Assassin's Creed IV: Black Flag trailer. |
| Trust | 2015 | Sun Leads Me On | Peaked at No. 1 on Canadian AAA chart. |
| Then Again | 2019 | A Blemish in the Great Light | Lead single; highlighted for its layered production. |
| Flesh and Blood | 2019 | A Blemish in the Great Light | Promoted single. |
| You Can Let Go | 2023 | Salt | Lead single. |
| Alco | 2023 | Salt | Second single from album. |
| Back on the Road | 2025 | Standalone | Visualizer released; themes of return. |
| The Message | 2025 | Standalone | Explores personal reflection. |
| Another Woman | 2025 | Another Woman EP | Title track from EP. |
| Shadows of Night | 2025 | The Witcher soundtrack | Custom version for Netflix series (Season 4). |