Hamish Michael
Hamish Michael (born 18 March 1980) is an Australian actor, voice artist, and composer best known for his television roles as Richard Stirling in the ABC legal drama Crownies (2011) and its spin-off series Janet King (2014–2017), as well as Jamie Merrick in the Stan crime miniseries The Twelve (2022).[1][2][3] Born in Melbourne, Victoria, Michael relocated to Latrobe, Tasmania, at the age of three and a half, where he experienced a childhood marked by small-town independence, including an early morning paper round.[4] He began his acting career without formal drama school training, starting in amateur theatre through university revues and one-act plays, before landing his first professional television role as a guest in Stingers (2002–2003).[4] His breakthrough came with Crownies, earning him a nomination for the Graham Kennedy Award for Most Outstanding New Talent at the 2012 Logie Awards, after which he continued in prominent supporting roles across Australian television, including Darren Fairbank in Frayed (2019–2021) and an arc in Rosehaven (2016–2021).[2][4] In film, Michael has appeared in supporting capacities, such as the Clerk at Probity Trust in Baz Luhrmann's The Great Gatsby (2013) and Doug Walters in the miniseries Howzat! Kerry Packer's War (2012), alongside more recent projects like Jeremy in the Netflix series Apple Cider Vinegar (2025) and Captain Parks in The Mongoose (upcoming), as well as roles in Scrublands (season 2, 2025), Ladies in Black (2024), and One More Shot (2025).[5][1][2][3] On stage, he has performed with the Sydney Theatre Company in productions including How to Rule the World (2020) as Lewis Lewis and Pato Dooley in The Beauty Queen of Leenane (2019), the latter earning a nomination at the Sydney Theatre Awards.[2] Additionally, Michael is active as a voice artist and composer, and he founded a self-tape production business in 2014 to support actors' auditions; he is married to fellow Australian actress Kate Mulvany since 2015.[4][3] With over two decades in the industry, Michael continues to pursue opportunities in the United States while maintaining strong ties to Australian screen and stage.[4]Early life and education
Early years
Hamish Michael was born on 18 March 1980 in Melbourne, Victoria, Australia.[6] At the age of 3.5, Michael's family relocated to Latrobe on Tasmania's northwest coast, where he spent his formative years in a small-town environment that afforded him significant independence.[4] His childhood in Latrobe was marked by the freedoms typical of rural Australian life in the 1980s, which he later described as akin to "growing up in your own personal bio-dome isolation." Starting at age 10, Michael took on an early morning paper round, rising at 4:30 a.m. to ride his bike through the streets to the local newsagency, where he would roll and deliver newspapers with his parents' full permission.[4] Family dynamics played a key role in shaping his early interests, including a lack of emphasis on formal academics from his mother, who viewed him as less inclined toward scholarly pursuits compared to his high-achieving sister; his father, meanwhile, worked on the Empress ship, contributing to a household that prioritized practical independence over structured achievement.[4]Education and early interests
Michael grew up in Latrobe, Tasmania, after his family relocated from Melbourne when he was three and a half years old. He attended high school there, completing his secondary education at St Brendan-Shaw College in nearby Devonport.[4] Despite his emerging interest in performance, Michael briefly pursued part-time studies at the University of Tasmania during his IT cadetship but disliked it and did not complete a degree, influenced by his mother's discouragement over her perception of his academic shortcomings compared to his high-achieving sister. He also lacked formal drama school training, having made multiple unsuccessful attempts to enroll, including applying through a grant program at the Salamanca Arts Centre for emerging theatre artists.[4] Following high school, Michael moved to Hobart at age 17, taking a job in IT support at the Retirement Benefits Fund while living affordably with friends. It was in Hobart that he first engaged with amateur theatre, participating in the University of Tasmania Revue, one-act plays at the local Drama Festival, and community musicals, which ignited his passion for the performing arts. These early hobbyist experiences marked his initial forays into performance before transitioning to professional work.[4] In early 2000, Michael secured his first paid theatre role in a production at the Salamanca Arts Centre, signifying the shift from unpaid amateur involvement to a professional career in acting.[4]Acting career
Theatre and stage work
Hamish Michael's professional theatre career began in Hobart, Tasmania, where he made his debut in the late 1990s with local productions. Throughout the early 2000s, Michael honed his craft in Hobart's regional scene, participating in one-act play festivals and smaller productions with the Old Nick Company, as well as other local ensembles. These experiences, including roles in musicals and contemporary plays, provided a foundation in live performance amid Tasmania's intimate theatre community. He also took part in university revues and community theatre, building skills in improvisation and ensemble work before transitioning to mainland opportunities.[4] Michael's move to major Australian theatre companies represented a significant shift from regional stages to national prominence. His main-stage debut came in 2005 with the role of Harry in Two Brothers, a production co-presented by the Melbourne Theatre Company and Sydney Theatre Company, which highlighted his ability to portray complex familial dynamics.[2] This led to further collaborations with leading ensembles, including the Sydney Theatre Company in Children of the Sun (2014) and The Beauty Queen of Leenane (2019), where he delivered nuanced supporting performances in dramatic works by renowned playwrights.[7] In Melbourne, Michael contributed to innovative productions such as The Beast (2013) and Ray's Tempest (2006) with the Melbourne Theatre Company, exploring themes of identity and adaptation in contemporary Australian theatre. His work in How to Rule the World (2020) for the Sydney Theatre Company further demonstrated his range, originating a role in a politically charged drama that addressed power and corruption.[8] These roles underscored his transition from Hobart's grassroots scene to the heart of Australia's professional stage, where he became known for his grounded, empathetic portrayals that bridged intimate character studies with broader social narratives.[9]Television roles
Michael began his television career with a guest role in the Australian crime drama Stingers, appearing as Callum Lewis in a 2004 episode of the series' eighth season.[10] This marked his debut in episodic television, following early commercial work that helped launch his acting pursuits.[4] His breakthrough came in 2011 with the role of ambitious solicitor Richard Stirling in the ABC legal drama Crownies, where he appeared across 22 episodes, earning a nomination for the 2012 TV Week Logie Award for Most Outstanding Newcomer.[11] The character, a sharp and ethically flexible lawyer navigating high-stakes cases, showcased Michael's ability to portray complex, morally ambiguous figures in the legal genre. This performance highlighted his transition from minor guest appearances to more prominent supporting roles. Michael reprised the role of Richard Stirling in the spin-off series Janet King from 2014 to 2017, appearing in 24 episodes across multiple seasons as the now-established barrister entangled in intricate courtroom and personal dramas.[2] For his work in the third season, The Invisible Wound, he received a 2016 AACTA Award nomination for Best Guest or Supporting Actor in a Television Drama.[12] The recurring nature of the role allowed Michael to deepen Stirling's character arc, evolving from a supporting player in Crownies to a key ensemble member in a critically acclaimed franchise focused on prosecutorial challenges. Among his other notable television appearances, Michael portrayed Jamie Merrick, a volatile husband in a troubled marriage, in nine episodes of the 2022 Stan legal drama The Twelve.[2] He also played Detective Sergeant Darryn Fairbank, a tenacious investigator probing a disappearance, in six episodes of the ABC comedy-drama Frayed in 2019 and 2021.[2] Earlier guest spots included two episodes of Blue Heelers between 2004 and 2006, where he appeared as different characters, Leon Dyer and Antony Beaumont.[13] In miniseries, he depicted cricketer Doug Walters in the 2012 Nine Network production Howzat! Kerry Packer's War and media executive Bruce Gyngell in the 2013 drama Power Games: The Packer–Murdoch War.[14] More recently, he appeared as Ken Marlow in four episodes of the 2024 ABC series Ladies in Black and as Jasper Speight in four episodes of the second season of Scrublands, which premiered on April 17, 2025, on Stan.[15][16] Throughout his television career, Michael's roles have evolved from brief guest appearances in procedural dramas like Stingers and Blue Heelers to lead supporting characters in narrative-driven legal and ensemble series such as Crownies, Janet King, and The Twelve, often emphasizing tense interpersonal dynamics and professional intrigue within Australian drama genres.[2]Film and other media
Michael began his feature film career with a small but notable role as the Clerk at Probity Trust in Baz Luhrmann's adaptation of The Great Gatsby (2013). He later portrayed Jeremy, a key character in the Australian comedy-drama miniseries Apple Cider Vinegar (2025), directed by Charles Williams and released on Netflix on February 6, 2025.[2][17] Michael is slated to appear as Captain Parks in the upcoming action-thriller The Mongoose, produced by Servo Productions for Amazon MGM Studios.[2] In addition to on-screen performances, Michael works as a voice artist, delivering narration and character voices for various Australian media projects, including distinguished contributions to campaigns for The Australian and Mercedes-Benz.[18] His versatile voice, capable of comedic and serious tones with accents such as British and standard American, is represented through Scout Management, where he utilizes his own recording studio for professional demos and recordings.[18] Michael has composing credits in select media projects, blending his musical talents with narrative work.[3] As part of this, he contributed to the soundtrack of the independent film Heartworm (2017) by recording original music alongside the band Art of Fighting.[4] Beyond composing, Michael's music pursuits include his role in the indie rock band Parallel Lions, formed with vocalist/guitarist Ollie Browne of Art of Fighting and drummer Sam Bates.[19] In the band, Michael provides guitar, keyboards, and backing vocals, contributing to their electronic-infused sound.[20] Parallel Lions released their debut album Holding Patterns in 2012, and the group supported Paul Dempsey of Something for Kate on a national Australian tour.[4][21] In other media endeavors, Michael founded Department of Pretend in 2014, a full-service self-tape audition studio and showreel production facility based in Sydney, with an additional location in Melbourne.[22] The business assists actors in creating high-quality remote audition materials, stemming from Michael's own experiences with self-tapes early in his career.[4]Awards and nominations
Television and film awards
Hamish Michael's television performances have earned him notable recognition at major Australian awards ceremonies, particularly the Logie Awards and AACTA Awards, highlighting his versatility in supporting roles within legal and dramatic series.[2][23] In 2012, Michael received a nomination for the Graham Kennedy Award for Most Outstanding New Talent at the TV Week Logie Awards for his portrayal of Richard Stirling, a young solicitor navigating ethical dilemmas in the ABC legal drama Crownies. This breakthrough role showcased his ability to convey moral complexity in a high-stakes environment, competing against strong contenders including Chelsie Preston Crayford and Anna McGahan from Underbelly: Razor, as well as Melissa Bergland from Winners & Losers. The nomination underscored Crownies' impact as a fresh ensemble-driven series that revitalized Australian procedural television.[24][25] Michael's work in the Crownies spin-off Janet King led to a 2016 nomination for Best Guest or Supporting Actor in a Television Drama at the Australian Academy of Cinema and Television Arts (AACTA) Awards, specifically for the episode "The Long Goodbye" from season two. As Richard Stirling, he delivered a nuanced performance exploring personal and professional tensions in a politically charged legal narrative, standing out amid competition from actors like Russell Dykstra (Rake) and Ben Gerrard (Molly). This recognition affirmed his growth as a character actor in prestige television, with Janet King earning additional nods for its ensemble and production quality.[26][27] More recently, in 2023, Michael was nominated for the TV Week Silver Logie for Most Outstanding Supporting Actor for his role as Jamie Merrick in the Foxtel/Binge miniseries The Twelve, a critically acclaimed jury drama that delved into psychological and societal themes. His depiction of a conflicted family man added emotional depth to the ensemble, placing him alongside nominees such as Alexander England (Black Snow), Arka Das (Here Out West), Clarence Ryan (Mystery Road: Origin), and Thomas Weatherall (Heartbreak High). The series itself secured multiple Logie wins, including for Most Outstanding Drama Miniseries or Telemovie, elevating Michael's contribution within a field of high-profile Australian productions.[28][29][2]Theatre awards
In 2006, Hamish Michael received a nomination for the Helpmann Award for Best Male Actor in a Supporting Role in a Play for his portrayal of Harry, the troubled son struggling with drug addiction, in Hannie Rayson's Two Brothers, a co-production by the Melbourne Theatre Company and Sydney Theatre Company directed by Simon Phillips.[2][30] The play, which premiered in Melbourne in April 2005 before transferring to Sydney, explored themes of family division, political ideology, and asylum seekers through the story of two estranged brothers on opposing sides of Australia's political spectrum, drawing inspiration from real-life figures like the Costello siblings. Critical reception was mixed, with praise for the production's sharp social satire and comedic elements but criticism for its occasionally melodramatic tone; Michael's role contributed to the family dynamics central to the narrative, though specific reviews of his performance were limited.[30] The following year, in 2007, Michael earned a Green Room Award nomination for Best Male Performer (Theatre Panel, Companies) for his dual roles in Eldorado by David Holman and Ray's Tempest, an adaptation of Shakespeare's The Tempest by Ray Lawler, both produced by Melbourne Theatre Company.[2][31] These performances highlighted his versatility in contemporary Australian drama and classical reinterpretations, respectively, amid a season noted for innovative staging and ensemble work. Michael's theatre accolades continued with a win at the 2019 Sydney Theatre Awards for Best Male Actor in a Supporting Role (Mainstage Production) for his performance as the gentle Pato Dooley in Martin McDonagh's The Beauty Queen of Leenane, directed by Paige Rattray for the Sydney Theatre Company.[2][32] The production, which ran at the Roslyn Packer Theatre from November 2019, depicted the fraught mother-daughter relationship in rural Ireland, with Michael's tender portrayal providing emotional contrast to the play's dark comedy and themes of isolation and cruelty. Critics lauded the overall cast's depth and the production's gripping intensity, describing Michael's work as a poignant "wavering finger of sunshine" that underscored the character's vulnerability and offered brief hope amid the grim narrative.[33]Personal life
Family and marriage
Hamish Michael married Australian actress and playwright Kate Mulvany on 7 July 2015 in New York, where the couple eloped in a small ceremony attended by close friends and family, including actors such as Jacki Weaver.[34][4] The pair met in 2008 amid Mulvany's challenging personal period following the suicide of her previous partner, actor Mark Priestley, connecting through their overlapping circles in the Australian theatre and acting community.[35] Michael and Mulvany share a supportive partnership shaped by their dual careers in acting, with Mulvany also established as a writer; they describe their household as one where each understands the irregular rhythms and demands of the profession, allowing flexibility for international work and relocations between Australia and the United States.[4] The couple has collaborated professionally, co-starring in the 2022 Foxtel series The Twelve—Mulvany as a murder suspect and Michael as an abusive husband—though their characters did not share scenes, earning both Logie Award nominations for their performances.[34] Mulvany's childhood cancer treatment left her unable to have children, and the couple maintains a quiet life together without children.[36][37]Residences and other pursuits
Michael lived in Sydney, Australia, for 13 years as of 2023, establishing it as his primary professional and personal hub during much of his acting career.[4] He and his wife have since purchased a property in Melbourne, where they now reside as of 2024.[4][38] Complementing his acting commitments, Michael acquired a U.S. green card, which has facilitated greater flexibility for international work opportunities, including auditions and projects in Los Angeles.[4] This status allows him and his wife to commute regularly between Australia and the United States without visa constraints, supporting a nomadic lifestyle tied to global industry demands.[4] Beyond acting, Michael pursues music as a creative outlet through his involvement in the indie pop band Parallel Lions, formed in collaboration with vocalist/guitarist Ollie Browne of Art of Fighting and drummer Sam Bates.[19] The trio released their debut album, Holding Patterns, in 2009, blending Browne's melodic songwriting with Michael's contributions on guitar, keys, and electronic textures.[20] The band has performed live, including supporting Paul Dempsey of Something for Kate on a national tour, providing Michael a platform to explore composition and performance outside theatre and screen work.[4] In 2014, Michael founded Department of Pretend, a Sydney-based studio specializing in self-tape auditions and showreel production for actors, addressing his own frustrations with the self-taping process during early career hurdles.[22] The facility offers professional setup and feedback, serving as a side venture that leverages his industry experience to assist fellow performers.[4] These pursuits reflect Michael's approach to balancing his demanding acting schedule with personal passions, integrating music and entrepreneurship to sustain creative fulfillment amid relocations and professional travel.[4]Filmography
Television
| Year | Title | Role | Episodes |
|---|---|---|---|
| 2002 | Stingers | Tony McKinnon | 1 |
| 2004 | Stingers | Callum Lewis | 1 |
| 2004–2005 | The Secret Life of Us | Mini Evan | 3 |
| 2004–2006 | Blue Heelers | Leon Dyer / Antony Beaumont | 2 |
| 2005 | Heartbreak Tour | Jason | TV movie |
| 2011 | Crownies | Richard Stirling | 33 |
| 2012 | Howzat! Kerry Packer's War | Doug Walters | 2 |
| 2012 | Redfern Now | Steven | 1 |
| 2013 | Power Games: The Packer–Murdoch War | Bruce Gyngell | 2 |
| 2014–2017 | Janet King | Richard Stirling | 24 |
| 2015 | Ready for This | Mr. Bott | 3 |
| 2016–2017 | The Heart Guy | Tim | 3 |
| 2018–2021 | Rosehaven | Steve | 12 |
| 2019–2021 | Frayed | Darryn Fairbank | 12 |
| 2019 | Total Control | Kosta | 2 |
| 2022 | The Twelve | Jamie Merrick | 10 |
| 2024 | Apple Cider Vinegar | Jeremy | 4 |
| 2025 | Scrublands: Silver | Jasper Speight | 4 |
Film
Hamish Michael's film career includes a mix of feature films, shorts, and TV movies, often showcasing his versatility in supporting roles.| Year | Title | Role | Type | Notes |
|---|---|---|---|---|
| 2005 | Heartbreak Tour | Jason | TV movie | Directed by Ben Chessell. [42] |
| 2006 | Em 4 Jay | Steve | Feature film | Directed by Alkinos Tsilimidos. [50] |
| 2007 | Heaven | Jamie | Short | Directed by Gemma Lee. [51] |
| 2007 | Lucky Miles | Peter Coade | Feature film | Directed by Michael James Rowland. [52] |
| 2018 | Ladies in Black | Ken Marlow | Feature film | Directed by Bruce Beresford. [53] |
| 2013 | The Great Gatsby | Clerk - Probity Trust | Feature film | Directed by Baz Luhrmann. [54] |
| 2019 | Little Monsters | Sara's Friend | Feature film | Directed by Abe Forsythe. [55] |
| 2021 | Shark | Best Man | Short | Directed by Nash Edgerton. [56] |
| 2025 | One More Shot | C-Word | Feature film | Directed by Nicholas Clifford; time-loop comedy. [57] |
| 2025 | The Mongoose | Captain Parks | Feature film | Upcoming action thriller directed by Mark Vanselow, starring Liam Neeson. [58] |