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Tempest

The Tempest is a five-act romance play authored by , composed circa 1610–1611 and likely one of his final independent works. Centering on , the ousted Duke of who wields sorcery on an isolated island alongside his daughter , the narrative unfolds after he summons a storm to wreck the vessel carrying his treacherous brother , of , and their entourage. Prospero's schemes involve his enslaved spirit and the brutish native , driving plots of retribution, romantic entanglement between Miranda and Alonso's son , and eventual mercy toward the castaways, culminating in Prospero's abjuration of magic and return to Milan. The play draws partial inspiration from the 1609 shipwreck of the English vessel off , as recounted in contemporary accounts that circulated in , blending elements of exploration, illusion, and political intrigue reflective of Jacobean-era interests in voyages. Notable for its innovative —employing spectacle, music, and masques—it has been interpreted through lenses of and , with Prospero's control symbolizing both creative mastery and , though such readings must account for the text's emphasis on personal reconciliation over systemic critique. First staged by the King's Men at Whitehall Palace, endures as a cornerstone of Shakespeare's , frequently adapted into operas by composers like and films emphasizing its fantastical elements, while its metatheatrical qualities—Prospero as a stand-in for the —have fueled speculation of autobiographical intent.

Arts and Entertainment

Literature

The Tempest is a play by , first performed on 1 November 1611 at Whitehall Palace before I. The work draws inspiration from contemporary accounts of shipwrecks, including William Strachey's 1610 letter describing the 1609 wreck of the in , which Shakespeare likely encountered through printed or circulated versions. It appeared in print for the first time in the 1623 collection of , compiled by his fellow actors John Heminges and . The plot centers on Prospero, the rightful Duke of Milan, who was usurped by his brother Antonio with the aid of King Alonso of Naples and exiled to a remote island with his infant daughter Miranda twelve years prior. Prospero, a scholar versed in magic, enslaves the native islander Caliban and commands the spirit Ariel; he conjures a tempest to shipwreck Alonso, Antonio, Alonso's brother Sebastian, advisor Gonzalo, and Alonso's son Ferdinand, separating them on the island to confront their past treacheries. Through illusions and Ariel's interventions, Prospero tests the survivors: Ferdinand and Miranda fall in love, Antonio and Sebastian plot against Alonso but are thwarted, and Caliban allies briefly with the drunken butler Stephano and jester Trinculo in a failed rebellion. Ultimately, Prospero forgives his enemies, arranges Miranda's betrothal to Ferdinand, frees Ariel, renounces his magic, and returns to Milan, leaving Caliban to reclaim the island. Classified among Shakespeare's late romances alongside Cymbeline, The Winter's Tale, and Pericles, the play explores themes of reconciliation, power, and colonialism through its isolated setting and supernatural elements, though no single source accounts for the full narrative, which Shakespeare synthesized from travel reports, classical texts like Ovid's Metamorphoses, and Montaigne's essays on natural man. Modern literary scholarship, such as editions from the , highlights its blend of comedy, tragedy, and masque-like spectacle, with often interpreted as a semi-autobiographical figure reflecting Shakespeare's from around 1613. Beyond Shakespeare's work, fewer original literary pieces bear the title Tempest without direct derivation; notable examples include William Carlos Williams's 1928 poem "Tempest," which evokes stormy emotional turmoil in , published in his collection Collected Poems. However, most subsequent uses reference or adapt Shakespeare's play, such as Tad Williams's 1995 Caliban's Hour, reimagining Caliban's in a fantasy framework, or Katherine Duckett's 2019 Miranda in , extending Miranda's story post-exile with supernatural intrigue. These derivative works underscore the enduring influence of Shakespeare's original on prose fiction and exploring , , and .

Films

The Tempest (1908), directed by Percy Stow, was the first film adaptation of William Shakespeare's play, a silent short produced in that condensed the story into key scenes featuring Prospero's magic and the . Tempest (1928), a synchronized directed by Sam Taylor, starred as a sergeant navigating class tensions and romance amid revolutionary upheaval, drawing no direct connection to Shakespeare's work despite the title. Derek Jarman's The Tempest (1979) reimagined the play as a surreal, low-budget fantasy shot at , with as a brooding exerting control over spirits and exiles, incorporating aesthetics, , and improvised elements that diverged from the original text. Paul Mazursky's Tempest (1982) offered a contemporary loose , following an () fleeing to a island for personal reinvention, echoing 's isolation with themes of and relationships involving and . Peter Greenaway's (1991) centered on John Gielgud's narrating through 24 imagined books, blending lavish visuals, voiceover of the full play script, and erotic imagery to explore , and exile in an style. Julie Taymor's (2010) gender-swapped the lead role to Helen Mirren's Prospera, a deposed duchess wielding magic on an island with her daughter (Felicity Jones), incorporating CGI effects for (Ben Whishaw) and emphasizing feminist reinterpretations amid shipwrecked royals. These productions vary in fidelity to the source material, with Jarman and Greenaway prioritizing stylistic innovation over literal retelling, while Taymor's version balances spectacle and textual adherence.

Television

Television adaptations of William Shakespeare's began in the early days of broadcast , with productions emphasizing the play's themes of , exile, and reconciliation through live or taped performances suited to the medium's constraints. Early efforts, such as a 90-minute version directed by Dallas Bower on February 5, 1939, featured distinguished casts but were limited by rudimentary technology, focusing on a condensed narrative of Prospero's island machinations. These adaptations often prioritized fidelity to the text while adapting staging for studio sets, marking television's role in democratizing access to Shakespearean drama. A notable milestone came with the 1960 Hallmark Hall of Fame production, directed by George Schaefer, starring Maurice Evans as and as . Broadcast on , this version highlighted Burton's ethereal portrayal amid shipwreck survivors, blending Elizabethan costumes with dramatic storm effects to evoke the play's supernatural elements. Three years later, in 1963, aired an adaptation directed by Alan Burke, featuring as in a locally produced interpretation that incorporated Antipodean sensibilities into the island exile motif. Though not strictly a , its television format underscored regional efforts to localize Shakespeare. The BBC's contribution arrived in 1980 as part of the ambitious series (1978–1985), directed by with as and as . This 140-minute installment, aired on December 27, 1980, adhered closely to the text, employing practical effects for Ariel's illusions and Miranda's innocence, while critiquing colonial undertones through Caliban's subplot. An animated rendition followed in 1992 for the Shakespeare: The Animated Tales series, a 30-minute episode that simplified the plot for younger audiences via cel animation, emphasizing Prospero's magical books and the tempest's fury. Later broadcasts included rebroadcasts and recordings of stage productions, such as the Stratford Festival's 2010 rendition starring as , which aired on in 2014 and again in 2024, capturing live theater energy with Plummer's authoritative command over spectral servants and reconciled foes. These adaptations reflect television's evolution from live broadcasts to polished recordings, consistently portraying The Tempest as a meditation on power and forgiveness, though critics note occasional dilutions of the play's linguistic complexity for visual pacing.

Music

composed incidental music and songs for a semi-opera of Shakespeare's , known as The Tempest, or The Enchanted Island (Z. 631), circa 1695, which incorporated masques and supernatural elements central to the play's themes of enchantment and storm. This work, blending spoken dialogue with vocal and instrumental pieces, exemplifies Restoration-era theatre music and includes evocations of tempests through orchestral effects. In the nineteenth century, produced (Op. 18), a symphonic fantasia in completed in , drawing directly from Shakespeare's narrative to depict seascapes, Prospero's magic, and the romance between and through programmatic . The piece premiered in on December 8, 1873, and remains a staple of the orchestral repertoire for its vivid tone painting and emotional depth. Jean Sibelius created incidental music (Op. 109) for a 1925 production of The Tempest at Copenhagen's Royal Theatre, premiered on March 15, 1926, featuring a prelude, suites, and character-specific motifs that underscore the play's isolation and reconciliation. Later arranged into two suites, this late-period work integrates Sibelius's mature style of brooding atmospheres and lyrical interludes, reflecting the island's mystical isolation. Shakespeare's The Tempest has inspired dozens of operas and semi-operas since the seventeenth century, with notable modern examples including Thomas Adès's (2004), which premiered on February 10, 2004, at the House in with a by Meredith Oakes adapting the original text into a emphasizing psychological tensions. The opera, conducted by the composer himself at its premiere in 2012, employs dissonant harmonies and rhythmic complexity to portray Prospero's control and eventual renunciation of power. Other instrumental works include Ludwig van Beethoven's Piano Sonata No. 17 in (Op. 31, No. 2, 1802), posthumously nicknamed "The Tempest" for its stormy opening and dramatic contrasts evoking the play's and resolution, though Beethoven did not explicitly title it as such. In popular music, Bob Dylan's Tempest, released on September 10, 2012, by , features ten original songs with the title track narrating a fictionalized sinking amid apocalyptic imagery, unrelated to Shakespeare but sharing thematic motifs of disaster and fate.

Visual Arts

Shakespeare's (first performed around 1611) has inspired extensive visual art, particularly paintings and illustrations emphasizing its themes of magic, exile, and reconciliation, with artists favoring dramatic scenes involving , , , and the shipwreck. Early modern depictions often highlighted romantic or supernatural elements, as seen in engravings and oils produced for theater audiences or private collectors. A notable 18th-century example is William Hogarth's oil painting courting (c. 1736–1738), which illustrates the lovers' meeting in Act I, Scene II, portraying Ferdinand's arrival on the and Miranda's sheltered innocence amid 's watchful magic; the work measures approximately 76 x 63 cm and resides in collections like those of the . Similarly, William Hamilton's and (1797), an oil on canvas (81 x 57.5 cm) now in Berlin's , depicts the sorcerer commanding his ethereal servant, underscoring the play's hierarchical dynamics between human control and supernatural agency. In the 19th and early 20th centuries, Pre-Raphaelite-influenced artists explored the play's emotional and elemental motifs. John William Waterhouse's Miranda – The Tempest (1916, oil on canvas, 39.5 x 100 cm) shows the protagonist cowering during the summoned storm (Act I, Scene II), her windswept figure symbolizing vulnerability and the intrusion of the external world into her isolated life; exhibited posthumously, it reflects Waterhouse's late-career focus on Shakespearean heroines amid turbulent nature. George Henry Hall's Miranda (from "The Tempest") (1866–1867, oil) isolates the character on the shore, evoking her shipwrecked solitude and the play's sole prominent female role, as held in the Smithsonian American Art Museum. Other works include Philippe Jacques de Loutherbourg's The Tempest, Act I, Sc. I, The Shipwreck (c. 1793), commissioned for Thomas Macklin's Poet's Gallery to visualize the opening driving the . Engravings, such as Samuel Middiman's after Giovanni Battista Cipriani for The Tempest, Act I: and (late 18th century), further disseminated these scenes, adapting them for print reproduction. These collectively prioritize the play's spectacle over textual fidelity, often amplifying visual drama for Romantic-era tastes.

Video Games

Tempest is a tube shooter arcade video game developed and published by Atari, Inc. in 1981, designed and programmed by Dave Theurer. Players control a claw-like ship positioned at the outer edge of a tubular, three-dimensional playfield divided into multiple lanes, firing at geometric enemies that advance from the tunnel's center toward the perimeter. The game utilized color vector graphics on Atari's Quadrascan technology, with levels increasing in difficulty through faster enemy speeds, new foe types like flippers and spikes, and bonuses for clearing waves. The original arcade cabinet featured a distinctive spinner for precise 360-degree movement along the tube's rim, contributing to its reputation for intense, skill-based action. Tempest proved commercially successful, earning strong revenue in arcades and influencing subsequent shooters with its pseudo-3D perspective. Ports appeared on home systems including the (as an unreleased prototype), , Atari 8-bit computers, Commodore 64, and later compilations like for Windows 3.x, adapting the vector visuals to raster displays with varying fidelity. Sequels expanded the formula with enhanced graphics and mechanics. , developed by Llamasoft and released for the in 1994, introduced filled polygons, power-ups such as smart bombs and machine guns, branching bonus levels, and a pulsating , earning acclaim for revitalizing the series on 64-bit hardware. Ports followed for PC, , , and , preserving its high-speed frenzy. Tempest 4000, another Llamasoft production published by in 2018, modernized the gameplay for consoles and PC with vibrant, particle-heavy visuals, 100 levels across progressive difficulties, three modes including classic and spin-trap variants, and online leaderboards for score competition. An interim , Tempest 3000, emerged in 1999 for PC but received limited attention due to niche distribution and dated polygons compared to contemporaries. These iterations maintain Tempest's core loop of rapid enemy elimination and risk-reward scoring, underscoring its enduring appeal in revival collections.

Other Media

The play has been adapted into numerous radio dramas, with the producing multiple full-cast versions emphasizing its themes of , , and reconciliation. A 1974 production, directed by Ian Cotterell, starred as and as . An earlier adaptation from 1964 featured as , as , as , and as . A 2023 version, directed by , highlighted environmental connections with a Scottish cast including David Warner as , Carl Prekopp as , and as . These productions, often broadcast on Radio 3 as part of Shakespeare-focused seasons, preserve the original text while leveraging for supernatural elements like storms and spirits. Graphic novel adaptations have rendered the narrative in visual formats accessible to younger or reluctant readers. Classical Comics released The Tempest: The Graphic Novel in 2009, available in original unabridged text, simplified "quick text," and workbook editions, illustrated in full color to depict the island's enchantments and shipwreck. SelfMadeHero's 2008 Manga Shakespeare: The Tempest, adapted by Richard Appignanesi and illustrated by Paul Duffield, reimagines the story in a dystopian future following a 21st-century energy crisis, fusing Elizabethan dialogue with manga aesthetics. Saddleback Educational Publishing issued a hi-lo graphic novel version aimed at educational use, streamlining the plot for low-reading-level audiences while retaining key scenes of Prospero's sorcery. Full-cast audio recordings, distinct from stage or screen, include commercial releases of dramatizations, such as a production narrated with sound effects to evoke and Ariel's illusions, available since the early 2000s. These audio editions, often featuring professional actors, facilitate study and performance analysis by isolating vocal delivery and acoustics from visual staging.

Military

World War II

The Hawker Tempest was a single-seat fighter aircraft developed by Hawker Aircraft as an advanced derivative of the Typhoon, featuring a lengthened fuselage, thinner elliptical wings, and improved aerodynamics to enhance high-altitude performance while retaining low-altitude speed advantages. The Tempest Mk V, the primary operational variant during World War II, was powered by a 2,180 horsepower Napier Sabre IIB liquid-cooled inline engine and armed with four 20 mm Hispano Mk V cannons, enabling effective engagement of both aerial and ground targets. It achieved a maximum speed of approximately 435 mph (700 km/h) at low to medium altitudes, making it the fastest single-engine propeller-driven fighter in RAF service for such profiles. The first production Tempest Mk V rolled off the assembly line on 21 June 1943, with the type entering operational service with the Royal Air Force in April 1944, initially equipping for home defense. In response to the German offensive beginning on 13 June 1944, Tempest units such as No. 3 Squadron were rapidly deployed for low-level interceptions, leveraging the aircraft's superior speed—exceeding mph—and maneuverability to close on the pulsejet-powered weapons. Tempest pilots were credited with destroying 638 V-1s between June and September 1944, accounting for over one-third of the RAF's total of 1,771 flying bombs downed by interceptors during that period. From July 1944 onward, Tempest wings within the Second Tactical Air Force supported the Allied invasion of Normandy and subsequent ground operations across northwest Europe, performing fighter sweeps, bomber escorts, and with rocket projectiles and bombs. In air-to-air combat, these units achieved 240 confirmed victories against aircraft, including notable successes against advanced types such as seven jet fighters, three bombers, and one Heinkel He 162. The Tempest's robust construction and powerful engine allowed it to withstand ground fire during low-level attacks, contributing to its effectiveness in disrupting German logistics and armor concentrations, though it suffered losses to flak and superior enemy fighters at higher altitudes. Approximately 801 Tempest Mk V aircraft were produced during the war, forming the backbone of RAF Tempest operations before later variants like the Mk II entered production too late for significant combat. The type's combat debut marked a shift toward multirole capabilities in late-war RAF tactics, emphasizing speed and firepower over earlier designs' climb rates.

Post-World War II and Cold War

The TEMPEST program emerged in the early 1950s as a U.S. response to vulnerabilities in electronic systems processing , where unintentional electromagnetic emanations—termed "compromising emanations"—could be intercepted and reconstructed by adversaries at distances up to hundreds of meters. This threat gained urgency during the , following post-World War II advancements in radar and , which enabled exploitation of radiated signals from military teletypewriters and early computing devices used in secure communications. Soviet publication of interference suppression standards in 1954 further alerted U.S. agencies to potential foreign capabilities in emanation interception, prompting the (NSA), established in 1952, to formalize countermeasures. By 1958, the NSA issued initial TEMPEST standards mandating shielding, filtering, and physical separation of "" (classified) and "" (unclassified) circuits in equipment to suppress detectable emissions, with these protocols integrated into procurement for command centers, cryptographic terminals, and . NATO adopted compatible certification processes, applying them to allied forces' to counter Warsaw Pact espionage, particularly in Europe where U.S. and installations faced proximity to Soviet listening posts. Implementation involved laboratory testing for emission levels, with zoned protections allowing higher-risk environments—like forward-deployed units—to prioritize cost-effective mitigations over absolute suppression. Throughout the and , TEMPEST evolved amid escalating U.S.-Soviet technological rivalry, incorporating countermeasures against advanced receivers capable of demodulating video displays and keying signals from military radars and data links, as evidenced by NSA field tests revealing reconstructible from unshielded systems. Declassified directives assigned interagency responsibilities, including Department of Defense oversight for equipping tactical systems with TEMPEST-compliant hardening, such as ferrite filters on cabling and conductive enclosures on transmitters. By the , the standards supported three levels—I for basic lab , II for structural shielding, and III for stringent operational environments—deployed in strategic assets like nuclear command networks to prevent emanation-based leaks during crises such as the 1979 NATO exercises. The program's classified nature limited public disclosure until partial declassifications, underscoring its role in maintaining electromagnetic security amid pervasive surveillance threats.

Modern Developments

The (GCAP), formerly known as the Tempest programme in the , represents a collaborative effort among the , , and to develop a sixth-generation . Initiated through a 2022 trilateral agreement merging the UK's Tempest concept with Japan's F-X programme, GCAP aims to produce an advanced combat aircraft capable of integrating manned and unmanned systems, with enhanced sensor fusion, , and directed-energy weapons. The programme's core partners have committed to delivering the platform into service by the mid-2030s, replacing ageing fleets such as the in the Royal Air Force. In July 2025, GCAP achieved a key milestone with the opening of its international headquarters in , , facilitating coordinated design and development across the partner nations. This followed a progress review confirming advancements in technology demonstrators, including subscale models for and testing. , leading the UK effort, unveiled a next-generation air demonstrator in the same month, emphasizing stealth features, extreme operational range, and a payload capacity potentially twice that of the F-35 Lightning II. Rolls-Royce is advancing adaptive cycle engine technology for the aircraft, targeting sustainable with reduced emissions and higher efficiency. The programme has faced scrutiny over feasibility, with a UK parliamentary report in 2025 highlighting risks of delays and cost overruns exceeding initial estimates, potentially reaching £12 billion for the share alone. Despite this, partners remain committed, with prototype flight targeted for 2027 and full operational capability by 2035. Discussions on expanding the , such as potential involvement, have surfaced but appear unlikely as of late 2025, prioritizing the core trio's integration. GCAP's emphasis on export potential and industrial offsets underscores its strategic role in maintaining allied air superiority amid rising peer competitors. Several warships in the Royal Navy have borne the name HMS Tempest. One early example was , an R-class built by at , , and launched on 26 August 1916. She displaced 975 long tons, measured 276 feet in length, and was armed with three 4-inch guns, one 2-pounder anti-aircraft gun, four 21-inch torpedo tubes, and depth charges for . During , she conducted escorts, patrols, and anti-submarine operations in the and , contributing to the defense against German U-boats. Decommissioned after the war, she was sold for scrapping on 25 October 1937. A more prominent vessel was Tempest (N86), a T-class laid down by at on 15 February 1940, launched on 24 June 1941, and commissioned on 6 December 1941 under William A. K. N. Cavaye. Displacing 1,290 tons surfaced and 1,560 tons submerged, she was armed with six bow torpedo tubes, a 4-inch , and a 20 mm anti-aircraft gun, designed for offensive patrols against shipping in confined waters. Assigned to the 1st Submarine Flotilla at , she conducted patrols in the Mediterranean, sinking the transport Tembien (3,370 tons) on 7 and damaging other vessels before her loss. On 13 February 1942, after surfacing to recharge batteries in the , she was detected and sunk by depth charges from the torpedo boat , with all 61 crew members lost; records confirm the attack's success via effects and debris. The has also operated three ships named USS Tempest. The first, a side-wheel steamer acquired in 1865, served briefly in riverine operations during the post-Civil War period before decommissioning. The second, a shallow-draft wooden-hulled commissioned around 1918, supported coastal patrols and training until stricken in 1920. The third, USS Tempest (PC-2), a Cyclone-class coastal patrol craft commissioned on 28 August 1994, displaced 365 tons, measured 179 feet, and was equipped with two 25 mm Mk 38 chain guns, .50-caliber machine guns, and missiles for . She conducted maritime interdiction, mine countermeasures, and support in the and transferred to the U.S. for trials before returning to service in 2001 with Patrol Coastal Squadron 2. Decommissioned by the U.S. in 2011, she was transferred to in 2012 for continued patrol duties.

Science and Technology

Security and Cryptography

TEMPEST, a codename originating from U.S. intelligence efforts in the mid-20th century, addresses the security risks posed by unintentional electromagnetic (EM) emissions from electronic devices processing sensitive data. These compromising emanations, detectable at distances ranging from meters to kilometers depending on equipment and environment, can be intercepted and reconstructed to reveal plaintext information, even from encrypted systems if keys or operations leak via side channels. The National Security Agency (NSA) formalized TEMPEST as part of emissions security (EMSEC), emphasizing shielding and zoning to prevent such espionage, with early demonstrations in 1962 involving interception of teletypewriter signals from a nearby facility in Japan. In cryptographic contexts, TEMPEST countermeasures mitigate side-channel attacks where EM radiation betrays algorithmic operations, such as differential power analysis analogs in RF spectra, potentially exposing keys in ciphers like without direct access. Standards mandate low-emission designs for equipment handling ; for instance, NATO SDIP-27 Level A (formerly AMSG 720B) requires emissions below -60 dBµV/m at 1 meter for NATO Zone 0 (same-room threats), while Level B extends protection to 20 meters for Zone 1. U.S. equivalents, like NSTISSAM TEMPEST/1-92, similarly classify zones and enforce filtering, grounding, and enclosures to suppress radiated and across frequencies from kHz to GHz. Certification involves laboratory testing for compliance, with non-compliant devices restricted from secure environments; violations have historically enabled foreign recoveries, as noted in declassified NSA analyses of intercepted diplomatic communications. Modern adaptations incorporate software mitigations, like randomized operations to mask EM signatures, though hardware shielding remains primary due to persistent vulnerabilities in legacy and consumer-grade systems.

Computing and Software

TEMPEST, in the context of , refers to a framework of standards and countermeasures addressing unintentional compromising emanations—electromagnetic, acoustic, or visual—from computers, monitors, keyboards, and related peripherals that could enable remote data interception. These emanations arise from normal operation, such as pixel rendering on displays or electrical signals in processors, potentially allowing reconstruction of displayed or processed information via techniques like . Originating from U.S. (NSA) research in the mid-20th century, TEMPEST standards classify systems into levels (e.g., Level A for highest protection in zoned environments) requiring shielding, filtering, and temporal desynchronization to suppress emissions below detectable thresholds, typically measured in per meter at specified distances. The acronym has been interpreted variably as Transient Electromagnetic Pulse Emanation Standard or Electronics Materials Protected from Emanating Spurious Transmissions, though its primary focus remains emission security (EMSEC) rather than a strict . In software development for secure computing environments, TEMPEST compliance influences code practices to minimize predictable emission patterns, such as randomizing timing or using low-emanation fonts and algorithms that avoid uniform transitions. For instance, secure operating systems may incorporate software-based or overlays to obscure electromagnetic signatures during cryptographic operations. However, software alone cannot fully mitigate risks, as emanations stem fundamentally from hardware physics; thus, TEMPEST-certified systems integrate firmware-level controls with physical enclosures. Contemporary applications persist in classified and high-security computing, where TEMPEST testing involves specialized labs scanning for radiated and across RF spectra (e.g., 10 kHz to 10 GHz). Non-compliance has historically enabled , as demonstrated in declassified cases of intercepted outputs from 1960s-era equipment. Standards have evolved into NATO-aligned guidelines (e.g., SDIP-27), emphasizing holistic system certification over isolated software fixes.

People

Individuals with the Surname

Dame Marie Tempest (15 July 1864 – 15 October 1942), born Mary Susan Etherington in , was an English singer and actress who adopted the professional surname Tempest. She studied music in and at the Royal Academy of Music before making her stage debut in 1885, performing in operas and later in musical comedies and dramas on both and stages. Joey Tempest, born Rolf Magnus Joakim Larsson on 19 August 1963 in , , is a rock musician who adopted the stage surname Tempest. As and primary songwriter for the band , formed in 1979, he co-wrote their 1986 hit "The Final Countdown," which topped charts in multiple countries and sold over 15 million copies worldwide. Kae Tempest, born Kate Calvert in 1985 in southeast London, is a artist, , , playwright, and musician who performs under the surname Tempest. Beginning performances at age 16 on night buses and at raves, they attended the and released debut album Everybody Down in 2014, earning nomination; subsequent works include the 2016 collection Let Them Eat Chaos and novels like The Bricks That Built the Houses (2016). Among historical figures with the Tempest surname as family name, Sir John Tempest (c. 1401–1463) of Bracewell, , served as of in 1439 and 1458, and of in 1456, while supporting the in the Wars of the Roses. Robert Tempest held the position of of from 1558 to 1562. Pierce Tempest (1653–1717) was an English print publisher and engraver based in , known for producing portraits and landscapes.

Fictional Characters

Tempest (Garth) is a in DC Comics, originally debuting as , the sidekick to , before adopting the Tempest moniker in the 1990s. An orphaned raised in the royal court, Garth possesses superhuman strength, enhanced swimming capabilities, and hydrokinetic powers, later augmented by advanced sorcery learned from the ancient king Atlan, enabling him to manipulate water, generate force fields, and cast spells. He co-founded the alongside Robin, , and in The Brave and the Bold #54 (July 1964), contributing to numerous team adventures and solo arcs exploring politics and personal mysticism. In later continuity, Tempest serves as Atlantis's UN ambassador, balancing heroism with diplomacy amid threats like oceanic incursions and magical upheavals. Tempest (Joshua Clay), also known simply as Tempest, is another DC Comics character, a member of the team with energy-projection abilities. Introduced in Showcase #94 (August 1977) by writer Paul Kupperberg and artist Joe Staton, Clay is depicted as a veteran who gained his powers during when he instinctively unleashed thermal blasts from his hands to defend himself. These "tempest fire" bursts allow him to emit explosive plasma energy, though overuse risks cellular disintegration, necessitating a protective suit. Joining the second incarnation of the post the original team's 1980s "death," Clay features in storylines tackling aberrant science, personal trauma, and team dysfunction, including battles against villains like the . His arc emphasizes redemption and control over destructive potential, distinguishing him from the more aquatic Garth iteration.)

Transportation

Automobiles

The Pontiac Tempest was an automobile manufactured by the Pontiac Motor Division of General Motors, initially produced from 1961 to 1970 as a compact and later intermediate-sized car, with a revival as a Canadian-market model from 1987 to 1991. Introduced for the 1961 model year on General Motors' new Y-body platform, the first-generation Tempest featured a distinctive drivetrain layout with a front-mounted inline-four engine and rear-mounted transaxle connected by a flexible "rope-drive" torque tube, enabling a low floor and 112-inch wheelbase despite rear-wheel drive. Standard power came from a 195-cubic-inch (3.2 L) "Trophy 4" inline-four engine producing 110 horsepower, derived from the right bank of Pontiac's V8, while an optional 215-cubic-inch (3.5 L) aluminum V8 from Buick delivered up to 164 horsepower; body styles included four-door sedans, station wagons, and coupes. This design aimed to combine compact efficiency with Pontiac's performance reputation but faced reliability issues with the driveshaft, leading to its discontinuation after 1963, during which approximately 90,000 units were sold. For 1964, the Tempest shifted to GM's A-body intermediate platform, growing in size to compete with models like the and Ford Fairlane, with wheelbase expanded to 115 inches and engine options including a 250-cubic-inch (4.1 L) inline-six (140 hp) and V8s up to a 389-cubic-inch (6.4 L) unit (325 hp). The LeMans trim was introduced as a higher-end variant, serving as the basis for the 1964 muscle car package, which bundled the 389 V8 with performance upgrades and became a sales success with over 31,000 units in its debut year. Production continued through 1967 with styling updates, bucket seats, and console shifters becoming standard on custom models, emphasizing Pontiac's "wide-track" stance and sporty handling. The third generation, from 1968 to 1970, retained the A-body but adopted a more rounded, Coke-bottle design with federally mandated safety features like energy-absorbing columns; choices ranged from a 350-cubic-inch (5.7 L) V8 (250-330 hp) to the high-performance variants, while the Custom S package offered luxury touches like vinyl roofs. Annual production peaked around 100,000 units in the mid-1960s before declining due to rising fuel costs and emissions regulations. The nameplate was retired after 1970, replaced by the lineup. In 1987, Pontiac revived the Tempest name exclusively for the Canadian market as a rebadged version of the , a front-wheel-drive compact on the L-body with a 2.8-liter producing 130 horsepower and available in base or luxury trims. Built alongside the in U.S. plants, it featured Pontiac-specific styling like quad headlights and badging but shared the same 104.9-inch and mechanicals, with ending in 1991 amid poor sales and GM's badge-engineering strategy. This iteration sold modestly, primarily to differentiate Pontiac offerings in without major U.S. .

Ships and Vessels

Several naval vessels have been named Tempest in recognition of stormy weather phenomena, with service spanning from the 19th to the late primarily in the Royal Navy and . HMS Tempest (H71) was an R-class destroyer completed for the Royal Navy in 1917 as one of 62 such vessels built between 1916 and 1917. Constructed by at on the Clyde, she participated in operations but saw limited notable actions documented in primary records. HMS Tempest (N86), a T-class , was laid down by & Co. at and launched in June 1941. Displacing 1,327 tons, she was assigned to the 1st Submarine Flotilla at rather than the smaller-boat 10th Flotilla due to her size. On February 10, 1942, under William Alexander Keith Napier Cavaye, RN, she departed to patrol the ; on February 13, Italian Circe forced her to surface with depth charges, leading to her sinking after the crew abandoned ship, with 39 of 63 personnel lost. In the United States Navy, the first USS Tempest was a wooden-hulled sidewheel steamer built in 1862 at , and acquired at , , on December 30, 1864. Commissioned in early 1865, she served briefly as for a on the before the Civil War's end, with no major combat engagements recorded. A second USS Tempest operated as a shallow-draft, single-turret , originally laid down as . The third, , was a Cyclone-class coastal patrol craft commissioned in 1993, capable of 32 knots, and designed for shallow-water interdiction and patrol duties. Civilian vessels include Tempest WS, a 32-meter motor yacht built in France in 1963, with a top speed of 21 knots and a range of 1,100 nautical miles, accommodating 8 guests and 5 crew.

Other Vehicles

The Hawker Tempest was a single-engine fighter aircraft developed by Hawker Aircraft for the Royal Air Force during World War II, entering operational service in April 1944. Evolving from the Hawker Typhoon with a redesigned thinner elliptical wing for improved high-speed performance and maneuverability, it was powered by a 2,180 horsepower Napier Sabre II liquid-cooled inline engine, achieving a top speed of approximately 426 mph (685 km/h) at low altitudes. Over 1,700 Tempests were produced, primarily in the Tempest Mk V variant, which featured four 20 mm Hispano cannons and could carry rockets or bombs for ground-attack roles. The aircraft proved highly effective in intercepting V-1 flying bombs, destroying over 638 between June and August 1944 through high-speed dives and tip-chasing tactics, and later in ground support during the Normandy campaign and advance into Germany. Postwar, Tempest variants continued in RAF service until 1949 and were exported to countries including , where they saw in the 1947–1948 Indo-Pakistani War. The type's legacy includes setting a world air of 528 mph (850 km/h) in level flight on , 1945, piloted by Hugh Wilson. In contemporary contexts, Tempest designates a sixth-generation aircraft program initiated by the UK Ministry of Defence in 2018, led by in collaboration with partners including Rolls-Royce, Leonardo, and international allies and under the (GCAP). The design emphasizes , integration, directed-energy weapons, and networked operations, with a projected capacity twice that of the F-35 and extreme range capabilities. A full-scale demonstrator model was unveiled in , and a piloted supersonic technology demonstrator is planned for in the late , aiming for initial operational capability around 2035 to replace squadrons. As of 2025, the program has advanced through Phase 1.2 design maturation, focusing on adaptive cycle engines and . Less prominent uses include small-displacement motorcycles such as the Lexmoto 125, a retro-styled with a 125 cc producing 10 , marketed in the UK since 2022 for urban and light off-road use. Similarly, the 125 features fuel-injected Yamaha-derived mechanics in a classic commuter frame. These models, often assembled from components, target entry-level riders but lack the historical or strategic significance of counterparts.

Other Uses

Organizations and Companies

Tempest Therapeutics is a clinical-stage company founded in 2011 and headquartered in , that develops small-molecule product candidates targeting tumor and engagement for . WeatherFlow-Tempest is a weather technology company established in 2019, specializing in advanced personal monitoring systems and to mitigate weather-related risks for businesses and consumers. Tempest is an company founded in 2019 by Michael Levit and Sean Murphy, offering tools such as a private and designed to enhance user and control over digital footprints. The Tempest was a and entertainment company cofounded in 2016 by Laila Alawa, focused on content creation for millennial women and individuals from diverse backgrounds. Tempest Collective is a revolutionary socialist organization formed in 2020 by former members of the disbanded , publishing analysis on , labor movements, and related political topics.

Miscellaneous

is a play by , likely composed between 1610 and 1611, depicting the exiled Duke Prospero's use of magic to conjure a storm that shipwrecks his enemies on a remote island, exploring themes of , , and colonial encounters. The narrative draws partial inspiration from the 1609 wreck of the English ship Sea Venture on during a voyage to , as documented in contemporary accounts that described the survivors' ordeals and the island's supposed perils. Often regarded as one of Shakespeare's final solo-authored works, it features supernatural elements blending Renaissance interests in and spectacle, with Prospero's "art" symbolizing both and emerging scientific inquiry. Operation Tempest (Polish: Akcja Burza) was a series of anti-German partisan actions launched by the from late 1943 through 1944, aimed at liberating key cities ahead of the Soviet Red Army's advance to assert sovereignty and counter potential Soviet claims. Coordinated by General Tadeusz Komorowski, the operations included uprisings in (July 1944), Lwów (July–August 1944), and prelude actions to the , involving over 100,000 fighters at peak but hampered by limited arms and Soviet non-cooperation, resulting in heavy losses and post-war reprisals against participants. The strategy sought to demonstrate resistance credentials to Allied powers, though it ultimately failed to prevent Soviet dominance in the region due to geopolitical shifts. The phrase "" denotes a disproportionate uproar over a trivial matter, originating in 17th-century and popularized in American usage by the early to exaggerated controversies. This reflects the word's broader etymological roots in denoting violent storms or commotions, as derived from Latin via , but in idiomatic form emphasizes hyperbolic responses rather than literal weather events.

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