Fact-checked by Grok 2 weeks ago

Hey There

"Hey There" is a show tune from the 1954 Broadway musical The Pajama Game, with music and lyrics by Richard Adler and Jerry Ross.^[1] Introduced by actor John Raitt in the role of Sid Sorokin, the song features a unique structure in which the character records a message on a Dictaphone and then responds to his own words, expressing unspoken romantic feelings.^[1] Its smooth melody and heartfelt lyrics evoke the style of classic Rodgers and Hammerstein ballads, contributing to its enduring appeal as a standard in the Great American Songbook.^[2] The musical The Pajama Game, which premiered on May 13, 1954, at the St. James Theatre in New York City, depicts a labor dispute at a pajama factory and ran for 1,063 performances, earning the Tony Award for Best Musical.^[3]^[4] "Hey There" quickly gained popularity beyond the stage, topping the Billboard charts for six weeks in 1954 via Rosemary Clooney's recording and reaching the number-one spot on The Hit Parade.^[3] The song has been covered by numerous artists, including Eddie Fisher, Frank Sinatra, and Harry Connick Jr., and has appeared in films, television, and revivals of the musical, solidifying its place as one of Adler and Ross's most celebrated works alongside hits like "Hernando's Hideaway" from the same score.^[3]^[2]

Background and composition

Development in The Pajama Game

"Hey There" has music and lyrics by Richard Adler and Jerry Ross, as part of their collaborative effort for the 1954 musical The Pajama Game.<grok:render type="render_inline_citation"> 3 </grok:render> This was the duo's first major Broadway book musical, following their earlier songwriting successes in revues and individual tunes, such as contributions to John Murray Anderson's Almanac (1953).<grok:render type="render_inline_citation"> 25 </grok:render>^[5] The song serves as a solo for the character Sid Sorokin, the new superintendent at the Sleep-Tite Pajama Factory, embodying the workplace romance central to the musical's narrative of attraction amid labor disputes.<grok:render type="render_inline_citation"> 2 </grok:render> In the story, Sid sings it as an introspective reflection on his growing feelings for Babe Williams, the union's grievance committee head, highlighting the personal conflicts arising from the factory's management-union tensions.<grok:render type="render_inline_citation"> 50 </grok:render> Development of The Pajama Game included out-of-town tryouts in New Haven, Connecticut, from April 12 to 17, 1954, at the Shubert Theatre, and in Boston shortly thereafter, where the production underwent revisions to sharpen the integration of songs like "Hey There" with the plot's labor-management dynamics.^[6] During these tryouts, elements such as a reprise of "Hey There" for Babe were added in place of the cut duet "The World Around Us" to heighten emotional stakes in the romance subplot.<grok:render type="render_inline_citation"> 19 </grok:render><grok:render type="render_inline_citation"> 21 </grok:render>^[7] These changes ensured the number reinforced the thematic tension between professional duties and personal desires. The song and musical emerged amid the post-World War II boom in American musical theater, a period marked by expanded audiences and innovative storytelling that built on the book-integrated format established by Rodgers and Hammerstein's Oklahoma! in 1943.<grok:render type="render_inline_citation"> 30 </grok:render> The Pajama Game, directed by George Abbott and choreographed by Bob Fosse, exemplified this era's blend of social commentary, romance, and tuneful scores, contributing to Broadway's golden age momentum.<grok:render type="render_inline_citation"> 30 </grok:render>

Lyrics and musical style

The lyrics of "Hey There," with music and lyrics by Richard Adler and Jerry Ross, delve into the theme of unrequited love portrayed as an internal monologue. In the song, the protagonist Sid Sorokin records his conflicted feelings on a dictaphone, using it as a surrogate to address his love interest, Babe, while grappling with romantic hesitation and self-doubt. This device underscores the song's introspective quality, highlighting emotional vulnerability in a workplace romance context.^[8] Key excerpts capture this motif, beginning with the opening lines: "Hey there, you with the stars in your eyes / Love never made a fool of you / You used to be too wise." The recurring address "Hey there" evolves through verses that contrast past wisdom with present infatuation, culminating in pleas like "Though she won't come back again," emphasizing longing and resignation. These lines, delivered in a conversational tone, reinforce the song's personal, confessional style.^[8] Musically, "Hey There" is a mid-tempo ballad structured in a simple verse-chorus form with a bridge, set in 4/4 time to evoke a gentle, flowing rhythm that mirrors romantic introspection. Composed in E♭ major, it features a vocal range from approximately F3 to B♭4, ideal for a baritone voice such as that of original performer John Raitt, allowing for smooth, expressive phrasing without extreme tessitura demands.^[9]^[10] The harmonic framework relies on standard Broadway progressions, primarily I-IV-V (E♭-A♭-B♭), providing a familiar, supportive foundation that enhances melodic accessibility. Subtle chromatic elements, such as passing diminished chords in the bridge, introduce tension to convey emotional longing, resolving back to the tonic for cathartic release and aligning with mid-1950s musical theater conventions.^[2]^[8]

Original production and recordings

Broadway debut

"Hey There" premiered on May 13, 1954, as part of the original Broadway production of The Pajama Game at the St. James Theatre in New York City.^[4] The song was performed by John Raitt in the role of Sid Sorokin, the factory superintendent, under the direction of George Abbott and Jerome Robbins, with choreography by Bob Fosse in his Broadway debut.^[4] The original Broadway cast recording, featuring Raitt's performance, was recorded on May 16, 1954, and released by Columbia Records on May 24, 1954.^[11] In the staging, Raitt delivered the number as a solo in Sid's office, using a dictaphone to record and playback his voice, creating a duet effect that highlighted the character's internal conflict and budding romance with union leader Babe Williams amid the factory's labor tensions.^[11] This minimalistic setup, relying on the prop and Raitt's vocal interplay, underscored themes of introspection and vulnerability within the ensemble's broader storyline of industrial strife.^[12] The song's debut received positive critical attention as part of the production's acclaimed score, with Brooks Atkinson of The New York Times hailing The Pajama Game overall as "the best" musical of the season for its skillful blend of libretto, music, and staging.^[13] Raitt's performance of "Hey There" was noted for its innovative delivery, enhancing the emotional resonance of Sid's character arc.^[14]

1954 hit versions

Following the Broadway premiere of The Pajama Game on May 13, 1954, "Hey There" rapidly transitioned from stage favorite—sung by John Raitt—to a pop standard through several commercial recordings that capitalized on the musical's instant acclaim and subsequent Tony Award wins for Best Musical, choreography, and featured actress in 1955.^[15]^[16] Rosemary Clooney's rendition, recorded on June 1, 1954, for Columbia Records, featured lush orchestral backing by Buddy Cole and His Orchestra, emphasizing strings and subtle harp glissandi to underscore the song's wistful romance.^[17] Sammy Davis Jr.'s version, taped on June 7, 1954, and issued by Decca Records, adopted a jazz-inflected swing arrangement under the direction of Sy Oliver, infusing the ballad with rhythmic vitality and improvisational flair suited to Davis's versatile vocal style.^[18]^[19] Among other 1954 releases, Johnnie Ray's early take for Columbia, directed by Joe Reisman, delivered a dramatic, emotive interpretation with orchestral support that highlighted Ray's signature emotional intensity, while versions by artists like Dolores Hawkins and Armando Castro explored varied vocal timbres amid the post-Broadway excitement.^[20]^[21]

Chart performance and commercial success

Billboard and Cash Box charts

The Rosemary Clooney recording of "Hey There," released in June 1954, achieved significant success on the major U.S. music charts of the era. It peaked at number one on Billboard's Best Sellers in Stores chart for six consecutive weeks beginning September 25, 1954, marking one of the year's biggest pop hits and reflecting the song's rapid ascent from its Broadway origins. On the Cash Box Best-Selling Records chart, Clooney's version also reached number one, holding the top position for six weeks from September 25 to October 30, 1954, underscoring its dominance in retail sales metrics.^[22] Sammy Davis Jr.'s rendition, issued shortly after Clooney's and featuring a more upbeat, jazz-inflected arrangement, performed respectably but trailed the leading version. It climbed to number 16 on Billboard's Best Sellers in Stores chart in August 1954, with a 10-week run on the survey. On Cash Box, Davis's cover peaked at number five, benefiting from the song's overall buzz while appealing to a distinct audience through his dynamic vocal style.^[22] The original Broadway cast album of The Pajama Game, which prominently featured "Hey There" performed by John Raitt, further amplified the song's exposure by charting at number one on Billboard's Best Selling Pop Albums survey for several weeks in late 1954. This success helped bridge the gap between theater and mainstream pop consumption, as the album's strong sales—over 100,000 copies in its first months—introduced the tune to broader audiences beyond single releases. In comparative terms, "Hey There" outperformed many contemporaries on the charts, including Kitty Kallen's "Little Things Mean a Lot," which held Billboard's number-one spot for nine weeks earlier in 1954 but lacked the Broadway-to-pop crossover appeal that propelled Clooney's version to similar heights. This trajectory exemplified how show tunes could transition into enduring pop staples during the mid-1950s, just before the rock 'n' roll surge altered chart dynamics.

Sales and certifications

Rosemary Clooney's recording of "Hey There," released in 1954 by Columbia Records, achieved massive commercial success, selling over one million copies and becoming her fifth million-selling single. This performance underscored the song's immediate appeal from the Broadway musical The Pajama Game.^[15] The original Broadway cast album for The Pajama Game, which prominently featured "Hey There" performed by John Raitt, was a key factor in the production's financial viability, ranking among Columbia Records' top-selling cast recordings of the era and helping to extend the show's profitability beyond ticket sales.^[23] Sammy Davis Jr.'s version, released the same year on Decca Records, marked his first major national hit and garnered notable sales, as reflected in its strong performance on contemporary trade charts published by Billboard.^[24] In recognition of its enduring cultural significance, Clooney's 1954 recording was inducted into the Grammy Hall of Fame in 1999, honoring recordings of lasting historical or artistic merit.^[25]

Notable covers and adaptations

Early covers (1950s–1960s)

Following the initial success of "Hey There" in 1954, the song quickly attracted interpretations from prominent jazz and pop vocalists in the mid-1950s, often reimagining its intimate ballad structure through scat singing, big band arrangements, or lounge-inflected phrasing.^[26] One of the earliest post-hit covers was by Ella Fitzgerald in 1955, featured on her album Songs from 'The Pajama Game' and Other Great Hits, where she delivered a jazz-infused rendition emphasizing her signature scat technique and improvisational flair, transforming the tune's conversational lyrics into a playful vocal showcase.^[26] In 1956, Frank Sinatra recorded a sophisticated big band version for Capitol Records, included on his compilation album This Is Sinatra Volume 2, conducted by Nelson Riddle; Sinatra's smooth, emotive delivery highlighted the song's romantic yearning, aligning it with the easy listening trends of the era and contributing to its radio play on variety programs.^[26] That same year, Sammy Davis Jr. offered a dynamic, uptempo take on Decca Records' single Hey There, infusing the track with his versatile showmanship and rhythmic energy, which helped sustain the song's presence in live performances and broadcasts.^[26] By 1957, Peggy Lee provided an intimate lounge-style interpretation on her Capitol album The Man I Love, arranged by Jack Marshall, where her breathy vocals and subtle orchestration shifted the focus toward a more personal, atmospheric mood, reflecting the growing popularity of relaxed vocal jazz in supper clubs and television appearances.^[26] Louis Armstrong's 1957 Decca recording on Louis and the Angels, arranged by Russell Garcia, brought a warm, gravelly trumpet-led jazz treatment, blending scat elements with orchestral swells to emphasize the song's narrative charm.^[26] These mid-1950s covers marked a transition from the original's pop-oriented simplicity to jazz and easy listening adaptations, frequently aired on radio shows like Your Hit Parade and featured in variety specials, broadening the tune's appeal beyond Broadway audiences.^[26] Into the 1960s, the song continued to inspire vocalists seeking to explore its lyrical introspection. Peggy Lee's 1960 Capitol single revisited the material with a similarly subdued lounge aesthetic, underscoring its enduring fit for intimate settings.^[26] Julie London's 1962 version on Liberty Records adopted a cool, minimalist jazz approach, her husky tone evoking quiet vulnerability.^[26] Later in the decade, Nancy Wilson's 1966 Capitol recording, arranged by Sid Feller, incorporated smooth orchestral backing to highlight the song's melodic elegance, while maintaining its roots in mid-century vocal standards.^[26] Overall, these early covers demonstrated "Hey There"'s versatility, evolving from pop hit to a staple in jazz repertoires and easy listening collections, often showcased in live radio and television formats that popularized Broadway material for general listeners.^[26]

Modern interpretations

In the 1970s, "Hey There" received renewed attention through the 1973 Broadway revival of The Pajama Game, directed by George Abbott, which featured Hal Linden as Sid Sorokin and delivered a fresh take on the song's wistful romance amid the musical's labor-themed comedy.^[27] This production, running for 65 performances at the Lunt-Fontanne Theatre, emphasized the number's emotional core in a mixed-race cast interpretation that highlighted workplace tensions.^[28] Later in the decade, Rosemary Clooney revisited her signature 1954 hit with a 1977 studio recording that retained its orchestral pop charm while adding a reflective maturity suited to her evolving career.^[29] The 1980s and 1990s saw "Hey There" adapted into country and pop styles, broadening its appeal beyond Broadway. Ray Stevens' 1980 studio version infused the song with lighthearted country flair on his album One More Last Time, transforming its introspective lyrics into a playful narrative. In 1992, Kathie Lee Gifford included a warm, conversational rendition on her album Heart of a Woman, aligning the track with her talk-show persona's approachable vibe. Anne Murray's 2002 cover on Country Croonin', a tribute to 1950s standards, presented the song in a smooth, countrypolitan arrangement.^[30] From the 2000s onward, interpretations leaned toward jazz-inflected intimacy and theatrical revivals, reflecting the song's adaptability in contemporary settings. Bette Midler's 2003 studio recording on Bette Midler Sings the Peggy Lee Songbook offered a sultry, cabaret-style delivery that emphasized the lyrics' longing through her signature emotive phrasing.^[31] The 2006 Broadway revival, starring Harry Connick Jr. as Sid Sorokin and Kelli O'Hara as Babe Williams, reimagined "Hey There" with swing-era orchestration and Connick's piano-driven arrangement, earning a Tony Award for Best Revival of a Musical and introducing the song to new audiences via its cast album.^[32]^[33] In jazz circles, Phil Woods' 2001 saxophone-led version with the Bill Charlap Trio on Voyage provided an improvisational, post-bop take that highlighted the melody's harmonic depth. Matthew Morrison's 2013 cover on Where It All Began blended musical theater polish with pop production, exemplifying the song's role in modern vocal showcases.^[34] These versions underscore "Hey There"'s lasting influence in recordings and stage productions, often prioritizing emotional intimacy over the original's big-band energy.

Cultural impact and legacy

Use in television and film

The song "Hey There," originating from the 1954 Broadway musical The Pajama Game, has been prominently featured in both film and television, often highlighting its romantic and nostalgic qualities in scripted contexts.^[35] In film, the song appears in the 1957 screen adaptation of The Pajama Game, where it is performed by John Raitt as the character Babe Williams' love interest, Sid Sorokin, during a pivotal scene expressing unspoken affection amid workplace tensions. This rendition closely mirrors Raitt's original Broadway portrayal, preserving the tune's intimate, confessional tone. On television, "Hey There" was sung by Kelsey Grammer as Frasier Crane in the 1991 episode "The Days of Wine and Neuroses" (Season 9, Episode 15) of Cheers, where Frasier performs it via karaoke in a bar setting to woo a woman, underscoring a comedic subplot involving his neurotic romantic pursuits and vulnerability.^[36] The performance adds humor through Frasier's dramatic delivery and the episode's exploration of his emotional insecurities.^[37] The song also featured in the British sitcom Only Fools and Horses in the 1986 episode "Tea for Three," performed by Buster Merryfield as Uncle Albert during a talent night at the Nag's Head pub, adapted with lyrics changed to reference his late wife Ada for a heartfelt tribute.^[38] This moment ties into Albert's character arc of nostalgic storytelling, evoking laughter and sentiment among the ensemble as he reflects on personal loss. These appearances in American and British media during the late 1980s and early 1990s contributed to sustaining the song's cultural recognition, bridging its mid-20th-century origins with contemporary audiences through memorable, character-driven integrations.^[38]

Influence on popular music

The song "Hey There," composed by Richard Adler and Jerry Ross, exemplifies the duo's innovative songwriting formula that fused accessible pop melodies with theatrical storytelling, a hallmark of their contributions to 1950s Broadway.^[39] This approach, evident in the song's introspective lyrics and soaring refrain, helped establish Adler and Ross as pivotal figures in the era's musical theater, influencing the structure of subsequent Broadway scores by emphasizing character-driven ballads that appealed to broad audiences.^[3] As a Broadway standard, "Hey There" significantly shaped genre evolution by transitioning into jazz and easy listening repertoires, where its simple yet emotive melody lent itself to improvisational interpretations by vocalists and instrumentalists. Rosemary Clooney's 1954 recording, for instance, popularized it in easy listening circles through its warm, orchestral arrangement, paving the way for similar Broadway-derived tunes in those styles.^[40] The song's cultural legacy is underscored by the 1999 induction of Clooney's version into the Grammy Hall of Fame, recognizing its historical and artistic significance as a timeless pop standard.^[25] "Hey There" contributed to the expansion of the Great American Songbook during the 1950s by becoming a staple in vocal and jazz collections, with over 180 documented covers across genres by 2025.^[41] This enduring appeal highlights its role in bridging musical theater with mainstream American songcraft.^[42]

References

[1]
TWO YEARS, TWO BEST MUSICAL TONYS By Peter Filichia
May 26, 2020 · ... popular Latin-infused songs; and “Hey There,” of which Adler was particularly proud: John Raitt sang into a then-state-of-the-art Dictaphone ...
[2]
Richard Adler and Jerry Ross: Hey There - Song of the Day - NYFOS
Nov 2, 2016 · Adler and Ross had two hit Broadway shows in the mid 1950s with The Pajama Game and Damn Yankees. In the song “Hey There” (from Pajama Game) ...
[3]
Richard Adler and Jerry Ross | The Stars | Broadway - PBS
Several of the songs became popular outside the show, including “Hernando's Hideaway,” “Hey There” (a U.S. number 1 for Rosemary Clooney) and “Small Talk.
[4]
"Hey There" | National Museum of American History
This sheet music is for the song "Hey There," with words and music by Richard Adler and Jerry Ross. ... musical The Pajama Game which opened on May 13, 1954 at ...
[5]
Hey, There! It's Richard Adler - The New York Times
Mar 5, 1989 · And so the composer of ''Hernando's Hideway'' and ''Hey, There,'' two of ''The Pajama Game's'' songs that took first and second places on ''The ...<|control11|><|separator|>
[6]
[PDF] hey there - Sheet Music Singer
From the Broadway Production "The Pajama Game". Slowly and expressively. 孝 ... Hey There, да. Am7. D7. G. Em7. Am7. 3. D7. G7. G7-5 e you on that high fly- ing ...Missing: signature | Show results with:signature
[7]
MUSICAL THEATRE DEVELOPMENTAL REPERTOIRE 8
This song is more intermediate because: the 3/4 time signature give this ... Composer/Lyricist: Adler and Ross ... “Hey There” from The Pajama Game. “I Miss the ...
[8]
https://www.sheetmusicsinger.com/wp-content/uploads/2022/03/Hey-There-1954.pdf
[9]
The Pajama Game – Broadway Musical – Original | IBDB
The Pajama Game (Original, Musical, Comedy, Broadway) opened in New York City May 13, 1954 and played through Nov 24, 1956.
[10]
The Pajama Game – Original Broadway Cast Recording 1954
The Pajama Game: Hey There. Richard Adler, Jerry Ross, John Raitt, The ... The Pajama Game: Sleep Tite. Richard Adler, Jerry Ross, Janis Paige, The Pajama Game ...<|control11|><|separator|>
[11]
Full Synopsis | Music Theatre International
Sid is disappointed, both with her response and with himself for falling for her ("Hey, There"). ... the pajama factory ("The Pajama Game – Reprise").
[12]
Theatre in Review: 'Pajama Game'; Musical Comedy Has Debut at ...
THE last new musical of the season is the best. It is "The Pajama Game," which opened at the St. James last evening with all the uproar of a George Abbott ...Missing: Hey | Show results with:Hey
[13]
About This Recording - Naxos Records
But their biggest hit was the straight-ahead ballad “Hey There”, given a new twist by having John Raitt sing it into a Dictaphone, allowing him to share a duet ...
[14]
Saturday Evening Post - Rosemary Clooney
Hey, There! Is a song from the musical, Pajama Game, and it is cause for special rejoicing in the halls of Columbia Records. This Clooney recording is the first ...<|control11|><|separator|>
[15]
https://www.rosemaryclooney.com/_1libraryfiles/sepost.html
[16]
https://www.tonyawards.com/winners/year/1955/
[17]
https://www.discogs.com/release/2856452-Rosemary-Clooney-Hey-There-This-Ole-House
[18]
https://www.discogs.com/release/7854821-Sammy-Davis-Jr-Hey-There
[19]
https://adp.library.ucsb.edu/index.php/mastertalent/detail/311145/Sammy_Davis_Jr
[20]
Cash Box Top Singles - 1954
September 25, Hey There - Rosemary Clooney / Sammy Davis, Jr. 29. Papa Loves Mambo - Perry Como ; October 2, Hey There - Rosemary Clooney / Sammy Davis, Jr. 36.
[21]
THE ORIGINAL CAST PRESERVED; Musicals Can Be More ...
Other top Columbia albums include "Kiss Me, Kate" (OL 4140), "Kismet" (OL 4850), and “The Pajama Game” (OL 4840). Additional Decca money-makers have been ...
[22]
OutKast, double-sided singles, holiday albums | CHART BEAT CHAT
Dec 19, 2003 · Fred Bronson discusses OutKast, double-sided singles, holiday albums, online album sales, vinyl singles and more with readers.
[23]
https://www.nytimes.com/1960/05/22/archives/the-original-cast-preserved-musicals-can-be-more-profitable-on.html
[24]
None
Below is a merged response summarizing all cover versions of "Hey There" by Richard Adler and Jerry Ross from 1955 to 1969, based on the provided segments. The information is presented in a dense, tabular CSV format to retain as much detail as possible, followed by additional notes and useful URLs. The tables are structured to include artists, years, labels (where available), albums (where specified), and additional notes (e.g., arrangers, conductors, or instrumental status). Where discrepancies or missing data exist across segments, they are noted or combined logically.
[25]
The Pajama Game – Broadway Musical – 1973 Revival - IBDB
The Pajama Game (Revival, Musical, Comedy, Broadway) opened in New York City Dec 9, 1973 and played through Feb 3, 1974.
[26]
“The Pajama Game” (1973-1974): tops and bottoms in black and white
Aug 31, 2019 · And an immediate success, thanks to a great bunch of popular songs (“Steam Heat”, “Hernando's Hideaway”, “Hey There”), and innovative and ...
[27]
https://www.ibdb.com/broadway-production/the-pajama-game-3663
[28]
https://www.thehidehoblog.com/blog/2019/08/the-pajama-game-1973-1974-tops-and-bottoms-in-black-and-white
[29]
https://secondhandsongs.com/performance/1463919
[30]
The Pajama Game – Broadway Revival 2006
Synopsis ... Alone in his office with a dictaphone, Sid duets with his own voice about his deepening feelings for Babe (“Hey There”), before going off to the ...Missing: scene | Show results with:scene
[31]
https://secondhandsongs.com/performance/87200/versions
[32]
The Pajama Game (1957) - IMDb
Rating 6.6/10 (4,426) The Pajama Game: Directed by George Abbott, Stanley Donen. With Doris Day ... Bob Fosse's choreography is splendid and Barbara Nichols is a riot.
[33]
"Cheers" The Days of Wine and Neuroses (TV Episode 1991) - IMDb
Hey There. (uncredited). Written by Richard Adler and Jerry Ross. Performed by Kelsey Grammer. We've Got Tonight. (uncredited). Written by Bob Seger. Performed ...
[34]
Cheers: Season 9, Episode 15 script - SubsLikeScript
♪ Hey, there ♪ Who? ♪ You, with the stars in your eyes ♪ (womanly voice): Are you talking to me? ♪ Love never made a fool of you... ♪ Frasier, it's been two ...
[35]
"Only Fools and Horses" Tea for Three (TV Episode 1986) - IMDb
Rating 8.8/10 (727) The scene where Albert gets on the Nag's Head stage and sings 'Hey There' in tribute to his wife Ada is cut out of the Region 2 DVD release of the episode ...
[36]
Jerry Ross | Songwriters Hall of Fame
Jerry Ross wrote the musical scores for two of the most popular and enduring musicals in Broadway Theater, “The Pajama Game” and “Damn Yankees,” two shows ...
[37]
Hey There - song and lyrics by Rosemary Clooney - Spotify
Open App. Hey There. Rosemary Clooney. The Hits Collection 195420083:00. Rosemary Clooney. Artist. Rosemary Clooney. Recommended based on this song.
[38]
Original versions of Hey There written by Richard Adler, Jerry Ross ...
The song Hey There was written by Jerry Ross [US1] and Richard Adler and was first performed by John Raitt. It was first recorded by Johnnie Ray - Orch.
[39]
https://www.songhall.org/profiles/jerry-ross