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History Books

History Books is the sixth studio album by American rock band . It was released on October 27, 2023, through Rich Mahogany Records and . Produced by , it is the band's first studio album in nine years, following their 2014 release Get Hurt. The album marks the band's return after reuniting in March 2022 and embarking on a world tour. The title track features a by .

Development

Band reunion

The Gaslight Anthem announced an indefinite hiatus on July 29, 2015, via a post, citing collective burnout after years of intense touring and the creative pressures following their 2014 album Get Hurt. Frontman , in particular, sought to pursue solo endeavors, releasing albums like Painkillers (2016) and Sleepwalkers (2018) to explore more introspective Americana influences away from the band's punk-rock intensity. The break allowed band members to recharge and address personal strains, avoiding what Fallon described as a potential "landslide" of exhaustion that could have led to the group's dissolution. During the , the band members gradually reconnected, with Fallon reflecting on his time away and realizing how much he missed the collaborative energy of performing with his bandmates. The enforced isolation highlighted the joy of live rock shows and big crowds, prompting Fallon to consider a reunion as early as 2020; by September 2021, he discussed the idea openly with his wife during a car ride and sought advice from , who encouraged him to write new material. played a pivotal role in this process, as Fallon began addressing his anxiety through professional help and medication, which not only alleviated personal struggles but also reignited his songwriting drive. These discussions evolved into informal outreach to Benny Horowitz and the other members in late 2021 and early 2022, fostering a renewed sense of purpose. The official reunion was announced by Fallon on Instagram on March 25, 2022, declaring the band's return to full-time status alongside plans for a new album—their first since 2014—and an extensive tour. To gauge fan response and test early new songs, the group scheduled festival and headline appearances starting in summer 2022, including European dates in August that marked their first shows in years. This reconnection directly influenced the thematic focus of their subsequent work, emphasizing personal growth and resilience amid adversity.

Songwriting process

Following their reunion in late 2021, the songwriting for History Books began with taking the lead on lyrics, drawing from personal reflection during the and therapy sessions that addressed his struggles, including and anxiety. Fallon composed initial drafts by mining entries from his personal journals, which captured introspective thoughts accumulated during isolation, allowing him to infuse the material with mature, narrative-driven content distinct from the band's earlier work. The process emphasized collaboration among bandmates, with guitarist , bassist Alex Levine, and drummer Benny Horowitz contributing to melodies and song structures through remote sessions in 2022, which helped rebuild creative synergy without immediate pressure to replicate past successes. This remote approach facilitated iterative exchanges, where Fallon's lyric-focused demos were refined into full arrangements, fostering a sense of renewed group dynamics post-hiatus. Fallon's recent solo efforts, particularly the 2020 album Local Honey, played a key role in evolving his punk-rock songcraft toward greater emotional depth and maturity, influencing the lyrical vulnerability and structural subtlety evident in History Books. For instance, the introspective Americana elements from Local Honey informed Fallon's approach to balancing raw energy with personal storytelling in the new material. A pivotal creative decision involved integrating guest features from the outset, exemplified by the collaboration with on the title track, which Fallon conceived during early drafts after Springsteen suggested a and encouraged the band's return. This idea emerged organically in initial writing phases, aligning with the album's themes of legacy and reflection while enhancing its emotional resonance.

Production

Recording sessions

The recording sessions for History Books spanned from late 2022 to May 2023, primarily at Tarquin Studios in , with producer overseeing the process. The band reconvened after their 2022 reunion, transitioning from songwriting demos into full productions during this period. Some overdubs, including guest contributions, occurred later at in , . The Gaslight Anthem structured their sessions around a rigorous five-day-per-week schedule, fostering reconnection among members after years apart and helping rebuild their collaborative dynamic. To recapture the raw energy of their early work, the band emphasized live tracking, performing together in the studio and capturing full-band takes from basic demos, such as recordings of vocals and guitar. Initial efforts focused on —bassist Alex Levine and Benny Horowitz—laying down foundational grooves before layering guitars and vocals. One key logistical challenge involved integrating guest vocals for the title track, with contributing remotely in May 2023 while on tour in Ireland; the band sent him the song, and he recorded his parts during a brief break before returning the files. This approach allowed for collaboration without halting the core sessions. Mindful of previous that led to their 2015 , the band deliberately limited the album to 10 core tracks, prioritizing efficiency and creative focus over expansive experimentation.

Production and mixing

The production of History Books was led by , a Grammy Award-winning known for his work with bands such as The National, for which he won for in 2018, as well as and . Katis collaborated closely with the band to craft a described as vibey and raw, emphasizing emotional power through taut guitar arrangements while maintaining a polished clarity that avoids overproduction. This approach drew from his experience with acts, allowing the album to balance energy with refined dynamics. Mixing took place at Katis's Tarquin Studios in , where he focused on integrating Brian Fallon's distinctive vocals with the album's guitar-driven elements, ensuring the arrangements felt cohesive and driving without overpowering the raw intensity of the performances. The studio's setup contributed to this by incorporating analog tape machines, such as the A827 24-track, which added warmth and organic texture to the tracks, enhancing the overall punk-rooted aesthetic. Specific overdubs were applied for guest appearances, including Stefan Babcock of PUP on "Little Fires" and on the title track, layered in to complement the core band sound during . The album was mastered by veteran engineer at Sterling Sound, who applied final and adjustments to achieve sonic cohesion across the tracks, preserving the while ensuring suitable for modern playback. This step finalized the chain, building on the initial recording sessions to deliver a unified listening experience.

Musical style and themes

Genre influences

History Books represents an evolution in The Gaslight Anthem's sound, blending , , and influences while drawing from the band's roots established in their early work. The album's sonic elements emphasize driving guitars from , prominent bass lines by Alex Levine, and dynamic drumming by Benny Horowitz, creating a range that spans mid-tempo anthems to introspective ballads. These components deliver a warm, melancholic tone with bursts of energy, supported by cleaner production compared to the grunge-tinged experimentation of their 2014 album Get Hurt. Influences from are prominent, particularly in the title track "History Books," a Springsteen-esque opener featuring his guest vocals and evoking heartland rock's narrative drive. Additionally, 1980s shapes the album's nostalgic, wistful alt-rock foundation, as heard in the upbeat energy of "Positive Charge," which highlights the band's lineage through its thumping rhythm and riffage. These genre elements enhance the emotional delivery of the lyrical themes, grounding the album in a mature yet familiar sonic identity.

Lyrical content

The lyrical content of History Books centers on themes of reflection, redemption, and personal growth, deeply influenced by frontman Brian Fallon's experiences with and the . Fallon has described how engaging in and a program during the helped him organize his thoughts, enabling a more introspective songwriting approach that emphasizes emotional renewal and boundary-setting in relationships. These elements manifest in tracks that explore moving beyond past struggles, such as in "Positive Charge," where Fallon reflects on reclaiming vitality after hardship. Recurring motifs of history and underscore the album's narrative, portraying life events as chapters in a collective record that blend personal and broader societal reckonings. The , for instance, nods to past relationships through imagery of burned bridges and manipulative dynamics, while also evoking a societal reflection on flawed legacies documented in "history books filled up with crooks." This motif extends to songs like "Autumn," which contemplates the impermanence of joy and loss, framing memories as transient yet formative. The lyrics mark an evolution from the youthful angst and raw urgency of earlier albums like (2008) and (2010) to a more mature introspection shaped by time and life changes. Where previous works often channeled restless rebellion and romantic disillusionment, History Books adopts a weathered resilience, as seen in "Slow Burn," which grapples with profound loss through its heavy, deliberate emotional weight. This shift reflects the band's and Fallon's solo explorations, prioritizing wisdom over immediacy. During recording sessions, Fallon collaborated with bandmates on subtle lyrical adjustments to enhance universality, steering away from overt toward relatable narratives that resonate beyond personal specifics. This process ensured songs like "Empires" evoke shared human experiences of hope amid melancholy, without direct references to individual histories. The musical style, with its driving rhythms and layered guitars, amplifies these lyrical emotions, creating anthemic moments of .

Release and promotion

Announcement and formats

The Gaslight Anthem announced their sixth studio album, History Books, on July 20, 2023, via social media platforms, sharing the title track featuring along with its accompanying that served as a teaser for the project. The album was initially released on October 27, 2023, through the band's independent label Rich Mahogany Records in partnership with . It became available in standard physical and digital formats, including , vinyl records, digital downloads, and major streaming services, with vinyl variants pressed in standard black as well as limited colored editions such as canary yellow and tiger's eye. The packaging incorporated a simple cover photograph of members, designed to evoke the aesthetic of nostalgic book covers, with art direction by Kelsey Hunter Ayres and layout by Rich Johannes Weinberger. This announcement also highlighted the band's reunion following a nine-year , framing the release within their renewed creative narrative.

Singles and marketing

The Gaslight Anthem released "Positive Charge" as the from History Books on April 28, 2023, their first new music in nearly a decade following the 2014 album Get Hurt. The track emphasizes upbeat, anthemic themes of renewal and energy, produced and mixed by , and was promoted through live performance clips shared on the band's official channels during early reunion shows. This release served as an initial teaser for the album, highlighting the band's return to their punk-influenced rock sound. The follow-up single, the title track "History Books" featuring , arrived on July 21, 2023, coinciding with the full album announcement. The collaboration marked Springsteen's first studio appearance with , drawing on shared roots to evoke themes of legacy and reflection. Accompanying the single was an official directed by Kelsey Ayres, filmed in evocative New Jersey settings to underscore the song's nostalgic tone. Marketing efforts for History Books centered on building fan engagement through pre-order bundles offered via the band's official store, including exclusive 180-gram black vinyl editions paired with merchandise such as t-shirts, hats, and jackets. Social media teasers, including behind-the-scenes snippets and album artwork reveals, amplified hype on platforms tied to the band's announcements. Promotional strategies also incorporated festival previews, with early performances of singles at events like Riot Fest, alongside tie-ins to the band's ongoing reunion tour dates that integrated new material into setlists. To reach rock audiences, the campaign featured a dedicated push for radio airplay on alternative stations and strategic playlist placements on Spotify and Apple Music, such as editorial rock and punk revival lists.

Post-release

Expanded edition

On July 12, 2024, released the History Books (Expanded Edition), a of their 2023 featuring a remixed version of the original ten tracks alongside five bonus recordings. The new mix, crafted by engineer Chris Dugan, was specifically tailored for platforms to better capture the band's intended sound after they determined the initial version "didn’t quite hit the mark," while retaining the original mix. This edition expands the to 15 tracks with a total runtime of 58 minutes and 38 seconds, incorporating outtakes, covers, and acoustic renditions drawn from extended recording sessions. The bonus tracks include a previously unreleased collaboration on "Little Fires" featuring Bully, a cover of Billie Eilish's " Eyes" with Karina Rykman that underscores the band's influences, a fresh take on their fan-favorite "Blue Jeans & White T-Shirts" alongside , and stripped-down acoustic versions of "Positive Charge" and "History Books." These additions were motivated by the band's desire to mark nearly a year since the original release and share additional material unearthed during production, providing deeper insight into their creative process and thematic explorations of and . The acoustic renditions, in particular, extend the album's introspective lyrical content by emphasizing emotional vulnerability in a more intimate format. Initially available exclusively in digital formats via the band's Rich Mahogany Recordings label and , the expanded edition later saw components like the bonus tracks from the companion Short Stories EP pressed on translucent sea blue . Fans responded enthusiastically to the bonuses, praising the enhanced clarity of the remix and viewing the extra material as a meaningful extension that hints at ongoing evolution in the band's output.

Touring

The launched live support for History Books with a series of headline release shows in October 2023, headlining four sold-out nights at White Eagle Hall in , from October 27 to 30. These performances marked the live debut of several album tracks, including "Spider Bites," "Autumn," "The Patient Ferris Wheel," and "," blending new material with fan-favorite classics in intimate settings that celebrated the band's return to their home turf immediately following the album's release. In December 2023, the band continued North American activity as special guests on select dates of Young The Giant's tour, including a high-energy set at the Aragon Ballroom in on December 8. The following year, touring expanded significantly with a and headline leg from March 18 to April 13, 2024, encompassing sold-out shows at venues like , London's (two nights), and stops in , , and , supported by . This leg concluded with a headline slot at the 2000 Trees Festival in the on July 11. The North American headline tour resumed in summer 2024, running from July 26 at The Mission Ballroom in to September 1 at The Fillmore in , featuring arena and theater venues with support from , , and on rotating dates. A highlight came on September 15 at the in , where made a surprise guest appearance to perform the "History Books" with for its live debut. Setlists evolved throughout the touring cycle, starting with roughly 60% material from History Books during the 2023 release shows—emphasizing tracks like "High Lonesome" and "Little Fires"—before shifting to a more balanced 50-50 mix of new songs and staples from albums such as and Handwritten by mid-2024, enhancing audience engagement through sing-alongs and nostalgic deep cuts. Touring continued into 2025, with the band serving as special guests on ' North American "The Complete Sweets!" tour, beginning June 10 in , and extending through August 23 in , with stops in cities including , , , , and . In April 2025, the band announced additional headline shows across the , with pre-sale starting April 30, emphasizing full sets and deep cuts. By July 2025, further headline dates were confirmed, continuing the promotion of History Books into late 2025. These tours solidified the band's post-reunion dynamics after their 2022 return from hiatus, with consistent sell-outs and vibrant fan interactions—such as crowd-wide chants during encores—signaling a triumphant reconnection in the post-pandemic live music landscape. The album's promotional rollout, including the Springsteen collaboration single, further amplified anticipation and attendance for these outings.

Reception

Critical reviews

Upon its release in October 2023, History Books received generally favorable reviews from critics, earning a Metacritic score of 76 out of 100 based on 11 reviews. The album was praised for its mature songwriting, which demonstrated a reflective evolution in the band's sound following a nine-year hiatus, with tracks like "Positive Charge" and "Little Fires" highlighted for their emotional depth and anthemic energy. The collaboration with Bruce Springsteen on the title track was widely celebrated as a highlight, embodying the band's Springsteen-inspired roots while adding a layer of triumphant nostalgia that underscored their return. Critics noted the record's introspective themes of personal growth and resilience, which resonated strongly in the context of frontman Brian Fallon's post-hiatus perspective, creating a sense of renewed passion without abandoning the band's core heartland rock essence. Some reviewers pointed to formulaic elements in the punk-inflected arrangements, suggesting the album occasionally relied on familiar structures that felt less innovative compared to the band's earlier work, such as the more experimental Get Hurt from 2014. For instance, the production was critiqued in places for being overly polished, with a weak opener and predictable choruses diminishing some tracks' impact. Despite these reservations, the consensus affirmed the album's success as a cohesive comeback, capturing the band's enduring magic through bruised, bloodied storytelling that appealed to longtime fans. Reviews of the 2024 expanded edition EP, History Books – Short Stories, echoed this sentiment, commending the addition of acoustic reworkings and a cover of Billie Eilish's "Ocean Eyes" for enhancing the album's intimate, mature vibe without overshadowing the original material. Overall, the reception positioned History Books as a solid, if not revolutionary, return that prioritized emotional resonance over bold reinvention.

Commercial performance

History Books debuted at number 152 on the US chart in its first week of release, marking a modest entry for the with approximately equivalent units consumed, primarily driven by physical sales and streaming. In the , the performed more strongly, reaching number 10 on the Official Albums Chart, reflecting the band's enduring fanbase in Europe. Internationally, it peaked at number 13 on the Albums , number 47 on the Australian Albums , and number 24 on the Scottish Albums , establishing a steady mid-tier presence in the rock genre without achieving any certifications as of November 2025. Physical formats, particularly editions, contributed significantly to the album's initial success, with multiple limited-edition variants boosting collector interest and sales in independent record stores. The title track, featuring , underscored the role of digital platforms in sustaining momentum.

Credits

Track listing

All tracks on the original edition of History Books are written by Brian Fallon, Alex Levine, , and Benny Horowitz of , except "History Books", which is co-written by the band and .

Original edition

No.TitleLength
1."Spider Bites"4:19
2."History Books" (featuring )3:53
3."Autumn"4:01
4."Positive Charge"4:06
5."Michigan, 1975"4:15
6."Little Fires"3:25
7."The Weatherman"4:27
8."Empires"4:23
9."I Live in the Room Above Her"4:17
10."A Lifetime of Preludes"3:18
Total length:40:24
The expanded edition, released on July 12, 2024, features remixed and remastered versions of the original 10 tracks, plus five bonus tracks (totaling 18:20). The bonus tracks include a re-recorded version of "Little Fires" and covers or acoustic renditions, with writing credits as noted below. There are no explicit content warnings for any tracks.

Expanded edition

No.TitleLengthNotes
1."Spider Bites"4:16Remixed version
2."History Books" (featuring Bruce Springsteen)3:52Remixed version; co-written by The Gaslight Anthem and Bruce Springsteen
3."Autumn"4:00Remixed version
4."Positive Charge"4:02Remixed version
5."Michigan, 1975"4:13Remixed version
6."Little Fires"3:24Remixed version
7."The Weatherman"4:23Remixed version
8."Empires"4:23Remixed version
9."I Live in the Room Above Her"4:19Remixed version
10."A Lifetime of Preludes"3:18Remixed version
11."Little Fires" (featuring Bully)3:21Re-recorded version; written by The Gaslight Anthem
12."Ocean Eyes" (featuring Karina Rykman)3:03Cover of Billie Eilish song; written by Finneas O'Connell and Billie Eilish
13."Blue Jeans & White T-Shirts" (featuring Emily Wolfe)3:37Cover of The Gaslight Anthem's 2008 song; written by The Gaslight Anthem
14."Positive Charge" (acoustic)4:14Acoustic version; written by The Gaslight Anthem
15."History Books" (acoustic)4:05Acoustic version; co-written by The Gaslight Anthem and Bruce Springsteen
Total length:58:50

Personnel

The personnel for History Books consists of the core members of The Gaslight Anthem, along with guest contributors and production staff. The Gaslight Anthem
  • Brian Fallon – lead vocals, rhythm guitar
  • Alex Rosamilia – lead guitar, backing vocals
  • Alex Levine – bass guitar, backing vocals
  • Benny Horowitz – drums, percussion
Additional musicians
  • – guest vocals (track 2)
  • Kori Gardner – backing vocals
  • Stefan Babcock – backing vocals
  • Ian Perkins – guitar
  • Bryan Haring – piano
  • – keyboards
  • Thomas Bartlett – keyboards
Production and technical staff
  • – producer, mixing, recording
  • Greg Giorgio – engineer
  • Kurt Leon – additional engineering
  • Rob Lebret – vocal engineering
  • – mastering
Artwork and design
  • Kelsey Hunter Ayres – art direction, photography
  • Adam J. Novak – layout

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