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Hubal

Hubal (: هُبَل) was a in pre-Islamic Arabian , venerated chiefly by the tribe as the patron god of the sanctuary in , where his statue functioned as a central for and sacrifices. Historical accounts, drawn from early Islamic compilations preserving pre-conquest traditions, describe the idol as a human-like figure carved from red agate or cornelian, with its right hand—broken and repaired—replaced by one of gold, positioned inside the for rituals involving seven arrows cast to resolve disputes, predict outcomes, or select sacrificial victims, such as the grandfather of consulting it over his son's fate. These texts trace Hubal's introduction to Mecca to the tribal leader ʿAmr ibn Luhayy, who imported the statue from regions like Mesopotamia's Hit, , or the , indicating foreign influences rather than indigenous Arabian origins, with Nabataean inscriptions attesting to a similarly named deity possibly linked to local high gods like . Distinct from the high god invoked by in oaths and battles, Hubal represented a localized emphasizing fate and , though archaeological evidence for its Meccan prominence remains absent, relying instead on textual records compiled post-Islam. In 630 CE, upon the Muslim , ordered the statue's destruction alongside 360 other idols, purging polytheistic elements and rededicating the to .

Etymology and Identity

Linguistic and Cultural Origins

The name Hubal (Arabic: هُبَل) defies straightforward derivation from classical Arabic roots, suggesting a non-indigenous linguistic origin within the Arabian Peninsula. Scholars such as Philip Hitti have proposed an Aramaic etymology, interpreting it as hu-Baal, combining hu ("O" or "spirit of") with Baal ("lord"), a term evoking the Canaanite storm and fertility deity Baal. This hypothesis aligns with Moabite linguistic patterns, where Hubal could render as "He of Baal" or "God of Baal," reflecting syncretic adaptations in Semitic languages. Alternative suggestions, including a contraction from Hebrew ha-Ba'al ("the Baal"), have been advanced but lack robust epigraphic support and are contested due to phonological discrepancies, such as the vocalization and loss of the ayn in Ba'al. Culturally, Hubal emerged as a foreign into pre-Islamic Arabian religious practices, distinct from purely deities of the southern peninsula. Islamic historiographical traditions, preserved in works like those of al-Azraqi and Ibn al-Kalbi, attribute the deity's statue to ‘Amr ibn Luhayy, a ancestor who reportedly transported it to from (specifically Hīt) or Moabite territories around the 5th century CE, marking an era of intensified northern influences via trade routes. Nabataean inscriptions from sites like Mada'in Salih (dated circa 1st century BCE to 1st century CE) attest to Hubal's worship in northern Arabian contexts, often alongside gods like and , indicating assimilation into local pantheons through Nabataean intermediaries rather than organic Arabian development. This external provenance underscores Hubal's role as a syncretic figure, bridging Syrian-Mesopotamian storm-god archetypes with Meccan oracle traditions, though distinctions from core worship persist in epigraphic records.

Associations with Regional Deities

Hubal has been etymologically linked by some scholars to the deity , with interpretations deriving the name "Hubal" from "Hu-Baal," connoting " of " or "He of ," reflecting a possible Moabite or influence in pre-Islamic Arabian pantheons. This association posits Hubal as an imported or syncretized form of , the widespread storm and fertility god of the , evidenced by linguistic parallels in Moabite and related dialects. However, epigraphic and lexical analyses distinguish Hubal from "Ha-Baal," arguing against direct equivalence and emphasizing Hubal's distinct role in Arabian contexts rather than a mere of worship. Further connections tie Hubal to regional fertility and seasonal deities such as or , Syrian-Greek and Mesopotamian figures embodying spring renewal, , and abundance, based on shared attributes of and invocation in arid environments. Traditional accounts, including those from early Islamic historians like al-Azraqī, trace Hubal's idol origins to Hīt in or , suggesting cultural exchanges that blended Hubal with local manifestations of Baal-like storm gods prevalent across and the . In the Nabataean sphere, Hubal exhibits parallels with , the chief god of , as both served as paramount deities in their respective trade-centric regions—the in and in —potentially indicating a shared of protective, oracular high gods amid economies. Hubal's functions, involving arrows cast before his , echo practices linked to Mesopotamian influences, though direct ties to gods like (scribe and wisdom ) remain speculative and unsupported by primary inscriptions. These associations underscore Hubal's integration into a broader religious milieu, where attributes of oracles, , and tribal patronage facilitated without implying wholesale identity.

Pre-Islamic Role in Arabia

Introduction to Mecca and the Kaaba

, located in a barren valley of the Hijaz region in western Arabia, functioned as a pre-Islamic hub for trade and , primarily under the custodianship of the tribe from at least the CE. Its strategic position facilitated caravan routes linking with , enabling economic exchanges that supplemented the religious draw of its central sanctuary, though the site's arid isolation limited large-scale agriculture or settlement. Traditional accounts attribute 's sanctity to ancient Arabian lore, positioning it as a neutral ground for intertribal gatherings amid the peninsula's tribal conflicts. The , a cuboid edifice of gray stone roughly 13 meters in height with sides measuring about 11-12 meters, anchored Mecca's religious life as a repository for polytheistic icons in the pre-Islamic era. Enclosing —a venerated set into its southeast corner—it housed or adjoined statues representing deities from diverse Arab tribes, serving as the nucleus for rituals including circumambulation (tawaf) and sacrifices that predated Islamic practices. These traditions, preserved in early Muslim historiography, portray the as a shared that unified disparate pagan cults, though archaeological corroboration remains minimal due to excavation restrictions and the site's continuous occupation, with no pre-4th-century artifacts or inscriptions unequivocally attesting to its pan-Arab prominence. Central to the Kaaba's pantheon was the statue of Hubal, the Quraysh's chief deity, reportedly a human-like figure crafted from reddish or , imported from or the by the tribal leader Amr ibn Luhayy and positioned adjacent to the structure. Used for via seven arrows cast before it—interpreting outcomes for decisions like or warfare—Hubal symbolized prowess and oracular authority, with pilgrims invoking it for vows and offerings. These details stem from 8th-10th century sources like Al-Azraqi and Ibn al-Kalbi, which blend oral traditions with later Islamic framing, warranting caution against uncritical acceptance given the absence of independent epigraphic or material evidence.

Chief Deity Among the Quraysh

Hubal functioned as the primary deity venerated by the Quraysh tribe, who held custodianship over Mecca and the Kaaba in the centuries preceding Islam. Early Islamic chroniclers, including Hisham ibn al-Kalbi in his Kitāb al-Aṣnām (Book of Idols, composed circa 819 CE), identify Hubal as the paramount idol among those worshipped by the Quraysh, with its statue installed directly within the Kaaba. Al-Azraqi, in his Akhbār Makka (History of Mecca, 9th century), corroborates this prominence, describing Hubal's idol as a human figure fashioned from reddish carnelian agate, standing about a man's height and positioned near the Zamzam well inside the sanctuary. The introduction of Hubal's cult is attributed to 'Amr ibn Luhayy al-Khuza'i, a figure dated by to the late 4th or early CE, who reportedly transported the idol from (or possibly Mesopotamia's region) and established it as the 's focal point, initiating systematic idol veneration there. This development aligned with the 's consolidation of power in Mecca around the , transforming the into a polytheistic hub under Hubal's aegis, supplemented by subordinate idols like Isaf, Na'ila, and representations of , , and Manat. The , as descendants of (), revered Hubal as patron of tribal fortunes, including commerce, rainfall, and martial success, reflecting their role as caravan traders and guardians of the pilgrimage routes. Worship of Hubal emphasized oracular functions, with the employing seven divining arrows kept at the idol's base for to resolve disputes, predict outcomes, or seek guidance on sacrifices—practices detailed in al-Kalbi's accounts as central to pre-Islamic Meccan ritual. In warfare, Hubal symbolized defiance; after their victory at the on March 23, 625 CE, Meccan leaders such as reportedly ascended Safa hill and chanted "Hubal, be exalted!" to assert the deity's supremacy over , whom invoked. These traditions derive principally from sīra (biographical) literature and akhbār (historical reports) compiled by Muslim authors like (d. 767 CE) and (d. 823 CE), whose works preserve oral and written testimonies from the 7th-8th centuries, though lacking corroboration from contemporaneous non-Islamic inscriptions or artifacts due to Mecca's peripheral status in external records. While Hubal dominated Quraysh cultic life at the , pre-Islamic , including the , acknowledged as the remote high god and creator, subordinating Hubal as an intercessor rather than an equivalent—a distinction evident in Quranic polemics against associating partners (shirk) with . Some modern hypotheses, drawing on epigraphic evidence from northern Arabia, suggest the may have originally honored as a before Quraysh-specific veneration of Hubal intensified, but traditional accounts uniformly position Hubal as the tribe's operative chief deity until its destruction in 630 CE. This portrayal in Islamic sources, while foundational, reflects post-conversion perspectives that underscore the rupture from , potentially amplifying Hubal's centrality to legitimize the iconoclastic conquest.

Worship Practices and Attributes

Iconography and Symbolism

The primary iconographic representation of Hubal consisted of an anthropomorphic statue housed inside the in , depicting a human male figure carved from red (aqiq ahmar). This material choice, a semi-precious stone valued in ancient Arabian contexts for its perceived protective and vitalistic properties, underscored the deity's prominence among idols. The statue's right hand was described as having been broken, leading to its replacement with a prosthetic hand of , a detail that highlights both the artifact's antiquity and the reverence afforded to it through material enhancement. Associated with the statue were seven unfeathered arrows (azlam), employed in divination rituals where they were cast or drawn to elicit responses from Hubal on queries related to , , and other practical decisions. These arrows symbolized Hubal's oracular authority, positioning the deity as a mediator of fate and uncertainty in pre-Islamic Arabian , where such practices integrated religious consultation with tribal . The integration of the arrows directly with the statue's cult reinforced Hubal's identity as a functional idol, distinct from mere decorative representations, and emphasized as a core attribute rather than abstract symbolism like celestial motifs. No surviving inscriptions or artistic depictions beyond textual accounts exist, limiting iconographic analysis to literary sources such as Hisham ibn al-Kalbi's Kitab al-Asnam, composed in the based on earlier oral and written traditions. The human form and golden repair evoke themes of restoration and enduring power, aligning with Hubal's role as chief patron of the , though interpretations of deeper symbolism remain speculative absent archaeological corroboration.

Divination and Oracle Functions

In pre-Islamic Mecca, Hubal served as the chief oracle deity, consulted through a involving azlām (divining arrows) housed within or near the . Inquirers seeking guidance on matters such as , travel, warfare, or illness would approach the custodians of the arrows, who performed the before Hubal's —a red agate idol depicting a figure lacking a left hand, repaired with . The standard procedure entailed seven arrows, each inscribed with predetermined responses: some bearing affirmative commands like "do it," others prohibitive like "do not," and blanks indicating inauspicious outcomes requiring a redraw. The arrows were shuffled, often with the inquirer blindfolded or the lots cast randomly, and one drawn to interpret 's will; results were binding, influencing tribal decisions and personal affairs among the and pilgrims. This practice, rooted in broader lot-casting traditions, elevated Hubal's role as arbiter of fate, distinct from other deities focused on rain or war. Historical accounts, primarily from 8th-9th century compilers like Ibn al-Kalbi in Kitāb al-Aṣnām, describe the arrows as integral to rituals, with fees paid to arrow-keepers for consultations; these sources, while post-dating by centuries, preserve oral traditions from informants, though subject to interpretive biases in early Muslim . Archaeological evidence is absent, but epigraphic parallels in Nabataean and South Arabian inscriptions confirm arrow divination's prevalence in the region predating . Upon 's in 630 CE, the arrows were destroyed alongside Hubal's idol, marking the abolition of this oracle system as ; subsequent Islamic prohibitions on and lots (e.g., 5:3, 5:90) explicitly reference such pre-Islamic practices.

Destruction and Islamic Transition

Conquest of Mecca in 630 CE

In January 630 CE, led an army of approximately 10,000 Muslim followers into following the tribe's allies' violation of the Treaty of Hudaybiyyah, resulting in a largely bloodless capitulation by the city's defenders. Upon entering the , the central shrine housing over 360 idols representing various Arabian deities, ordered their systematic removal and destruction to eradicate polytheistic practices. This act fulfilled Quranic injunctions against , as articulated in verses such as Surah Al-Anbiya 21:52, where Abraham challenges idol worship. Hubal's statue, the preeminent idol venerated by the as their patron deity and positioned prominently inside the , was among the first targeted for demolition. Described in sources as a human-like figure crafted from red cornelian imported from or , the idol stood atop a pillar and served as an for via arrows. Traditional Islamic narratives, drawn from early sira (biographical) literature like that of , recount that delegated ibn Abi Talib to assist in breaking the idols; in one account, Ali ascended via Muhammad's shoulders to dislodge higher-placed effigies, though Hubal's fixed position reportedly resisted manual efforts until divinely intervened or physically shattered under repeated strikes. These reports, compiled in the 8th-9th centuries from oral traditions, emphasize a miraculous element where Muhammad's gesture caused the statue to crumble, underscoring theological claims of supernatural validation for the . The destruction of Hubal's idol signified the decisive termination of its cult in , transitioning the from a polytheistic hub to a monotheistic dedicated solely to , whom pre-Islamic had associated but not equated with Hubal. No remnants of the survive archaeologically, and its fate relies on these textual traditions, which scholarly analyses attribute to the Quraysh's political and religious consolidation around foreign-influenced deities prior to Islam's ascendancy. This event, corroborated across Sunni and Shia historiographies despite variant details, effectively dismantled Hubal's institutional role without reported widespread resistance from locals, many of whom converted en masse post-conquest.

Distinction from Allah in Pre-Islamic Pantheon

In , was revered as the supreme high god and creator, invoked in poetry and oaths for overarching sovereignty, fate, and protection, without an idol or dedicated in the . Hubal, by contrast, was a localized with a prominent anthropomorphic statue placed in the by the tribe around the 4th or 5th century CE, imported possibly from or , and primarily associated with via seven arrows, rain-making, and tribal guardianship. This distinction is illustrated in accounts of ʿAbd al-Muttalib, Muhammad's grandfather, who prayed to for the safe return of caravan wells while separately consulting Hubal's for personal decisions, treating as transcendent and Hubal as an intermediary for practical oracles. Pre-Islamic religious practice exhibited henotheistic tendencies, wherein 's primacy as the "Lord of the " in a cosmic sense coexisted with worship of subordinate figures like Hubal for specific functions, but without conflation of their identities. Poetic evidence, such as verses by Zuhayr ibn Abi Sulma, portrays as the ultimate judge and sustainer of creation, detached from the ritual apparatus of idols like Hubal's statue, which was used in sacrifices and victory proclamations. No contemporary inscriptions or equate Hubal's attributes—such as his arrow-based lots or human form—with 's abstract, aniconic supremacy, countering unsubstantiated claims of . Scholars like have noted that Hubal's introduction as a "newcomer" failed to eclipse , as evidenced by the latter's persistent invocation in non- contexts across Arabia. The separate domains persisted in conflicts, as seen in the (625 CE), where leader Abu Sufyan hailed Hubal's triumph over Muhammad's forces, who invoked exclusively, reflecting pre-Islamic differentiation rather than equivalence. This framework aligns with the absence of Hubal among the "daughters of " critiqued in the ( al-Najm 53:19-23), implying Hubal's independent status outside 's direct progeny or aspects. Upon Mecca's conquest in 630 CE, Muhammad's targeted demolition of Hubal's idol—while rededicating the to —underscored their non-identity, as Islamic sources preserve no tradition of Hubal as an alternate name or manifestation of the high god.

Scholarly Debates and Controversies

Relation to Baal and Semitic Gods

Hubal's name has been etymologically linked by some scholars to forms involving , the prominent storm and fertility deity, with proposals such as a derivation from hu-Baal ("he of Baal") or an elision of hn-Ba'al to habal or hubal, reflecting a or influence where hu or ha denotes possession or specificity. This interpretation posits Hubal as a localized variant or subordinate aspect of Baal worship imported to Arabia, possibly via trade routes from or , as ancient sources like al-Azraqī suggest origins in Hīt () or Ibn Hišām's attribution to . However, such connections remain speculative, lacking direct epigraphic evidence from equating Hubal explicitly with Baal; critics argue the phonetic similarity does not imply identity, as Hubal appears in Nabataean and South Arabian inscriptions as a distinct entity without consistent Baal . In attributes, Hubal shares traits with and broader deities, including roles in —Hubal via sacred arrows cast before his statue, akin to Baal's oracular consultations in —and associations with rain, prosperity, and martial prowess, evoking Baal's storm-god domain over fertility and victory. Some analyses further connect Hubal to cycles involving or Tammuz-like dying-and-rising motifs, interpreting his red agate statue (symbolizing or ) as emblematic of agricultural , though these parallels are inferred from later Islamic reports rather than contemporary artifacts. Unlike Baal's widespread cult across , , and —evidenced in texts like the from (c. 1400–1200 BCE)—Hubal's worship was confined primarily to the in , suggesting adaptation rather than direct equivalence; no archaeological finds, such as the seven arrows linked to Hubal, bear Baal iconography like the or . Scholarly debates highlight the influence of pantheons on Arabian religion, with Hubal potentially representing a syncretic figure absorbing Baal-like elements through Nabataean intermediaries, as graffiti from and other sites invoke Hubal alongside local gods. Yet, identifications face objections on linguistic and geographical grounds: a proposed Hubal in biblical 10:3 is rejected due to contextual mismatch with 's established cult, and Hubal's absence from early theonyms underscores his likely Arabian evolution with superficial borrowings. Apologetic literature from Christian and Muslim perspectives often amplifies or denies these ties for theological reasons, but primary evidence favors viewing Hubal as a chief Meccan deity paralleling, yet distinct from, within the Northwest tradition.

Moon God Hypothesis and Refutations

The Moon God Hypothesis suggests that Hubal functioned as a among the pre-Islamic of , with some proponents extending this to argue that originated as a pagan moon god whose worship persisted into . This interpretation traces to early 20th-century speculations by Assyriologist Hugo Winckler, who inferred lunar attributes for Hubal based on loose etymological links to cults, a view echoed in limited subsequent scholarship but lacking primary evidential support. Christian apologists, notably Morey in his 1994 book The Moon-god Allah in the Archeology of the Middle East, popularized the claim by associating Hubal's idol—depicted with a hand holding divining arrows—with practices and motifs purportedly linked to Arabian , positing where Hubal's lunar role merged into 's identity. Refutations highlight the hypothesis's reliance on conjecture over verifiable data, as no pre-Islamic inscriptions, artifacts, or textual descriptions attribute lunar symbolism or epithets to Hubal. Accounts from early Islamic historians like Ibn al-Kalbi in Kitab al-Asnam (c. 8th-9th century , drawing on oral traditions) portray Hubal as a humanoid statue with a broken right arm replaced by a golden , installed atop the by the tribe circa 400 , and used primarily for oracular consultations via seven arrows, without any reference to the moon, stars, or nocturnal rites. Archaeological finds, such as Nabataean graffiti invoking Hubal alongside other non-astral deities, similarly omit celestial indicators, contrasting with unambiguous moon gods like Mesopotamian (associated with crescent emblems and bull iconography) or South Arabian . Scholars such as G. R. Hawting in The Idea of Idolatry and the Emergence of Islam (1999) argue that Hubal's cult derived from northwestern Semitic influences, possibly akin to Baal-Shamin as a high atmospheric , but not astral; the lunar attribution stems from overextended analogies by figures like , who themselves did not endorse it for Hubal specifically. The extension to Allah as a moon god falters on historical distinctions in the pre-Islamic pantheon: (from al-ilah, "the god") was acknowledged as a remote by various tribes, invoked in oaths and independently of idols like Hubal, who represented a localized patron installed after the Kaaba's reconstruction. Quranic polemics and reports, corroborated by Sirah literature, record Muhammad's rejection of Hubal as a false intermediary during the 630 CE , where the idol was toppled while affirming Allah's transcendence, underscoring no conflation. Mainstream Near Eastern historians, including and Michael Cook in Hagarism (1977), view the hypothesis as apologetically driven speculation, amplified by evangelical sources amid broader efforts to paganize Islamic origins, rather than grounded in epigraphic or material evidence; Islamic lunar calendars derive from practical astronomy, not deification, as proscribed in 41:37.

Modern Interpretations

In Muslim Theological Discourse

In classical Islamic sources, Hubal is depicted as the chief idol of the tribe, installed in the and used for via seven arrows cast before its , which was crafted from red agate () with a golden right arm replacing a broken one. Accounts in works like Hisham ibn al-Kalbi's Kitab al-Asnam (c. 819 ) and al-Azraqi's Kitab Akhbar Makkah (c. 865 ) trace its introduction to by ibn Luhayy around the , portraying it as a foreign import symbolizing the onset of widespread (shirk) among . Theologically, Hubal embodies the errors of (pre-Islamic ignorance), where polytheistic practices deviated from the primordial (fitrah) attributed to prophets like Abraham. Though absent from the , its veneration is condemned implicitly through verses denouncing idol worship (e.g., Quran 53:19-23 on associated deities), and explicitly in sirah literature like Ibn Ishaq's Sirat Rasul Allah (d. 767 CE), which records 's rejection of Hubal as an during the Kaaba's cleansing in 630 CE (8 AH). This event, ordered by to Ali ibn Abi Talib, underscores (divine oneness) triumphing over material representations of the divine. Distinctions from are central: pre-Islamic invoked as the high creator (e.g., in oaths like "By " during crises, per 5:59:375), but treated Hubal as a subordinate oracle and tribal patron, without ascribing to it 's attributes or progeny like , , and Manat. Hadiths differentiate the two, as in the (625 ), where pagans cried "O Hubal!" in defeat while Muslims proclaimed " is greater" ( 4:52:276). Scholars like (d. 1373 ) affirm 's pre-Islamic recognition as distinct from idols, rejecting any conflation. Contemporary Muslim theologians, drawing on these texts, refute identifications of Hubal with as ahistorical, noting Hubal's lack of as Allah, absence from Allah's "family" in pagan lore, and non-survival in Islamic rite—evidenced by no Quranic akin to that against other idols. Such frames Hubal's legacy as a cautionary exemplar of associating created beings with the Creator, reinforcing Islam's break from Arabian .

In Christian Apologetics and Secular Analysis

Certain Christian apologists, such as Robert A. Morey, have posited that Hubal represented a pre-Islamic moon deity whose worship persisted in Islamic traditions, equating Hubal with Allah to argue for pagan origins of Islamic monotheism. They cite the placement of Hubal's statue in the Kaaba, its role as chief deity among the Quraysh, and the adoption of the crescent moon as an Islamic symbol—allegedly derived from Hubal's lunar attributes—as evidence that Allah inherited Hubal's identity, with Quranic references to Allah's "daughters" (Al-Lat, Al-Uzza, and Manat in Surah 53:19-20) reflecting pre-Islamic association rather than distinction. These arguments, often disseminated through polemical works and sites like Answering Islam, frame Muhammad's reforms as a rebranding of Hubal worship, stripping away polytheistic elements while retaining core pagan attributes like divination arrows linked to the deity. However, such claims have been critiqued within circles for relying on speculative etymologies and unverified lunar connections, with even some proponents acknowledging scant direct evidence tying Hubal to moon in pre-Islamic artifacts. Proponents counter that archaeological gaps do not disprove continuity, pointing to Nabataean influences where Hubal may have syncretized with local high gods, but this remains contested as it conflates Hubal's imported status—likely from Syrian or Mesopotamian traditions—with Allah's broader roots as a predating Meccan . Secular scholarly analysis distinguishes Hubal as a non-lunar of and oaths, imported to around the 2nd century CE via Nabataean trade routes, without evidence of celestial symbolism in inscriptions or artifacts from sites like or . Historians such as have emphasized that pre-Islamic Arabs invoked separately as a remote high god responsible for creation and fate, while Hubal functioned as a more accessible patron of the , with no epigraphic or textual equation of the two; pagan critiques in the target Hubal's oracle practices explicitly ( 5:3, 90), underscoring their differentiation. Archaeological reviews, including cornelian statue descriptions from 7th-century accounts, reveal Hubal's form as humanoid without lunar motifs, refuting moon-god attributions as modern inventions unsupported by indigenous sources. Mainstream academics attribute the Hubal-Allah conflation in to selective reading of sparse sources like Ibn al-Kalbi's Kitab al-Asnam (c. 820 ), which lists Hubal prominently but notes Allah's supremacy among pagans, rather than identity; this interpretation aligns with causal patterns of Arabian where tribal gods like Hubal supplemented, but did not supplant, a singular creator figure. While some fringe theories persist in linking Hubal to via phonetic similarities and shared storm/ traits, empirical data from Umm al-Jimal inscriptions and Palmyrene texts portray Hubal as a localized god, not a pan-Semitic entity, with secular consensus rejecting apologetic syntheses as anachronistic projections onto limited pre-Islamic evidence.

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    Ba'al, Hubal, and Allah - Answering Islam Blog
    Jan 11, 2019 · Saifullah and David attempt to counter the charge that Allah's origin lies in the pre-Islamic god Hubal, a deity who was worshipped in the Ka'bah in Mecca ...