Idha
Idha Anna Maria Övelius (born 22 May 1972) is a Swedish singer-songwriter.[1] She rose to prominence in the 1990s with two albums on Creation Records: her debut Melody Inn (1994), influenced by vintage American country-rock artists like Bobbie Gentry and Gram Parsons, and Troublemaker (1997).[2][3][4] Idha is married to musician Andy Bell, former guitarist of Ride, with whom she has two children.[5] She retired from music in 2000 and has worked as a structural engineer in Stockholm since 2009.[6]Early life and education
Upbringing in Sweden
Idha Anna Maria Övelius was born on 22 May 1972 in Södertälje, a town located approximately 30 kilometers south of Stockholm in Södermanland County, Sweden.[7] Södertälje, known for its industrial heritage including automotive manufacturing, provided the backdrop for her early years in a suburban Swedish environment.[1] Little is publicly documented about her immediate family background, but she grew up in this community during the 1970s and 1980s, a period when Sweden's welfare state emphasized education and cultural access, potentially shaping her formative experiences. From a young age, Idha developed a deep affinity for music, particularly drawn to vintage American country-rock styles that contrasted with the contemporary Swedish pop scene. Her early influences included the evocative songwriting of Bobbie Gentry, whose narrative-driven tracks like "Ode to Billie Joe" captivated her with their sensitive and introspective qualities, and the pioneering fusion of country and rock by Gram Parsons.[4] She described herself as a "narrow-minded fan" of these artists, immersing herself in their works which inspired her own creative explorations.[8] Idha's initial musical interests blossomed into songwriting around 1992, when she began composing original material influenced by covers of artists such as Tim Hardin, Janis Ian, and Parsons.[8] Eager to establish a professional career beyond Sweden's local music circuits, she decided to relocate to London in the early 1990s, seeking opportunities in the vibrant British indie scene.[9] This move marked the transition from her Swedish roots to an international path in music.Training as a structural engineer
Following her initial endeavors in the music industry during the 1990s, Idha Övelius retired from music in 2000 and pursued formal training in structural engineering, completing a three-year university-level program in building engineering (byggnadsingenjörsutbildning) focused on structural design and construction.[10] This education equipped her with expertise in areas such as architectural design, material science, and compliance with Swedish building codes, emphasizing practical skills like BIM (Building Information Modeling) for modern projects.[10] Upon qualification, Övelius obtained professional certification as a Byggnadsingenjör SBR through the Swedish Association of Building Engineers (Sveriges Byggnadsingenjörers Riksförbund), a credential that requires both the relevant academic degree and demonstrated professional competence in the field.[10][11] This certification enabled her entry into engineering roles, where she gained early experience in structural design alongside her evolving career interests. She began working as a structural engineer in 2009. Övelius joined Hidemark & Stintzing Arkitekter AB in Stockholm, serving as a structural engineer with responsibilities in architectural structural design, including the analysis and integration of load-bearing systems in heritage and contemporary buildings.[11] A notable example of her work includes contributing to the renovation of Uppsala University's Gustavianum, the institution's oldest building, where she collaborated on preserving historical architecture while incorporating modern structural enhancements.[12]Musical career
Beginnings and Creation Records
In the early 1990s, Idha Övelius, born in Sweden, relocated to London to pursue a career in music, driven by a desire to establish herself in the burgeoning indie scene.[9] This move positioned her at the heart of the UK's alternative music landscape, where she began developing her sound. Övelius's early musical style emerged as a distinctive blend of indie pop, alternative rock, and country influences, often incorporating folk elements and drawing briefly from childhood inspirations such as Gram Parsons.[13][14] Around 1993–1994, she signed with Creation Records, the influential independent label founded in 1983 and known for its roster of groundbreaking acts including Oasis and Primal Scream.[9][15] Her introduction to the label came through Andy Bell of Ride, with whom she collaborated and later married.[14] Initial recording sessions took place between December 1992 and May 1993 in London and Los Angeles, marking her entry into professional production.[16] These efforts involved group collaborations, notably co-writing tracks with Andy Bell and contributions from keyboardist Ian MacLagan of the Small Faces, laying the groundwork for her debut output.[14]1990s releases
Idha's debut album, Melody Inn, was released in 1994 on Creation Records, marking her entry into the British indie music scene with a collection of 13 tracks blending melodic indie pop with downbeat folk and country-rock elements. Produced by Brian O'Shaughnessy and Idha herself, the album was recorded between December 1992 and May 1993 in London and Los Angeles, then mixed at The Manor Studios in Oxfordshire. Key contributors included Ian McLagan on keyboards, Gerry Hogan on pedal steel guitar, and Andy Bell—Idha's husband and Ride guitarist—on guitar, contributing to the album's spare, acoustic-driven sound characterized by gentle percussion and whispery vocals delivered in Idha's accented English.[17][4] Highlights from the tracklist include originals like "High Over Hollywood," "Get Undressed," and "Surrender," alongside covers such as Tim Hardin's "Red Balloon," Janis Ian's "From Me to You," Gram Parsons' "Hickory Wind," and Primal Scream's "I'm Losing More Than I'll Ever Have," which underscored the album's earnest themes of love, loss, and nostalgia. Critical reception praised its ingenuous sincerity and vintage American influences reminiscent of Bobbie Gentry, though some noted the lyrics as simple or derivative, describing the overall vibe as pleasant yet anachronistic indie pop.[18][4] Preceding the album, Idha issued her debut single "Get Undressed" in April 1994, featuring the title track alongside B-sides "Do Right By Me," "She," and "Coming Down," which highlighted her raw, rootsy style without achieving notable chart positions. Later that year, in October 1994, she released the EP "A Woman in a Man's World," comprising covers like Faces' "Ooh La La," Leon Russell's "A Song for You," Little Feat's "Willin'," and "Going to Mexico," further emphasizing her affinity for folk-rock interpretations; the EP featured guest appearances from Evan Dando and Stephen Duffy.[19][20] These early singles received modest airplay on indie radio but did not enter major charts, reflecting Creation Records' focus on niche audiences amid the label's rising profile with acts like Oasis. Idha's second album, Troublemaker, arrived in 1997 on Creation Records, showcasing a stylistic evolution toward a more intimate, bittersweet pop-rock sound with increased emotional depth and subtle blues influences, while retaining her melodic core. The 10-track release featured production by Idha alongside collaborators like Charlie Francis on bass and keyboards, Rob Allum on drums, and Andy Bell on guitar for select tracks, resulting in a polished yet yearning aesthetic. Standout songs included "Sorry Sorry," "Going Down South," "Me and Johnny," and the title track "Troublemaker," which explored personal introspection and relational tensions through layered arrangements of guitar, piano, and backing vocals. Critics and fans later hailed it as a "great lost album" for its raw vulnerability and folk-pop charm, though contemporary reviews were sparse, aligning with the album's limited commercial footprint on the indie circuit.[21][22][23] Supporting Troublemaker, Idha released "Sorry Sorry" as a single in May 1997, backed by B-sides "Hey Honey" and "Downtown" on promo formats, followed by the promotional single "Going Down South" later that year, which included non-album tracks "Sweet 16" and "Fire in the Sky." Neither single charted prominently, but they underscored her growing songwriting confidence within Creation's ecosystem. Throughout the 1990s, Idha's career trajectory involved steady output tied to the label's indie ethos, including promotional media appearances on UK radio and limited live performances to support her releases, though she remained a cult figure rather than a mainstream breakthrough artist amid Creation's Britpop-dominated roster.[24][25]2020s reissues and new work
Following the release of her 1997 album Troublemaker, Idha entered a long hiatus from music, retiring from the industry around 1998 to focus on raising her family and pursuing her career as a structural engineer. During this period, she made only occasional forays back into music, including a guest appearance on the 2013 project Graveyard Shift, marking a partial return through selective sessions. In early 2025, Idha revived interest in her catalog through digital reissues on Bandcamp, releasing remastered versions of her debut album Melody Inn (originally 1994), Troublemaker (1997), and the EP A Woman in a Man's World (1994) on January 1. These editions feature updated audio remastering for improved clarity and dynamics, alongside new liner notes penned by Idha reflecting on her early career influences and the cultural context of her Creation Records era.[26][23][27] Idha's return extended to new original material later in 2025, beginning with the EP Can we have more sunny days?, released on May 15 via independent distribution. The five-track collection explores themes of renewal, introspection, and longing for simpler joys, with acoustic-driven folk-pop arrangements; it includes collaborations with songwriter Olivia-Rose Hendey and production input from The DeVaux Beats Project on select tracks.[28] On August 11, she followed with the single "She Went That Way," the lead track from a nine-song album of the same name, delving into narratives of personal transformation and resilience amid change, supported by guest features from artist Marskiii on related singles like "Kid."[29] As of November 16, 2025, Idha maintains an active independent presence, including a live performance at The Folklore Rooms in Brighton, UK, while distributing her work directly through platforms like Bandcamp and streaming services such as Spotify and Apple Music, where her catalog has seen renewed streams and fan engagement.[30][9][31]Personal life
Marriage and family
Idha Övelius married British guitarist Andy Bell, known for his work with the bands Ride and Oasis, in the early 1990s.[32] The couple had two children together: a daughter named Leia and a son named Leon.[33] Following their divorce, the children reside primarily with Idha in Sweden, while Bell maintains regular contact.[34] As of 2025, Bell is remarried to Shiarra Bell, with whom he has two additional children.[35]Residences and later pursuits
During her musical career in the 1990s, Idha relocated from Sweden to Oxford, England, where she was based while recording and releasing her albums on Creation Records.[4] Following her retirement from the music industry in 2000, Idha returned to her native Sweden and, since 2009, has worked as a structural engineer at the architecture firm Hidemark & Stintzing Arkitekter AB in Stockholm. At Hidemark & Stintzing, Idha has contributed to a range of architectural projects beyond standard engineering duties, often serving as the handling architect on restorations and new builds. Notable examples include the 2012 renovation and extension of the historic Stenkolet 2 building on Södermalm in Stockholm, the 2013 restoration of Cassiopea 6 in Gamla Stan, and the 2024 reconstruction of the Gustavianum museum in Uppsala.[36][37][38] In addition to her professional engineering work, Idha has engaged in occasional community and media activities related to architecture and heritage preservation in Stockholm up to 2025, including presentations on building conservation for organizations like the Swedish Association for Building History.[39]Discography
Studio albums
Idha's debut studio album, Melody Inn, was released in 1994 by Creation Records. Produced by Brian O'Shaughnessy and Idha Övelius, it was recorded in London and Los Angeles. The album was issued in CD and vinyl LP formats.[16][40]| No. | Title | Duration |
|---|---|---|
| 1 | High Over Hollywood | 4:44 |
| 2 | Red Balloon | 2:36 |
| 3 | [From Me to You](/page/Reminder: From_Me_to_You) | 3:19 |
| 4 | More Love | 3:20 |
| 5 | Another Door | 4:59 |
| 6 | Get Undressed | 3:30 |
| 7 | Safe at Home | 3:45 |
| 8 | Music Carries On | 3:22 |
| 9 | Hickory Wind | 3:15 |
| 10 | All My Loving | 2:48 |
| 11 | Stockholm | 3:49 |
| No. | Title | Duration |
|---|---|---|
| 1 | Sorry Sorry | 4:56 |
| 2 | Always Been with You | 4:49 |
| 3 | Going Down South | 4:11 |
| 4 | Still Alive | 2:29 |
| 5 | Mercy Me | 3:17 |
| 6 | Sweet September Rain | 4:02 |
| 7 | Me and Johnny | 3:58 |
| 8 | Troublemaker | 3:45 |
| 9 | Fields of Avalon | 4:20 |
| 10 | Break Down and Cry | 4:40 |
| No. | Title | Duration |
|---|---|---|
| 1 | Daisy | 2:46 |
| 2 | I never spoke to her again | 2:25 |
| 3 | Lucy | 2:45 |
| 4 | Orangutan Song | 1:38 |
| 5 | The girl that went insane | 3:17 |
| 6 | Traffic Jam | 3:44 |
| 7 | Cardigan Song (someone like you) | 1:41 |
| 8 | The Dogs Had Them | 2:41 |
| 9 | She Went That Way | 2:23 |
Singles
Idha released several singles and EPs during her time with Creation Records in the 1990s, followed by independent releases in the 2020s. None of her singles achieved notable chart positions or certifications.1990s
-
Get Undressed (1994)
Released by Creation Records in formats including 12" vinyl and CD single. The vinyl edition featured "Get Undressed" and "Do Right By Me" on the A-side, with "She" and "Coming Down" as B-sides. It was taken from the album Melody Inn.[44] -
A Woman in a Man's World EP (1994)
Released by Creation Records as a 4-track EP on CD and 7" vinyl. Tracks included "Ooh La La," "A Song for You," "Willin'," and "Going to Mexico." The vinyl version had "Ooh La La" and "Willin'."[20][45] -
Sorry Sorry (1997)
Released by Creation Records on 7" vinyl and CD single. The vinyl featured "Sorry Sorry" on the A-side and "Hey Honey" as the B-side. It was taken from the album Troublemaker.[46] -
Going Down South (1997, promo)
Promotional release by Creation Records on CD single. Tracks included "Going Down South," "Sweet 16," and "Fire in the Sky." It promoted the album Troublemaker.[25]