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In a Dark Place

In a Dark Place is a 2006 British-Luxembourgish horror thriller film directed by Donato Rotunno in his feature directorial debut. The story follows Anna Veigh, an art teacher hired as a live-in nanny for two orphaned children at a secluded country estate, where she experiences disturbing visions of deceased former staff members, leading her to question her mental stability and the nature of the supernatural occurrences. Starring Leelee Sobieski in the lead role, alongside Tara Fitzgerald, the film relocates the events to a contemporary setting and incorporates modern elements such as psychological ambiguity and asthma medication to heighten the tension. Adapted from Henry James' 1898 Gothic novella , the screenplay was written by Peter Waddington. Filmed primarily in , the production emphasized atmospheric to evoke isolation and dread, with interiors shot at historic locations to mirror the novella's eerie ambiance. Key supporting cast includes Gabrielle Adam as and Christian Olson as Miles, contributing to the film's focus on interpersonal dynamics amid escalating . Upon release, In a Dark Place received mixed to negative critical reception, praised for its and visual style but criticized for narrative confusion and deviations from material that diluted its impact. With a runtime of 95 minutes, it explores themes of , , and the blurred line between and , positioning it as a lesser-known entry in the lineage of adaptations.

Background

Source material

The Turn of the Screw is a Gothic horror novella by , published in 1898, that revolves around a young governess's unsettling encounters with apparent ghostly apparitions while tending to two orphaned children at a secluded English estate known as Bly. The story is presented as the governess's manuscript, read aloud at a gathering, emphasizing its frame narrative structure and psychological depth. It was first serialized in Collier's Weekly from January 27 to April 16, 1898, before being issued in book form later that year within James's collection The Two Magics. The explores core themes including the deliberate between genuine events and the governess's potential psychological or hallucinations, the precarious innocence of children in the face of corrupting influences, and the stifling social constraints of Victorian-era England, such as class hierarchies and repressed sexuality. This intentional vagueness has cemented its status as a classic of ambiguous horror literature, sparking ongoing scholarly debates about the ghosts' reality and the narrator's reliability. The Turn of the Screw has inspired numerous adaptations across media, with major film versions including the 1961 psychological horror The Innocents, directed by Jack Clayton and starring Deborah Kerr as the governess, and the 1999 BBC television film The Turn of the Screw, featuring Jodhi May in the lead role. These works generally retain the Victorian setting, unlike the 2006 film In a Dark Place, which updates the narrative to a contemporary context as an au pair in a modern household.

Development

In a Dark Place marked the debut of director Donato Rotunno, who sought to adapt ' classic for contemporary viewers by reimagining its core elements in a modern context. Screenwriter Peter Waddington crafted the adaptation, transposing the story from its original Victorian setting to the present day, where the serves as an teacher tending to orphaned children. This update facilitated the incorporation of modern therapeutic practices, such as art-based sessions to address the characters' psychological states and issues related to child welfare. The project, announced in the mid-2000s, encountered significant hurdles when investors withdrew in amid the of a key production entity, threatening its completion. Ultimately, it proceeded as a co-production involving the UK-based Phantom Pictures Ltd. and firms 120dB Films and , under the auspices of Samsa Film. Central to the film's creative vision was preserving the source novella's psychological ambiguity concerning the apparitions' reality, while blending ghostly presences with contemporary narrative devices like therapy consultations to heighten thematic tension.

Production

Casting

The principal cast of In a Dark Place features in the lead role of Anna Veigh, a troubled art teacher who becomes to two orphaned children. Supporting roles include as Miss Grose, the estate's housekeeper; Christian Olson as Miles, the older child; Gabrielle Adam as Flora, the younger child; Graham Pountney as Mr. James, the children's uncle; and Jonathan Fox as Mr. Laing, their employer. Sobieski's casting drew on her experience in thriller genres from earlier films such as The Glass House (2001) and Joy Ride (2001). The child actors, Olson and , were selected for their limited prior screen experience, which contributed to natural portrayals of innocence in the story's elements. As a UK-Luxembourg co-production, the film assembled an international cast to reflect its cross-border collaboration. The characters are loosely inspired by those in ' novella .

Filming

Principal photography for In a Dark Place took place from February 24, 2005, to April 14, 2005, spanning approximately seven weeks. The film was shot entirely on location in , where rural estates and the surrounding countryside served as stand-ins for the isolated Bly House and its atmospheric grounds, enhancing the sense of remoteness central to the story. Cinematographer Jean-François Hensgens captured the film's moody visuals, employing a style that balanced intimate character close-ups with expansive shots of the estate's interiors and exteriors to build tension. Adam Pendse created the score, using and eclectic sound elements to underscore the psychological unease and ambiguity throughout the production. Produced on a modest of $5 million, the shoot required efficient scheduling to manage resources, particularly given the demands of filming in remote outdoor settings with a young cast including child actors Gabrielle Adam and Christian Olson. The modern setting necessitated the use of contemporary props to align with the updated of the source material.

Release

In a Dark Place had its world premiere at genre film festivals in 2006, including the Stuttgart Fantasy Filmfest in on July 21 and the Ravenna Nightmare Film Festival in on October 6. The film received a limited theatrical release in the and the beginning June 19, 2007, handled by distributors Arsenal Pictures and First Look International. The marketing campaign positioned the film as a contemporary adaptation of ' The Turn of the Screw, with trailers highlighting lead actress Leelee Sobieski's performance and supernatural ghostly elements to build suspense. Promotion targeted horror enthusiasts through screenings at specialized festivals, leveraging the genre's appeal for atmospheric dread in an isolated estate setting. Internationally, the film was distributed in , the director's home country, alongside select European markets such as , , and . It runs 95 minutes in length and is presented in English. For home media, In a Dark Place was released on DVD in by First Look Entertainment. As of November 2025, it is available for streaming on platforms including and .

Box office performance

In a Dark Place experienced minimal box office performance due to its . The film, produced on a of $5 million, did not receive a in major markets and is not tracked by for domestic or international grosses, suggesting theatrical earnings under $100,000 in the United States. The production's emphasis on distribution contributed to this outcome, with a U.S. DVD release on June 19, 2007, and similar strategies in other territories. As a result, the was not recouped theatrically, with profitability depending on home media sales and ancillary revenue streams. In comparative terms, the low-profile indie underperformed relative to higher-budget gothic adaptations like The Others (2001), which earned approximately $209 million worldwide. The film's international co-production status and festival circuit exposure failed to generate substantial theatrical interest, underscoring broader challenges for such projects in achieving commercial viability.

Critical response

The to In a Dark Place was mixed to negative, with limited professional reviews contributing to the absence of an aggregated Tomatometer score on due to only two critiques available. Critics often praised certain technical elements while faulting the film's narrative execution and fidelity to Henry James's ambiguous source material. One review, as quoted on , highlighted that the film is "competently directed, acted and shot," with atmospheric visuals enhancing the , but noted that it is "too overstuffed with possible explanations to make any sense," undermining the psychological central to James's The Turn of the Screw by resolving ambiguities too explicitly. This deviation from the source's interpretive ambiguity was echoed in other assessments, where the adaptation was described as plodding and overly literal in exposing subtext, failing to build sustained suspense. Leelee Sobieski's performance as the governess Anna Veigh received positive mentions for demonstrating her range in mature roles, bringing a sensual intensity to the character amid the film's sensual undertones. In contrast, broader commentary criticized the direction and writing as lazy and on autopilot, resulting in a forgettable update that lacked the haunting subtlety of earlier adaptations like The Innocents (1961). Overall, the consensus positioned In a Dark Place as a flawed contemporary take, with average scores hovering around 4 out of 10 across aggregated platforms, underscoring its unsuccessful balance of horror and psychological depth.

Audience reception

Audience reception to In a Dark Place has been largely negative, with aggregate user ratings reflecting widespread disappointment. On , the film holds a 4.3 out of 10 rating based on 2,878 user votes, indicating general dissatisfaction among viewers. Similarly, reports an audience score of 10% from over 215 verified ratings, underscoring complaints about the film's execution. users average it at 2.7 out of 5 from 464 ratings, aligning with these low marks. Common viewer feedback highlights issues with pacing and lack of scares, often describing the film as slow, boring, and confusing. Many users on and criticize the supernatural elements as unconvincing and the ghosts as ineffective, leading to a sense of tedium rather than tension. Acting receives mixed responses, with some praising Leelee Sobieski's portrayal of psychological unraveling but others finding it lethargic or . A niche segment of viewers appreciates the film's psychological depth, viewing it as a thoughtful exploration of and in its adaptation of . These responses, seen in select reviews, commend Sobieski's intensity and the subtle handling of themes, though such praise is overshadowed by broader critiques. The film appeals more to fans of literary adaptations than mainstream horror enthusiasts, with low rewatch value cited in user comments due to its deliberate pace and unresolved elements.

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