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Ingrid Chavez

Ingrid Chavez (born January 21, 1965) is an American poet, singer, songwriter, visual artist, and photographer of Mexican-American descent, best known for her spoken-word contributions as the "Spirit Child" on 's 1988 album and for co-writing the lyrics to 's 1990 number-one single "" with . Born in , she was raised in a Mexican-American household in , where she developed an early interest in poetry and music influenced by artists like and . Chavez moved to Minneapolis in 1986 at age 21, where she quickly connected with the local music scene and met Prince at a nightclub, leading to a formative collaboration that shaped her early career. She provided poetic spoken interludes for Lovesexy, appeared as an actress in Prince's 1990 film Graffiti Bridge, and released her debut album May 19, 1992—a spoken-word and R&B project—on his Paisley Park Records label, with Prince handling production and guitar work. Her involvement in "Justify My Love" stemmed from a personal letter she wrote to Kravitz, which formed the basis of the song's lyrics, though initial credit disputes were later resolved in her favor. Beyond music, Chavez married English musician in 1992, with whom she collaborated on projects like the 1999 compilation Approaching Silence and had two daughters, Ameera and Isobel; the couple divorced in 2003 after 12 years. She has since pursued a multifaceted career, releasing albums such as A Flutter and Some Words (2010), Memories of Flying (2019), and Justified (2023), while also designing jewelry and apparel and exhibiting photography. Her work often explores themes of , sensuality, and personal transformation, earning her recognition as a versatile creative force.

Early life

Childhood and upbringing

Ingrid Chavez was born on January 21, 1965, in . Her mother sent her to live with family in , , at a young age, where she spent her formative years and was raised in the nearby suburb of Marietta. Of Mexican-American descent, Chavez grew up in an environment that shaped her early artistic inclinations. During her late teens and early twenties in the area, Chavez navigated early family dynamics as a young mother. She gave birth to her son, Tinondre, around 1984, at the age of 19, with her then-partner Steve Snow. In a 2016 , she described this as one of uncertainty, noting, "We were really young, and I'd just given birth to my son Tinondre," highlighting the personal responsibilities that defined her immediate post-adolescent life. Chavez's experiences in , including raising her young son amid limited opportunities, ultimately influenced her decision to seek new horizons, leading to her relocation to in 1986. This move marked a turning point, though details of her pre-relocation challenges remain tied to her private family life during those years.

Entry into music

Following her upbringing in Georgia, which nurtured her early artistic inclinations toward music and poetry, Ingrid Chavez sought professional opportunities in the industry. In 1986, she relocated from to after a that stole all the equipment of her band China Dance, moving to her bandmate's hometown to rebuild and advance her music career. This shift placed her in the heart of a thriving local music scene known for its innovative sounds and collaborative energy. Upon arriving in , Chavez immersed herself in the Uptown neighborhood's vibrant music community, auditioning for various bands and frequenting venues like William's Pub during funk nights to network and perform. She supported herself by working in a while making the rounds of the scene, gradually building connections with local musicians and artists. These early encounters with key figures in the Minneapolis music world laid the groundwork for her future professional partnerships. By 1989, Chavez had formed the band Skyfish with collaborator Richard Werbowenko, releasing a self-titled six-song album exclusively on cassette that captured their experimental style. This project marked her initial foray into recording and performing original material within the local indie circuit, honing her skills as a singer and songwriter.

Career

Collaboration with Prince

Ingrid Chavez met Prince on December 1, 1987, at William's Pub in Uptown Minneapolis, shortly after her move to the city. She passed him a note that read, "Hi. Remember me? Probably not. That’s okay. Smile. I love it when you smile," leading to an invitation to Paisley Park Studios that same night, where they used pseudonyms Gertrude and Dexter during their initial collaboration sessions. This encounter marked the beginning of her involvement in Prince's creative world, including work on an unreleased spoken-word poetry project titled 21 Poems. Chavez's contributions to Prince's 1988 album Lovesexy featured her spoken-word , integrated into tracks such as the opening of "Alphabet St." and the album's intermission segments, where her voice delivered lines like "Clap your hands, stomp your feet." She also co-wrote lyrics for the album's "," drawing from improvisational sessions where played music and she responded with . Their meeting occurred on the very night decided to withdraw his dark-themed Black Album from release, an event Chavez later described as pivotal; her spiritual influence and helped inspire the lighter, more affirmative tone of , shifting 's creative direction toward themes of love and redemption. In 1990, Chavez co-starred as the character Aura, a spiritual muse, in Prince's film Graffiti Bridge, a to Purple Rain that he directed and produced. Her role involved key scenes, including an audition piece with , and she contributed vocals and writing to the film's , enhancing its poetic and improvisational elements. This solidified her as Prince's "Spirit Child," a moniker reflecting her role in his artistic evolution during this period.

Solo debut and key songwriting credits

In 1990, Ingrid Chavez collaborated with to write the lyrics for "," a track produced by Kravitz for 's album . Initially, Chavez was not credited as a co-writer on the song's release, leading her to file a lawsuit against Kravitz in U.S. District Court in on July 31, 1991. She alleged that Kravitz had defrauded her by convincing her to relinquish songwriting credit and 75% of royalties in exchange for a $500 advance, despite her primary contribution of the lyrics, which were drawn from a personal love letter. Kravitz acknowledged her input but claimed they had agreed to omit her name for personal and professional reasons. The case was settled out of court later that year, granting Chavez co-writing credit alongside Kravitz and , as well as a share of royalties from the song's sales, which exceeded 10 million records. Chavez's association with Prince, through their earlier collaborations, facilitated her signing to his Paisley Park Records label. This led to the release of her debut solo album—officially untitled but commonly referred to as May 19, 1992, after the date inscribed on the compact disc—on September 24, 1991. Recorded primarily at Paisley Park Studios in , and Larrabee Sound Studios in North Hollywood, California, the album blended Chavez's spoken-word poetry with atmospheric music, drawing from poetry sessions she had with dating back to 1987. provided musical backing and production on five tracks, including improvisational elements recorded while Chavez read her poems aloud. The album's lead single, "Elephant Box"—co-written by Chavez and (credited as )—was released on August 22, 1991, in multiple remixes tailored for dance and radio formats. Additional singles included the commercially released "Hippy Blood" and a promotional release of "Heaven Must Be Near." Despite its innovative fusion of poetry and pop, the album achieved modest commercial performance, failing to chart on the and earning no certifications in the United States. Initial reception highlighted its artistic ambition, with critics noting the intimate, ethereal quality of Chavez's delivery over the minimalist production.

Mid-career projects and collaborations

In the mid-1990s, Ingrid Chavez joined the Minneapolis-based band Ova, contributing vocals and poetry to their self-titled four-song EP, which showcased influences and was recorded during a period of personal transition for Chavez. Chavez's collaborations with deepened during this era, shaped by their marriage in 1992 and subsequent family life, which infused their joint work with themes of intimacy and introspection. Their partnership yielded the EP Little Girls with 99 Lives, comprising four tracks written and recorded in the mid-to-late 1990s—initially released as B-sides before a full mini-album edition in 2010 via Chavez's Ten Windows Records—exploring surreal narratives through Sylvian's ambient production and Chavez's lyrical delivery. In 2011, Chavez co-founded the electronic duo Black Eskimo with producer Marco Valentin, blending her ethereal spoken-word style with his gritty, urban electronic beats to create hypnotic soul tracks. The project's debut , Deep & Heady, was released on November 25, 2013, through Ten Windows Records, featuring 12 original songs that emphasized Chavez's poetic contributions amid layered instrumentation. Throughout the 1990s and 2010s, Chavez continued partnering with established artists, including providing vocals for the 1992 collaboration single "" with and Sylvian, which incorporated experimental elements like spoken-word interludes by .)

Recent musical and acting work

In 2020, Ingrid Chavez collaborated with British producer on the track "The Spell," providing vocals for the from Webster's album Decision Time, his first full-length release in nearly two decades. The song blended and ambient elements, and it was accompanied by a notable from , highlighting Chavez's ethereal vocal style in electronic music contexts. Released via Dimensions Recordings, the EP also featured additional mixes that underscored the track's atmospheric depth. That same year, Chavez revisited her iconic songwriting contribution to Madonna's "" by releasing her own version as a on December 18, 2020, marking the 30th anniversary of the original track and reasserting her role as co-writer. This release was followed by a series of in 2021 and 2022, including Charles Webster's 2021 Mix and Midnight Mix, as well as Tomasz Guiddo's on the Justify My Love (Remixes) Part One collection. In 2022, Miguel Migs contributed the & Salty Remix, available as a , which infused the song with contemporary vibes. These reinterpretations, distributed through Chavez's and platforms like , celebrated the song's enduring legacy while introducing it to new audiences. Chavez culminated this period with the release of her Justified on August 18, 2023, via Ten Windows Records, featuring 10 tracks centered on "." The project included fresh interpretations by producers such as Charles Webster (Fully Justified Mix), Miguel Migs, Kelix Williams, and Tomasz Guiddo, spanning , soulful house, and genres. Described as a "captivating journey," the album showcased Chavez's vocal performances across varied electronic landscapes and was made available on streaming services like and . In 2024, Chavez performed live in , including an intimate show at the Hewing Hotel on June 6 and an in-store appearance on June 7, promoting her recent musical output and engaging with fans in her adopted hometown. These rare performances highlighted her ongoing connection to the local music scene.

Other artistic endeavors

Visual art

In the 2000s, Ingrid Chavez transitioned toward during a break from her musical career to focus on family life, exploring as a primary medium. Around 2006, while residing in , she organized a personal photo exhibition, marking an early foray into presenting her work publicly. In a 2022 , Chavez described this period as her "photography phase," underscoring how the endeavor, though less fulfilling than , allowed her to channel creativity visually and reconnect with her artistic instincts. She has since emphasized her multifaceted identity as a visual alongside her other pursuits. Chavez's visual practice intersects with her broader creative output through Snow & Ink, a line she launched featuring handcrafted items like candles and jewelry, produced in her studio spaces. By 2022, based in , , she was actively developing this venture, using it to explore light, form, and materials in ways that complement her artistic expression.

Poetry and multimedia

Following her debut album May 19, 1992, which featured spoken-word over musical backings, Chavez pursued standalone poetic works in the . In 2015, she released My Sky, a limited-edition and journal comprising 50 handcrafted copies with an embossed cover, excerpts from song lyrics, and a handwritten original poem by Chavez. The journal included a USB drive containing her EP My Sky (Remixed), integrating her with remixed tracks by artists like Charles Webster and Ganga, creating a tangible artifact that merged written verse, personal inscription, and audio. Chavez's multimedia projects often fuse with visual and sonic elements, exemplified by that highlight her spoken-word style. The 1991 video for "Elephant Box," from her debut album and directed by , features Chavez in a dream-like sequence visualizing the over a house-infused track produced by , emphasizing themes of urban introspection and rhythm. Later works, such as the 2009 video for "By The Water" directed by Marzio , paired her poetic with serene landscapes, underscoring her ongoing exploration of and emotion through blended . Additionally, her 2019 album Memories of Flying includes tracks like "You Gave Me Wings," where poetic narration overlays ambient soundscapes, paying tribute to while advancing her hybrid artistic form. Chavez's poetry has garnered recognition in literary and musical contexts, notably winning the Best Spoken Word Song award for "My Sky" at the 14th Annual Independent Music Awards in 2015, affirming her impact in spoken-word fusion. Her work has been featured in interviews and archival discussions as a bridge between and , though she maintains a selective output focused on intimate, collaborative expressions rather than frequent public readings.

Personal life

Family and relationships

Ingrid Chavez has three children. Her son, Tinondre, was born around 1984, prior to her entry into the music industry. She shares two daughters, Ameera (born c. 1993) and Isobel (born c. 1999), with her former husband, English musician . Chavez married Sylvian in 1992, after meeting through mutual connections in the music scene during a European promotional tour. The couple relocated to the , first to and later to , where they raised their family. Their marriage lasted until 2004, when they divorced after 12 years together. The dissolution of the marriage marked a significant turning point for Chavez, prompting her to reevaluate her personal and artistic identity. In a 2022 , she reflected that the relationship's breakdown led her to recognize the centrality of music in her life, stating, "Only when my relationship with started falling apart did I start to realize how important making music was to me and that I had a whole life and career centered around it." In late 2019, after years of raising children since age 19, Chavez moved to , , embracing a period of solitude she described as a "blessing" that provided creative freedom. As of 2022, Chavez remains single.

Current residence and activities

Since moving to , , in late 2019, Ingrid Chavez has embraced a serene coastal that supports her introspective creative endeavors, including , writing, and experimental music projects. This relocation from her long-time home in represents a deliberate pivot toward environments that foster personal renewal and artistic depth. In her daily life, Chavez maintains a balance between family responsibilities and ongoing artistic production, drawing inspiration from her three adult children, two of whom (daughters Ameera and Isobel) were born during her marriage to musician , to inform her work. She actively produces spoken-word recordings, collaborates on vocal features for other artists like Grace Evans, and curates the Snow & Ink brand, handcrafting gemstone jewelry and scented candles that reflect themes of light and introspection. Recent reflections in interviews highlight Chavez's emphasis on through journaling, nature immersion, and spiritual practices, which she credits for sustaining her output amid life's transitions. For instance, in a 2022 discussion, she described how manifesting a move to aligned with her need for healing and creative freedom, underscoring a holistic approach to later-career vitality.

Discography

Studio albums

Chavez's debut studio album, titled May 19, 1992, was released on September 24, 1991, by Paisley Park Records and Warner Bros. Records. The album features a blend of spoken-word poetry and downtempo pop, with production credits including Michael Koppelman and Levi Seacer Jr., and highlights tracks such as "Heaven Must Be Near," "Hippy Blood," and "Elephant Box." Despite its artistic innovation, the album achieved limited commercial success, overshadowed by Chavez's songwriting credit on Madonna's hit "Justify My Love." Her second studio album, A Flutter and Some Words, arrived on January 26, 2010, via Ten Windows Records. Produced in collaboration with , the record explores introspective themes of , , and personal reflection through poetic lyrics and ambient soundscapes. Sylvian contributed to the album's sequencing and overall , marking a significant artistic . In 2013, Chavez released Deep & Heady under the Black Eskimo project with producer Marco Valentin, distributed independently via Bandcamp. The 12-track album fuses electronic downtempo beats with Chavez's spoken-word style, featuring key songs like "Deep & Heady," "My Sky," and "My Love's A 45." All tracks were co-written by Chavez and Valentin, emphasizing urban and ethereal atmospheres. Memories of Flying, Chavez's third solo studio , was self-released on May 17, 2019, through and Ten Windows Records. It showcases collaborations with producers including Charles Webster, Ganga, Mashti, Deep Dive Corp., and Hush, blending spoken with and ambient elements on tracks such as "Memories of Flying," "You Gave Me Wings," and "Snow-Blind." The most recent studio album, Justified, was issued on August 18, 2023, by Ten Windows Records, comprising 10 tracks that delve into , soulful house, and genres. The release reimagines themes of desire and justification, drawing from Chavez's earlier songwriting roots, and has been noted for its captivating remixes and rhythmic evolution.

EPs

Ingrid Chavez released her first notable EP, Little Girls With 99 Lives, in collaboration with musician on August 10, 2010, via Ten Windows Records. The four-track collection compiles songs originally recorded in the mid-to-late as B-sides for Sylvian's single "," featuring Chavez's poetic lyrics paired with Sylvian's atmospheric compositions. Notable tracks include "Whose Trip Is This?" (7:20), "Remembering Julia" (4:50), "Little Girls With 99 Lives," and "Starred and Dreaming," emphasizing themes of introspection and ethereal dreamscapes. Later that year, Chavez issued By the Water Reimagined EP on January 26, 2010, also through Ten Windows Records, presenting remixed versions of tracks from her earlier work to explore experimental electronic and rock reinterpretations. The six-track EP highlights artistic intent to recontextualize her poetry through diverse remixers, blending leftfield electronics with pop-rock elements. Key tracks feature "By the Water" (4:08), "Hydraulic Boom-Bap (PC Muñoz Remix)" (4:04), "Mercury Rain (Shidy Remix)" (3:33), and "Jerico By the Water (Zmix Remix)" (4:23), with contributions from producers like Sir Buc and Michael Koppelman. In 2013, Chavez collaborated with producer Marco Valentin as part of the duo Black Eskimo to release Deep EP on June 18, 2013, incorporating electronic influences such as trip-hop and beats. The six-track EP, available via , showcases Chavez's spoken-word style over Valentin's production, marking their debut project formed in 2011. Tracks include "Deep & Heady" (4:38), "My Sky" (3:48), "" (3:41), "" (3:50), "Beautiful" (3:27), and "Touch" (3:48), emphasizing immersive soundscapes and emotional depth. Serving as a thematic companion to Deep EP, Heady EP by Black Eskimo featuring Chavez followed on October 22, 2013, via Ten Windows Records, further exploring electronic textures with a focus on rhythmic and uplifting elements. This six-track release builds on the duo's synergy, pairing Chavez's lyrical delivery with Valentin's beats to create a paired narrative across the two EPs. Standout tracks are "My Love's A 45" (4:27), "Ride" (5:30), "Spread Your Wings" (4:26), "I'm On" (3:36), and "Black & Blue" (4:16), culminating in a cohesive electronic-poetic expression.

Singles and guest appearances

Ingrid Chavez released her debut "Elephant Box" in 1991 through , serving as the lead from her self-titled album; the track featured a promotional directed by Hogan, emphasizing surreal imagery and spoken-word elements. This was followed by "Hippy Blood" in 1992, the album's second commercial , which included remixes by producers such as and was released in multiple formats including CD maxi- and cassette. Additionally, "Heaven Must Be Near" appeared as a promotional in 1991, limited to radio and distribution without a commercial release or video. Chavez gained prominence through her guest vocal and lyrical contributions to Madonna's 1990 single "Justify My Love," co-written with Lenny Kravitz; her poetic input formed the basis of the track, which topped the Billboard Hot 100 for two weeks. In 2020, she issued her own recording of "Justify My Love" as a single, including a radio edit and remixes, marking a reclamation of the song three decades later. This led to further remix releases in 2021 and 2022, featuring interpretations by Charles Webster (Midnight Mix and 2021 Mix) and Miguel Migs (Deep & Salty Remix), distributed via Bandcamp and streaming platforms. As a guest artist, Chavez provided vocals for Charles Webster's "The Spell" in 2020, the lead single from his album Decision Time; the track, produced in a deep house style, included a notable Burial remix that highlighted her ethereal spoken-word delivery. Earlier, in 1996, she contributed to the band Ova's self-titled EP, appearing on tracks such as "Cicada" and other collaborative pieces blending alternative rock and spoken word, though the EP remained a limited underground release. These appearances underscore Chavez's versatility in crossing genres, from pop collaborations to electronic and experimental projects.

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