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Jack Ü

Jack Ü was an American electronic dance music duo consisting of producers and DJs (Sonny Moore) and (Thomas Wesley Pentz), formed in 2013 as a collaborative side project to explore experimental sounds blending , , and pop elements. The duo made their performance debut at Block Party in 2013 and released their first single, "Take Ü There" featuring , in October 2014. Their only studio album, Skrillex and Diplo Present Jack Ü, dropped unexpectedly on February 27, 2015, during a 24-hour DJ set streamed online, and includes high-profile collaborations with on "," and on "Get Free," and Kai on "Mind." The album peaked at number 26 on the and was certified gold by the RIAA in 2016 for sales exceeding 500,000 units in the United States. "" became their biggest hit, reaching number 8 on the and topping dance charts worldwide. At the in 2016, Jack Ü won Best Dance/Electronic Album for their self-titled release and Best Dance Recording for "," marking Diplo's first Grammy wins and Skrillex's additional honors in the electronic category. The project has remained largely dormant since, though the duo performed select sets, including closing in 2015 and a Grammy live rendition of "" with Bieber; in 2025, they revealed a completed second album featuring Florence + the Machine and that may never see release.

Background

Members

Jack Ü is composed of two prominent electronic music producers and DJs: and . , born Sonny John Moore on January 15, 1988, in , , is an American electronic music producer, DJ, and singer renowned for pioneering and . His contributions to Jack Ü encompass high-fidelity production, vocal performances—such as on the track "Mind"—and dynamic live energy that amplifies the duo's high-octane sets. Moore initially rose to prominence as the lead singer of the post-hardcore band from 2004 to 2007, before transitioning to with his debut EP in 2010, marking the start of his influential solo career. Diplo, born Thomas Wesley Pentz on November 10, 1978, in , is an American electronic music and DJ specializing in , , and fusions of influences. In Jack Ü, Pentz focuses on crafting beats, incorporating eclectic sampling, and infusing global rhythmic elements that blend with Skrillex's sound. He founded the influential in 2006 to promote independent electronic and global , and co-created the project in 2009, which further established his reputation for cross-cultural production. The duo's partnership in Jack Ü builds on their prior collaborations in the electronic scene, including joint appearances and remixes in the early .

Formation and name origin

Jack Ü was formed in 2013 by American electronic music producers (Sonny ) and (Thomas Wesley Pentz) as a collaborative , allowing them to explore joint productions outside their solo endeavors. This built on their earlier informal collaboration, including the 2011 track "Amplifire," an unreleased song they worked on together during 's early phase. The duo's motivations centered on creating high-energy tailored for festival environments, unburdened by individual label expectations or commercial pressures. initiated the idea of forming a "super duo" to focus on playful, experimental live performances that blended their distinct styles—Skrillex's intense bass-heavy production with 's eclectic, genre-blending approach—aiming to deliver uplifting, crowd-energizing sets without the rigors of full-time commitments. The name "Jack Ü" originates from the slang phrase "jack up," which captures the aggressive, adrenaline-pumping intensity of their music designed to "jack you up" with relentless energy and drops. The over the "U" was incorporated for visual flair, enhancing the project's bold, distinctive branding. was publicly announced in May 2013, with their debut performance at the in on September 15.

Musical career

Early collaborations

Skrillex and first crossed paths in the electronic music scene around 2011, when recognized as an innovative force pushing boundaries beyond traditional and influences. Their initial joint effort that year was the unreleased track "," a high-energy collaboration that sampled DJ Shadow's "Organ Donor" for its intro and showcased their shared affinity for bass-heavy, experimental sounds. Released informally through 's label channels, the track highlighted their early synergy in blending and elements, though it remained unofficial and did not see wide commercial distribution. By 2012, the pair began engaging in more frequent informal studio sessions, experimenting with demos that explored genres and laid the groundwork for future joint ventures, often incorporating guest vocalists and tempo shifts to test creative limits. frequently invited to participate in events, including early previews at label showcases, where their combined sets generated buzz among fans for the duo's dynamic stage chemistry and genre-blending transitions. These appearances extended to shared festival slots, such as preliminary joint performances at events like HARD Summer precursors, building anticipation through improvised back-to-back mixes that emphasized their complementary production styles. A notable example of their cross-pollination into solo work came in 2013, when contributed production elements to 's evolving projects, including features on tracks tied to 's "Diplo & Friends" radio series and compilations, further solidifying their mutual influence amid rising individual successes. These efforts culminated in a seamless transition to their formal duo formation later that year, marking the evolution from sporadic collaborations to a dedicated .

Debut performances and breakthrough

Jack Ü made their live debut on September 15, 2013, at the in , , where and performed three original tracks for an enthusiastic crowd of electronic music fans. The set included an aggressive dubstep-juke hybrid and the unreleased "Shark Patrol," a high-energy track blending Skrillex's signature roaring synths with Diplo's rhythmic flair, marking the duo's first public showcase of their collaborative sound. This surprise appearance, teased earlier in the festival lineup, generated immediate buzz within the EDM community, leveraging the artists' established solo reputations to draw significant attention. Building on this momentum, Jack Ü returned to the stage for a high-profile set at the in on March 30, 2014, closing the mainstage with a mix of unreleased material and remixes that captivated the large festival audience. The performance featured intense drops and collaborative energy, earning widespread media coverage and further solidifying the project's viability as a major act in the scene. Videos and fan footage from the event quickly circulated online, amplifying the duo's growing hype ahead of official releases. The project's breakthrough came with the release of their debut single "Take Ü There" on September 17, 2014, featuring vocals from Canadian singer , whose soaring delivery complemented the track's bouncy, trap-infused production. The song achieved commercial success, peaking at number 14 on the Hot chart and gaining traction on dance radio. Its accompanying , directed by Kyle dePinna, Dillon Moore, and Daniel Streit, captured the duo's live energy through trippy animations and performance footage, amassing millions of views and enhancing the single's cultural impact. Capping a pivotal year, Jack Ü headlined in on , December 31, 2014, delivering a sold-out show with guest appearances from artists like and , which underscored their rapid ascent to headliner status in the world. The event, co-promoted as a collaborative spectacle, drew over 20,000 attendees and featured explosive sets that blended their new material with crowd-pleasing anthems, cementing Jack Ü's breakthrough as a powerhouse duo.

Album release and touring

The duo's debut and only studio album, Skrillex and Present Jack Ü, was released on February 27, 2015, through and . Comprising 10 tracks, it featured collaborations with vocalists including on the lead single "" and on "To Ü". The album debuted at number 26 on the chart, selling 14,000 copies in its first week. Promotion for the album centered on a surprise digital drop during a planned 24-hour livestream DJ set by and , which began on February 26, 2015, and included live performances and guest appearances; the stream ended prematurely after 18 hours due to police intervention at the venue. This event built on the momentum from earlier singles like "Take Ü There" featuring , which had served as an initial teaser for the project. The album's vocal-driven tracks, such as those with Bieber and , highlighted the duo's emphasis on integrating pop elements into electronic production. Jack Ü supported the album with a world tour spanning 2015 and 2016, headlining major festivals including a closing set at Ultra Music Festival in Miami on March 29, 2015, where they brought out guests like Bieber and Sean "Diddy" Combs. The tour extended to events such as Coachella in April 2016, where they performed on the main stage with elaborate visuals, and European festivals like Kingsday in Amsterdam for their continental debut on April 27, 2015. These high-profile shows attracted large crowds, contributing to the duo's peak visibility during this period. The album achieved commercial success, selling over 500,000 units worldwide. Critics praised its innovative production, particularly the dynamic drops and integration of prominent vocal features that blended , , and elements into accessible anthems.

Hiatus and inactivity

Following the duo's extensive touring schedule, which contributed to after their final European performances, announced on August 28, 2016, via that Jack Ü would not perform at festivals or tour "for a long, long time," attributing the decision to exhaustion and a shift toward solo endeavors; the post was deleted shortly thereafter. In subsequent 2017 interviews, elaborated on the challenges hindering further Jack Ü activity, citing disputes with —Skrillex's label at the time—which complicated collaborative releases, alongside his own aversion to major label constraints and a growing preference for pursuing individual projects. He emphasized that there was no formal , describing the pause instead as an indefinite hiatus driven by these logistical and creative tensions. Since 2016, Jack Ü has released no new music or undertaken any joint performances. In 2025, they revealed a completed second album featuring Florence + the Machine and that may never see release. During this period, focused on his solo career, culminating in the 2023 album , while expanded his label by signing additional artists and broadening its roster of electronic and global music acts. Although occasional hints of potential reconciliation have surfaced in media discussions, no has materialized, leaving the project's future collaboration unconfirmed amid reports of ongoing personal and professional strains between the members.

Musical style and artistry

Genres and influences

Jack Ü's music represents a fusion of (EDM) subgenres, prominently featuring , , , and . This blend is characterized by high-energy drops, heavy basslines, and melodic hooks that create an intense, dynamic listening experience. Skrillex's influence draws heavily from dubstep's aggressive edge, shaped by pioneers like , , and Excision, which infuses the duo's tracks with innovative and wobbling bass elements. Diplo contributes global rhythmic influences from his project, incorporating , , and —a of and he co-created—rooted in Jamaican traditions and Latin American sounds that add infectious grooves and cultural depth. Shared inspirations from and 1990s rave culture further define their eclectic approach, emphasizing high-production values and genre-breaking experimentation that mashes up , , and pop elements. Over time, Jack Ü's sound shifted from raw, bass-driven aggression toward greater pop accessibility, merging underground club energy with broader mainstream appeal to expand EDM's reach.

Production techniques

Jack Ü's production process centered on collaborative studio sessions where Skrillex and Diplo utilized as their primary to layer synthesizers, samples, and effects, enabling rapid experimentation and refinement of tracks. This approach was demonstrated in the creation of "," where they manipulated Justin Bieber's vocal demo through chopping, pitch-shifting, and distortion to form the song's iconic melodic , transforming a simple into an electronic hit. Their sessions emphasized live , with the duo trading ideas in real-time during late-night work periods, blending Skrillex's aggressive influences—such as wobble bass lines characterized by modulated low-frequency oscillators for dynamic, gritty drops—with Diplo's eclectic sampling techniques drawn from loops and global rhythms. For instance, tracks like "Jungle Bae" featuring incorporated soca elements through sampled percussion and vocal snippets, showcasing Diplo's curation of diverse cultural sounds into high-energy frameworks. To foster transparency and fan engagement, Jack Ü extended their creative process beyond the studio by live-streaming a 24-hour DJ marathon on upon the album's release, allowing viewers to witness improvisational mixing and unreleased previews in .

Discography

Studio albums

Skrillex and Diplo Present Jack Ü is the sole studio album by the electronic music duo Jack Ü, consisting of producers and , released on February 27, 2015, through and . The album comprises 10 tracks with a total runtime of 35 minutes and 25 seconds, featuring collaborations with artists such as , , , Fly Boi Keno, , , Snails, and . It blends high-energy elements with emotional vocal hooks and party-oriented anthems, drawing on the duo's signature styles of , , and experimental production to create a frenetic, futuristic sound designed for festival environments. Many tracks originated as unreleased demos previewed during live sets and radio mixes in 2014, including a takeover where the duo showcased early versions before the surprise album drop. Standout tracks highlight the album's genre fusion and collaborative approach. "Where Are Ü Now," featuring , exemplifies future bass with its plucky basslines, chopped vocal samples, and emotive lyrics about longing, marking a pivotal moment in blending pop accessibility with EDM innovation. Similarly, "Take Ü There," with on vocals, incorporates influences through its rhythmic, bass-heavy groove and uplifting synths, evoking Diplo's global dance roots while delivering a high-energy club vibe. Other notable cuts like "Jungle Bae" with infuse Caribbean soca elements into trap beats, emphasizing the album's diverse, adrenaline-fueled party ethos. Commercially, the album debuted at number one on the chart, selling 14,000 copies in its first week and later achieving certification from the RIAA for over 500,000 units in the United States. It also peaked at number 26 on the , driven by streaming and digital sales. Critically, the record received praise for its bold collaborations and sonic experimentation but faced criticism for its brevity and lack of depth beyond festival appeal; awarded it a 6.8 out of 10, calling it "massive-sounding" yet "stuffed to the brim," while gave it 3.5 stars, lauding its "relentlessly fun" energy.

Singles

Jack Ü released three official singles during their active period, all drawn from their debut album Skrillex and Diplo Present Jack Ü. These tracks showcased the duo's fusion of with vocal collaborations, achieving notable commercial success and critical recognition. The lead single, "Take Ü There" featuring , was released on October 4, 2014. The track blends trap-influenced beats with Kiesza's soulful vocals, marking Jack Ü's first official output as a duo. It performed strongly in the scene, peaking at number 16 on the UK Dance Singles Chart. The accompanying , directed by Sophie Jones, presents a trippy, animated depiction of high-energy live performances, emphasizing the duo's dynamic stage presence. "Where Are Ü Now", featuring Justin Bieber, followed as the second single on February 27, 2015, coinciding with the album's surprise release. Produced with Bieber's emotive vocals layered over a future bass drop, the song became Jack Ü's biggest hit, reaching number 8 on the and number 3 on the . Its innovative production earned a Grammy Award for Best Dance Recording at the in 2016, highlighting the track's impact on blending pop and . The single has been certified Diamond (10× Platinum) by the RIAA in the United States. The third single, "To Ü" featuring AlunaGeorge, was released on October 22, 2015. The track features AlunaGeorge's vocals over future bass and electro-pop production, peaking at number 25 on the Hot Dance/Electronic Songs chart. A remix EP followed, including versions by and others.
SingleRelease DatePeak US Peak UK Singles ChartCertifications (US RIAA)
"Take Ü There" (feat. )October 4, 2014-63-
"Where Are Ü Now" (with )February 27, 201583Diamond (10× Platinum)
"To Ü" (feat. )October 22, 2015---

Other charted songs and remixes

Beyond their primary singles, several album tracks from Skrillex and Diplo Present Jack Ü achieved notable chart success on Billboard's dance and electronic charts. "To Ü", featuring AlunaGeorge, entered the Hot Dance/Electronic Songs chart in early 2015, driven by its fusion of future bass and electro pop elements that resonated with electronic music audiences. "Mind", featuring Kai, peaked at number 5 on the Billboard Hot Dance/Electronic Songs chart and achieved moderate global success, including top-20 placements on dance charts in Australia and Sweden. The track received a gold certification from the RIAA in 2021 for 500,000 units. A music video released in 2016 depicted the duo traveling through various international locations, underscoring themes of global connectivity. Similarly, "", with guest vocals from , peaked at No. 13 on the Dance/Electronic Digital Song Sales chart, selling 20,000 copies in its debut week and highlighting the duo's trap-influenced production style. Jack Ü also issued official remix packages for their key tracks, expanding their reach through collaborations with other producers. The remix of "Take Ü There" featuring notably included a version with , which added hip-hop flair and was released in February 2015 to critical acclaim for bridging and . Additional remixes covered "Where Are Ü Now" with contributions from artists like , , and , while "To Ü" and "Mind" received treatments from , , and Wiwek, respectively, often appearing on releases that further popularized the originals in club and streaming environments. In terms of broader production, Jack Ü received credits on select tracks outside their core , including features on electronic compilations, though no additional full-length projects materialized under the moniker.

Awards and nominations

Grammy Awards

At the 58th Annual Grammy Awards on February 15, 2016, Jack Ü won two awards for their collaborative work. The duo received the Grammy for Best Dance/Electronic Album for their debut release, and Present Jack Ü, recognizing its innovative fusion of electronic production and vocal features from artists like and . They also secured the Best Dance Recording award for "," a collaboration with that exemplified Jack Ü's signature drop-heavy style and emotional vocal delivery, marking Bieber's first Grammy win. These victories underscored Jack Ü's role in bridging with mainstream pop, earning widespread acclaim for elevating the genre's visibility at the ceremony.

MTV Video Music Awards

Jack Ü received significant recognition at the for the music video of their single "" featuring , directed by Alex Brewer and Benjamin Brewer. The video earned four nominations in technical categories: Best Art Direction, Best Editing, Best Choreography, and Best Visual Effects. The project ultimately won the award for Best Visual Effects, praised for its innovative blend of live-action footage and digital manipulation, where Bieber's image fragments into hand-drawn illustrations contributed by fans and artists. This victory underscored the video's creative approach, which involved printing individual frames for artistic embellishments before re-filming, embodying a collaborative, DIY aesthetic that emphasized emotional vulnerability through Bieber's disintegrating and reforming visage. The recognition at the VMAs complemented the song's broader success, including a Grammy Award win for Best Dance Recording the following year.

Other awards

Jack Ü garnered additional acclaim from prominent music ceremonies, underscoring their influence in . At the 2015 , the duo's track "" featuring won Collaboration of the Year, beating out competitors like and Puth's "." In recognition of their innovative sound, Jack Ü earned honors at the 2016 International Dance Music Awards during the . Their single "" featuring took home Best Dubstep/Drum & Bass Track. The duo's crossover appeal extended internationally, as "Where Are Ü Now" also clinched Best Collaboration at the 2015 , where accepted the honor on behalf of the team. The track was nominated for Top Dance/Electronic Song at the 2016 . These victories contributed to roughly a dozen nominations and wins across global events, affirming Jack Ü's role in elevating EDM's mainstream presence.

Legacy and impact

Cultural influence

Jack Ü's collaboration with Justin Bieber on "Where Are Ü Now" played a significant role in mainstreaming electronic dance music (EDM) by bridging underground electronic sounds with pop accessibility, reshaping perceptions of cross-genre partnerships in the mid-2010s. The track's success, peaking at No. 8 on the Billboard Hot 100 and earning a Grammy for Best Dance Recording in 2016, exemplified how EDM could integrate into broader pop culture, influencing subsequent collaborations that elevated the genre's visibility. This partnership not only revitalized Bieber's career but also demonstrated EDM's potential to appeal to mainstream audiences, as noted in analyses of the duo's role in popularizing hybrid styles. The duo's sound, characterized by innovative drops and vocal manipulations, contributed to the rise of future bass as a prominent subgenre within EDM, inspiring artists who built on its melodic and bass-heavy elements. Producers like Marshmello, who gained early recognition through remixes of Jack Ü tracks, adopted and expanded these techniques, helping future bass evolve from niche experimentation to a staple in festival and streaming playlists during the late 2010s. Jack Ü's approach to blending trap, dubstep, and pop sensibilities thus provided a blueprint for future bass's mainstream traction, with their album serving as a foundational reference for emerging talents. In festival culture, Jack Ü elevated duo performances into high-production spectacles, influencing event design and audience expectations for immersive EDM experiences. Their sets, such as the 2015 Madison Square Garden show and 2016 Coachella appearance featuring a massive retro computer stage setup, emphasized visual storytelling and collaborative surprises, setting new standards for technical integration in live productions. This focus on grandeur impacted broader event production, encouraging festivals to invest in custom visuals and stage innovations to match the duo's dynamic energy. By 2025, retrospectives have positioned Jack Ü as a pivotal moment in EDM, crediting the project with defining the era's golden age through sold-out tours and genre-blending innovation that inspired cross-genre duos. Their enduring hits, including "," continue to amass billions of plays across streaming platforms, underscoring the project's lasting cultural resonance and influence on modern electronic music.

Controversies

One notable controversy surrounding Jack Ü occurred during their surprise performance at the 2014 Burning Man festival on September 1. Originally scheduled DJ refused to perform on the Robot Heart stage after organizers denied access to his friends, including Jamie Jones, leading Jack Ü—consisting of and —to step in as a last-minute replacement. The set drew immediate backlash from some in the underground electronic music community, who viewed Jack Ü's high-energy, mainstream-leaning style—highlighted by tracks like ""—as mismatched with 's emphasis on non-commercial, experimental sounds. Rumors quickly spread that the duo was booed off stage due to this perceived commercial intrusion, but denied the claims, stating on that they played the song as a lighthearted during a technical delay and experienced no negative reception. Troxler later amplified the criticism, labeling Robot Heart organizers "obnoxious assholes" and decrying acts like Jack Ü for embodying a pay-to-play culture that he believed undermined authentic principles. In 2017, commented on complications hindering the project's future, attributing issues in part to 's contract with , which created creative restrictions and bureaucratic hurdles. He stated, "The thing with Jack Ü is complicated, because of Atlantic. is signed to that label and it's difficult to do anything with that. I hate major labels. I don't like the way they work," highlighting his aversion to such entanglements. These remarks fueled debates among fans about whether Jack Ü represented genuine artistic collaboration or was overly driven by promotional hype, though no formal legal disputes arose. As of November 2025, revealed deeper personal tensions as the primary reason for the duo's split and the project's dormancy, stating that "hates" him and had blocked him on social media following their fallout. Despite earlier label concerns, emphasized a "broken dynamic" that led to the abandonment of a completed second album, which included collaborations with Florence + the Machine, , and , among others. expressed regret and hopes for reconciliation, suggesting the album may never be released but leaving open the possibility of a future Jack Ü return. During Jack Ü's 2015 peak, the project faced accusations of contributing to broader oversaturation in media and festivals, with critics arguing its high-profile releases and collaborations amplified genre fatigue. Reviews pointed to the debut as formulaic and marketing-oriented, spreading too thin across tracks that prioritized massive drops and celebrity features over depth, such as the Justin Bieber collaboration on "Where Are Ü Now." One assessment described it as a "well-conceived tool" timed for festival season, reflecting perceptions of EDM's commercial bloating at the time. No legal issues stemmed from these critiques.

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