Mac Miller
Malcolm James McCormick (January 19, 1992 – September 7, 2018), known professionally as Mac Miller, was an American rapper, singer, songwriter, and record producer from Pittsburgh, Pennsylvania.[1][2] He rose to prominence in the early 2010s through a series of popular mixtapes, including K.I.D.S. (2010) and Best Day Ever (2011), which showcased his laid-back flow and introspective lyrics, garnering millions of online streams and fans via platforms like YouTube and Twitter.[3][4] Signed to independent label Rostrum Records, Miller released his debut studio album Blue Slide Park in 2011, which debuted at number one on the Billboard 200 and became the first independently distributed album to top the chart since 1995.[5] Over the course of his career, he produced five studio albums—Blue Slide Park (2011), Watching Movies with the Sound Off (2013), GO:OD AM (2015), The Divine Feminine (2016), and Swimming (2018)—evolving from frat-rap influences to eclectic blends of jazz, soul, R&B, and experimental hip-hop, often exploring themes of mental health, addiction, and personal growth.[6][7] Miller also founded his own imprint, REMember Music, in 2013, and collaborated with artists like Ariana Grande, with whom he had a high-profile relationship from 2016 to 2018.[8] His death on September 7, 2018, at age 26, was ruled an accidental overdose involving fentanyl, cocaine, and alcohol, prompting widespread tributes and legal actions against those who supplied the drugs.[7][9] Posthumously, his estate has released albums such as Circles (2020) and Balloonerism (2025), continuing his legacy as one of the 2010s' most innovative and relatable voices in hip-hop.[10][11]Life and career
1992–2010: Early life and career beginnings
Malcolm James McCormick was born on January 19, 1992, in Pittsburgh, Pennsylvania, to a Jewish family in the Point Breeze neighborhood.[12] His father, Mark McCormick, worked as an architect, while his mother, Karen Meyers, was a photographer; McCormick was raised Jewish by his mother, with his father identifying as Christian.[13] Growing up in this creative household fostered an early interest in music, as he received a keyboard at age five and began piano lessons shortly after.[14] McCormick attended the Winchester Thurston School during his early education before transferring to Taylor Allderdice High School, from which he graduated in the spring of 2010.[15] At age 14, he began rapping, initially under the stage name EZ Mac (later stylized as Easy Mac), and started performing at local open mic events around Pittsburgh.[14] During high school, he collaborated with friends on music, honing his skills through informal groups and freestyle sessions, including notable performances captured on video, such as freestyling on a school bus.[16] In 2007, at age 15, McCormick released his debut mixtape, But My Mackin' Ain't Easy, under the EZ Mac moniker, marking his entry into independent music distribution.[14] He followed this with The Jukebox: Prelude to Class Clown in June 2009 and The High Life in December 2009, both self-released projects that showcased his growing production involvement and playful, youthful lyricism.[17] These early mixtapes circulated locally and began gaining traction online through platforms like YouTube. After graduating high school, McCormick chose to pursue music full-time instead of attending college, focusing on building his career in Pittsburgh's hip-hop scene.[18] The momentum from The High Life caught the attention of Rostrum Records, leading to McCormick signing with the independent label on July 21, 2010, at age 18. Under Rostrum, he rebranded as Mac Miller and released his breakthrough mixtape K.I.D.S. on August 13, 2010, which quickly went viral through YouTube and SoundCloud, amassing widespread online buzz and over a million streams within months.[5] This success solidified his transition from local performer to emerging artist, setting the stage for national recognition.[19]2011–2013: Breakthrough success
In 2011, Mac Miller achieved mainstream breakthrough with the release of his debut studio album, Blue Slide Park, on November 8 via Rostrum Records.[20] The album debuted at number one on the Billboard 200, selling 144,000 copies in its first week and marking the first independently distributed debut album to top the chart since 1995.[20] Drawing heavily on themes of nostalgia for his Pittsburgh roots, including references to local landmarks like Frick Park, the project captured Miller's youthful, party-oriented style while reflecting on his hometown upbringing.[21] The lead promotional track "Smile Back" peaked at number 55 on the Billboard Hot 100, contributing to the album's buzz.[22] Miller supported the release with the Blue Slide Park Tour, a North American headlining run spanning late 2011 into 2012, followed by international performances in Europe and Australia that expanded his global audience. That year, he also earned significant media recognition as part of XXL's 2011 Freshman Class, alongside artists like Kendrick Lamar and Meek Mill, highlighting his rapid rise in hip-hop.[23] Following the album's success, Miller released the free mixtape Macadelic on March 23, 2012, showcasing a more experimental direction with heavy incorporation of jazz samples and psychedelic elements.[24] The project, distributed independently online, peaked at number six on the Billboard Heatseekers Albums chart and featured the single "Loud," which reached number 53 on the Hot 100 and number one on the Heatseekers Songs chart. Macadelic demonstrated Miller's versatility beyond his debut's upbeat vibe, blending introspective lyrics with hazy production.[25] Miller's momentum continued into 2013 with his second studio album, Watching Movies with the Sound Off, released on June 18 through Rostrum Records.[26] Debuting at number three on the Billboard 200 with 102,000 first-week sales, the album marked a stylistic shift toward darker, more introspective themes, exploring personal struggles and maturity.[27] Miller described it as "very introspective and very personal," a departure from his earlier party-rap persona.[28] During this period, he collaborated with emerging rappers, including Vince Staples on the joint mixtape Stolen Youth in June 2013, and shared studio sessions with Earl Sweatshirt that foreshadowed future work.[29] Blue Slide Park was later certified gold by the RIAA in 2018 for 500,000 units, underscoring the era's commercial impact.[30]2014–2018: Artistic evolution and major releases
In 2014, Mac Miller continued to explore experimental sounds through side projects, including the mixtape Faces, released under his Larry Lovestein & the Velvet Revival alias, which delved into jazz-infused hip-hop and psychedelic elements as a way to push beyond his mainstream rap persona.[31] This followed the 2013 release of Delusional Thomas, another alter-ego project featuring dark, horrorcore-inspired tracks that showcased his interest in raw, unfiltered production and thematic depth.[32] These efforts marked an early phase of Miller's artistic maturation, allowing him to experiment freely before committing to major label releases under Warner Bros. Records. Miller's third studio album, GO:OD AM, arrived on September 18, 2015, representing his major-label debut and a candid reflection on the pressures of fame, addiction, and recovery.[33] The project featured introspective lyrics over soulful, jazzy beats, with the lead single "100 Grandkids" featuring Anderson .Paak highlighting themes of mortality and excess.[33] It debuted at No. 4 on the Billboard 200, selling 87,000 equivalent album units in its first week, underscoring his growing commercial appeal amid critical recognition for its vulnerability.[34] Building on this momentum, Miller's fourth album, The Divine Feminine, was released on September 16, 2016, shifting toward an R&B-infused aesthetic with prominent female backing vocals and lush, collaborative production.[35] The record included high-profile features from artists like Ariana Grande on "My Favorite Part"—a track born from their relationship—and Kendrick Lamar on "God Is Fair, Sexy Nasty," emphasizing themes of love, spirituality, and emotional intimacy.[36] It peaked at No. 2 on the Billboard 200 with 48,000 units in its debut week, praised for its smooth genre-blending and Miller's evolving vocal delivery.[35] By 2018, Miller's fifth studio album, Swimming, released on August 3, further deepened his introspective style, grappling with depression, heartbreak, and personal stagnation through hazy, orchestral arrangements and increased singing.[37] Tracks like "Self Care" and "Small Worlds" captured a sense of resignation and healing, drawing from his post-breakup experiences and ongoing struggles.[37] The album debuted at No. 3 on the Billboard 200 and earned Miller his first Grammy nomination for Best Rap Album in 2019.[38][39] During this period, Miller supported his releases with extensive touring, including the Divine Feminine Tour from 2016 to 2017, which featured intimate venues and guest appearances that highlighted his live charisma.[40] He also performed at major festivals, such as Coachella in 2017, where he debuted tracks from The Divine Feminine to enthusiastic crowds, and Bonnaroo, further solidifying his stage presence.[41] This era saw a notable shift in Miller's public image, moving from early "frat-rap" associations to acclaim as a serious, multifaceted artist, with outlets like Pitchfork and Rolling Stone lauding his emotional honesty and sonic innovation.[42][37]2019–present: Posthumous releases
Following Mac Miller's death in September 2018, his estate, operating through REMember Music, oversaw the completion and release of several projects he had been developing, beginning with the album Circles. Released on January 17, 2020, via Warner Records, Circles served as a companion piece to his 2018 album Swimming, shifting toward a more introspective sound blending hip-hop with acoustic folk and jazz elements.[43][44] The album, finalized by producer Jon Brion based on Miller's unfinished sessions, debuted at number three on the Billboard 200, selling 164,000 album-equivalent units in its first week.[43] Its lead single, "Good News," was released on January 9, 2020, and peaked at number 17 on the Billboard Hot 100.[43] A deluxe edition followed in March 2020, adding four tracks including "Right," which featured a posthumous collaboration with Thundercat on bass and production. Circles was later certified platinum by the RIAA in 2024.[45] In 2020, the estate marked the 10th anniversary of Miller's breakthrough mixtape K.I.D.S. with a limited-edition vinyl reissue on clear-with-rainbow-splatter pressing, limited to 500 copies and featuring a silkscreened D-side etching, along with a deluxe edition featuring two new songs.[46][47] This release highlighted the project's enduring popularity, originally dropped in 2010 as his first major mixtape under Rostrum Records. The following year saw further archival efforts, though major full-length output remained focused on completing core works. The estate continued commemorating Miller's catalog with the fifth anniversary edition of Swimming in 2023, issued as a two-LP box set on milky clear/hot pink/sky blue marble vinyl, accompanied by posters, cards, and custom sleeves to evoke the album's thematic depth.[48] While no new unreleased tracks were included, the package celebrated the album's introspective production and its role in Miller's artistic maturation. In 2023, the estate also released a 10th anniversary edition of Watching Movies with the Sound Off, featuring a new version of the opener "The Star Room." In 2025, the estate released a 10th anniversary edition of GO:OD AM (2015), expanded with three previously unreleased songs and four new visualizers.[49] A significant posthumous milestone came with Balloonerism, released on January 17, 2025—exactly five years after Circles—as Miller's second full posthumous studio album under Warner Records. Recorded primarily in 2014 during the period surrounding his mixtape Faces, the project was self-directed by Miller, showcasing his experimental side through jazz rap, neo-soul, and abstract hip-hop infused with introspective themes of personal struggle and creativity.[50][51] Featuring 14 tracks including a guest appearance by SZA on "DJ'a Chord Organ," Balloonerism debuted at number three on the Billboard 200 with 81,000 equivalent album units, marking Miller's eighth top-five entry and the largest vinyl sales week for any posthumous rap album.[11][52] Under REMember Music, co-managed by Miller's family, the estate has prioritized authentic curation of his archives, finalizing collaborations like those on Circles while avoiding overproduction to preserve his vision. By 2025, posthumous releases had driven substantial commercial impact, with Circles alone contributing to over 500,000 cumulative units across Miller's catalog expansions, bolstered by streaming resurgence and anniversary editions.[53][54]Artistry
Musical style and themes
Mac Miller's early musical style was characterized by upbeat, party-oriented hip-hop rooted in boom-bap beats and humorous, lighthearted lyrics that celebrated youthful excess and camaraderie.[55] His 2011 debut album Blue Slide Park exemplified this phase, featuring airy production and playful rhymes about fame, partying, and casual indulgences, often drawing comparisons to artists like Wiz Khalifa for its accessible, frat-rap energy.[55] This approach resonated with a young audience but was critiqued for lacking depth, positioning Miller as a promising yet immature voice in mainstream rap.[56] As Miller's career progressed into the mid-2010s, his sound evolved toward more experimental territory, incorporating jazz, soul, and psychedelic elements that marked a departure from his initial party-rap formula. The 2012 mixtape Macadelic introduced hazy, drug-infused production and introspective explorations of love and addiction, signaling a psychedelic shift influenced by producers like Flying Lotus.[57] This maturation continued on his 2013 album Watching Movies with the Sound Off, a quantum leap featuring trippy soundscapes, eerie mellotron melodies, and jazz-rap beats that delved into themes of mortality and personal isolation.[57] By 2015's GO:OD AM, he refined this blend with boom-bap rhythms layered over jazz samples and harder drums, creating varied tracks that balanced upbeat energy with reflections on industry pressures.[58] In his later work, Miller embraced introspective R&B and alternative rap, emphasizing vulnerability through softer production and live instrumentation that evoked warm funk and orchestral swells. Albums like 2016's The Divine Feminine shifted to neo-soul influences, crafting a concept record around love's subtleties with melodic flows and features that highlighted relational dynamics.[59] This culminated in 2018's Swimming, where he sang deftly about heartbreak, mental health struggles, and resilience, using peaceful arrangements to convey emotional resignation without self-pity.[37] Throughout his discography, recurring themes included the pitfalls of fame, personal growth amid addiction, romantic entanglements, and self-reflection, often amplified through alter egos like Delusional Thomas—a high-pitched, Quasimoto-inspired persona for darker explorations of murder and inner turmoil on his 2013 mixtape.[56][60] Miller's vocal delivery mirrored this artistic progression, starting with playful, rapid-fire flows suited to humorous party tracks and maturing into melodic singing and spoken-word elements that added emotional depth.[61] Early efforts featured monotone, youthful rapping, but by Watching Movies with the Sound Off, he experimented with coarse-throated croons and earnest phrasing over diverse beats.[57] Later releases showcased refined, emotive vocals that blended rap and song, allowing for vulnerable expression in tracks addressing loneliness and recovery.[37] Critics praised Miller's genre-blending eclecticism and evolution from frat-rap novelty to a sophisticated artist comparable to Tyler, the Creator for his boundary-pushing versatility.[62] While early work like Blue Slide Park drew harsh reviews for blandness, later albums earned acclaim for their maturity and innovation, with Swimming lauded as a poignant capstone to his introspective journey.[55][37] This trajectory solidified his legacy as a rapper who continually reinvented himself, prioritizing artistic growth over commercial stasis.[56]Influences and production
Mac Miller drew significant inspiration from hip-hop pioneers, including the Wu-Tang Clan for their collective energy and MF Doom for his intricate wordplay and textured production. He frequently cited Kanye West as a major influence, admiring West's evolution from producer to multifaceted artist. Rock acts like The Beatles shaped his appreciation for creative experimentation and album concepts, while Bob Dylan's introspective songwriting resonated with Miller from a young age. Prince's genre-blending funk and emotional depth also left a lasting mark, with Miller expressing a desire to emulate the icon's versatility. In jazz, Miller was influenced by artists such as Herbie Hancock, whose fusion of electronic elements and improvisation informed Miller's later experimental sounds, and Thelonious Monk's unconventional harmonies, which echoed in his abstract beats. R&B and soul figures like D'Angelo and Bilal contributed to his smooth, emotive vocal deliveries and rhythmic grooves, particularly evident in albums exploring love and vulnerability. Among contemporaries, J. Cole's narrative-driven rap and Chance the Rapper's positive, genre-fluid approach inspired Miller's shift toward introspective lyricism, as he collaborated with and toured alongside Chance early in their careers. As a self-taught producer, Miller honed his skills on tools like the Akai MPC sampler and Pro Tools software, beginning in his teens without formal training. He often incorporated live instrumentation, enlisting members of The Internet—such as Syd and Matt Martians—for organic textures on projects like The Divine Feminine. Under the alias Larry Lovestein & the Velvet Revival, he explored beat-focused, lounge-inspired work, releasing the EP You in 2012 to delve into jazz-soul hybrids. His primary production moniker, Larry Fisherman, allowed him to craft lo-fi, sample-based tracks emphasizing mood over polish. He produced the full 2013 collaborative mixtape Stolen Youth for Vince Staples. Miller's notable production contributions included beats co-produced with Jon Brion for his 2020 posthumous album Circles, including "Hand Me Downs" featuring Anderson .Paak. Features from Tyler, the Creator on tracks like "O.K." from Watching Movies with the Sound Off highlighted his collaborative network, with Tyler praising Miller's raw, unfiltered production style in interviews. Miller's production evolved from sample-heavy, boom-bap mixtapes in his early career—drawing from 1990s hip-hop crates for laid-back vibes—to more organic, band-recorded sessions on later works like Circles, which prioritized live drums and strings for emotional resonance. This progression reflected a move away from commercial sheen toward depth, as seen in his use of jazz samples and live bass lines influenced by Thundercat. Credited as producer on over a dozen of his own releases and several others, Miller's beats consistently prioritized vulnerability and texture, influencing a generation of introspective rap producers.Personal life
Relationships
Mac Miller maintained a relatively private personal life during his early career, particularly regarding romantic relationships formed in high school. He dated Nomi Leasure, his high school sweetheart, in an on-and-off relationship that began around 2009 and lasted until 2016, though much of it remained out of the public eye amid his rising fame.[63][64] Miller's most publicized romance was with singer Ariana Grande, which began in 2016 following their 2013 collaboration on her single "The Way." The couple went public with their relationship in September 2016, appearing together at events like the MTV Video Music Awards, on red carpets, and in music videos such as Grande's "The Light Is Coming."[65][66] They parted ways in May 2018 in what was described as an amicable split, though Grande later revealed it had been strained by Miller's substance use issues, calling the dynamic "toxic" and emphasizing her need for self-preservation. Grande referenced the relationship in her 2018 song "thank u, next," acknowledging Miller as one of her significant past partners. Following the breakup, Miller expressed well-wishes for Grande in interviews, noting he was "happy for her" amid public speculation.[67][68][69] The relationship influenced Miller's music, particularly his 2016 album The Divine Feminine, which explored themes of love and vulnerability, with tracks like the duet "My Favorite Part" directly inspired by Grande. Later, songs such as "Small World" from his 2018 album Swimming reflected on the emotional aftermath of their breakup.[70][71][72] The breakup drew significant media scrutiny, with online backlash unfairly targeting Grande for Miller's struggles shortly after his DUI arrest in May 2018, amplifying public discourse on celebrity relationships and accountability. Miller had no children and never married.[73]Health and substance use
Mac Miller's exposure to substances began during his high school years in Pittsburgh, where he started smoking marijuana around age 15, a habit that he later described as part of his early experimentation amid a social circle that included selling small amounts of the drug.[74] As his music career took off in the early 2010s, the stresses of constant touring led to escalated use; he relied heavily on marijuana to manage anxiety from performances and public scrutiny, but soon incorporated alcohol and prescription pills like Percocet to cope with the relentless schedule and growing fame.[75] By the mid-2010s, particularly following the release of his 2014 mixtape Faces, Miller's dependency deepened into opioid use, including codeine-based lean, alongside cocaine and Xanax, which he openly referenced in his lyrics as a means to numb emotional turmoil.[76] This progression was evident in tracks like "Self Care" from his 2018 album Swimming, where he rapped about isolation and substance-fueled escapes, reflecting a cycle of dependency that intensified after personal setbacks.[62] Miller also grappled with depression and anxiety, conditions he linked directly to his substance use in interviews, noting that the pressures of success exacerbated these issues during the Swimming era.[76] He pursued therapy to address them, crediting sessions with helping him process emotions and fostering greater self-acceptance, which in turn influenced the introspective themes of his later work.[76] Despite attempts at sobriety, such as abstaining during the creation of Swimming, Miller faced interventions from friends and family who expressed concerns about his well-being, as detailed in profiles highlighting his "slip-ups" and the toll on those around him.[62] Public incidents underscored these struggles, including slurred speech and apparent intoxication during 2017 performances, followed by noticeable weight loss and erratic behavior in 2018, which drew media attention to his deteriorating health. These challenges added profound depth to his artistry, allowing raw explorations of vulnerability, though they simultaneously strained personal relationships and contributed to a broader narrative of addiction's isolating effects.[62]Legal issues
In February 2011, while on tour, Mac Miller (born Malcolm James McCormick) and several friends were arrested in upstate New York for possession of marijuana following a party after one of his shows; the group spent the night in jail, but the charges were later dismissed.[77][78] Miller's most significant legal encounter occurred on May 17, 2018, when he was arrested in Studio City, Los Angeles, on suspicion of driving under the influence (DUI) and misdemeanor hit-and-run after crashing his Mercedes-Benz G-Class SUV into a utility pole in the San Fernando Valley.[79][80] The single-vehicle accident caused the pole to topple, temporarily disrupting power in the area, but Miller and his two passengers sustained no serious injuries and fled the scene on foot before being apprehended nearby.[81][82] A breathalyzer test revealed his blood alcohol concentration was 0.15—nearly twice the legal limit of 0.08—leading to his booking at the Van Nuys jail station.[83] He was released later that morning after posting $15,000 bail and was scheduled for an initial court appearance on June 7, 2018.[79][80] On August 21, 2018, the Los Angeles City Attorney's Office formally charged Miller with two misdemeanor counts of DUI—one for driving under the influence and another for operating a vehicle with a blood alcohol level of 0.08 or higher—along with the hit-and-run allegation.[84][85] If convicted, he faced up to six months in jail and a $1,000 fine per DUI count, though as a first-time offender with no prior major convictions, outcomes like probation, community service, a driver's license suspension, and alcohol education classes were considered more likely.[86][87] The case drew immediate media attention, amplifying public scrutiny of Miller's ongoing struggles with substance use, especially following his recent high-profile breakup with Ariana Grande and the release of his album Swimming.[2] Miller's death from an accidental overdose on September 7, 2018, occurred before he could enter a plea or attend further proceedings; the Los Angeles City Attorney's Office subsequently moved to dismiss the charges posthumously, closing the case without resolution.[88][89] Throughout his career, Miller had no other documented major legal convictions, with his issues primarily linked to substance-related incidents that were resolved without incarceration.[77]Death and legacy
Overdose and death
On September 7, 2018, Mac Miller, aged 26, was found unresponsive in his home in the 11600 block of Valleycrest Drive in Studio City, California.[90] His personal assistant discovered him kneeling on his bed in a praying position and immediately called 911 around 11:18 a.m. PDT.[62][91] Paramedics arrived shortly thereafter, at approximately 11:34 a.m., but Miller was already deceased and was pronounced dead at the scene at 11:51 a.m. PDT; he was not transported to a hospital.[90][92] The Los Angeles County Department of Medical Examiner-Coroner ruled the death accidental, caused by mixed drug toxicity.[90] A toxicology report released on November 5, 2018, confirmed the presence of fentanyl, cocaine, and ethanol (alcohol) in his system, with no evidence of suicidal intent or a suicide note.[90][7] Leading up to his death, Miller had been attempting sobriety following a history of substance use relapses, including after his breakup with Ariana Grande in May 2018 and his arrest later that month for DUI and hit-and-run.[62] A private Jewish funeral ceremony was held for Miller on September 12, 2018, in Pittsburgh, Pennsylvania, his hometown.[93] He was buried at Homewood Cemetery.[94] News of Miller's death prompted an outpouring of tributes from fans and fellow artists worldwide. Ariana Grande, his ex-girlfriend, shared an emotional Instagram post on September 14, 2018, expressing grief and regret, which was viewed by millions.[95]Aftermath and cultural impact
Following Mac Miller's death, federal authorities launched an investigation into the source of the fentanyl-laced counterfeit oxycodone pills that contributed to his overdose. In October 2019, a federal grand jury in Los Angeles indicted three men—Cameron James Pettit, Stephen Andrew Walter, and Ryan Michael Reavis—for their roles in distributing the pills.[96] Walter, identified as the primary supplier who sold the counterfeit pills containing fentanyl to Reavis, was sentenced to 17.5 years in federal prison in May 2022.[97] Reavis, who passed the pills to Pettit, who in turn supplied them to Miller, received an 11-year sentence in April 2022 after pleading guilty to distribution of fentanyl.[98] Pettit, who directly provided the pills to Miller, pleaded guilty in November 2021 and was sentenced to time served, leading to his release from federal custody in October 2024.[99] These convictions underscored the dangers of fentanyl contamination in the illicit drug supply, with prosecutors noting the case as part of broader efforts to combat the opioid epidemic.[100] Miller's family and longtime managers assumed control of his estate, overseeing the curation and release of unfinished projects while prioritizing his artistic vision. Notable releases include Circles in 2020, Balloonerism in January 2025, and a 10th anniversary edition of GO:OD AM in October 2025 featuring three previously unreleased songs.[101][102] In late 2018, shortly after his death, they established the Mac Miller Fund through The Pittsburgh Foundation to support youth in underserved communities with programming, resources, and opportunities for creative expression, including music education and mental health initiatives.[103] By December 2019, the fund had donated $100,000 to the YMCA of Greater Pittsburgh's Lighthouse Program, which provides audio engineering training and recording access to at-risk teens.[104] The estate has continued to manage posthumous releases judiciously, ensuring they align with Miller's intent and generating proceeds that bolster the fund's efforts in youth development and community building.[105] Tributes to Miller poured in from fans, fellow artists, and his hometown community in the wake of his death. Ariana Grande, Miller's former partner, dedicated emotional performances to him during her Thank U, Next Tour stop in Pittsburgh in June 2019, breaking down in tears while singing songs like "Thank U, Next" and sharing personal reflections on stage.[106] A public vigil was held on September 11, 2018, at Pittsburgh's Frick Park, near the "Blue Slide" that inspired his debut album, drawing hundreds to honor his roots.[107] In Pittsburgh, murals commemorating Miller have become landmarks, including a large-scale artwork unveiled in July 2022 on the side of ID Labs in Etna, his longtime recording studio, featuring symbolic elements from his life and music.[108] Miller's death amplified broader conversations within hip-hop about the opioid crisis and its toll on artists, highlighting the prevalence of substance abuse in the genre amid rising fentanyl-related overdoses.[109] His struggles, openly documented in his music and interviews, contributed to discussions on the intersection of fame, mental health, and addiction in rap, influencing how the culture addresses vulnerability and recovery.[110] Posthumously, Miller received a Grammy Award nomination in 2019 for Best Rap Album for Swimming.[111] His inclusion in the Rock & Roll Hall of Fame's "in memoriam" segment during the 2019 induction ceremony further cemented his place in music history.[112] By 2025, Miller's legacy endures as a symbol of the 2010s rap evolution, emphasizing authenticity, genre-blending innovation, and emotional depth in hip-hop. Fan communities, including the Most Dope Family collective he co-founded, remain active in philanthropy, supporting causes aligned with his values through events, merchandise proceeds, and ongoing advocacy for youth mental health and substance abuse prevention.[103]Discography
Studio albums
Mac Miller's studio albums represent a progression from party-oriented hip-hop to introspective and genre-blending works, consistently achieving strong commercial performance on the Billboard 200 chart. His debut album marked a historic milestone as the first independently released debut to top the chart since 1995, while later releases earned critical acclaim and Grammy recognition. By 2025, his catalog had amassed over 6 million album-equivalent units consumed in the United States, per RIAA certifications, contributing to millions of global sales across streaming and physical formats.[113] The following table summarizes his seven studio albums, including posthumous releases, with selected chart peaks, certifications, and track counts from standard editions:| Album Title | Release Date | Billboard 200 Peak | RIAA Certification | Number of Tracks | Notable Details |
|---|---|---|---|---|---|
| Blue Slide Park | November 8, 2011 | #1 | Gold (2018) | 14 | Debut album; first independent debut to top the Billboard 200 since 1995. |
| Watching Movies with the Sound Off | June 18, 2013 | #3 | Gold (2019) | 19 | Explored experimental production; debuted with 102,000 units sold.[114] |
| GO:OD AM | September 18, 2015 | #4 | Platinum (2024) | 15 | Featured collaborations like Miguel on "Weekend," which peaked at #46 on the Hot 100; certified for 1 million units. |
| The Divine Feminine | September 16, 2016 | #2 | Platinum (2024) | 10 | Incorporated soul and R&B elements with guests like Anderson .Paak; first-week sales of 48,000 units. |
| Swimming | August 3, 2018 | #3 | 2x Platinum (2023) | 13 | Nominated for Best Rap Album at the 61st Grammy Awards; posthumously re-entered the Top 10 after his death.[113] |
| Circles (posthumous) | January 17, 2020 | #3 | Platinum (2024) | 16 | Folk and jazz-infused companion to Swimming; debuted with 164,000 equivalent units. |
| Balloonerism (posthumous) | January 17, 2025 | #3 | - | 14 | Recorded in 2014; features experimental production and guest SZA; debuted with 80,000 equivalent units, topping several sales charts.[54][115] |
Mixtapes and EPs
Mac Miller released a series of mixtapes and extended plays (EPs) throughout his career, which played a pivotal role in building his underground fanbase before transitioning to major-label studio albums. These projects, often distributed for free via platforms like DatPiff and Rostrum Records' website, showcased his versatility in hip-hop, blending introspective lyrics with jazz, soul, and psychedelic influences. By the end of his career, Miller had released a total of 13 mixtapes, emphasizing experimental sounds and freestyle elements that highlighted his growth as an artist. His debut mixtape, K.I.D.S. (Kool Aid and Frozen Pizzas), arrived in 2010 and consisted of 16 tracks produced primarily by Big Jerm and ID Labs. It became a viral hit in the online rap community, amassing over 300,000 downloads prior to Miller signing with Rostrum Records, and established his playful, youthful persona while addressing themes of adolescence and ambition. Following its success, Miller dropped Best Day Ever in 2011, another 16-track effort that further solidified his reputation with upbeat, feel-good anthems like "Best Day Ever" and "Smile Back." Though it did not chart on major Billboard lists, the mixtape's widespread streaming and downloads—exceeding millions over time—laid the groundwork for his mainstream breakthrough and demonstrated his ability to craft cohesive, radio-friendly tracks independently. In 2012, Macadelic marked a more experimental turn, featuring 17 tracks infused with psychedelic and lo-fi aesthetics, including samples from artists like Nina Simone. Released amid personal challenges, it peaked at number 6 on the Billboard Heatseekers Albums chart and explored themes of heartbreak and introspection, showcasing Miller's evolving production style with collaborators like FlyLo. Miller ventured into pseudonymous projects with the 2012 EP Dela Soul, released under the alias Larry Lovestein and the Velvet Revival, comprising 5 tracks that paid homage to De La Soul through jazzy, retro-infused beats. The following year, 2013, saw the release of Delusional Thomas under another alter ego, a 7-track EP delving into darker, more abstract territories with horrorcore elements and production from Clams Casino, reflecting his interest in genre experimentation. Posthumously, the 2020 compilation Run (also known as Run On Sentences, Vol. 1) gathered 21 previously unreleased or obscure tracks from Miller's archives, curated by his estate to highlight his unrestrained creative output and serving as a tribute to his prolific side projects. To celebrate milestones, 10th anniversary reissues of K.I.D.S. and Best Day Ever were released in 2020 and 2021, respectively, each including bonus tracks, remastered audio, and additional artwork to introduce the projects to new audiences while preserving their foundational impact on hip-hop's digital mixtape era.Singles
Mac Miller released numerous singles throughout his career, both as a lead artist and as a featured performer, often achieving commercial success on the Billboard Hot 100 and earning certifications from the Recording Industry Association of America (RIAA). His early singles from mixtapes and debut projects marked his breakthrough in the hip-hop scene, while later releases from major label albums showcased his evolving sound and collaborations. By 2025, key tracks from his discography had amassed over 18 billion streams on Spotify collectively.[116] As a lead artist, Miller's singles frequently charted on the Billboard Hot 100, with notable entries including "Loud" (2011), which peaked at No. 53.[22] "Smile Back" followed in 2011, reaching No. 55 on the chart.[22] "Donald Trump" (2011) achieved greater traction, peaking at No. 75 and later certified Platinum by the RIAA.[22][117] From his 2015 album GO:OD AM, "Weekend" featuring Miguel peaked at No. 46 on the Hot 100 and was certified 5x Platinum.[22][118] In 2016, "Dang!" with Anderson .Paak peaked at No. 7 on the Bubbling Under Hot 100 and earned 2x Platinum status.[22][118] Later singles from Swimming included the posthumously promoted "Self Care" (2018), which debuted at No. 33 on the Hot 100 and received multi-Platinum certification (6x Platinum by 2024).[119] From the 2020 album Circles, "Good News" peaked at No. 33 and was certified 2x Platinum.[120] Miller also appeared as a featured artist on several high-profile singles. His collaboration with Ariana Grande on "The Way" (2013) from her album Yours Truly became his biggest hit, peaking at No. 9 on the Hot 100 and certified 3x Platinum by the RIAA in 2025.[22][121] "My Favorite Part" with Grande (2016) from Dangerous Woman reached No. 60 on the chart.[22] Overall, Miller's discography includes 46 singles, with 15 as a featured artist, reflecting his prolific output across independent and major label releases. By 2025, his singles had accumulated numerous Platinum and Gold certifications from the RIAA, including several multi-Platinum awards as of 2024, underscoring their enduring commercial impact.[45]| Single Title | Year | Peak on Billboard Hot 100 | Certification (RIAA) |
|---|---|---|---|
| Loud (lead) | 2011 | #53 | - |
| Smile Back (lead) | 2011 | #55 | - |
| Donald Trump (lead) | 2011 | #75 | Platinum |
| Weekend feat. Miguel (lead) | 2015 | #46 | 5x Platinum |
| Dang! feat. Anderson .Paak (lead) | 2016 | Bubbling Under #7 | 2x Platinum |
| Self Care (lead) | 2018 | #33 | 6x Platinum |
| Good News (lead) | 2020 | #33 | 2x Platinum |
| The Way (with Ariana Grande, featured) | 2013 | #9 | 3x Platinum |
| My Favorite Part (with Ariana Grande, featured) | 2016 | #60 | Gold |