Jan Cornet
Jan Cornet (born 24 February 1982) is a Spanish actor and director recognized for his breakthrough performance as Vicente in Pedro Almodóvar's psychological thriller The Skin I Live In (2011).[1] Born Jan Cornet Galí in Terrassa, near Barcelona, Catalonia, Spain, he has built a career spanning film, television, and directing, with notable roles in international productions that highlight his versatility in dramatic and historical genres.[1] Cornet began his acting career in the mid-2000s, making his feature film debut in the Spanish drama The Night of the Brother (La noche del hermano, 2005), directed by Marcos Berra.[2] His performance in The Skin I Live In, where he portrayed a young man central to the film's themes of identity and revenge, earned him critical acclaim and the Goya Award for Best New Actor in 2012, as well as recognition from the Spanish Actors Union.[3] This role marked a pivotal moment, establishing him as a rising talent in European cinema and leading to further collaborations with prominent directors.[4] Throughout the 2010s, Cornet expanded his portfolio with supporting roles in high-profile films, including the supernatural thriller Red Lights (2012), directed by Rodrigo Cortés and starring Cillian Murphy and Sigourney Weaver, where he played the character David Matheson.[1] He gained international exposure with his portrayal of the apostle Thomas (also known as Didymus) in the biblical epic Risen (2016), directed by Kevin Reynolds and featuring Joseph Fiennes.[1] These projects showcased his ability to navigate both Spanish-language arthouse cinema and English-language Hollywood productions.[2] In recent years, Cornet has continued to diversify his work across television and film, appearing in the TV series Heartless (2024).[1] He has also ventured into directing, helming the short film Pantelleria (2025), reflecting his growing involvement behind the camera.[1] His career trajectory underscores a commitment to challenging roles that explore complex human emotions, contributing to his reputation as a multifaceted artist in the global film industry.[4]Early life
Upbringing in Catalonia
Jan Cornet was born on February 24, 1982, in Terrassa, a city located in the province of Barcelona within the autonomous community of Catalonia, Spain.[5][6] He was the second of three siblings, with his father working as an orthopedic surgeon and his mother as a nurse; the family primarily spoke Catalan at home. Raised in this Catalan industrial hub, Cornet grew up immersed in the region's distinct cultural identity, which emphasizes the Catalan language and traditions amid Spain's broader national context.[7]Entry into the industry
Cornet's interest in the performing arts began during his adolescence in Terrassa, where the cultural vibrancy of Catalonia provided early exposure to creative pursuits. At the age of 16, encouraged by a friend's suggestion, he joined a modeling agency in Barcelona and started working in advertisements, including a prominent Nokia commercial that earned him nearly 6,000 euros for one day of work. This initial foray also led to non-speaking roles as a film extra in local productions shot around Barcelona, marking his first behind-the-scenes contact with the industry.[7] Following high school, Cornet pursued formal training in acting, enrolling in a three-year course at the Estudio de Actuación Juan Carlos Corazza in Barcelona, a respected institution known for its intensive approach to performance techniques. He also participated in additional workshops, including a module titled "Todo lo no sé que sé" with Fernando Piernas, a technique seminar with Ana Gracia, voice classes using the Linklater method, and theatrical studies at the Centro Estudios Cinematográficos de Cataluña (CECC). By the early 2000s, as he completed his studies around age 22, Cornet developed professional aspirations, auditioning for roles while navigating the competitive landscape of Catalan cinema.[8][9] The Spanish film industry in Catalonia during the 1990s and 2000s offered a fertile ground for emerging talents like Cornet. Barcelona emerged as a key hub for both domestic and international shoots, thanks to its diverse locations—from urban streets to coastal areas—and incentives that attracted filmmakers, fostering a scene of independent cinema and co-productions. This environment, combined with the establishment of film schools like the Escola Superior de Cinema i Audiovisuals de Catalunya (ESCAC) in 1999, motivated young actors to transition from extracurricular involvement to serious career pursuits.[10]Acting career
Debut and early roles
Cornet made his feature film debut in 2005 with the Spanish drama La noche del hermano (The Night of the Brother), directed by Santiago García de Leániz, where he starred as Jaime, a young man confronting the aftermath of his parents' murder by his older brother.[11] In the following years, Cornet built his experience through supporting roles in low-profile Spanish and international productions. His early television appearance came in 2007 with the Italian-Spanish biblical TV movie La stella dei re, in which he portrayed Gasphar, one of the three wise men following a star to Bethlehem.[12] The year 2008 marked further development in his film career with two notable supporting parts. In Camino, directed by Javier Fesser and inspired by a real-life case of religious fanaticism and childhood cancer, Cornet played Ángel Custodio, a figure in the girl's devout community.[13] That same year, he appeared as Pol in Albert Espinosa's comedy No me pidas que te bese, porque te besaré, a story exploring pre-wedding anxieties among friends with disabilities. These initial roles in domestic Spanish cinema and minor international projects provided Cornet with opportunities to refine his acting skills amid the competitive landscape of the industry during the mid-to-late 2000s.[14]Breakthrough in The Skin I Live In
Jan Cornet was cast in the role of Vicente for Pedro Almodóvar's 2011 psychological thriller The Skin I Live In, which also starred Antonio Banderas as the enigmatic plastic surgeon Dr. Robert Ledgard and Elena Anaya as Vera Cruz.[15] The film, produced in Spain and exploring dark themes of obsession and transformation, marked Cornet's entry into a major international production under Almodóvar's direction. Although specific details of the casting process remain limited, Cornet, then an emerging actor, brought a fresh presence to the ensemble.[16] In the narrative, Vicente is portrayed as a young, carefree man whose encounter with Ledgard's daughter sets off a chain of events central to the film's examination of identity and revenge.[17] Cornet's character embodies vulnerability and defiance, evolving through intense physical and psychological trials that underscore Almodóvar's interest in bodily autonomy and retribution.[18] The role demanded significant physical transformation from Cornet, including scenes depicting surgical alteration, which highlighted the actor's ability to convey raw emotional turmoil amid the director's stylized visuals.[19] Critics lauded Cornet's performance for its emotional depth and precision, noting how he balanced the character's initial cockiness with later layers of trauma and resilience.[18] The Los Angeles Times described it as a "terrific performance," praising Cornet's portrayal of Vicente's entitled yet pivotal arc.[18] Similarly, reviewers highlighted his effectiveness in anchoring the film's unsettling tone, with one outlet calling his work "precise" in striking the right balance to support the story's tension.[19][20] The film's premiere at the 2011 Cannes Film Festival, where Cornet attended alongside the cast, significantly elevated his profile and garnered him broader European recognition as a promising talent.[21] This high-visibility role in Almodóvar's critically acclaimed project provided an immediate career boost, transitioning Cornet from smaller Spanish productions to more prominent opportunities in international cinema.[16]International and recent projects
Following his breakthrough role in The Skin I Live In, which elevated his profile for international opportunities, Jan Cornet expanded his acting career into English-language productions and continued with a steady stream of Spanish films, diversifying across genres such as thriller, drama, comedy, and horror.[1][22] In 2012, Cornet made his Hollywood debut in the psychological thriller Red Lights, directed by Rodrigo Cortés, where he portrayed David Matheson, the son of a paranormal investigator played by Sigourney Weaver, alongside Cillian Murphy as her assistant. The film, which explores skepticism toward supernatural claims, marked Cornet's entry into American cinema and showcased his ability to handle ensemble casts in suspenseful narratives.[23] Cornet's international presence grew with the 2016 biblical epic Risen, directed by Kevin Reynolds, in which he played the apostle Thomas, also known as Didymus, a disciple grappling with doubt amid the resurrection storyline led by Joseph Fiennes as a Roman tribune. The production, filmed in Spain and Malta, highlighted Cornet's versatility in historical drama and contributed to his visibility in faith-based Hollywood projects.[24][25] Returning to Spanish cinema, Cornet starred as Diego in the 2018 family drama The Uncovering (original title: El desentierro), directed by Nacho Ruipérez, depicting a reclusive writer aiding his cousin in unraveling their father's mysterious past amid themes of migration and identity. That same year, he took on the role of José Eduardo, the suave fiancé in the romantic comedy Recuperando a mi ex, a Mexican-Spanish co-production directed by Gabriel Guzmán, where his character becomes entangled in his ex-wife's chaotic remarriage plans.[26][27][28] In 2020, Cornet led the thriller Rocambola, directed by Juanra Fernández, as Dante, a meticulous professional thief targeting a remote mansion in a heist gone awry, blending tension with moral ambiguity in a European setting. He followed this in 2021 with the horror film Visitor (original title: Visitant), directed by Alberto Evangelio, portraying Carlos, the husband of the protagonist in a story of marital strain and extraterrestrial intrusion during a rural retreat. These roles underscored Cornet's sustained output in contemporary European productions, balancing intense character studies with genre experimentation.[29][30][31] In 2023, Cornet appeared in the short film El Reemplazo, directed by Alberto Ortega, as Nicolás, a veteran worker facing obsolescence and early retirement in a sci-fi narrative about technological replacement.[32] In 2024, he starred as Óscar in the television series Heartless, created by Alonso Laporta, Gustavo Ron, and Ángela Armero, portraying a character in a drama centered on a perverse aristocrat accused of heinous crimes.[33] In 2025, Cornet played Chandi in the film Aro berria, directed by Irati Gorostidi, a drama featuring a ensemble cast including Oliver Laxe.[34]Other professional work
Directing projects
Cornet's entry into directing came in the 2020s, following his established acting career, with a focus on intimate, personal narratives through short films. His first directorial effort was the 2021 short film Latitud (produced 2020), which he also wrote and produced.[4][35] The film explores themes of familial reconciliation and unresolved tensions, centering on José's return to his family home to care for his ailing father, Gonzalo, amid a backdrop of uncertainty and resurfacing memories that catalyze emotional conflicts.[36] Running 18 minutes, Latitud was produced independently and selected for screening at various international festivals, including the Cerdanya Film Festival in 2021 and the HiShorts! International Short Film Festival in China that same year.[37][38] Building on this debut, Cornet directed his second short film, Pantelleria, released in 2025. The 13-minute drama delves into personal storytelling and identity, following Carlota as she revisits the Mediterranean island of her childhood summers, confronting changes in her family dynamics and the deserted landscape to reconcile her past with her present.[39][40] Like Latitud, Pantelleria reflects an independent approach, produced under Cornet's company, Joan Cornet Gali, emphasizing introspective narratives drawn from emotional and autobiographical undertones.[40] The film premiered internationally at the Tallinn Black Nights Film Festival (PÖFF Shorts 2025) in its live-action competition program and was submitted to the ALTER-NATIVE International Short Film Festival.[41][42] It also received a Special Jury Mention for Best Direction at the 2025 Medina del Campo International Short Film Week.[40] Cornet's directorial work to date highlights a shift toward experimental, character-driven shorts often set in evocative Spanish locales, such as the familial interiors of Latitud and the isolated island vistas of Pantelleria, showcasing his hands-on involvement in all creative stages.[4] These projects have garnered festival recognition for their nuanced exploration of personal identity and relational dynamics, though critical reception remains emerging given their recent completions.[1]Production and writing contributions
Cornet entered film production through independent Spanish short films in the 2020s, taking on multifaceted roles that allowed him to explore personal narratives beyond acting. His debut as a producer came with the 2021 short Latitud (produced 2020), a self-financed project that he also wrote and co-edited, focusing on the logistics of small-scale filmmaking including budget management and crew coordination in Catalonia.[4][43][38] The film, which delves into themes of familial reconciliation and unresolved past conflicts through the story of a son returning home to care for his ailing father, received international recognition after selections at festivals such as the HiShorts! International Short Film Festival in China and various European showcases, highlighting Cornet's ability to elevate Catalan independent works on a global stage.[38][44] In writing, Cornet's contributions emphasize autobiographical and introspective elements drawn from his Catalan upbringing, crafting scripts that blend emotional depth with minimalist storytelling. For Latitud, he penned the screenplay solo, drawing on motifs of memory and generational divides to create a narrative centered on a shared family secret that bridges emotional gaps.[45] This approach continued in his 2025 short Pantelleria, where he served as writer and producer, co-writing the screenplay with Tábata Cerezo for a tale of a woman confronting lingering wounds from a past romance on a Mediterranean island, infused with themes of healing amid natural beauty.[46][40] The project's production involved collaborative efforts with a small team, underscoring Cornet's hands-on role in securing locations and funding for independent Catalan cinema.[47] Cornet's editing work demonstrates self-taught technical proficiency honed through on-set experience and practical training during his acting career. He co-edited Latitud with Estefanía Mora, employing a restrained style to interweave flashbacks and present-day tensions, which contributed to the film's 18-minute runtime and festival appeal.[38] Similarly, for Pantelleria, Cornet co-edited with Estefanía Mora, refining the visual rhythm to mirror the script's emotional ebbs and flows, a skill he acquired partly through observing post-production on larger Spanish films like The Skin I Live In.[48][46] These efforts have bolstered the Catalan independent scene by producing festival-caliber shorts that prioritize intimate, regionally rooted stories, with Pantelleria earning a Special Jury Mention for Best Direction at the 2025 Medina del Campo International Short Film Week and screening in the official selection at the Tallinn Black Nights Film Festival's PÖFF Shorts program.[41][49]Filmography
Feature films
Jan Cornet has appeared in 16 feature films as of November 2025, spanning a range of genres from psychological thrillers to dramas and comedies. His roles often highlight introspective or conflicted characters, contributing to both Spanish and international productions.[50][1][22]| Year | Title | Role |
|---|---|---|
| 2005 | The Night of the Brother | Jaime[50] |
| 2008 | Camino | Gabriel[22][51] |
| 2011 | The Skin I Live In | Vicente[15] |
| 2012 | Red Lights | David Matheson[52] |
| 2013 | Barcelona Summer Night | Alex[22] |
| 2013 | Tasting Menu | Marc[22][53] |
| 2014 | Sorry If I Call You Love | Marcelo[22][2] |
| 2014 | For a Handful of Kisses | Pablo[22][54] |
| 2015 | The Horror Network Vol. 1 | Miguel[55][22] |
| 2016 | Risen | Thomas / Didymus[56] |
| 2018 | The Uncovering | Diego |
| 2018 | Recuperando a mi ex | José Eduardo[50] |
| 2019 | Rocambola | Dante[57] |
| 2019 | Summer Solstice | Nico[22] |
| 2021 | Visitor | Carlos |
| 2025 | Aro berria | Chandi[34] |