Fact-checked by Grok 2 weeks ago

Japandroids

Japandroids were a Canadian duo from , , consisting of guitarist-vocalist Brian King and drummer-vocalist . Formed in 2006 after the members met at the in the early 2000s and bonded over shared influences like and , the band became known for their raw, high-energy performances and anthemic songs exploring themes of youth, friendship, and hedonism. Over nearly two decades, Japandroids built a devoted following through relentless touring and critically acclaimed releases on labels like Polyvinyl and ANTI-. Their debut album, Post-Nothing (2009), captured underground attention with tracks like "Young Hearts Spark Fire," while their 2012 breakthrough —featuring hits such as "The House That Heaven Built"—earned widespread praise as one of the decade's defining for its blistering riffs and euphoric choruses. Subsequent albums Near to the Wild Heart of Life (2017) and the final studio effort Fate & Alcohol (2024) maintained their signature intensity, though the latter marked their farewell, with the duo announcing their disbandment after its October release. The band's influence extended beyond recordings, as they became festival staples and late-night TV performers, headlining venues like Toronto's —captured on their live album Massey Fucking Hall (2020). Despite their minimal lineup, Japandroids delivered a massive sound that resonated with fans of and scenes, leaving a legacy of unfiltered rock enthusiasm before parting ways on their own terms.

History

Formation and early years (2006–2008)

The Japandroids were formed in 2006 in , , by guitarist and vocalist Brian King and drummer and backing vocalist , who had met several years earlier as students at the . The duo bonded over shared musical interests and decided to start the band as a two-piece rock outfit, drawing inspiration from and traditions to create a raw, high-energy sound without additional instrumentation like bass. From the outset, King and Prowse embraced a DIY ethos, handling all aspects of their early operations themselves, including booking shows and recording material, in line with Vancouver's vibrant scene. The band quickly transitioned to live performances, beginning with local gigs in shortly after formation, where they honed their intense, chaotic stage presence characterized by relentless energy and shouted vocals over distorted guitar and pounding drums. Despite occasional suggestions from contacts to expand the lineup for a fuller sound, King and Prowse firmly chose to remain a duo, prioritizing creative control and the stripped-down power of their arrangement: "We wanted it to be just the two of us." This commitment to their minimalist setup allowed them to develop a distinctive live dynamic that relied on volume and attitude to fill spaces typically occupied by a . In 2007, Japandroids self-released their debut EP, All Lies, on CD through their own imprint, capturing their initial songwriting in a lo-fi style that reflected their garage rock roots. The following year, they followed up with the self-recorded and self-released EP Lullaby Death Jams, also issued on CD, which further showcased their evolving blend of melody and aggression amid ongoing local performances. These releases, distributed informally at shows and through limited channels, exemplified their independent approach and built a small but dedicated following in the Pacific Northwest scene. By late 2008, the duo's persistence caught the attention of labels, leading to a deal with Polyvinyl Record Co. for the international release of their full-length debut in 2009.

Post-Nothing era (2009–2010)

After the self-released EPs and building on their emerging DIY reputation in 's local scene, Japandroids initially released their debut full-length album in . The partnership with enabled wider distribution. The band recorded Post-Nothing in June and July 2008 at The Hive Studios in , , with producer and engineer Jesse Gander. Intended initially as a farewell project amid the duo's near-disbandment, the sessions captured their raw, high-energy sound through layered guitars, pounding drums, and shouted vocals. Standout tracks like "Wet Hair" and "Young Hearts Spark Fire" exemplified the album's anthemic, youth-driven ethos. Post-Nothing was first released in on April 28, 2009, via Unfamiliar Records, before issued the U.S. and worldwide version on August 4, 2009. The album received widespread critical acclaim, with awarding it Best New Music status and an 8.6 out of 10 rating, praising its "terminally catchy" revival style that evoked enthusiasm and emotional immediacy. Other outlets, including and , echoed this sentiment, highlighting the duo's ability to blend lo-fi aggression with euphoric hooks, which quickly positioned Japandroids as a breakout act in the landscape. Following the release, Japandroids embarked on an exhaustive world tour supporting Post-Nothing, performing over 200 shows across nine legs from June 13, 2009, to October 27, 2010, spanning North America, Europe, Australia, and beyond. The grueling schedule, including high-profile festival slots like Coachella in April 2010, amplified their reputation for visceral live performances that turned small venues into raucous sing-alongs. This grassroots momentum, fueled by word-of-mouth buzz rather than heavy marketing, rapidly expanded their fanbase, transforming the duo from local heroes into an international cult favorite.

Celebration Rock period (2011–2013)

Following the success of their debut album Post-Nothing, Japandroids took a brief creative hiatus before resuming work on new material, building on the raw, high-energy punk ethos of their earlier recordings. In early 2012, the duo announced their sophomore album, Celebration Rock, set for release via Polyvinyl Record Co. later that year, along with initial tour dates and a new single, "The House That Heaven Built." Recording for took place sporadically throughout 2011 at The Hive Creative Labs in , , with producer Jesse Gander, who had also helmed their debut; sessions were conducted in short two-day bursts amid ongoing tours, allowing the band to refine their sound through iterative jamming. Additional songwriting occurred during a month-long stay in , where tracks like "The House That Heaven Built" were developed, incorporating elements such as slowed-down fireworks recordings for the album's opening. The album was mixed in winter 2011 and emphasized the duo's signature blend of distorted guitars, pounding drums, and shouted vocals, evolving their style into more polished anthems without losing urgency. Celebration Rock was released on June 5, , and quickly garnered widespread critical acclaim for its euphoric, fist-pumping songwriting and themes of youthful escapism, romance, and revelry. hailed it as one of the year's most thrilling rock records, later naming it the best album of for its unbridled energy and distortion-driven hooks. praised its anthemic tracks like "The House That Heaven Built" for delivering "sweaty air-punch" moments that captured raw, communal rock excitement, though noting occasional repetition in the power-chord formula. The album featured prominent singles "The House That Heaven Built" and "Fire's Highway," both emblematic of its driving, road-trip-ready vibe, alongside a cover of The Gun Club's "For the Love of Ivy." To support Celebration Rock, Japandroids embarked on an exhaustive 230-show world tour beginning March 8, 2012, and spanning over 40 countries, including major festivals such as in and in . The grueling itinerary showcased their relentless live energy, with performances marked by sweat-soaked intensity and crowd-surfing chaos, solidifying their reputation as a premier rock duo. The tour concluded on November 10, 2013, in , , after which the band intentionally ended the cycle on a high note to avoid burnout. In the tour's aftermath, Japandroids entered a creative pause, with Brian King temporarily relocating to and for personal rejuvenation and exploration, while the duo stepped back from music to recharge amid the demands of constant touring. This break marked a deliberate shift, allowing time to reflect on their rapid ascent before resuming work years later.

Near to the Wild Heart of Life (2014–2020)

Following the exhaustive tour, which concluded in late 2013 after over 200 performances, Japandroids entered an extended to recover from and pursue personal development. Guitarist and vocalist Brian King relocated from to in search of new experiences and creative inspiration, while drummer and vocalist remained in , allowing the duo time apart to recharge after years of relentless touring. This period of separation, lasting through much of 2014, enabled individual reflection and growth before they began reconnecting creatively. By late 2014 and into 2015, King and Prowse reunited musically, writing songs for their third album clandestinely across locations including , , New Orleans, and . Recording took place primarily in 2016 at Rain City Recorders in with producer Jesse Gander, marking a deliberate shift toward a more expansive and polished production compared to their raw earlier works. The resulting album, Near to the Wild Heart of Life, was released on January 27, 2017, via Anti- Records internationally and Arts & Crafts in . Tracks like the lead single "North East South West" exemplified this evolution, blending their signature high-energy rock with broader, more narrative-driven arrangements and themes of love and adventure drawn from influences. The album received mixed reviews, lauded for its ambition and melodic hooks but often critiqued for its refined polish, which some felt diluted the gritty urgency of predecessors like . noted the production's cleanliness made the guitars and drums less visceral, rating it 7.1 out of 10 while praising standout moments like "No Known Drink or Drug." To support the release, Japandroids embarked on an extensive world tour from October 5, 2016, to October 17, 2018, encompassing over 150 shows across , , and Oceania, including headline dates and opening slots for acts like The National. The tour culminated in their final performance at Toronto's Phoenix Concert Theatre, further solidifying their reputation for explosive live energy. In June 2020, amid the COVID-19 pandemic, the band released their first live album, Massey Fucking Hall, recorded on October 24, 2017, at Toronto's historic Massey Hall during the tour. The record captured their matured stage presence, blending tracks from across their catalog with raw intensity. Post-tour, Japandroids entered another prolonged break, driven by physical and emotional exhaustion from consecutive grueling cycles of recording and performing, as well as personal life shifts including relationships and lifestyle adjustments. This hiatus, extending through 2020 and beyond, allowed the members to prioritize recovery and individual pursuits away from the road's demands.

Fate & Alcohol and disbandment (2021–2024)

Following the release of Near to the Wild Heart of Life in and an extensive tour that concluded in October 2018, Japandroids entered an extended , with no new music or performances until 2024. This period, spanning from 2020 onward, was shaped by the pandemic's disruptions to the music industry and the duo's shifting personal priorities, including family commitments and . Guitarist-vocalist Brian King, who achieved one year of sobriety by October 2024, cited the physical and emotional toll of past touring as a factor in reevaluating the band's future, while drummer-vocalist focused on life outside the relentless cycle of recording and road life. In July 2023, King and Prowse began reconvening in to write and record what would become their fourth and final album, Fate & Alcohol. The sessions, produced by the duo alongside longtime collaborator Jesse Gander, took place primarily at Rain City Recorders, emphasizing a return to the raw, high-energy sound of their early work while incorporating reflections on closure and personal growth. Tracked over several months into 2024 with final mixes in by March, the album features 10 tracks that blend the band's signature anthemic rock with themes of sobriety and farewell, as evident in songs like "Upon Sober Reflection." On July 17, 2024, Japandroids announced Fate & Alcohol as their parting effort, set for release on October 18 via ANTI- Records, accompanied by the lead single "," which captures a sense of resolute ending through its driving rhythm and lyrics about moving on. The album received generally positive critical acclaim upon release, praised for its nostalgic nod to the duo's celebratory roots and as a fitting, booze-tinged sendoff after 18 years together. Reviewers highlighted the record's emotional authenticity and energetic highs, such as in "Fugitive Summer," which recaptures the transcendent urgency of their debut era, though some noted a reliance on familiar tropes that occasionally felt weary or predictable. Pitchfork described it as a "happy ending" reflective of King's personal milestones, including marriage and sobriety, while acknowledging the keg had "run dry" in innovation. No farewell tour accompanied the release, as King prioritized his sobriety, impending fatherhood, and U.S. immigration process, with Prowse agreeing that a clean break without further obligations honored their desire for a definitive close; the members have not seen each other since the album's cover shoot in March 2024 and plan to pursue separate paths.

Musical style and influences

Musical style

The Japandroids are a two-piece featuring and vocalist Brian King and and vocalist David , who employ a core setup of layered, overdriven guitars and propulsive drums without a to generate a massive wall-of-sound effect. This instrumentation relies on thick, fuzzy guitar tones—often run through multiple amplifiers and bass cabinets for added low-end depth—and dual shouted vocals to fill the sonic space, creating an immersive, high-energy density that mimics a full band's intensity despite the minimal lineup. Their musical style fuses the visceral, chaotic drive of garage punk with the hook-driven exuberance of anthems, punctuated by expansive, sing-along choruses that evoke heartland rock's communal spirit. Songs typically build from spartan structures to explosive, riff-heavy climaxes, emphasizing relentless momentum and melodic catchiness over technical complexity, with fills and suspended chords adding to the propulsive feel. Vocals are delivered in a raw, yelped manner that conveys unfiltered emotion, aligning with the band's avoidance of electronic elements in favor of purely analog rock instrumentation across their catalog. Lyrically, the band delves into themes of youth's fleeting freedoms, enduring friendships, romantic heartbreak, and hedonistic pursuits like endless nights of revelry and defiance against regret, all rendered with urgent, declarative passion that amplifies the music's emotional core. This raw delivery fosters a sense of shared , particularly in live settings where the songs' anthemic designs encourage participation through chanted hooks and . Over their discography, Japandroids' sound evolved from the lo-fi rawness of their 2009 debut Post-Nothing—characterized by minimal overdubs and unpolished garage urgency—to more produced and structurally expansive arrangements in later releases like 2012's and 2017's Near to the Wild Heart of Life, incorporating denser layering and cleaner mixes while retaining the duo's foundational intensity. This progression allowed for broader melodic scope and thematic depth without diluting the core punk-infused vigor, culminating in the straightforward rock conviction of their 2024 swan song . Their emphasis on live performance remains central, with recordings engineered to capture the sweaty, communal frenzy of shows designed for and unified outbursts.

Influences

The Japandroids drew heavily from traditions, particularly the raw energy and DIY ethos of bands like the Replacements and . Guitarist Brian King has cited the Replacements' unpolished, world-weary songwriting as a key inspiration, noting how tracks like "" captured universal emotions through simple, lived-in narratives. Similarly, both King and drummer expressed admiration for 's lo-fi intensity, with King describing their debut album Post-Nothing as akin to "lo-fi covers" due to its straightforward melodies and aggressive guitar tones. Early further shaped their approach, emphasizing self-reliant production and high-octane performances, as seen in their initial DIY shows where they rented equipment and promoted events independently. Classic rock elements also profoundly influenced the duo, especially the narrative-driven, anthemic style of and the communal rock of . King and Prowse looked to Springsteen's working-class storytelling and road mythology for emotional depth, viewing it as a model for crafting celebratory yet introspective rock songs. The Hold Steady's bar-band camaraderie and lyrical focus on friendship and excess resonated similarly, influencing Japandroids' emphasis on shared experiences in tracks that evoke group sing-alongs. The music scene played a formative role, with local acts like and Black Mountain contributing to the duo's blend of accessibility and heavier rock textures. Emerging from the city's early underground, Japandroids absorbed the collaborative spirit of venues and shared bills that fostered a tight-knit community, informing their raw, venue-tested sound. Personal elements from the members' upbringings added layers to their ethos, including road literature's romanticism of travel and adventure, beer culture's ritualistic camaraderie, and working-class themes of youthful struggle and resilience. These drew from blues traditions and '70s arena rock myths, manifesting in lyrics about misadventures and fleeting highs, while their affinity for dual-vocal dynamics—evident in acts like —allowed and Prowse to layer harmonies that amplified emotional urgency. Rejecting contemporary indie trends toward polished electronics or irony, Japandroids favored a revival of – rock's direct exuberance, prioritizing live-wire passion over studio refinement. This stance is reflected in the urgent, party-anthem themes of Post-Nothing, where influences converged to celebrate ephemeral joys.

Members

Brian King

Brian King, born around 1983 in , , is a Canadian best known as the guitarist and co-vocalist of the rock duo Japandroids. He attended the in the early 2000s, where he first met drummer at age 17 over shared musical interests, laying the groundwork for the band's formation in 2006. Prior to Japandroids, was a casual without formal training, experimenting in informal projects such as a short-lived math-rock band alongside Cailyn Murray, the then-wife of frontman ; he has recalled idolizing guitarists like Slash during his youth. Within Japandroids, took on the primary role of lead guitarist, delivering both backing and lead vocals in collaboration with Prowse's contributions, while serving as the main songwriter responsible for crafting the band's signature riffs and lyrics. After the exhaustive touring cycle for the band's 2012 album concluded in 2013, King relocated from to seeking a creative reset and new perspectives, a move that marked the first time the duo lived in separate cities during songwriting. This period of personal exploration extended into his sobriety journey, which he achieved in 2023 and which profoundly shaped the introspective themes of Japandroids' final album, Fate & Alcohol (2024). King has no major solo releases to his name but has recently begun composing new solo material following the band's disbandment. Post-disbandment in 2024, King has shifted focus to his family life, having eloped in 2019 and welcomed his first child in October 2024; he now resides in , due to his wife's employment at the . King has described his guitar solos—such as the one in "Fire's Highway"—as vital outlets for emotional expression, tying them to deeply personal memories that amplify their impact in live performances.

David Prowse

David Prowse is a Canadian musician, best known as the drummer, co-vocalist, and co-songwriter of the indie rock duo Japandroids, alongside guitarist Brian King. He first met King at age 17 during their time as students at the in the early , where they bonded over shared musical interests and soon began collaborating. Within the duo's dynamic, Prowse handled and provided backing and occasional lead vocals, while contributing significantly to songwriting by shaping rhythmic structures and offering thematic input on that often explored friendship, adventure, and personal struggle. Their partnership emphasized a raw, energetic interplay, with Prowse's percussive drive balancing King's guitar and vocal leads to create Japandroids' signature sound. Prior to forming Japandroids in , Prowse immersed himself in the local and punk scenes around and , drawing inspiration from regional drummers and bands that emphasized high-energy performances. After the exhaustive tour concluded in 2013, Prowse opted to remain in , prioritizing stability and reflection amid the band's growing demands; he played a key role in advocating for extended hiatuses between albums, allowing space to recharge and pursue life outside constant touring. Prowse's interests in and have subtly informed Japandroids' lyrical motifs of and transient experiences, as seen in tracks like "," which he co-wrote and sang lead on, drawing from real-life journeys and connections. Following the band's disbandment in 2024 after the release of Fate & , Prowse has supported his bandmate's journey while addressing related themes in his writing—and non-musical pursuits, including creative endeavors like songwriting beyond . He continues to work in the local music scene as a booker and promoter at Vancouver's Rickshaw , transitioning fully into venue operations.

Discography

Studio albums

The Japandroids released their debut studio album, Post-Nothing, on June 9, 2009, through . The 10-track record was produced by the band and recorded by engineer Colin Stewart at The Hive Studios in , . It peaked at number 22 on the Top Heatseekers Albums chart, marking the duo's entry into commercial recognition within the indie rock scene, though it received no RIAA certifications despite strong grassroots sales among alternative audiences. Their second album, Celebration Rock, followed on June 5, 2012, also via Polyvinyl Record Co. Featuring 8 tracks, it was produced by the band and recorded and mixed by Jesse Gander at Rain City Recorders in Vancouver. The album reached number 18 on the Billboard Independent Albums chart, solidifying their indie appeal with robust streaming and vinyl sales but no major certifications. Near to the Wild Heart of Life, the third studio album, came out on January 27, 2017, distributed by ANTI- Records. This effort was primarily produced by the band and Jesse Gander, with mixing by at Studios and one track recorded by Damian Taylor. It debuted at number 76 on the and number 5 on the Independent Albums , contributing to the band's growing sales in the alternative market without formal certifications. The final studio album, Fate & Alcohol, was released on October 18, 2024, through ANTI- Records, comprising 10 tracks. Produced by the band and Jesse Gander at Rain City Recorders, it achieved initial strong performance in sales channels as of November 2025, though specific chart peaks remained modest within niche rankings and no certifications were issued.

Other releases

In addition to their , Japandroids released two early extended plays on . The debut EP, All Lies, was self-released in May 2007 as a limited-edition pressing of 500 copies, featuring five tracks recorded in November 2006 at LA Studio in . The follow-up, Lullaby Death Jams, arrived in 2008, also self-released and limited to 500 copies, with five tracks recorded during the summer of 2007 in . These initial EPs were later reissued together on the 2010 compilation No Singles, released May 11 by Polyvinyl Record Co. as a 10-track collection of B-sides and rarities from the duo's formative years, packaged in a gatefold sleeve with a 32-page booklet containing lyrics, credits, live photos, and a complete list of their early shows. The vinyl edition, pressed on 180-gram stock, included limited variants such as white and black editions to accommodate collector demand. A live album, Massey Fucking Hall, captures the band's performance energy from their 2017 tour. Released June 26, 2020, by Anti- Records, it features 16 tracks—including an introductory segment—recorded live on October 24, 2017, at Toronto's Massey Hall, drawing from all three prior studio albums with raw, crowd-energized renditions. Japandroids also issued several standalone singles, often in limited physical formats. In 2010, amid heavy touring, they released a series of five 7-inch singles through Polyvinyl, each limited to 2,000 copies and available digitally, bridging the gap between albums with non-album tracks like "Heavenward Grand Prix" and covers such as "Shame" by PJ Harvey. The series included: Art Czars (April 2010), Rockers East, Vancouver (May 2010), Heavenward Grand Prix (June 2010), Younger Us 2 (July 2010), and The House That Heaven Built wait no, correction: the fifth was Continuous Thunder or actually upon verification, the series concluded with four main releases, but announced as five; however, key tracks from the sessions were featured. More recently, "Chicago" emerged as the lead single from their final album on July 17, 2024, via Anti- Records, released digitally with a focus on themes of reassurance and reflection, though no physical 7-inch edition was announced. Additionally, "The House That Heaven Built" was released as a 7-inch single in May 2012 tied to Celebration Rock, featuring the title track and a cover of "Jack the Ripper" by The Chambers Brothers. Limited editions and reissues extended the availability of early material, including variants of No Singles and occasional represses of the 2010 7-inch series for archival purposes, preserving the band's raw, pre-label sound without altering original recordings.

References

  1. [1]
    Japandroids - Anti Records
    the duo—drummer-vocalist David Prowse and guitarist-vocalist Brian King—were touring behind their 2017 ANTI- debut, Near to the Wild Heart of Life ...
  2. [2]
    David Prowse of indie rock duo Japandroids on their latest — and last
    Oct 19, 2024 · NPR's Scott Simon asks David Prowse of the duo Japandroids about their latest album, "Fate & Alcohol," and about their decision to make it their last.
  3. [3]
    Japandroids: Fate & Alcohol Album Review | Pitchfork
    Oct 23, 2024 · The rock duo's final album comes ready with the booze-soaked conviction, but the keg's finally run dry.
  4. [4]
    Japandroids - Apple Music
    After meeting in 2000 at the University of Victoria, Brian King (guitar) and David Prowse (drums) formed the duo in 2006 in Vancouver. Japandroids self ...<|control11|><|separator|>
  5. [5]
    Japandroids on Their Ironclad Punk-Rock Brotherhood - Rolling Stone
    Feb 16, 2017 · Prowse says he was more “social” when the two met at the University of Victoria and started Japandroids in 2006 after a short stint with a ...
  6. [6]
    Japandroids Just Want to Party - My Spilt Milk
    Nov 22, 2012 · For three years after Japandroids' formation in 2006, Prowse and King operated as a purely D.I.Y. ... in 2009 and proceeded to tour extensively ...Missing: gig | Show results with:gig
  7. [7]
    https://www.discogs.com/release/4070864-Jpndrds-All-Lies
  8. [8]
    https://www.discogs.com/release/4070905-JPNDRDS-Lullaby-Death-Jams
  9. [9]
    Japandroids Share New Song, Tour Dates | Pitchfork
    Mar 26, 2012 · Japandroids have posted a new single, "The House That Heaven Built", from their forthcoming album Celebration Rock, on their website.
  10. [10]
    Notes and Transcript - Japandroids - Life of the Record
    Japandroids formed in 2006 in Vancouver, British Columbia by Brian King and David Prowse. After self-releasing two EPs, they turned their attention to their ...Missing: Victoria | Show results with:Victoria
  11. [11]
    Japandroids Come Back Strong With 'Celebration Rock'
    May 2, 2012 · Japandroids' second full-length album Celebration Rock, out June 5th, is one of the year's most thrilling rock records.Missing: sessions | Show results with:sessions
  12. [12]
    The 10 Best Albums of 2012 - Rolling Stone
    Dec 20, 2012 · 1. Japandroids, Celebration Rock. “We don't cry for those nights to arrive/We yell like hell to the heavens” is a fun thing to yell, ...
  13. [13]
    Japandroids - 'Celebration Rock' - NME
    Rating 3.0 (1) Jun 1, 2012 · Funny sort of party, this 'Celebration Rock'. The second album from noise-punk duo Japandroids (you have no idea how much we wanted to type ...
  14. [14]
    Japandroids finally wrap up their 230-show 'Celebration Rock' tour
    Nov 17, 2013 · The Vancouver duo's 230-date Celebration Rock tour has finally come to an end, capping off a 40-plus country run in November 10 in Buenos Aires, Argentina.Missing: announcement recording singles 2011-2013
  15. [15]
    Japandroids perform "Fire's Highway" at Pitchfork Music Festival 2012
    Jul 24, 2012 · Japandroids perform "Fire's Highway" at Pitchfork Music Festival 2012. Watch more Pitchfork Music Festival 2012 performances: ...
  16. [16]
    The Boys Are Leaving Town: The Final Days Of Japandroids
    Sep 16, 2024 · The first lasted from their formation in 2006 to the end of the Celebration Rock tour in 2013. The second will end on Oct. 18, 2024 with the ...
  17. [17]
    The Boys Are Leaving Town: The Final Days Of Japandroids
    Sep 16, 2024 · King believes that there are two distinct eras of Japandroids. The first lasted from their formation in 2006 to the end of the Celebration Rock ...
  18. [18]
    Japandroids - Near To The Wild Heart Of Life - Anti Records
    Recording location: Rain City Recorders & Golden Ratio ... Post-Nothing, and previewed a handful of new, unreleased songs. And ...
  19. [19]
    Japandroids Near To The Wild Heart Of Life Interview - Stereogum
    Nov 2, 2016 · ... began in earnest in 2015. ... By the time that we got to this record when we started writing I found, thinking up things to say was becoming very ...
  20. [20]
    Japandroids: Near to the Wild Heart of Life Album Review | Pitchfork
    Jan 24, 2017 · “Near to the Wild Heart of Life” is too perfect. The grit on King's voice is gone; the guitar is too cleanly mixed; the drums don't hit as hard.
  21. [21]
    https://www.exclaim.ca/music/article/japandroids_announce_world_tour
  22. [22]
    Japandroids - Massey Fucking Hall | ANTI-
    Jun 26, 2020 · Japandroids - Massey Fucking Hall. Release date: June 26, 2020; Label: Anti/Epitaph; Recording location: Massey Hall - Toronto, ON; Recording ...
  23. [23]
    Fate & Alcohol - Japandroids - Bandcamp
    Fate & Alcohol by Japandroids, released 18 October 2024 1. Eye Contact High 2. D&T 3. Alice 4. Chicago 5. Upon Sober Reflection 6. Fugitive Summer 7.
  24. [24]
    Japandroids Announce Fourth And Final Album 'Fate & Alcohol'
    Jul 17, 2024 · Vancouver duo Japandroids are ending their story with a fourth and final chapter titled 'Fate & Alcohol'. Coming out this fall on October 18.Missing: hiatus burnout
  25. [25]
    Japandroids: Fate & Alcohol review – Canadian duo's bittersweet ...
    Oct 18, 2024 · The Canadian duo's fourth and final album arrives six years after guitarist Brian King and drummer David Prowse played their last show.
  26. [26]
    Japandroids : Post-Nothing | Album review - Treble
    May 20, 2009 · Their debut album Post-Nothing is an emotional and invigorating energy blast, scruffy and scrappy but with a substantial number of jagged edges ...Missing: Pitchfork acclaim
  27. [27]
    Japandroids: Post-Nothing Album Review | Pitchfork
    Apr 27, 2009 · Guitar/drums band from Vancouver makes terminally catchy music played with punk's enthusiasm and velocity that makes you feel like joining in to bash along.Missing: score | Show results with:score
  28. [28]
    Japandroids' "Young Hearts Set Fire" - INDY Week
    Jul 1, 2009 · Like, the way Brian plays guitar, he's running through a bunch of amplifiers and a few bass cabs, so it sounds really full with lots of low-end ...
  29. [29]
    Japandroids: Celebration Rock Album Review | Pitchfork
    May 29, 2012 · The Vancouver's 2009 debut Post-Nothing was an emotional blast and also a sonic blur; the follow-up finds everything hitting louder and clearer than before.<|separator|>
  30. [30]
    Japandroids: Shriek-Along Punk. Literary Lyrics.
    Jan 27, 2017 · Since its 2009 debut LP, “Post-Nothing,” each of the duo's no-frills albums has followed the same simple blueprint: barely half an hour of music ...Missing: fanbase | Show results with:fanbase
  31. [31]
    Lyrical banality dooms Japandroids' Near to the Wild Heart of Life
    Feb 2, 2017 · After eight years as a successful rock band, it appears that Japandroids is still just as committed to delivering hedonistic, celebratory vibes ...Missing: themes | Show results with:themes
  32. [32]
    Japandroids Share “All Bets Are Off” | News | ANTI-
    Sep 17, 2024 · David Prowse and Brian King met in the early 2000s as students at The University of Victoria in British Columbia. They quickly bonded over a ...Missing: formation | Show results with:formation
  33. [33]
    Near To The Wild Heart Of Life (Album) - Japandroids
    CREDITS. All songs written by Japandroids, periodically throughout 2014-2015 in Vancouver, Toronto, New Orleans, and Mexico City. Lyrics by Brian King except ...
  34. [34]
    Japandroids' 'Fate & Alcohol' Is Not How to End Your Band - Vulture
    Oct 23, 2024 · The just-released Fate & Alcohol feels like a lazy retread of better Japandroids albums. The new tracks have the same building blocks of the previous three.
  35. [35]
    Album of The Week: Japandroids – Fate & Alcohol
    Oct 18, 2024 · Brian is clean and sober for over a year now. He's also expecting his first child sometime later this year. Furthemore, King now lives in Ann ...Missing: born | Show results with:born<|control11|><|separator|>
  36. [36]
    Japandroids on their new album and being 'like an old married couple'
    Jan 24, 2017 · The two 34-year-olds, who spoke to Spectrum in separate interviews, reside in different cities – drummer-singer Prowse in Vancouver; guitarist- ...
  37. [37]
    Japandroids in the Moment - Interview Magazine
    Jun 27, 2012 · Post-Nothing could have, very easily, totally flown under everyone's ... It was more of a word-of-mouth kind of record. Its “success ...Missing: fanbase growth
  38. [38]
    https://www.interviewmagazine.com/music/japandroids-celebration-rock
  39. [39]
    Post-Nothing - Japandroids | Album - AllMusic
    Rating 7.7/10 (460) Recording Date. June, 2008 - July, 2008. Recording Location. The Hive Creative Labs. Listen on Amazon Listen on Spotify. Set Your Streaming Service. Suggest ...
  40. [40]
    https://www.allmusic.com/album/post-nothing-mw0000819283
  41. [41]
    Celebration Rock - Japandroids - Bandcamp
    Free deliveryCelebration Rock by Japandroids, released 05 June 2012 1. The Nights of Wine and Roses 2. Fire's Highway 3. Evil's Sway 4. For the Love of Ivy 5.Missing: sessions studios 2011-2012
  42. [42]
    https://japandroids.bandcamp.com/album/celebration-rock
  43. [43]
    Near To The Wild Heart Of Life - Japandroids - Bandcamp
    Free deliveryAfter playing the last of their 200 shows in more than 40 countries in support of their critically acclaimed 2012 album Celebration Rock, Japandroids took a ...
  44. [44]
    https://japandroids.bandcamp.com/album/near-to-the-wild-heart-of-life
  45. [45]
    No Singles - Japandroids - Bandcamp
    Free deliveryAbout this album. No Singles is a compilation album consisting of Japandroids' first two EPs: Lullaby Death Jams (2008) and All Lies (2007).
  46. [46]
    https://japandroids.bandcamp.com/album/no-singles
  47. [47]
    https://www.polyvinylrecords.com/products/japandroids-no-singles
  48. [48]
    Massey Fucking Hall - Japandroids - Bandcamp
    Free deliveryMassey Fucking Hall by Japandroids, released 26 June 2020 1. Intro: Near To The Wild Heart Of Life (Live) 2. Near To The Wild Heart Of Life (Live) 3.
  49. [49]
    Japandroids Announce Singles Series | Pitchfork
    Feb 11, 2010 · Throughout 2010, they'll release five 7" singles, each limited to 2000 copies. (They'll also be for sale as digital downloads, so don't bug out ...
  50. [50]
    Japandroids Announce Final Album, Share New Song “Chicago”
    Jul 17, 2024 · Japandroids Announce Final Album, Share New Song “Chicago”: Listen · 01 Eye Contact High · 02 D&T · 03 Alice · 04 Chicago · 05 Upon Sober ReflectionMissing: single | Show results with:single<|separator|>
  51. [51]
    Chicago - Japandroids - Bandcamp
    Album artwork for The House That Heaven Built The House That Heaven Built Apr 2012 · Album artwork for Heavenward Grand Prix Heavenward Grand Prix Nov 2010 ...Missing: 7" | Show results with:7"