Jeff Conaway
Jeffrey Charles William Michael Conaway (October 5, 1950 – May 27, 2011) was an American actor best known for his portrayal of Kenickie in the 1978 film Grease and Bobby Wheeler on the television sitcom Taxi from 1978 to 1981.[1][2][3] Born in New York City to a family involved in the entertainment industry, Conaway began his acting career as a child, making his Broadway debut at age 10 in the 1960 production of All the Way Home.[1][2] He later appeared in the original Broadway run of Grease in 1972 as an understudy and replacement for the role of Danny Zuko.[4][5] His breakthrough came with the role of Kenickie, the tough second-in-command of the T-Birds gang, in the blockbuster film adaptation of Grease, which grossed over $396 million worldwide and solidified his image as a 1970s heartthrob.[1][2] Following this success, he starred as Bobby Wheeler, an aspiring actor and cabbie, on Taxi, a critically acclaimed series that earned 18 Emmy Awards during its run; Conaway left after the fourth season in 1981 due to frustrations with typecasting and personal issues.[3][1] Conaway's subsequent career included a variety of television and film roles, such as the lead in the short-lived fantasy series Wizards and Warriors (1983), guest spots on shows like Murder, She Wrote and Matlock, and his portrayal of security chief Zack Allan on the science fiction series Babylon 5 from 1994 to 1998, appearing in 74 episodes.[2][3] He also directed the 1992 film Bikini Summer II and made a Broadway return in 1985's The News.[3] Despite these efforts, his career was overshadowed by long-term struggles with substance abuse, including addiction to alcohol, cocaine, and painkillers, which began in his teenage years and intensified after multiple back surgeries in the 1980s.[1][3] These issues led to personal turmoil, including three marriages—most notably to Rona Newton-John, sister of Olivia Newton-John, from 1980 to 1985—and an estimated 21 suicide attempts; he sought public treatment on VH1's Celebrity Rehab with Dr. Drew in 2008 and 2009.[2][3] In his later years, Conaway continued working in independent films and voice-over projects, with his final on-screen role in the 2011 thriller Dark Games.[1] He was found unconscious at his Los Angeles home on May 11, 2011, due to a combination of pneumonia and sepsis from an infection related to his painkiller use, and was placed in a medically induced coma before being removed from life support.[2][3] Conaway was survived by his partner Vikki Lizzi, sisters Carla and Michele, and stepson Emerson.[3][2]Early life
Family background
Jeff Conaway was born Jeffrey Charles William Michael Conaway on October 5, 1950, in Manhattan, New York City, to parents Charles William Conaway Jr., an entertainer and talent agent, and Mary Helen Yorston Conaway, an actress and music teacher who performed under the stage name Mary Ann Brooks.[6][7][8] His father's work in the entertainment industry involved representing talent, while his mother's aspirations as an actress and her role teaching music at the Brook Conservatory in New York City immersed the family in artistic circles from Conaway's earliest years.[7][9] The family initially resided in New York City, but Conaway's parents divorced when he was three years old, leading to a shift in dynamics as he and his two sisters, Carla and Michele, primarily lived with their mother in various Queens neighborhoods, including Astoria, Flushing, and Forest Hills. He also spent time living with his grandparents in South Carolina.[10][11][12] This period marked a stable yet modest upbringing influenced by his mother's ongoing involvement in the performing arts, which provided early glimpses into the world of stage and music without formal structure at the time.[8][13]Education and early career beginnings
Conaway was born in New York City and demonstrated an early interest in acting, appearing in television commercials as a child. At the age of 10, he made his Broadway debut in the Pulitzer Prize-winning play All the Way Home, portraying a boy in a production starring Lillian Gish and Colleen Dewhurst that ran for nearly a year.[3][5][14] Following his initial stage success, Conaway continued his education in New York public schools before pursuing formal acting training. He spent a year studying at the North Carolina School of the Arts and then transferred to New York University, where he focused on drama, acting, and dance classes, though he left three months before graduation to take on a lead role in a school production of The Threepenny Opera. During his time at NYU, he supplemented his studies with additional television commercials.[3][2][1] In his late teens and early twenties, Conaway began transitioning to television work, landing his first recurring role as Nick Vitale, the youngest son in the Italian-American Vitale family, on the short-lived CBS sitcom Joe and Sons from 1975 to 1976. He followed this with a supporting role as the son of a magician's assistant in the 1976 ABC telefilm The Great Houdinis, a biographical drama about the famed escape artist starring Paul Michael Glaser. These early television appearances marked his initial steps beyond stage and commercials into scripted series and movies-of-the-week.[15][16][17]Acting career
Stage and early television roles
Conaway's entry into professional stage acting came in 1972 with the original Broadway production of the musical Grease, where he initially served as an understudy for several roles, including the lead. He soon took over the part of Danny Zuko, the charismatic leader of the T-Birds gang, and performed it for approximately two years (1972–1974) during the show's early run at the Broadhurst Theatre.[18] This role marked his adult Broadway debut and helped establish his presence in New York theater, showcasing his singing and dancing abilities in the nostalgic rock 'n' roll revue.[3] Beyond Grease, Conaway appeared in limited off-Broadway and regional productions in the mid-1970s, building on his theater foundation before shifting focus to screen work. These included supporting roles in ensemble casts that honed his comedic timing and stage charisma, though specific credits from this period remain sparse in records. His stage experience during these years emphasized ensemble dynamics and musical performance, preparing him for the demands of television. By the mid-1970s, Conaway began transitioning to television, securing guest spots that highlighted his youthful energy and versatility. In 1975, he appeared in two episodes of the NBC series Movin' On as Mike, a young trucker involved in dramatic scenarios on the road.[19] That same year, he debuted on ABC's Happy Days in the episode "Richie Fights Back," playing Rocko, a tough but redeemable school bully.[20] Additional early television roles included Kenny Stevens, a charming suitor, on CBS's The Mary Tyler Moore Show in 1976, and guest parts on shows like Barnaby Jones and Kojak, where he often portrayed street-smart youths entangled in crime stories.[21] These minor roles served as a bridge from his stage background, allowing him to adapt his live-performance skills to the structured format of episodic TV.Breakthrough with Grease and Taxi
Jeff Conaway's breakthrough came with his casting as Kenickie Murdoch, the wisecracking second-in-command of the T-Birds gang and best friend to Danny Zuko (John Travolta), in the 1978 film adaptation of the musical Grease, directed by Randal Kleiser. Having previously played the role of Danny Zuko as a replacement in the 1972 Broadway production, Conaway brought authenticity to Kenickie, portraying him as a swaggering, leather-clad greaser with a tough exterior masking vulnerability, particularly in scenes involving a pregnancy scare with his girlfriend Betty Rizzo (Stockard Channing). At 27 years old during filming, Conaway delivered a performance that critics found convincingly adolescent compared to many co-stars, highlighted by his acrobatic dancing in the "Greased Lightnin'" sequence, though the song was reassigned to Travolta despite being Kenickie's in the stage version, creating on-set tension that Conaway eased by bonding with background extras.[3][22][1] Production on Grease began in summer 1977 at UCLA, where Conaway sustained a back injury from a stunt that plagued him long-term, and he reportedly stooped during scenes with Travolta to accentuate the latter's height as the gang leader. His chemistry with Travolta and Olivia Newton-John (Sandy Olsson) contributed to the film's nostalgic 1950s high-school vibe, blending romance, rebellion, and dance numbers that captured the era's escapist appeal. Released on June 16, 1978, Grease became a box-office phenomenon, grossing over $396 million worldwide on a $6 million budget and ranking as the highest-grossing musical film until 2008.[3][22][23] Transitioning seamlessly to television, Conaway debuted as Bobby Wheeler in the ensemble sitcom Taxi just months after Grease's release, with the series premiering on ABC in September 1978 and running until 1981 before moving to NBC for its final season in 1982. Bobby, a vain and handsome aspiring actor moonlighting as a cab driver at the fictional Sunshine Cab Company, embodied the frustrations of show business through his repeated audition failures and fleeting romantic pursuits, evolving from cocky optimism to moments of poignant self-doubt amid the group's support. The character's arc reflected the ensemble's dynamic at the New York depot, where Bobby's showbiz anecdotes often sparked humor and camaraderie among drivers like Alex Reiger (Judd Hirsch) and Louie De Palma (Danny DeVito), fostering a tight-knit portrayal of urban dreamers.[1][3][24] Critics lauded Conaway's work in both projects for elevating 1970s-1980s pop culture, with Grease initially mixed in reviews but embraced as a nostalgic blockbuster that revived musicals and influenced fashion, dance crazes, and teen archetypes for decades. Taxi, meanwhile, earned widespread acclaim for its character-driven wit, securing 18 Emmy Awards over five seasons, including three for Outstanding Comedy Series, and launching stars while capturing the era's working-class aspirations through relatable ensemble interplay. Conaway's dual roles cemented his status as a household name, blending Grease's rebellious energy with Taxi's heartfelt realism to define transitional entertainment from the disco era to the Reagan years.[3][22][25]Later film and television work
Following the conclusion of his role on Taxi, Conaway took the lead as Prince Erik Greystone in the short-lived fantasy-adventure series Wizards and Warriors, which aired on CBS for eight episodes in 1983.[26] The show blended comedy and sword-and-sorcery elements but failed to gain traction and was canceled after one season.[27] In 1989–1990, Conaway appeared in a recurring capacity on the soap opera The Bold and the Beautiful, portraying Mick Savage in 61 episodes.[28] He also made several guest appearances on popular television dramas, including roles as Howard Griffin in the 1984 episode "Birds of a Feather" and Tom Powell in the 1993 episode "For Whom the Ball Tolls" on Murder, She Wrote.[29] Similarly, he guest-starred on Matlock in episodes including "The Affair" (1986) as Daniel Ward and "Matlock's Bad, Bad, Bad Dream" (1993) as Slick McGuire.[30] Conaway achieved a notable recurring role in the 1990s as security chief Zack Allan on the science fiction series Babylon 5, appearing from 1994 to 1998 across 74 episodes, which provided a measure of stability during a period of career flux.[31] His television work during this era increasingly shifted toward guest spots and lower-profile projects, reflecting challenges from typecasting as the affable but struggling everyman from Taxi.[32] In film, Conaway transitioned to supporting roles in action and thriller genres, including Mitchell in the 1998 action movie The Patriot alongside Steven Seagal.[33] He continued with parts in independent and direct-to-video productions throughout the 1990s and 2000s, such as Gavin Elliot in the 2002 mockumentary The Biz, which satirized the entertainment industry.[34] Examples include A Time to Die (1991), where he played Jack Herrmann in a crime thriller, and Almost Pregnant (1992), a comedy-drama.[35] These roles often featured him in ensemble casts or as secondary characters, marking a decline in leading opportunities compared to his earlier breakthroughs.[1] Conaway also ventured into voice acting, contributing to animated projects, though his later career emphasized live-action direct-to-video releases like Living the Dream (2006), where he portrayed Dick in a drama about aspiring artists.[36] Overall, the 1990s and 2000s saw fewer high-profile leading roles, with Conaway frequently appearing in genre films and episodic television amid industry shifts and persistent typecasting.[37]Music career
Early music involvement
In the mid-1960s, during his teenage years, Conaway was the lead singer and rhythm guitarist for the rock band The 3 1/2. The group, produced by Peter Noone of Herman's Hermits, released four singles on Cameo Records between 1966 and 1967, including covers like "Hey Gyp" and originals such as "Hey Kitty, Cool Kitty". They opened for major acts including Herman's Hermits, the Young Rascals, and the Animals.[38]Album release and singles
In 1979, following his breakout role in the film Grease, Jeff Conaway released his self-titled debut album on Columbia Records.[39] Produced by Mike Appel—best known as Bruce Springsteen's early manager—the album captured Conaway's attempt to transition from acting to music, blending pop-rock elements with upbeat, radio-friendly tracks suited to the late 1970s sound. The recording process involved collaborations with songwriters such as P. Floyd and C.J. Ellis, resulting in an LP featuring 10 songs, including "City Boy," "Livin' On The Edge Of Love," and "Fever In The Blood."[40] The album's musical style leaned toward soft rock and pop, characterized by acoustic guitars, electric pianos on ballads, and energetic riffing reminiscent of contemporaries like Rick Springfield, while echoing Conaway's greaser persona from Grease.[41] Its lead single, "City Boy" (backed with "Fever In The Blood"), was released to promote the project but did not chart on the Billboard Hot 100. Promotional efforts focused on television appearances to capitalize on Conaway's rising fame from Taxi and Grease, including live performances of "City Boy" on The Mike Douglas Show in August 1979 and American Bandstand in 1980.[42][43] These outings highlighted his vocal range amid the era's disco and rock crossover trends, though the album did not spawn further hits or extensive touring.Collaborations and performances
Conaway contributed vocals to the 1978 film soundtrack for Grease, notably performing in "Greased Lightnin'" alongside John Travolta as the T-Birds in a key ensemble number that highlighted the group's rock 'n' roll energy.[44] This collaboration extended his stage experience from the original Broadway production of Grease, where he had served as understudy for roles including Danny Zuko before taking on the lead singing part for two and a half years, delivering performances of songs like "Greased Lightnin'" and "Summer Nights" to packed audiences.[45] In the 1990s, Conaway appeared in the 1994 Broadway revival of Grease starting in 1997, portraying Vince Fontaine, the slick DJ who emceed the school dance sequence.[46] He also participated in a 2002 cast reunion event celebrating the film's legacy, joining Travolta, Olivia Newton-John, and others for a live rendition of "Summer Nights," which showcased the enduring appeal of the original ensemble's harmonies.[47] Additionally, his marriage to Rona Newton-John from 1980 to 1985 created familial ties to Olivia Newton-John, his Grease co-star, though no direct joint musical projects emerged from this connection.[48]Personal life
Marriages and relationships
Conaway's first marriage occurred in 1971 at the age of 21 to a dancer he had dated for two years; the union was annulled after two months.[49] His second marriage was to Rona Newton-John, the older sister of his Grease co-star Olivia Newton-John, from 1980 until their divorce in 1985. The couple met in 1978 through Olivia during the filming of Grease, where Olivia had nicknamed Conaway "The Stud" due to his appeal among the cast and crew, prompting Rona's interest.[50][51][52] In 1990, Conaway married actress Kerri Young, with whom he shared interests in the entertainment industry; they divorced in the early 2000s.[49][1] Conaway also maintained a notable long-term relationship with singer Vikki Lizzi (also known as Victoria Spinoza) from 2005 until his death in 2011, during which he proposed marriage in 2007. Although some obituaries listed his ex-wife Kerri Young as his wife at the time of death, Conaway was survived by Lizzi as his partner.[3][53]Family and children
Jeff Conaway had no biological children but served as stepfather to Emerson Newton-John, born in 1974 to his second wife, Rona Newton-John.[1][54] Emerson, a professional race car driver, maintained a connection to Conaway through this familial tie, which linked the actor to singer Olivia Newton-John as her nephew's stepfather during the marriage.[1][55] Conaway's extended family included two sisters, Michele and Carla, who were among his closest relatives and survivors.[1][2] His parents were Charles Conaway, an actor, producer, and publisher, and Helen Conaway (stage name Mary Ann Brooks), an actress and music teacher.[9] Emerson later pursued a career in motorsports.[54]Health struggles and addiction
Onset of substance abuse
Conaway's substance abuse issues began in earnest following a back injury sustained during the filming of the 1978 movie Grease, where he was accidentally dropped while performing the "Greased Lightning" musical number, leading to chronic pain that prompted initial use of prescription painkillers.[56] This injury, compounded by subsequent back problems during his time on the sitcom Taxi (1978–1981), necessitated multiple surgeries and exacerbated his reliance on opioids for pain management.[1] By the mid-1980s, as Conaway's career experienced a downturn after leaving Taxi, his addiction escalated to include cocaine and heavier abuse of prescription drugs, contributing to professional instability during projects like the short-lived fantasy series Wizards and Warriors (1983).[57] Reports from that period highlighted erratic on-set behavior, including instances on Taxi where he arrived too intoxicated to perform, forcing co-stars to improvise and cover his lines.[57] Public awareness of his struggles grew through early incidents, though specific arrests for possession in the 1980s remain unconfirmed in major accounts; however, his drug use began affecting personal relationships, straining his marriage to Rona Newton-John (1980–1985) amid growing dependency.[58] In response to a personal crisis in the mid-1980s, Conaway entered his first rehabilitation program, marking an initial attempt at recovery, though the effort was undermined by relapses that further impacted his familial ties and career trajectory.[3]Rehabilitation efforts and public appearances
Conaway entered rehabilitation multiple times beginning in the late 1980s, seeking treatment for his substance abuse issues that had intensified from earlier cocaine use and later painkiller dependency following back surgeries.[58] By the mid-2000s, he had relapsed several times despite these efforts, including after participating in VH1's Celebrity Fit Club in 2005, where he was forced to withdraw and subsequently entered another program.[57] His manager, Kathryn Boole, later noted that Conaway was "trying so hard to get clean and sober," though chronic back pain complicated his recovery.[58] In 2008, Conaway joined the cast of VH1's Celebrity Rehab with Dr. Drew for its first season, alongside participants including Gary Busey, where he openly admitted his addictions to cocaine, alcohol, and opiates like OxyContin, attributing much of his dependency to pain management after surgeries.[59] The program documented his intense detox process, during which he experienced withdrawal symptoms severe enough to require hospitalization, and explored underlying issues such as childhood trauma and codependent relationships.[60] He returned for season 2 later that year, but left the facility early against medical advice and was later shown relapsing by consuming painkillers at home, highlighting the challenges of his ongoing battle.[58] Conaway also credited involvement with the Church of Scientology, introduced to him by John Travolta, as a key factor in his recovery during this period, claiming in a March 2008 Inside Edition interview that its practices had helped him overcome drugs "for good" after losing over 40 pounds.[61] Following his Celebrity Rehab appearances, Conaway became more vocal in public advocacy against addiction, using interviews to discuss its profound impact on his professional life and personal relationships. In a 2008 appearance on The Howard Stern Show, he revealed attempting suicide 21 times, mostly with pills, and reflected on how substance abuse had derailed his acting career post-Taxi and strained his family ties, including estrangements.[1] He emphasized the toll on his loved ones in subsequent media discussions, stating that addiction had cost him roles and stability, while urging others to seek help without shame.[51] Conaway experienced further relapses in the late 2000s and into 2011, including a January 2010 incident where he fell down stairs, sustaining injuries exacerbated by substance use.[51] In early 2011, he made additional recovery attempts amid persistent pain and dependency, participating in public events and expressing determination to maintain sobriety despite setbacks.[62]Death
Final hospitalization
On May 11, 2011, Jeff Conaway was found unconscious at his Los Angeles home following what was reported as an overdose of painkillers, amid his long-term battles with substance abuse.[63][64] He was immediately transported to Encino Tarzana Regional Medical Center, where medical staff diagnosed him with pneumonia and sepsis; he was placed in a medically induced coma to stabilize his condition.[65][66] Over the ensuing two weeks, Conaway remained in critical condition, prompting extensive media coverage of his hospitalization and the family's deliberations on his care, including a legal dispute with his girlfriend Vikki Lizzi, who sought to block withdrawal of life support.[67][57][68] On May 26, 2011, his family made the decision to remove him from life support, with close relatives gathered at his bedside. He died the following day, on May 27.[66][69]Cause and aftermath
The Los Angeles County Department of Medical Examiner-Coroner ruled Conaway's death accidental on September 30, 2011, determining the primary cause to be pneumonia complicated by sepsis, with contributing factors including septic emboli, aortic valve endocarditis, coronary artery disease, and encephalopathy resulting from the effects of long-term drug and alcohol abuse.[70][69] No toxicology analysis was conducted due to the extended duration of his hospitalization exceeding two weeks, but no illegal substances were present in his system at death, while his chronic history of prescription and nonprescription drug dependency was noted as a significant underlying contributor to his vulnerability.[70] A private memorial service took place on June 21, 2011, at Our Lady of Grace Church in Encino, California, hosted by Conaway's former fiancée Vikki Lizzi and attended by close friends and former co-stars such as Corey Feldman and Christopher Lloyd, with musical tributes performed by The Temptations including "It's So Hard to Say Goodbye to Yesterday."[71] Conaway was cremated shortly thereafter, with his ashes retained by family members.[6] His sisters, Carla and Michele, issued statements expressing relief that he was finally at peace after years of health struggles, while the family handled private estate matters without public disclosure of settlements or distributions.[72]Legacy
Awards and nominations
Conaway received two Golden Globe nominations for his portrayal of Bobby Wheeler on the sitcom Taxi, recognizing his early breakthrough in television during the late 1970s.[73] These nominations highlighted his supporting role in a series that earned widespread acclaim for its ensemble cast and character-driven humor.[73] In addition to individual honors, Conaway shared in a group award later in his career for the enduring impact of Taxi.| Year | Award | Category | Work | Result | Notes |
|---|---|---|---|---|---|
| 1979 | Golden Globe Awards | Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television | Taxi | Nominated | For role as Bobby Wheeler.[73] |
| 1980 | Golden Globe Awards | Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television | Taxi | Nominated | For role as Bobby Wheeler.[73] |
| 2007 | TV Land Awards | Medallion Award | Taxi | Won | Shared with cast members Danny DeVito, Judd Hirsch, Tony Danza, and others for the series' lasting legacy. |
Cultural impact and tributes
Conaway's portrayal of Kenickie in the 1978 film Grease cemented his image as a charismatic greaser, contributing to the movie's role as a defining emblem of 1970s nostalgia for 1950s youth culture.[2][74] The character's leather-jacketed swagger and hot-rod enthusiasm have echoed in stage revivals of the musical, where Kenickie remains a central figure, and in parodies that satirize the era's rebellious teen archetypes.[75] This enduring archetype has helped sustain Grease's cultural resonance, with Conaway's performance often invoked in discussions of retro Americana.[1] The ensemble dynamic of Taxi, where Conaway played aspiring actor Bobby Wheeler, has fueled the series' lasting appeal in syndication since 1983, positioning it as a pivotal link between ensemble workplace comedies like The Mary Tyler Moore Show and Cheers.[76][24] Reruns continue to highlight the show's blend of humor and pathos, with Conaway's portrayal of Wheeler's optimism amid setbacks resonating in ongoing fan appreciation and periodic reboot speculations, though such ideas are complicated by cast changes.[24] After Conaway's death in 2011, tributes poured in from peers, including Taxi co-star Marilu Henner, who described him as "like a brother to me" in interviews reflecting on their shared experiences.[77][78] These remembrances, echoed in anniversary retrospectives, underscore his contributions to ensemble storytelling, while fan-driven commemorations in the 2010s and 2020s have kept his roles alive through online discussions and media milestones.[24]Filmography
Film roles
Conaway's film roles spanned feature films and made-for-television movies, where he frequently portrayed tough, streetwise characters or supporting figures in genres including musicals, thrillers, action, and horror.[79] His early work included minor parts in dramas, leading to his breakout as the rebellious Kenickie in the 1978 musical Grease, directed by Randal Kleiser and co-starring John Travolta and Olivia Newton-John.[80] Later roles often featured him as detectives, soldiers, or antagonists in low-budget action and sci-fi productions.[81]| Year | Title | Role | Description |
|---|---|---|---|
| 1971 | Jennifer on My Mind | Hanki | Supporting role as a young traveler in a romantic drama about love and heroin addiction in Venice, co-starring Robert De Niro.[82] |
| 1976 | The Eagle Has Landed | Frazier | Minor soldier role in Michael Caine-starring WWII thriller about a Nazi plot to assassinate Winston Churchill, directed by John Sturges.[83] |
| 1977 | Pete's Dragon | Charlie | Supporting role in Disney musical fantasy about a boy and his dragon.[84] |
| 1977 | Delta County, U.S.A. | Terry Nicholas | Lead role in TV movie drama about a young man in a small town.[85] |
| 1978 | Grease | Kenickie | Tough, leather-jacketed second-in-command of the T-Birds gang in the iconic high school musical romance.[80] |
| 1979 | Breaking Up Is Hard to Do | Roy Fletcher | Role in made-for-TV movie about divorced men coping with single life.[86] |
| 1984 | Covergirl | T.C. Sloane | Supporting role as a promoter in drama about a woman's rise in the modeling world.[87] |
| 1988 | The Dirty Dozen: The Fatal Mission | Sgt. Holt | Tough sergeant in this made-for-TV action sequel to the WWII classic, alongside Telly Savalas.[88] |
| 1989 | Ghost Writer | Tom Farrell | Supporting role in comedy/fantasy about a writer in a haunted beach house.[89] |
| 1990 | The Sleeping Car | Bud | Protagonist facing supernatural horrors on a haunted train in this low-budget horror film.[90] |
| 1990 | I Come in Peace | Artie | Supporting role as a detective's partner in sci-fi action film.[91] |
| 1991 | A Time to Die | Frank | Supporting action role in a revenge thriller involving gangsters and betrayal.[92] |
| 1992 | Mirror Images | Jeffrey Blair | Lead as a twin entangled in erotic thriller intrigue and identity swaps.[93] |
| 1992 | Eye of the Storm | Tom Edwards | Supporting part in a sci-fi action film about a pilot battling storms and corporate conspiracy.[94] |
| 1992 | Almost Pregnant | Charlie Alderson | Comedic role as a man dealing with a fake pregnancy scam in this sex comedy.[95] |
| 1992 | Bikini Summer II | Stu Stocker | Supporting beach comedy role in a direct-to-video sequel about summer romance and parties.[96] |
| 1994 | The Banker | Cowboy | Antagonist killed in a violent thriller about a bank heist gone wrong.[97] |
| 1998 | Elvira, Mistress of the Dark | Bob | Supporting role as a love interest in the horror comedy starring Cassandra Peterson.[98] |
| 1999 | Man on the Moon | Actor in Taxi Recreation | Uncredited cameo recreating his Taxi role in the biopic of Andy Kaufman.[99] |
| 1999 | Jawbreaker | Marcie's Father | Brief parental role in a dark high school comedy about a deadly prank.[100] |
| 2002 | The Biz | Len | Supporting role in a mockumentary about Hollywood's underbelly.[101] |
| 2003 | Curse of the Forty-Niner | Reverend Sutter | Clergyman in a horror film about a gold rush ghost seeking revenge.[102] |
| 2003 | Dickie Roberts: Former Child Star | Blake's Dad | Uncredited role in the comedy starring David Spade about faded fame.[103] |
| 2004 | The Perfect Nanny | L.A. Detective | Investigating detective in this made-for-TV thriller about a murderous babysitter.[104] |
| 2006 | Living the Dream | Dick | Supporting role in an indie comedy about chasing Hollywood success.[105] |
| 2008 | From a Place of Darkness | Vic | Key role in a drama exploring mental health and personal demons.[106] |
| 2010 | Dante's Inferno: Abandon All Hope | Virgil | Voice role as the guide in an animated horror adaptation of Dante's work.[107] |
| 2010 | Thief | Nelson | Supporting criminal role in a heist thriller.[108] |
| 2011 | Dark Games | Henry | Final on-screen role in thriller.[109] |