Corey Feldman
Corey Scott Feldman (born July 16, 1971) is an American actor, musician, and activist who rose to prominence as a child performer in the 1980s.[1][2] He debuted at age three in a Clio Award-winning McDonald's commercial and appeared in notable films including Friday the 13th: The Final Chapter (1984), Gremlins (1984), The Goonies (1985), and Stand by Me (1986).[1][3] Feldman formed the "Two Coreys" acting duo with Corey Haim, starring together in The Lost Boys (1987) and later projects.[4] In later years, he transitioned to music releases and advocacy, publicly alleging systemic child sexual abuse in Hollywood, including his own experiences and those of Haim, as detailed in his 2013 autobiography Coreyography and 2020 documentary (My) Truth: The Rape of Two Coreys, which prompted a Los Angeles Police Department investigation into related claims.[5][6][7]Early Life
Family Background and Childhood
Corey Scott Feldman was born on July 16, 1971, in Chatsworth, California, the second of five children born to Bob Feldman, a musician and record producer, and Sheila Feldman (née Goldstein), a cocktail waitress and former [Playboy Club](/page/Playboy Club) employee.[1][3][8] The family was of Ashkenazi Jewish ancestry, with paternal and maternal roots tracing to immigrants from Romania, Russia, Belarus, and Poland.[9] His siblings included Mindy Feldman, an actress who appeared alongside him in films such as The Fox and the Hound (1981); Eden Feldman; Devin Feldman; and Brittnie Feldman.[1] Feldman's parents managed his early career, pushing him into television commercials and auditions from age three, reportedly to generate income amid financial pressures.[10] Bob Feldman, who had worked as a producer on hits like The Strangeloves' "I Want Candy" in the 1960s, was often absent due to professional commitments, leaving Sheila to oversee daily family matters.[8] In his 2013 memoir Coreyography, Feldman recounted a childhood dominated by his parents' exploitation, claiming they withheld most of his earnings—estimated at millions by his early teens—for personal use, including luxury purchases and substance-related expenses, while providing minimal support or affection.[10] These accounts portray a household where familial bonds were subordinated to commercial ambitions, with Feldman alleging physical discipline and emotional neglect as normative.[10] He has publicly stated that his parents' actions contributed to a pattern of instability, including exposure to adult environments ill-suited for a child, though independent corroboration beyond his testimony remains limited.[8] By age 10, Feldman had already secured over 100 commercial roles, marking the transition from family life to professional demands.[1]Entry into Entertainment Industry
Corey Feldman began his acting career at the age of three in 1974, initially appearing in television commercials.[4] His earliest notable role was in a McDonald's commercial around 1975–1976, which won a Clio Award for advertising excellence.[4] [11] During his childhood, Feldman starred in over 100 television commercials, establishing a foundation in the industry through these short-form advertisements.[11] [12] Transitioning to scripted television, Feldman secured guest-starring roles on series such as Eight Is Enough (1977), Alice (1976–1985), Mork & Mindy (1978–1982), and The Bad News Bears (1979–1980).[13] [12] By age eight, he had appeared on approximately 50 television programs, accumulating credits that showcased his versatility as a young performer.[12] These early television appearances, often in supporting or episodic capacities, provided exposure and honed his skills before his breakthrough in feature films during the mid-1980s.[14]Acting Career
Rise as Child Star (1980s)
Corey Feldman's ascent as a prominent child actor began in earnest during the early 1980s with supporting roles in horror and family-oriented films. In Friday the 13th: The Final Chapter (1984), released on April 13, he portrayed Tommy Jarvis, a young boy who disfigures the killer Jason Voorhees, marking a breakout performance that showcased his ability to convey vulnerability amid violence. That same year, Feldman appeared as Pete Fimple in Gremlins (June 8, 1984), a Warner Bros. blockbuster directed by Joe Dante, where his character befriends the mischievous creatures, contributing to the film's commercial success with over $153 million in box office earnings. These roles established Feldman as a versatile young talent capable of navigating both genre films.[14] Feldman's prominence escalated in 1985 with the lead role of Mouth in The Goonies, a Steven Spielberg-produced adventure film released on June 7, which grossed approximately $125 million worldwide and became a cult classic emphasizing youthful camaraderie and treasure hunting.[15] The following year, in Stand by Me (August 8, 1986), directed by Rob Reiner and adapted from Stephen King's novella, he played Teddy Duchamp, one of four boys on a quest to find a missing peer's body, earning praise for capturing adolescent bravado and emotional depth in a film that received an 91% approval rating on Rotten Tomatoes. These performances solidified his status among the era's top child stars, with Feldman appearing in multiple high-profile productions that appealed to family audiences. By 1987, Feldman's pairing with Corey Haim in The Lost Boys (July 31), directed by Joel Schumacher, further elevated his fame; he reprised his role as vampire hunter Edgar Frog in a story blending horror and teen drama that grossed $32 million domestically.[16] This collaboration, dubbing them "The Two Coreys," highlighted Feldman's transition toward teen-oriented roles while maintaining his child-star appeal, with the film achieving enduring popularity in the vampire genre.[17] Throughout the decade, Feldman's filmography reflected a pattern of genre diversity, from slashers to fantasies, amassing credits that positioned him as a key figure in 1980s youth cinema.[2]Adult Roles and Challenges (1990s–2000s)
Following his prominence as a child actor in the 1980s, Feldman's transition to adult roles in the 1990s involved a shift toward voice work, supporting parts, and leads in lower-budget films. He voiced the character Donatello in Teenage Mutant Ninja Turtles (1990) and its sequel Teenage Mutant Ninja Turtles III (1993), contributing to the franchise's animated and live-action entries.[4] Other credits included a supporting role in the action film Edge of Honor (1991), the comedy Meatballs 4 (1992), a cameo in the parody National Lampoon's Loaded Weapon 1 (1993), and a minor appearance in the Western Maverick (1994).[4] He also starred in direct-to-video projects such as National Lampoon's Last Resort (1994) and Voodoo (1995), alongside a lead role as Caleb Verdoux in the horror comedy Tales from the Crypt: Bordello of Blood (1996).[4] This period was marked by significant personal challenges, particularly substance abuse, which Feldman later attributed to early introductions to drugs on film sets and unresolved trauma from childhood.[17] In March 1990, he was arrested after police found 25 balloons containing heroin and cocaine in his car during a traffic stop; a second arrest for heroin possession followed in September 1990.[18] [19] These incidents, part of three drug-related arrests in the early 1990s, culminated in Feldman entering a 10-month rehabilitation program at Cri-Help in North Hollywood in December 1990, during which he disclosed experiences of childhood sexual abuse to his therapist.[17] The addiction, involving heroin and other substances, contributed to a career downturn, limiting opportunities for major studio leads and steering him toward independent or genre-specific projects.[17] In the 2000s, Feldman's acting output remained sporadic, often self-referential or tied to his past fame. He appeared in Dickie Roberts: Former Child Star (2003), a comedy satirizing former child actors, where he played a version of himself and contributed a song to the soundtrack.[4] Smaller roles followed in films like Cursed (2005), a werewolf horror, before reprising elements of his early career in the direct-to-video sequel Lost Boys: The Tribe (2008), portraying a character linked to the original vampire storyline.[4] These works highlighted ongoing typecasting as a 1980s icon, compounded by earlier personal struggles that had eroded mainstream appeal; by mid-decade, Feldman had reportedly achieved sobriety around 1995 but faced residual professional repercussions.[17] His participation in the reality series The Two Coreys (2007–2008), co-starring Corey Haim, further documented the duo's battles with addiction and Hollywood's pressures, though it ended amid Haim's relapse.[17]Independent Projects and Recent Work (2010s–Present)
Following a period of reduced mainstream visibility, Corey Feldman shifted focus to independent cinema in the 2010s, frequently taking roles in low-budget horror and thriller productions. In 2010, he reprised his character Edgar Frog from The Lost Boys in the direct-to-video sequel Lost Boys: The Thirst.[20] Subsequent projects included the supernatural horror film 6 Degrees of Hell (2012), where he portrayed Kyle Brenner, and Zombex (2013), a zombie thriller in which he played Dr. Jamison.[14] These roles exemplified his participation in niche, independently produced genre films often distributed through limited releases or streaming platforms.[4] Feldman's independent work extended to producing and starring in personal documentaries addressing industry issues. In 2020, he released (My) Truth: The Rape of Two Coreys, a self-financed documentary directed by Brian Herzlinger that chronicles allegations of childhood sexual abuse suffered by Feldman and his late friend Corey Haim at the hands of Hollywood figures.[5] The film, which Feldman executive produced, drew from his prior public statements and aimed to expose systemic predation, though it faced criticism for lacking corroborative evidence beyond Feldman's testimony in some accounts.[21] He also executive produced Teenage Girl: First Wheels (2020), appearing as Cliff in the drama.[14] Into the 2020s, Feldman continued with voice and live-action roles in indie projects, including voicing the Sorcerer Beast in the animated fantasy Age of Stone and Sky: The Sorcerer Beast (2021), which he executive produced, and starring as Mike Merryman in the horror-comedy 13 Fanboy (2021).[14] In 2018, he played the character Queeny, a transvestite vampire, in the supernatural thriller Corbin Nash.[22] More recent credits include Sour Party (2023), where he appeared as Leslie, and Going Viral (2024).[14] These endeavors reflect a sustained commitment to smaller-scale productions amid his broader advocacy efforts.[4]Music Career
Early Musical Ventures
Feldman first ventured into music during his acting career in the mid-1980s, writing and recording the song "Runaway" in 1986 while filming The Lost Boys.[23][24] He produced a music video for the track on VHS tape, which remained unreleased until its restoration and online debut in 2021.[25] In 1989, Feldman contributed vocals to the soundtrack for Dream a Little Dream, performing "Something in Your Eyes," co-written by Michael Damian.[26] He also provided songs for the 1990 film Rock 'n' Roll High School Forever and composed additional music during this period, marking his initial steps in soundtrack work amid his transition from child acting.[27] Feldman's formal music debut came with the release of his self-produced solo album Love Left on July 16, 1994, via Coreyography Music, featuring nine tracks blending pop and rock elements such as "Perfect Woman" and the title song.[28][29] The album received limited commercial attention but represented his shift toward establishing a recording career.[30]Solo Releases and Collaborations
Feldman's debut solo album, Love Left, was released in 1994 and consisted of nine tracks blending pop and dance elements.[29] His second solo effort, Former Child Actor, followed on July 16, 2002, via Crazy Bastard Records, featuring 12 tracks in pop rock and funk metal styles recorded at studios including Dome Sound and G-Son Studios.[31][32] After a lengthy hiatus, Feldman issued Angelic 2 the Core on November 11, 2016, under his band moniker Corey Feldman & the Angels, incorporating dance-pop and electropop with guest appearances: Snoop Dogg and Kurupt on "Go 4 It," and Fred Durst of Limp Bizkit on "Seamless."[33] This album marked his return to recording after over a decade, produced independently and distributed digitally.[34] In the 2020s, Feldman continued releasing material through his label Cifi Records, including Love Returns in 2021, Love Left 2: Arm Me With Love in 2022—which remixed tracks from his debut alongside new content—and the EP Evolutions 22 For 4 on September 22, 2025, a Beatles tribute running 22 minutes and 19 seconds with six tracks such as "Characters" and "Retro Rock," featuring musicians including Bentley Mitchum, Adrien Skye, Robert Sarzo, and Jimmy Reid.[35][36] Additional collaborations include executive production on Adrien Skye's EP The Gothspel of Adrien Skye (October 30, 2025), with co-writing credits on tracks like "Circus Queen" featuring Mike G, and live performances alongside Limp Bizkit during the 2024 Losertown Tour.[36][37]| Album Title | Release Date | Notable Features/Collaborators |
|---|---|---|
| Love Left | 1994 | Solo debut, 9 tracks |
| Former Child Actor | July 16, 2002 | 12 tracks, pop rock/funk metal |
| Angelic 2 the Core | November 11, 2016 | Snoop Dogg, Kurupt, Fred Durst |
| Love Returns | 2021 | Independent release |
| Love Left 2: Arm Me With Love | 2022 | Remixes and new tracks |
| Evolutions 22 For 4 (EP) | September 22, 2025 | Beatles tribute, multiple musicians |
Recent Albums and Performances (2020s)
In 2021, Feldman released the album Love Returns, which featured tracks blending rock and pop elements, available through streaming platforms.[35] In 2022, he followed with LOVE LEFT 2: ARM ME WITH LOVE, continuing his exploration of personal themes in music production under his CiFi Records label.[35] These releases marked a resurgence in his solo musical output after earlier ventures, emphasizing self-produced content distributed digitally.[38] On September 22, 2025, Feldman issued the EP Evolutions (22 for 4) via CiFi Records, preceded by the single "Retro Rock" on September 10, incorporating rock and funk influences in its four tracks.[36] The EP's release aligned with promotional efforts on his official platforms, targeting fans of his evolving sound.[39] Feldman's live performances in the 2020s included participation in the Loserville Tour as a supporting act, commencing July 16, 2024, at Somerset Amphitheater in Wisconsin, with subsequent shows such as July 18 in St. Louis, Missouri, where he performed songs including "Comeback King."[40][41] Setlists from these events featured material from his discography, delivered with his backing band, though no full tour was scheduled for 2025 as of October.[42][43] Earlier in the decade, pandemic restrictions limited major tours, shifting focus to album releases over extensive live engagements.[44]Advocacy Work
Corey's Angels Initiative
Corey Feldman launched Corey's Angels in the mid-2010s as a multifaceted entertainment venture described by him as a "360 management development and production entity" intended to assist aspiring young women in the industry by providing guidance, opportunities, and protection from its dangers.[45] Feldman explained the initiative stemmed from encounters with women at events like Playboy Mansion parties who sought direction, stating, "I like helping them" and aiming to help "girls who were kind of lost and needed help to find their way to get their opportunities."[45][46] The project included talent management, event production, and a musical band called Corey Feldman & the Angels, which performed at venues like the Whisky a Go Go in August 2014 and released music such as the album Angelic 2 the Core in 2016, featuring tracks like "Go 4 It."[47][48] Activities under Corey's Angels encompassed live tours, including a 2016 "Angelic 2 The mini Tour" starting in California, and media appearances, such as a September 2016 performance on NBC's Today show that drew mixed reactions for its style and Feldman's surrounding group of performers dressed in matching outfits.[49][46] It also involved a web series titled Corey Feldman Presents: Corey's Angels Talk Live on FilmOn, promoted during events like the 2014 Screen Actors Guild Awards.[50] Feldman positioned the group as protective, with its Facebook page stating, "We are Coreys Angels, we are here to protect....and to serve," aligning with his broader experiences of industry exploitation.[49] The initiative faced significant public scrutiny, particularly over events like a 2013 lingerie-themed birthday party featuring minimally clothed participants, which Feldman defended against critics labeling it exploitative but later discontinued large-scale parties in September 2015 amid coverage portraying the setup as overly party-focused and reliant on young women living in his orbit.[51][52] While some accounts, including a profile on Child USA where Feldman serves as an ambassador, describe Corey's Angels as a nonprofit organization dedicated to child abuse protection and guiding newcomers away from Hollywood pitfalls, independent verification of its nonprofit status or primary focus on abuse prevention remains limited, with most documented efforts centered on entertainment production rather than formal advocacy programs.[53] By the late 2010s, emphasis shifted toward Feldman's solo tours and abuse-related campaigns, reducing visible activity under the Corey's Angels banner.[39]Campaigns Against Child Exploitation
In October 2017, Feldman initiated the "Truth Campaign," a crowdfunding effort aiming to raise $10 million to produce a documentary exposing an alleged pedophile ring in Hollywood that preyed on child actors during the 1980s.[54] The campaign focused on detailing systemic child sexual abuse in the entertainment industry, with Feldman stating it would provide a "true depiction" of such exploitation based on his experiences and those of his late friend Corey Haim. He announced the initiative on The Dr. Oz Show, emphasizing the need to name perpetrators to prevent further victimization.[55] Following the campaign launch, Feldman filed a formal police report with the Los Angeles Police Department on November 1, 2017, regarding the alleged abuse network, prompting an investigation by the Robbery-Homicide Division.[55] He claimed the ring involved multiple powerful figures and linked it to broader patterns of predation on young performers, echoing earlier statements from 2011 where he identified pedophilia as Hollywood's "biggest problem" for child stars, which he said contributed to Haim's struggles and death in 2010.[56] Despite public pledges to reveal "every single name," Feldman cited safety concerns and legal hurdles, including statutes of limitations, as barriers to immediate disclosures.[57] The campaign culminated in the 2020 documentary My Truth: The Rape of Two Coreys, directed by Brian Herzlinger, which Feldman produced to name specific individuals accused of abusing him and Haim, including actor Dominick Brascia and others tied to the industry.[5] Released on March 9, 2020, via platforms like Tubi after facing rejections from major distributors, the film included survivor testimonies and archival footage to argue for industry accountability.[58] Its premiere event in Los Angeles drew controversy, with reports of chaotic screenings and limited attendance, but Feldman maintained it advanced awareness of child exploitation.[58] Feldman has supplemented these efforts with public advocacy, including a 2019 op-ed supporting New York's Child Victims Act, which extended statutes of limitations for child sexual abuse claims to enable more survivors to seek justice.[59] In June 2022, he spoke at the University of Toledo's International Human Trafficking and Exploitation Conference alongside To Catch a Predator host Chris Hansen, addressing abuse and victimization in entertainment and society.[60] These actions position his work as a sustained push against child exploitation, though critics in mainstream outlets have questioned the verifiability of his claims amid a lack of criminal convictions from the LAPD probe.[7]Personal Relationships
Marriages and Family
Feldman married actress Vanessa Marcil in 1989; the union ended in divorce in 1993.[61] In 2002, he wed model Susie Sprague, with whom he had a son, Zen, born in August 2004.[61][62] The couple divorced in 2014, after which Sprague was awarded sole custody of Zen.[61][63] Feldman's third marriage was to Courtney Anne Mitchell in November 2016, following a four-year relationship; they wed in Las Vegas.[64] The pair announced their separation in August 2023, citing irreconcilable differences and Mitchell's ongoing health conditions as factors, though they described the split as amicable at the time.[65][66] Feldman has no other children and has spoken publicly about prioritizing family amid his career challenges, including limited contact with Zen following the custody arrangement.[62] He shares a close relationship with his brother Eden Feldman, who has appeared alongside him in media and advocacy efforts.[67]Friendships with Corey Haim and Michael Jackson
Feldman and Haim, both child actors rising to prominence in the 1980s, first collaborated on the horror film The Lost Boys, released in July 1987, where they portrayed vampire-hunting brothers, establishing them as "The Two Coreys."[68] Their on-screen partnership continued with the comedy License to Drive in July 1988 and the romantic drama Dream a Little Dream in January 1989, films that capitalized on their teen idol status and off-screen camaraderie.[69] The duo later reunited for direct-to-video projects including Blown Away (1993), National Lampoon's Last Resort (1994), Dream a Little Dream 2 (1995), and Busted (1997), totaling seven joint film appearances amid Haim's escalating substance abuse issues.[70] Feldman described their bond as fraternal, with Haim—born December 23, 1971—facing torment from addiction that Feldman attempted to address through interventions and support, including a 2007 reality television series The Two Coreys chronicling their reconciliation efforts.[68] Haim died on March 10, 2010, at age 38 in his San Fernando Valley apartment from pneumonia exacerbated by a history of prescription drug use, though Feldman insisted Haim had been overcoming his dependencies in the preceding weeks and rejected overdose narratives as oversimplifications.[71][72] In response, Feldman mourned him publicly as "a brother and best friend," a "tragic loss of a wonderful, beautiful, magnificent talent," and later highlighted their shared experiences of Hollywood exploitation in his advocacy.[73] Feldman met Michael Jackson in 1984 during production of The Goonies, when director Steven Spielberg invited the singer to the set, initiating a mentorship that lasted through Feldman's adolescence.[74] Jackson hosted Feldman at his Neverland Ranch for sleepovers and outings, which Feldman detailed in his 2013 memoir Coreyography as platonic and non-sexual, emphasizing Jackson's role in providing emotional refuge amid Feldman's own industry pressures.[75] During Jackson's 2005 child molestation trial, Feldman was subpoenaed as a witness and testified that Jackson had never engaged in inappropriate physical contact with him, attributing their interactions to innocent celebrity friendship rather than predation.[76] Feldman reiterated this defense in subsequent years, including against 2019's Leaving Neverland documentary alleging abuse by Jackson accusers Wade Robson and James Safechuck, whom Feldman criticized for prior contradictory testimonies and parental negligence.[77] However, after viewing portions of the film, Feldman expressed conflict, stating he could "no longer defend" Jackson unconditionally due to the allegations' gravity, while maintaining no personal molestation occurred and questioning the documentary's one-sided presentation.[78][79] By 2024, Feldman indicated a desire to disengage from Jackson-related debates, prioritizing his own trauma recovery.[80]Substance Abuse and Health
Struggles with Addiction
Feldman first experimented with drugs during his teenage years in Hollywood, progressing to a heroin addiction by age 19 amid the industry's permissive environment and personal pressures from early fame.[17] This habit escalated to multiple arrests for possession, including one in March 1990 followed by intensive treatment, and a second in September 1990 leading to charges for heroin possession despite his prior anti-drug advocacy.[18] [81] A third arrest preceded his entry into a full-time rehabilitation program, highlighting the severity of his dependency which he later described as an "isolated train ride to hell."[17] [82] The addiction strained Feldman's professional life, contributing to erratic behavior and stalled career momentum after his child-star peak, as he navigated legal repercussions and public scrutiny.[83] Co-star Carrie Fisher attempted a drug intervention during their collaboration on The 'Burbs in 1989, reflecting concerns from peers about his substance use.[84] Feldman has attributed the onset partly to influences from older industry figures and the lack of safeguards for young actors, though he emphasized personal accountability in overcoming it through repeated rehab efforts.[85] By late 1990, facing mounting consequences, he committed to a 10-month inpatient program at Cri-Help in North Hollywood, marking a turning point after prior failed attempts at sobriety.[17]Recovery Efforts and Sobriety
Feldman entered rehabilitation in December 1990 following three arrests related to heroin possession, including incidents in 1988 and 1990.[17] [86] He completed a nine-month inpatient program characterized by minimal external contact and basic facilities, emerging sober by late 1991.[86] [17] After initial sobriety, Feldman experienced a relapse approximately five years later, lasting six months, before recommitting to recovery through further intervention.[87] He has attributed his long-term success to a personal resolve formed around 1989–1990, emphasizing self-identification as sober and reliance on a support network.[88] [89] By 2016, he publicly affirmed 25 years of continuous sobriety in response to skepticism following a television appearance.[90] As of 2025, Feldman reports over three decades of sobriety, describing the pre-recovery period as an "isolated train to hell" and crediting the achievement to unwavering commitment rather than external programs.[91] [87] This sustained recovery coincided with professional endeavors and personal milestones, including his role in advocating sobriety to peers like former partner Drew Barrymore, who achieved it earlier.[92]Controversies and Allegations
Claims of Childhood Sexual Abuse
Corey Feldman first publicly alluded to experiencing sexual abuse during his childhood acting career in his 2013 memoir Coreyography, where he described being molested by multiple men in the entertainment industry starting around age 12, though he did not name specific individuals at the time.[93] Feldman stated that the abuse involved grooming and exploitation by industry figures who leveraged their positions of power over young actors.[69] In November 2017, Feldman identified actor Jon Grissom as one of his alleged abusers during an appearance on The Dr. Oz Show, claiming Grissom had molested him repeatedly over a six-month period beginning when Feldman was 12 years old in the late 1980s.[94] Grissom, who had minor roles in films like Stand by Me (1986) alongside Feldman, denied the allegations, asserting no such interactions occurred and describing Feldman as unstable.[95] Feldman reported these claims to the Los Angeles Police Department later that month, prompting an investigation into historical child sexual abuse allegations involving both himself and the late Corey Haim, though no charges resulted.[6][55] Feldman subsequently named additional alleged perpetrators, including former child talent manager Marty Weiss and Alphy Hoffman, the owner of a 1980s nightclub popular among underage Hollywood actors, accusing both of sexually assaulting him as a minor.[96] He claimed in interviews and public statements that these incidents contributed to long-term trauma, including substance abuse issues, and alleged a broader pattern of pedophilia in the industry that affected dozens of child stars.[8] In his 2020 self-produced documentary (My) Truth: The Rape of Two Coreys, Feldman reiterated these personal claims and expanded on the alleged abuse, naming Grissom, Weiss, and Hoffman explicitly while describing the experiences as non-consensual acts including molestation and attempted rape.[21] The film, directed by Brian Herzlinger, framed the abuse as part of a systemic issue in Hollywood, though critics noted its chaotic production and lack of independent corroboration beyond Feldman's testimony and select supporter accounts.[97] None of the named individuals have been criminally charged in connection with Feldman's allegations, and responses from accused parties have included outright denials and countersuits for defamation.[98] Feldman has maintained that fear of retaliation and legal barriers, such as statutes of limitations, prevented earlier disclosures, emphasizing his efforts as advocacy rather than unsubstantiated accusations.[99]Responses to Feldman's Allegations
The Los Angeles Police Department received Feldman's formal report on November 1, 2017, regarding alleged sexual abuse he and Corey Haim suffered as child actors, but closed the investigation on December 1, 2017, after determining the incidents fell outside California's statute of limitations for such crimes, leaving no viable prosecutorial avenues.[100][55] Judy Haim, mother of the late Corey Haim, rejected Feldman's assertions about her son's abuse as "bogus" in a 2017 statement, labeling Feldman a "scam artist" who had repeatedly promised but failed to deliver specific names of abusers over years of public discussion.[101] Charlie Sheen, implicated in Feldman's 2020 documentary (My) Truth: The Rape of Two Coreys for allegedly raping Haim on the set of Lucas in 1986, issued a denial through his publicist on March 10, 2020, describing the claim as "sick, twisted and outlandish" and an "absurd lie" unsupported by evidence.[102] The documentary's March 2020 premiere faced significant technical failures during live streaming and in-person screenings, which Feldman attributed to sabotage, but critics noted it offered no new corroborating evidence or witness testimonies beyond Feldman's narrative, contributing to perceptions of it as more promotional than evidentiary.[103][104] Former child actor Scott Schwartz, who worked in Hollywood during the same era, publicly criticized Feldman in 2020 interviews for inconsistencies in his abuse timeline and reluctance to pursue legal action earlier, arguing the claims lacked substantiation and appeared motivated by fundraising for the project.[105] Media outlets have highlighted the absence of arrests, convictions, or independent corroboration for Feldman's named abusers—such as Jon Grissom, Marty Weiss, and Dominick Brascia—despite years of allegations, with some attributing public skepticism to Feldman's history of delayed disclosures and personal struggles with addiction.[8][106]Sexual Misconduct Accusations Against Feldman
In January 2018, a woman filed a police report with the Los Angeles Police Department accusing Corey Feldman of sexual battery, alleging that he grabbed her buttocks during an incident reported to have occurred in February 2017.[107][108] The LAPD's Robbery-Homicide Division investigated the claim, but after review, no charges were filed against Feldman, and the case was closed.[109][110] Feldman denied the allegation, stating through a representative that "the truth will prevail" and suggesting it was linked to retribution from former associates after he canceled a tour involving his band, Corey's Angels.[107][109] In 2020, multiple women, identified as former members of Feldman's touring band Corey's Angels, publicly accused him of sexual harassment, abuse, and assault through complaints filed with SAG-AFTRA, the performers' union of which Feldman was a member of the Los Angeles Local Sexual Harassment Committee.[98][111] SAG-AFTRA President Gabrielle Carteris received several detailed complaints, leading the national board to reprimand Los Angeles Local President Patricia Richardson for refusing to remove Feldman from the committee, citing the need to address such allegations credibly to maintain the union's efforts against sexual misconduct.[98][111] Feldman rejected the accusations, describing the complainants as individuals who had been stalking and harassing him, and claimed to possess supporting evidence including recordings, emails, and eyewitness accounts; he noted prior clearance by law enforcement on similar prior claims.[98] No criminal charges resulted from these 2020 complaints, and specific details of the alleged incidents were not publicly detailed in union or law enforcement reports.[98][111]Filmography
Feature Films
Corey Feldman debuted in feature films as a child actor in the late 1970s and rose to prominence in the 1980s with supporting roles in horror and adventure genres.[4] His early credits established him as a versatile young performer capable of portraying wisecracking or vulnerable characters.[4]| Year | Title | Role |
|---|---|---|
| 1979 | Time After Time | Boy at museum[4] |
| 1981 | The Fox and the Hound | Young Copper (voice)[4] |
| 1984 | Friday the 13th: The Final Chapter | Tommy Jarvis[4] |
| 1984 | Gremlins | Pete Fimple[4] |
| 1985 | Friday the 13th: A New Beginning | Tommy Jarvis[4] |
| 1985 | The Goonies | Clark "Mouth" Devereaux[4] |
| 1986 | Stand by Me | Teddy Duchamp[4] |
| 1987 | The Lost Boys | Edgar Frog[4] |
| 1988 | License to Drive | Les Anderson |
| 1989 | Dream a Little Dream | Bobby Kellar |
| 1989 | The 'Burbs | Ricky Butler[4] |
| 1990 | Teenage Mutant Ninja Turtles | Donatello (voice)[4] |
| 1991 | Edge of Honor | Eddie |
| 1992 | Meatballs 4 | Ricky Wade |
| 1993 | Teenage Mutant Ninja Turtles III | Donatello (voice)[4] |
| 1993 | National Lampoon's Loaded Weapon 1 | Young Cop[4] |
| 1994 | Maverick | Bank Robber[4] |
| 1996 | Bordello of Blood | Caleb Verdoux[4] |
| 2003 | Dickie Roberts: Former Child Star | Himself[4] |
| 2004 | The Birthday | Norman Forrester[4] |
| 2005 | Cursed | Jimmy[4] |
| 2008 | Lost Boys: The Tribe | Edgar Frog[4] |
| 2009 | Lucky Fritz | Lucky Fritz[4] |
| 2010 | Lost Boys: The Thirst | Edgar Frog[4] |
| 2011 | Operation Belvis Bash | Himself[4] |
| 2019 | Corbin Nash | Queenie[4] |
Television Appearances
Feldman began his acting career as a child, appearing in guest roles on numerous television series starting at age three, with credits accumulating across more than 50 shows during his youth. Early appearances included Mork & Mindy (1978), where he guest-starred as Billy the Kid in the episode "Mork's Mixed Emotions"; Eight Is Enough (1977–1979); Alice (1976–1978); and One Day at a Time (1975–1984).[4][112][13] His first recurring television role came in the ABC sitcom The Bad News Bears (1979–1980), in which he portrayed Reggie, the batboy for a youth baseball team managed by an ex-major leaguer, appearing in 15 episodes across the show's single season.[4] In the mid-1990s, Feldman starred as the socially awkward tech genius Warren Morris in the CBS sitcom Dweebs (1995), a workplace comedy about a group of computer nerds that aired for 13 episodes before cancellation.[4][13] Later television work included guest spots on anthology and genre series such as Tales from the Crypt (1992), Robot Chicken (2005–2022, voicing himself in multiple sketches), and Celebrity Ghost Stories (2008).[4][113] Feldman also co-starred in the A&E reality series The Two Coreys (2007–2008), documenting his friendship and professional collaboration with Corey Haim across two seasons of 15 episodes total, which he executive produced.[4][114]| Year(s) | Title | Role | Episodes/Notes |
|---|---|---|---|
| 1978 | Mork & Mindy | Billy the Kid | Guest; 1 episode ("Mork's Mixed Emotions")[4] |
| 1979–1980 | The Bad News Bears | Reggie | Recurring; 15 episodes[4] |
| 1995 | Dweebs | Warren Morris | Main cast; 13 episodes (series total)[4] |
| 2007–2008 | The Two Coreys | Himself | Main; 15 episodes across 2 seasons; executive producer[4] |
Other Media
Feldman has appeared in several music videos. In 2002, he portrayed "Officer Corey Feldman" in A New Found Glory's "Hit or Miss".[115] He featured in Moby's "We Are All Made of Stars" the same year.[115] In video games, Feldman provided voice work as Kent Knutson, the protagonist and narrator, in the adventure game Normality released in 1996 for PC.[116] He voiced Magnus, a key character, in the episodic adventure Minecraft: Story Mode across its 2015-2016 seasons. Feldman also lent his voice to roles in Teenage Mutant Ninja Turtles: Danger of the Ooze (2014), a mobile game tie-in to the animated series.Discography
Studio Albums
Corey Feldman's first studio album, Love Left, was released in 1992 and featured pop-oriented tracks aimed at a mainstream audience.[117] His second, Former Child Actor, followed in 2002 as a self-reflective project drawing on his Hollywood experiences, distributed through independent channels.[117] The third, Angelic 2 the Core, emerged in 2016 after a crowdfunding campaign that raised over $270,000 via Indiegogo, blending electronic, funk, and rock styles across two discs: Angelic Funkadelic and Angelic Rockadelic, released on November 4.[117] [118] Later releases include Love Returns in 2021, Love Left 2: Arm Me With Love in 2022 under his CiFi Records label, Retro Rock on September 10, 2025, and Evolutions 22 For 4 on September 22, 2025, reflecting ongoing self-production and thematic evolution in his music.[35] [119]| Title | Release Year |
|---|---|
| Love Left | 1992 |
| Former Child Actor | 2002 |
| Angelic 2 the Core | 2016 |
| Love Returns | 2021 |
| Love Left 2: Arm Me With Love | 2022 |
| Retro Rock | 2025 |
| Evolutions 22 For 4 | 2025 |
Singles and EPs
Feldman's early singles included "Negativity," a promotional CD single released in 2003 by Coreyography Music.[120] The track later appeared in remixed form on his 2016 album Angelic 2 the Core.[121] In 2016, he released the single "Go 4 It!" featuring Snoop Dogg, available as a digital download.[122] A version titled "Go 4 It / Everybody" was issued in 2017 on vinyl by Jett Plastic Records.[123] More recent digital singles include "Deceptive Deborah" in 2023, "The Joke" in 2024, "Characters" in 2025—which reached number 36 on the Mediabase Top 40 charts—and "Retro Rock" in 2025.[38][124] His sole EP, Evolutions (22 for 4), was released on September 22, 2025, via CiFi Records, incorporating tracks like "Retro Rock" and "Characters."[36]| Title | Type | Release Year | Label/Notes |
|---|---|---|---|
| Negativity | Single | 2003 | Coreyography Music (promo CD) [120] |
| Go 4 It! (feat. Snoop Dogg) | Single | 2016 | Digital single [122] |
| Go 4 It / Everybody | Single | 2017 | Jett Plastic Records (vinyl) [123] |
| Deceptive Deborah | Single | 2023 | Digital self-release [38] |
| The Joke | Single | 2024 | Digital self-release [38] |
| Characters | Single | 2025 | Digital; #36 Mediabase Top 40 [38][124] |
| Retro Rock | Single | 2025 | Digital; from Evolutions EP [38] |
| Evolutions (22 for 4) | EP | 2025 | CiFi Records (digital) [36] |