Jeremy Strong
Jeremy Strong (born December 25, 1978) is an American actor recognized for his immersive approach to character preparation, most prominently in the role of Kendall Roy in the HBO series Succession (2018–2023).[1][2] Born in Boston, Massachusetts, Strong initially pursued studies in English at Yale University while engaging in theater productions, later transitioning to film and television with roles in independent cinema and Off-Broadway plays.[2][3] His breakthrough came with Succession, where his depiction of the troubled heir garnered critical acclaim and a Primetime Emmy Award for Outstanding Lead Actor in a Drama Series in 2020.[4] Strong's filmography includes notable supporting performances in historical and biographical dramas such as Lincoln (2012) as John Nicolay, Zero Dark Thirty (2012) as a CIA analyst, and The Big Short (2015) as a distressed investor, showcasing his ability to embody complex figures under pressure.[5] More recently, he earned an Academy Award nomination for Best Supporting Actor for portraying attorney Roy Cohn in The Apprentice (2024), a film depicting the early career of Donald Trump.[6] His dedication to an intensive acting process—often involving extensive research, physical transformation, and remaining in character on set—has been credited with delivering raw authenticity but also sparked tensions with co-stars, including public critiques from Succession lead Brian Cox regarding its impact on collaborative environments.[7][8]Early life and education
Upbringing and family influences
Jeremy Strong was born on December 25, 1978, in Boston, Massachusetts, to parents David and Maureen Strong. His father, of Russian Jewish ancestry, worked in the juvenile justice system, assisting troubled youth in finding alternative paths, while his mother, of Irish descent, served as a hospice nurse providing end-of-life care. The family maintained a stable, working-class household, with Strong later describing his childhood as ordinary amid these parental roles focused on rehabilitation and caregiving.[9][10][11] Strong grew up in the Jamaica Plain neighborhood of Boston, an area characterized in some accounts as rough, during his early years, though he spent his teenage period in suburban Massachusetts. This environment exposed him to a mix of urban challenges and suburban normalcy, shaping early self-reliance through family expectations and local experiences. From around age five, he began participating in acting at his local church and soon transitioned to community theater productions, marking an initial foray into performance arts within a non-professional, community-oriented setting.[12][13][14] The parental emphasis on social services—his father's involvement in youth detention reform and his mother's direct patient care—likely contributed to a household dynamic valuing discipline, empathy toward vulnerability, and practical problem-solving, though Strong has not detailed explicit causal links in interviews. Siblings are not prominently mentioned in biographical records, suggesting a relatively focused family unit without extensive public details on broader dynamics. These foundational elements preceded any structured artistic pursuits, grounding his early worldview in real-world service professions rather than creative ambition.[15][10]Formal education and early career aspirations
Strong enrolled at Yale University intending to study drama, but after finding the introductory class's professor's approach alienating, he switched to majoring in English literature, from which he graduated in 2001.[16] [17] While at Yale, he immersed himself in the university's theater scene, participating in student productions that deepened his commitment to acting as a vocation over purely literary pursuits.[13] This period represented an early pivot from academic scholarship toward performative arts, as Strong prioritized stage work to hone his craft amid Yale's dramatic resources.[18] Following graduation, Strong sought intensive professional training, studying at the Royal Academy of Dramatic Art (RADA) in London, where he focused on classical techniques including Shakespearean performance.[1] He then affiliated with the Steppenwolf Theatre Company in Chicago, training under its ensemble methods that emphasized collaborative, rigorous stage preparation.[19] These experiences solidified his early career aspirations toward theater as the foundational discipline for acting, deliberately forgoing quicker entry into film or television in favor of building a disciplined foundation through live performance immersion.[13] This choice reflected a deliberate commitment to earning credibility via stage rigor before broader media transitions.[20]Career
Initial stage work (2001–2008)
Following his graduation from Yale University in 2001, Strong relocated to New York City to pursue acting, initially supporting himself through temp work and waiting tables while auditioning for stage roles in the competitive Off-Broadway scene.[21] His early efforts focused on ensemble and character-driven productions with emerging theater companies, though specific credited debuts from 2001–2005 remain sparsely documented, reflecting the persistence required in independent New York theater amid limited opportunities.[9] Strong's breakthrough Off-Broadway role came in 2006 as P.F.C. Evan Davis, a distraught soldier, in John Patrick Shanley's Defiance at Manhattan Theatre Club, a production that highlighted his ability to convey raw emotional intensity in a tense wartime drama.[22] That same year, he appeared as William in Richard Nelson's Frank's Home at Playwrights Horizons, portraying a figure in the orbit of architect Frank Lloyd Wright during a period of personal and professional turmoil.[23] In 2007, Strong took on the lead role of philosopher Baruch de Spinoza in David Ives' New Jerusalem at Classic Stage Company, earning praise for his intellectual fervor and commanding presence in a play exploring heresy and conviction.[24] These Off-Broadway performances, marked by demanding ensemble dynamics rather than commercial hits, honed Strong's craft through rigorous rehearsal processes and critical feedback, though financial instability persisted in the underfunded New York theater ecosystem.[23] Culminating the period, Strong made his Broadway debut in 2008 as Master Richard Rich in Robert Bolt's A Man for All Seasons at the American Airlines Theatre, directed by Doug Hughes and starring opposite Frank Langella as Thomas More; reviewers noted his portrayal's opportunistic edge and subtle menace, signaling emerging intensity amid the production's Tony-nominated run.[3] This stage laid foundational skills in psychological depth, setting the trajectory for later transitions without yielding widespread acclaim or financial security at the time.[9]Entry into film and supporting roles (2009–2015)
Strong began accumulating film credits in supporting roles following his early stage experience, starting with the 2009 war drama The Messenger, in which he portrayed a returning soldier.[25] This appearance marked an initial step into cinema, building on his prior lead in the 2008 independent film Humboldt County.[2] His profile rose with parts in prominent 2012 releases: as CIA analyst Thomas in Kathryn Bigelow's Zero Dark Thirty, depicting the hunt for Osama bin Laden, and as John Nicolay, Abraham Lincoln's secretary, in Steven Spielberg's Lincoln.[26] [5] In 2013, he played Lee Harvey Oswald in Parkland, a film centered on the medical response to John F. Kennedy's assassination.[2] Strong continued with supporting characters in 2014, including civil rights activist James Reeb in Ava DuVernay's Selma, which chronicled the 1965 voting rights marches, and Dale Palmer, a deputy in the legal thriller The Judge opposite Robert Downey Jr.[2] [27] By 2015, he appeared as Vinny Daniel, a mortgage trader, in Adam McKay's The Big Short, an ensemble examination of the 2007–2008 financial crisis.[28] These roles spanned historical dramas, thrillers, and ensemble pieces, showcasing versatility in intense secondary parts amid a mix of independent and studio productions.[5]Breakthrough supporting performances (2016–2017)
Strong portrayed Vinny Daniel, a volatile risk analyst working under Steve Ebrahimi's character in the hedge fund depicted in The Big Short, a film released on December 11, 2015, that examined the 2008 financial crisis through investors shorting the housing market.[29] His performance, marked by frantic intensity during scenes of market confrontation, gained visibility during the film's 2016 awards campaign, where it secured nominations for Best Picture, Best Director, and Best Adapted Screenplay at the Academy Awards, alongside a win for the latter.[30] [31] In 2017, Strong took on the role of attorney Matthew Auerbach in Kathryn Bigelow's Detroit, released July 28, which dramatized the 1967 Algiers Motel incident amid the city's race riots, featuring an ensemble including John Boyega and Will Poulter.[32] His character defended young Black men accused of murder by police, contributing to the film's tense interrogation sequences in a production that emphasized historical reenactment through on-location shooting in Detroit.[33] That same year, Strong appeared as Dean Keith, a high-stakes poker player and associate in Molly Bloom's underground game, in Aaron Sorkin's Molly's Game, released December 8, based on Bloom's memoir and starring Jessica Chastain.[34] The role involved extensive scene work underscoring the risks of elite gambling circuits, aligning with Strong's pattern of immersive preparation for parts involving real-world financial or legal pressures, as the film earned an Academy Award nomination for Best Adapted Screenplay.[35] These performances in major releases signaled Strong's emergence in acclaimed ensemble casts, building on prior supporting work toward greater industry notice without leading billing.Succession and mainstream recognition (2018–2023)
Jeremy Strong was cast in the lead role of Kendall Roy, the ambitious yet psychologically fragile eldest son of a powerful media mogul, in HBO's satirical drama series Succession, created by Jesse Armstrong.[36] The series premiered on June 3, 2018, and depicted the internal power struggles within the Roy family empire, with Strong's character navigating addiction, betrayal, and repeated failures to seize control from his domineering father, Logan Roy.[37] Succession spanned four seasons, airing a total of 39 episodes and concluding with its finale on May 28, 2023.[38] Strong's portrayal earned widespread critical praise for its intensity and nuance, particularly in conveying Kendall's internal conflicts and moral ambiguity amid the family's corporate machinations.[36] The series itself garnered strong viewership, with the season 4 finale attracting a series-high 2.9 million viewers across HBO linear and Max streaming platforms, surpassing prior peaks like the 2.75 million for earlier season 4 episodes.[39] [40] This success elevated Succession to cultural prominence, boosting Strong's visibility beyond indie films. In 2020, Strong received the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series for his work in season 2, defeating nominees including Jason Bateman and Billy Porter, which represented a pinnacle of industry validation during the show's run.[41] [42] His performance contributed to Succession's broader acclaim, including multiple Emmy wins for the series overall, solidifying his status as a mainstream television lead.[4]Post-Succession expansions (2024–present)
In 2024, Strong starred as Roy Cohn, the influential attorney and political fixer who mentored a young Donald Trump, in Ali Abbasi's biopic The Apprentice. The film, which premiered at the Cannes Film Festival in May 2024 and was released theatrically on October 25, 2024, chronicles Trump's rise in New York real estate during the 1970s and 1980s. Strong's portrayal, noted for its intensity and physical transformation—including vocal alterations and mannerisms mimicking Cohn's—garnered critical acclaim and resulted in his first Academy Award nomination for Best Actor in a Supporting Role at the 97th Oscars held on March 2, 2025.[43][44][45] Strong expanded into music biopic territory with his role as Jon Landau, Bruce Springsteen's longtime manager and producer, in Springsteen: Deliver Me from Nowhere, directed by Scott Cooper. The film, focusing on the creation of Springsteen's 1982 album Nebraska, premiered in theaters on October 23, 2025, and features Strong alongside Jeremy Allen White as Springsteen. Critics highlighted Strong's contribution to the ensemble, praising his depiction of Landau's pivotal influence during a turbulent period in Springsteen's career.[46][47] In May 2025, Strong served as a member of the Feature Films Jury at the 78th Cannes Film Festival, marking his deeper involvement in industry adjudication beyond performance. During the event, he participated in deliberations akin to a "conclave," evaluating competition entries and contributing to award selections. This role underscored his growing stature in global cinema circles post-Succession.[48][49] Strong has lined up several high-profile projects, including leading the Netflix series adaptation of Ira Levin's The Boys from Brazil, announced in February 2025, and starring in the Paramount+ limited series 9/11, centered on first responders and a related legal case, greenlit in October 2025. He is also attached to James Gray's crime thriller Paper Tiger alongside Adam Driver and Anne Hathaway. These engagements signal continued diversification across film, television, and potentially theater revivals.[50][51][52]Acting approach
Core philosophy and techniques
Jeremy Strong describes his acting technique as "identity diffusion," a process of total immersion in the character that eschews drawing from personal life experiences, unlike conventional Method acting. This method seeks to eliminate the actor's own biases and identity, allowing the role to supplant them entirely through rigorous, external sourcing of the character's worldview. Strong has stated, "If I have to play a role, I have to have a total immersion in the character. I have to go all the way in," prioritizing a blank-slate entry into the psyche over autobiographical recall.[13][53] Central to identity diffusion is an emphasis on empirical research to construct the character's causal framework, focusing on verifiable historical, psychological, or environmental factors that drive behavior. Strong conducts extensive preparatory work, such as analyzing primary sources or contextual data, to ensure decisions align with the role's internal logic rather than actor intuition or spontaneous adaptation. This manifests in on-set discipline, where performances adhere strictly to the deduced character rationale, subordinating ensemble improvisation or external harmonies to fidelity with those foundational elements.[54][13] In pre-Succession roles, such as his portrayal of a trader in The Wolf of Wall Street (2013), Strong applied this by immersing in the mechanics of high-stakes finance through targeted study, enabling a performance grounded in the profession's observable pressures and incentives without reliance on self-projection. This technique underscores a commitment to causal fidelity, where actions stem from the character's evidenced realities, fostering authenticity derived from objective reconstruction over subjective invention.[13]Criticisms and industry debates
Strong's immersive acting approach, particularly during Succession, has sparked industry debates over its efficacy and interpersonal costs, with proponents crediting it for authentic depth while detractors argue it fosters unnecessary tension. A 2021 New Yorker profile detailed his habits, such as skipping breaks to maintain character immersion and requesting set adjustments like simulated rain for emotional scenes, which reportedly irritated co-stars and crew by prioritizing personal process over collaborative flow.[13] The piece elicited public backlash, portraying Strong as excessively self-serious and impractical, amplifying perceptions of method acting as disruptive rather than disciplined.[55] Brian Cox, Strong's on-screen father in Succession, has repeatedly critiqued this style as "selfish" and an "enemy of the imagination," claiming it stifles ensemble dynamics and generates hostility on set.[8] In December 2024 interviews, Cox reiterated that Strong's refusal to break character—such as avoiding lighthearted interactions—created an adversarial atmosphere, though he conceded Strong's talent yields strong results.[7][56] These remarks echo broader skepticism toward method techniques, where immersion's benefits for individual authenticity are weighed against practical drawbacks like delayed rehearsals or strained rapport. Strong has pushed back, expressing regret over the New Yorker profile's "noise" and denying rigid method adherence, instead framing his preparation as essential for causal emotional truth in performance.[55] In a 2023 response to Cox, he acknowledged his co-star's prerogative to opine while defending immersion's role in achieving nuanced portrayals, as seen in Kendall Roy's tormented arc.[57] By January 2025, amid renewed costar jabs, Strong lamented gratuitous disparagement, emphasizing that such critiques overlook the technique's proven output without addressing its set impacts.[58] The debate underscores a tension between actor autonomy and production harmony, with Strong's Emmy-winning work validating immersion's artistic merits despite relational frictions.[7]Personal life
Family and relationships
Jeremy Strong met his wife, Emma Wall, a Danish psychiatrist, at a party in New York City during Hurricane Sandy in October 2012.[59][60] The couple married on August 1, 2016, in a ceremony at Dragsholm Castle in Denmark.[61][62] Strong and Wall have three daughters: Ingrid, born in 2018; Clara, born in November 2019; and a third daughter born in 2021.[63][64][65] The family maintains a low public profile, dividing time between New York, where Strong is based for professional commitments, and properties in Denmark.[66] Strong has described his family as a stabilizing influence amid demanding acting schedules, prioritizing privacy and routine to balance career intensity with domestic life.[63][65]Public views and engagements
In interviews promoting his portrayal of Roy Cohn in the 2024 film The Apprentice, Jeremy Strong described the movie as depicting the "creation of a monster by another monster," with Cohn shaping a young Donald Trump through aggressive tactics like denial and deflection.[67] He acknowledged that preparing for the role likely altered his perception of Trump "on a human level," suggesting a humanizing insight into Trump's early vulnerabilities despite the film's critical lens on his rise.[68] Strong viewed the narrative as broader than partisan politics, likening the U.S. political system to "WWF" and emphasizing systemic power dynamics over Republican-specific critique.[67] Strong has expressed openness to backlash over embodying controversial historical figures like Cohn, a closeted gay attorney known for ruthless legal strategies.[69] Regarding debates on straight actors portraying LGBTQ+ characters, he deemed such criticisms "absolutely valid," advocating that LGBTQ+ performers receive "more weight" in casting for those roles while maintaining an "old-fashioned" commitment to actors tackling challenging parts regardless of personal identity.[70] [71] He rejected the notion of restricting roles by actors' sexuality as "necessary," prioritizing artistic authenticity over representational quotas.[72] Beyond role-specific commentary, Strong's public statements on societal issues remain sparse, with interviews revealing occasional left-leaning concerns about institutional rhetoric and power erosion, such as noting Trump's use of terms like "human scum" akin to authoritarian language.[73] However, he has consistently framed his engagements as artistically driven rather than activist, avoiding explicit political endorsements or broader advocacy.[74]Filmography
Film credits
| Year | Title | Role |
|---|---|---|
| 2012 | Zero Dark Thirty | Thomas (CIA analyst)[75][2] |
| 2012 | Lincoln | John Nicolay[75][2] |
| 2013 | Parkland | Lee Harvey Oswald[2] |
| 2014 | Selma | James Reeb[76][2] |
| 2015 | The Big Short | Vinny Daniel (banker/analyst)[29][2] |
| 2017 | Molly's Game | Dean Keith[2] |
| 2020 | The Trial of the Chicago 7 | Jerry Rubin[77][2] |
| 2022 | Armageddon Time | Irving Graff[78][2] |
| 2024 | The Apprentice | Roy Cohn[79][2] |
Television credits
Strong's most prominent television role is Kendall Roy in the HBO series Succession (2018–2023), appearing in all 39 episodes across four seasons as the ambitious yet self-destructive son of a media tycoon family.[36] The series, created by Jesse Armstrong, chronicles corporate intrigue and family dysfunction, with Strong's performance earning critical acclaim for its intensity.[2] Prior to Succession, Strong had smaller television roles, including recurring appearances as attorney Matt Becker in The Good Wife (CBS, 2011–2013), spanning multiple episodes in the legal drama.[2] He also guest-starred as Ron in the episode "Standard Deviation" of Masters of Sex (Showtime, 2013).[80] Additional guest work includes Ned Stax in Mob City (TNT, 2013), a noir crime series.[25] Following Succession, Strong has not taken on major television projects, shifting focus to feature films.[81]| Year(s) | Title | Role | Notes |
|---|---|---|---|
| 2011–2013 | The Good Wife | Matt Becker | Recurring role[2] |
| 2013 | Mob City | Ned Stax | Miniseries, limited episodes[25] |
| 2013 | Masters of Sex | Ron | 1 episode[80] |
| 2018–2023 | Succession | Kendall Roy | Lead role, 39 episodes[36] |
Theatre credits
Strong's theatre career began with Off-Broadway productions in the mid-2000s, including Defiance in 2006, Frank's Home in 2007, and New Jerusalem: The Interrogation of Baruch de Spinoza at Talmud Torah Congregation: Amsterdam, July 27, 1656 around 2006, for which he received a 2008 Lucille Lortel Award nomination for Outstanding Lead Actor.[23][20]| Year | Production | Role | Venue | Type |
|---|---|---|---|---|
| 2006 | Defiance | Distraught soldier | Manhattan Theatre Club | Off-Broadway |
| 2006–2007 | New Jerusalem | Baruch de Spinoza | New York City Center Stage II | Off-Broadway |
| 2007 | Frank's Home | Not specified | The Public Theater | Off-Broadway |
| 2008 | A Man for All Seasons (revival) | Richard Rich | American Airlines Theatre | Broadway |
| 2009 | Our House | Merv | Off-Broadway (unspecified) | Off-Broadway |
| 2010 | The Coward | Not specified (lead) | Off-Broadway (unspecified) | Off-Broadway |
| 2012 | The Great God Pan | Not specified | Playwrights Horizons Mainstage | Off-Broadway |
| 2024 | An Enemy of the People (revival) | Dr. Thomas Stockmann | Circle in the Square Theatre | Broadway |