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Jim Jacobs

Jim Jacobs (born October 7, 1942) is an American composer, lyricist, librettist, and actor best known for co-writing the book, music, and lyrics of the rock 'n' roll musical Grease with Warren Casey.^[1]^[2]^[3] Born and raised in Chicago, Illinois, Jacobs drew inspiration for Grease from his experiences as a teenage "greaser" during the late 1950s at Taft High School on the city's Northwest Side, where he graduated in 1960.^[2]^[4] Before focusing on writing, Jacobs began his career as an actor in the 1960s Chicago theater scene, appearing in over 50 regional productions as part of the emerging "Off-Loop" movement; he also worked as an advertising copywriter for the Chicago Tribune from 1964 to 1971 and appeared in films like Haskell Wexler's Medium Cool (1969) and on television.^[5]^[6] His New York acting debut came in 1971 with a role in the short-lived play No Place to Be Somebody, but his breakthrough arrived the same year with the premiere of Grease at Chicago's Kingston Mines Theater, a gritty, nostalgic portrayal of 1950s high school life that captured the era's rock 'n' roll culture and social dynamics.^[1]^[5]^[3] Grease transferred to Broadway in 1972, running for 3,388 performances and earning Jacobs and Casey a Tony Award nomination for Best Book of a Musical, before becoming a global phenomenon through its 1978 film adaptation starring John Travolta and Olivia Newton-John, which grossed over $396 million worldwide.^[1]^[3] Jacobs continued acting sporadically, including a role in the 2007 Broadway revival of Grease, and has contributed to other projects like the 1982 sequel Grease 2 and various revivals, though Grease remains his defining work, influencing musical theater with its blend of humor, romance, and period authenticity.^[1]^[5]^[7]

Early life and education

Childhood and family

Jim Jacobs was born on October 7, 1942, in Chicago, Illinois.^[8] He grew up in a modest frame home on Summerdale Avenue in the Norwood Park neighborhood on the city's far Northwest Side, a working-class area populated largely by Polish-American and Italian-American families whose fathers were often World War II veterans employed in factory jobs.^[9]^[5] Jacobs' family background reflected the ethnic diversity of his surroundings, with his father of Italian and German descent and his mother Norwegian.^[9] The household environment fostered a sense of camaraderie and mischief among neighborhood children, where Jacobs engaged in playful antics such as climbing onto school roofs, hinting at an early inclination toward humor and performance.^[9] His early years were immersed in the vibrant sounds of 1950s rock 'n' roll, which he later recalled loving deeply and listening to at home, shaping his affinity for the era's cultural icons like Elvis Presley and Buddy Holly.^[9] This exposure to music in a blue-collar setting provided the foundational sparks for his creative interests, amid the everyday rhythms of a tight-knit, post-war community.^[5]

High school years and influences

Jim Jacobs attended William Howard Taft High School on Chicago's far northwest side, graduating in 1960.^[4] During his time there from 1956 to 1960, he immersed himself in the vibrant 1950s youth subculture, particularly as a self-identified "greaser" who embraced the rebellious fashion of leather jackets, slicked-back hair, and denim associated with working-class teens.^[10] This period aligned with the height of post-war American adolescence, marked by social divides between greasers and more conventional students, which Jacobs later reflected upon as formative to his worldview.^[11] As a teen musician and avid guitar player, Jacobs played and sang with a band called DDT & the Dynamiters, deeply engaged with the rock 'n' roll revolution that defined the era, including its roots in rhythm and blues, doo-wop harmonies, and energetic performances that captivated young audiences.^[10]^[12] The genre's explosive popularity, driven by radio hits and live shows at local venues, fueled his passion for music and performance, transforming casual jamming sessions with peers into a core outlet for expression amid the era's cultural shifts.^[11] Greaser hangouts, such as hot-dog stands near school, became spaces where he and friends bonded over shared tastes in this burgeoning sound, blending it with the defiant ethos of their subculture.^[11] These high school experiences not only shaped Jacobs' personal identity but also ignited a lifelong enthusiasm for capturing the raw energy of 1950s teen life through creative mediums, laying the groundwork for his later artistic endeavors.^[4]

Professional career

Early acting and theater work

Jacobs began his professional acting career in Chicago during the 1960s, immersing himself in the city's emerging Off-Loop theater movement as part of the first wave of innovative performers and creators who elevated the local scene. He appeared in dozens of productions across various Chicago theaters, including roles with groups like the Chicago Stage Guild and Hull House Theater, where he built his reputation through consistent stage work in an era of experimental and community-driven drama.^[13]^[14] In 1969, Jacobs secured a minor film role as a Kennedy student (credited as James Jacobs) in Haskell Wexler's Medium Cool, a groundbreaking cinéma vérité-style drama filmed amid the real chaos of the 1968 Democratic National Convention protests in Chicago, marking his entry into cinema alongside leads Robert Forster and Verna Bloom.^[15]^[13] Jacobs achieved his Broadway debut in September 1971, portraying Louis in the short-lived revival of Charles Gordone's Pulitzer Prize-winning play No Place to Be Somebody at the Morosco Theatre, a production that explored racial tensions through the story of a Black bartender navigating a white mobster world; he subsequently toured nationally with the show.^[16]^[17] By 1980, Jacobs took on a leading role as Sam, a Jewish New York cab driver entangled in an interracial romance, in the independent feature Love in a Taxi, directed by Robert Sickinger and co-starring Diane Sommerfield.^[18]^[6] While continuing to act in regional and touring productions, Jacobs began transitioning toward writing and composing in the mid-1960s Chicago theater milieu, leveraging his on-stage experiences to explore original storytelling and musical elements in local workshops and collaborations.^[5]^[17]

Collaboration with Warren Casey

Jim Jacobs and Warren Casey first met in 1963 while performing together in the play A Shot in the Dark in community theater productions in Chicago, specifically through the Chicago Stage Guild.^[19]^[14]^[10] At the time, Jacobs, a native Chicagoan working as an advertising copywriter, had already gained experience in local acting circles, including Hull House Theater productions.^[20] Casey, originally from New York where he had studied art, had recently relocated to Chicago in the early 1960s and taken a job as a lingerie buyer for a department store, while pursuing acting opportunities in the city's burgeoning off-Loop scene.^[20]^[19] Their partnership deepened through shared involvement in Chicago's vibrant, experimental theater ensembles during the late 1960s, including the Chicago Stage Guild, Old Town Players, and Hull House Theater, as well as influences from figures like director Bob Sickinger.^[14]^[20] These experiences exposed them to the transition from amateur to semi-professional off-Loop theater, where they honed their skills amid a collaborative, improvisational environment.^[20] Jacobs' background in rock music fandom and Casey's artistic training fostered a mutual appreciation for blending humor, nostalgia, and popular culture, which naturally evolved into joint creative endeavors.^[20] The duo's initial explorations in writing and music began shortly after their meeting.^[20] Their similar Midwestern sensibilities—rooted in Jacobs' Chicago upbringing and Casey's quick adaptation to the local scene—led to a symbiotic partnership where Jacobs often handled lyrics and story, while Casey contributed music and composition, resulting in witty, accessible pieces that reflected 1950s and 1960s youth culture.^[20] This complementary dynamic allowed them to experiment freely in small venues, building a foundation for innovative musical storytelling. Their collaboration had a lasting impact on 1970s musical theater in Chicago, helping to professionalize off-Loop productions and attract broader audiences by incorporating rock influences and irreverent humor into the genre.^[20] By drawing on the city's theater ecosystem, Jacobs and Casey elevated the role of original musicals in revitalizing the local scene, paving the way for more ambitious works that bridged experimental and commercial theater.^[20]^[19]

Grease

Development and original production

Grease was conceptualized in 1971 by Jim Jacobs and Warren Casey, drawing directly from Jacobs' personal memories of his time at William Howard Taft High School in Chicago during the 1950s, capturing the era's rock 'n' roll culture, teen life, and social dynamics.^[21]^[22] Jacobs handled the book, storyline, character development, and lyrics, while Casey composed the music, resulting in a raw, R-rated script filled with explicit language and authentic Chicago references that reflected their shared experiences as ensemble actors at the Kingston Mines Theatre.^[21]^[22] The musical premiered in Chicago at the Kingston Mines Theatre on February 5, 1971, in a modest basement production for an audience of about 100, featuring minimal staging with patrons seated on newspapers and emphasizing the score's 1950s rock influences, such as the song "Greased Lightnin'."^[22]^[23] It ran for approximately eight months, establishing a cult following in the local alternative theater scene before catching the attention of New York producers.^[21] In early 1972, the production transferred to New York, opening off-Broadway at the Eden Theatre on February 14 for 128 performances, where significant revisions were made at producers' insistence, including slashing the book to about one-quarter of its original length and expanding the musical elements to three-quarters to broaden appeal.^[22]^[23] It then moved to Broadway, first to the Broadhurst Theatre on June 7, 1972, and subsequently to the Royale Theatre on November 21, 1972, where it settled for the bulk of its run, before transferring to the Majestic Theatre on January 29, 1980, and closing there on April 13, 1980, after a total of 3,388 performances across venues.^[23] Initial critical reception was mixed, with some reviewers praising the energetic choreography by Patricia Birch and the nostalgic rock score, as noted in a New York Daily News critique that highlighted the "constant delight" of the dances and bright direction by Tom Moore, while others, like New York Times critic Clive Barnes, described it as having a "cosy aggressiveness" and "facetious tastelessness."^[24]^[25] Despite the divided opinions, including a harsh TV review calling it "the worst thing" seen, Grease achieved immediate box office success, ultimately breaking Broadway's long-run record by December 1979 and returning investors 4,000% on their capital.^[22]^[23]

Adaptations and global success

The 1978 film adaptation of Grease, directed by Randal Kleiser and starring John Travolta as Danny Zuko and Olivia Newton-John as Sandy Olsson, brought the musical to a global audience, grossing over $396 million worldwide and becoming the highest-grossing musical film at the time.^[26] Based on the original stage work by Jim Jacobs and Warren Casey, the screenplay by Brontë Woodard incorporated key elements from their book, music, and lyrics while adding new songs like "You're the One That I Want" to enhance its cinematic appeal.^[26] Jacobs, as co-creator, provided input on the adaptation's transformations from stage to screen, noting changes that softened the original's edgier tone for broader appeal.^[27] For the 1982 sequel Grease 2, directed by Patricia Birch, Jacobs received credit alongside Casey for the characters and underlying material from the original musical, though the screenplay was written by Ken Finkleman and introduced new plot elements set in 1961.^[28] The film, starring Maxwell Caulfield and Michelle Pfeiffer, shifted focus to a British exchange student at Rydell High but received mixed reviews and underperformed commercially compared to its predecessor.^[29] Grease has seen extensive worldwide productions, tours, and revivals, cementing its status as one of the most performed musicals globally. The 1993 West End revival, directed by David Gilmore, opened on July 15 at the Dominion Theatre in London and ran for over 2,000 performances across multiple venues until 1999, featuring stars like Craig McLachlan as Danny and Debbie Gibson as Sandy.^[30] This production toured extensively in the UK and Ireland, influencing international stagings. The 1994 Broadway revival, directed and choreographed by Jeff Calhoun, premiered on May 11 at the Eugene O'Neill Theatre, running for 1,505 performances through January 25, 1998, with an emphasis on high-energy rock 'n' roll choreography and a cast including Ricky Paull Goldin and Susan Wood.^[31] National and international tours followed, including a U.S. tour that began in 1994, alongside countless professional, amateur, and school productions in countries from Australia to Japan. More recent revivals include a production at London's Dominion Theatre from May to October 2022, followed by UK and Ireland tours in 2023, and ongoing international stagings, such as in the United States and Europe, as of 2025.)^[32] As a cultural phenomenon, Grease has profoundly influenced pop culture through its nostalgic portrayal of 1950s youth, iconic songs, and themes of identity and rebellion, inspiring fashion trends, parodies, and references in media worldwide.^[33] The 1978 film's induction into the National Film Registry in 2020 recognized its enduring historical and aesthetic significance to American culture.^[34] Jacobs has maintained ongoing oversight of adaptations and revivals, consulting on productions to preserve the original's spirit, such as advocating for edgier interpretations in Chicago stagings and serving as a judge for casting in the 2007 Broadway revival.^[21]^[35]

Later works and legacy

Post-Grease projects

Following the monumental success of Grease, Jim Jacobs and his longtime collaborator Warren Casey turned their attention to a new musical project titled Island of Lost Coeds, a satirical take on 1950s B-movies involving low-budget sci-fi, horror, and jungle adventure tropes.^[36] Developed in the late 1970s, the work featured music and lyrics primarily by Casey, with Jacobs contributing to the book, but it received only a limited staging at Columbia College Chicago in 1981 and did not achieve broader production or recognition comparable to their earlier hit.^[19] Archival materials from Casey's papers confirm the project's scope as a two-act musical jungle epic, highlighting the duo's intent to explore campy genre parody after Grease's rock 'n' roll nostalgia.^[19] This collaboration marked one of several original endeavors Jacobs pursued post-Grease, including co-authoring Bats in the Belfry and Remember the Night, underscoring a shift toward more experimental concepts, though none achieved significant success.^[5]^[20] In the decades after the 1970s, Jacobs' creative output remained limited, with his professional efforts centering on maintaining and extending the Grease legacy through related media and revivals rather than new standalone works. He received writing credit for Grease 2 (1982), the sequel film that drew on the original characters and storyline he co-created with Casey, though Jacobs later distanced himself from the production, citing creative differences.^[28] Similarly, his contributions appeared in other Grease-adjacent projects, such as incidental involvement in the 2010 film Easy A, where songs from the musical were prominently featured.^[7] Jacobs took a more visible role in Grease revivals, particularly in efforts to restore the show's original, edgier tone from its 1971 Chicago premiere. In 2011, he collaborated on a Chicago production at the American Theater Company that reinstated R-rated elements excised from later Broadway and film versions, including raw language and adult themes reflective of the 1950s subculture that inspired the work.^[21] This initiative emphasized fidelity to the source material, with Jacobs providing guidance on script adjustments to recapture the authentic, unpolished spirit of the original.^[21] A notable non-writing involvement came in 2007, when Jacobs served as a judge on the NBC reality series Grease: You're the One That I Want!, a competition designed to cast leads for a Broadway revival of the musical.^[37] Joining choreographer Kathleen Marshall and producer David Ian on the panel, he evaluated contestants' performances of Grease numbers, offering insights drawn from his foundational role in the show's creation.^[38] The series, which aired for one season, ultimately selected Max Crumm and Laura Osnes for the roles of Danny and Sandy, leading to a short-lived revival that closed after 554 performances.^[37] This judging stint represented Jacobs' most public post-Grease engagement in the entertainment industry up to the early 2010s, aligning with his focus on stewardship of the franchise rather than prolific new authorship.^[39] By the 2020s, his activities had tapered further, with no major original projects documented, reflecting a career trajectory defined by the enduring impact of Grease.^[40]

Awards and philanthropy

The 1972 Broadway production of Grease received seven Tony Award nominations, including for Jacobs and Casey for Best Book of a Musical and Best Original Score.^[41] The musical also earned them a Grammy Award nomination for Best Score from an Original Cast Show Album.^[42] Earlier in his career, Jacobs was nominated for a Joseph Jefferson Award for Best Actor for his performance in Jimmy Shine in 1969.^[13] In recognition of his contributions to music and theater, Jacobs was inducted into the Illinois Rock & Roll Museum Hall of Fame in 2025, alongside Casey, honoring their creation of Grease.^[43] Jacobs has supported theater education through philanthropy, notably by establishing the Jim Jacobs Musical Theatre Scholarship at Columbia College Chicago to aid full-time musical theater majors.^[13] In 2014, the college awarded him an Honorary Doctorate of Arts, acknowledging his legacy and contributions to the institution.^[40] His ongoing support for theater programs was highlighted in Columbia College Chicago's 2024 birthday tribute, celebrating his 82nd birthday and role as a benefactor.^[44]

Personal life

Marriages and family

Jim Jacobs was married to actress and singer Denise Nettleton beginning in 1978, and the couple resided together in California. He has been in a long-term relationship with Karyn Kobayashi. Jacobs is a father of four children.

Later residence and activities

As of May 2022, Jim Jacobs has resided in Southern California, maintaining a low-profile life in retirement while nurturing connections to the theater world.^[5]^[43] In his later years, Jacobs has engaged in occasional arts community activities, including attending theater events tied to his legacy, such as the Illinois Rock & Roll Museum's Hall of Fame induction ceremony on September 14, 2025, at the Rialto Square Theatre in Joliet, Illinois, where he accepted his honor in person amid a tribute performance of Grease numbers by Columbia College Chicago students.^[43] He has also sustained involvement with organizations like the American Theatre Company of Chicago and several San Diego-area theaters, focusing on supportive rather than creative roles.^[5] Jacobs celebrated his 82nd birthday on October 7, 2024, with recognition from Columbia College Chicago, his longtime institutional affiliate, through a dedicated video tribute highlighting his contributions to musical theater.^[44] At age 83 in 2025, he continues to enjoy a stable retirement supported by family, occasionally participating in milestone events that reflect his enduring ties to the performing arts.^[43]

References

[1]
Jim Jacobs – Broadway Cast & Staff - IBDB
Jim Jacobs, gender male, born Oct 07, 1942 Chicago, Illinois, USA, composer, performer, writer, lyricist, credits: Grease (Aug 19, 2007 - Jan 04, 2009)
[2]
Jim Jacobs - Librettist, Composer, Lyricist | StageAgent
Before and during writing Grease, Jacobs acted in over 50 productions in the Chicago area, wrote advertising copy for the Chicago Tribune, and was a restaurant ...
[3]
Grease | Concord Theatricals
Jim Jacobs, who created Grease (in 1970) with Warren Casey, was born and raised on the mean streets of Chicago's far northwest side. During the golden era of ...Missing: biography | Show results with:biography<|control11|><|separator|>
[4]
The Grease Connection - Taft Trivia - Taft High School
Jim Jacobs, the writer and creator of the Broadway musical "Grease", graduated Taft in 1960. Jacobs has said that he drew directly from his high school ...
[5]
Jim Jacobs (Actor, Bookwriter, Composer): Credits, Bio, News & More
Grease was first staged in 1971, with music, lyrics, and a book by Jim Jacobs and Warren Casey. It had its debut on Broadway in 1972 until it was eventually ...
[6]
Jim Jacobs Biography (1942-) - Film Reference
Occupation: actor, composer, writer ; Non-Theatrical Career; advertising copywriter, Chicago Tribune, 1964-71. ; Debut; actor, Don't Drink the Water, Candlelight ...
[7]
Jim Jacobs - IMDb
Jim Jacobs was born on 7 October 1942 in Chicago, Illinois, USA. He is a writer and composer, known for Grease (1978), Grease 2 (1982) and Easy A (2010).
[8]
Jim Jacobs - Biography - IMDb
Jim Jacobs was born on October 7, 1942 in Chicago, Illinois, USA. He is a writer and composer, known for Grease (1978), Grease 2 (1982) and Easy A (2010).Missing: career | Show results with:career<|control11|><|separator|>
[9]
'Grease' gets its grit back - Chicago Tribune
Apr 22, 2011 · In a few moments, we first pass the modest home on Summerdale where Jacobs grew up (his father was of Italian and German extraction; his mother ...
[10]
Jim Jacobs | Concord Theatricals
During the golden era of rock 'n' roll (1956-1960) he was a guitar-playing “greaser” student at Taft High School. In 1963, Jacobs met Warren Casey when they ...Missing: William Howard
[11]
Writer/composer Jim Jacobs shares his favorite Chicago memories
Apr 26, 2011 · A Far Northwest Side native who fell in with the “greasers” at Taft High School in the late '50s, Jacobs, 68, was also a teen musician.
[12]
Jim Jacobs Musical Theatre Scholarship - Columbia College Chicago
Jacobs began his theatrical career in Chicago in the 1960s, where he was part of the first wave of the "Off-Loop Theatre" that helped make the city an ...Missing: early | Show results with:early
[13]
Warren Casey - Theatrical Rights Worldwide
He appeared in dozens of productions ... Casey acted with the Chicago Stage Guild (where he met Jim Jacobs), the Old Town Players, and the Kinston Mines Theatre.
[14]
Medium Cool (1969) - Full cast & crew - IMDb
Robert Blankenship · Jim Jacobs · Jim Jacobs · Kennedy Student. (as James Jacobs). Spence Jackson · Spence Jackson · Kennedy Student · Dorien Suhr · Dorien Suhr.
[15]
Jim Jacobs (Performer) | Playbill
No Place to Be Somebody Playbill - Sept 1971, No Place to Be Somebody Opened September 09, 1971. as Louis (Original). Inside the Playbill. Inside the Playbill ...Missing: debut | Show results with:debut
[16]
Jim Jacobs & Warren Casey biography | Last.fm
Mar 20, 2007 · Jim Jacobs (born 1942) is an American composer, lyricist, and writer for the theatre. Born in Chicago, Illinois, Jacobs attended Taft High ...Missing: career | Show results with:career
[17]
Love in a Taxi (1980) - IMDb
Rating 6.8/10 (26) Love in a Taxi: Directed by Robert Sickinger. With Diane Sommerfield, Jim Jacobs, Earl Monroe, Malik Murray. Romance develops between a Jewish New York cab ...
[18]
Warren Casey Papers | Chicago Public Library
Sep 29, 2025 · Casey moved to Chicago in the early 1960s, where he became heavily involved in the local theater scene. He met Jim Jacobs in 1963, while acting ...
[19]
The Jim and Warren Show - Chicago Reader
Jan 9, 2009 · ... Jim Jacobs and the late Warren Casey. (Contrary to reports published ... productions around the world. (The popular musical Nunsense ...
[20]
Grease Returns to Its R-Rated Roots in New Chicago Production
Mar 30, 2011 · The show's co-creator Jim Jacobs wants to clue you in: You don't know Grease. At least, not the Grease that he and Warren Casey created in Chicago back in 1971.Missing: childhood family
[21]
Inside GREASE by Scott Miller - New Line Theatre
In 1954, just a year before the Grease kids would start high school, Elvis Presley ... Jim Jacobs and Warren Casey use to pin them down: Imitative homage ...
[22]
Grease – Broadway Musical – Original | IBDB
Eden Theatre (Feb 14, 1972 - Jun 04, 1972) ; Broadhurst Theatre (Jun 07, 1972 - Nov 18, 1972) ; Royale Theatre (Nov 21, 1972 - Jan 27, 1980) ; Majestic Theatre ( ...
[23]
'Grease' salutes the rock 'n' roll era: 1972 review
Feb 13, 2016 · Patricia Birch's dances and staging of the musical numbers are a constant delight and Tom Moore had attended to the overall direction brightly.
[24]
VINTAGE PLAYBILL: Grease, 1972
"There is a cosy aggressiveness to the show," wrote Clive Barnes in his New York Times review, "a deliberately loud-mouthed and facetious tastelessness that ...
[25]
The world's most comprehensive Film database - AFI|Catalog
Grease (1978). PG | 110 or 112 mins | Musical comedy | 16 June 1978. Cast: John Travolta, Olivia Newton-John, Stockard Channing [ More ]. Director: Randal ...
[26]
The Writer of 'Grease' on its Adaptation into a Film | PBS
Jun 14, 2018 · Jim Jacobs, who co-wrote 'Grease,' discusses the changes made as the musical became ever more popular: first to become a Broadway show, and then ...Missing: biography | Show results with:biography
[27]
Grease 2 (1982) - IMDb
Rating 4.6/10 (40,667) Grease 2 ; Director. Patricia Birch ; Writers. Ken Finkleman · Jim Jacobs · Warren Casey ; Stars · Maxwell Caulfield · Michelle Pfeiffer · Lorna Luft ; STREAMING.Full cast & crew · Grease 2 · Trivia · PlotMissing: involvement | Show results with:involvement
[28]
AFI|Catalog
End credits include the statement: “Suggested by characters created by Jim Jacobs & Warren Casey in 'Grease,'” and give thanks to the Norwalk La Mirada Unified ...
[29]
Grease Clears Way for Great Balls of Fire - Playbill
Jun 16, 1999 · Grease opened at the Dominion Theatre on July 15, 1993 and transferred to the Cambridge Theatre on Oct. 24, 1996. The musical will now close ...Missing: details | Show results with:details
[30]
Grease – Broadway Musical – 1994 Revival - IBDB
Grease (Revival, Musical, Comedy, Broadway) opened in New York City May 11, 1994 and played through Jan 25, 1998.Missing: worldwide End
[31]
'Grease Is the Word': Exploring a Cultural Phenomenon on JSTOR
With its catalogue of hit songs, iconic characters, memorable quotes and familiar scenes, 'Grease' is truly a behemoth of US and global popular culture.
[32]
Column | 'Grease' continues to define American culture 45 years later
Jun 16, 2023 · 2020 saw “Grease” inducted into the National Film Registry for its historical, cultural and aesthetic contributions to America.
[33]
NBC to help “Grease” a revival - The Denver Post
Ian, who shepherded the '93 London revival of “Grease,” by Jim Jacobs and Warren Casey, is producing the new “Grease” on Broadway and will be one of the judges ...
[34]
Warren Casey | Concord Theatricals
After the incredible success of both the musical and the movie, the two collaborated on Island of Lost Coeds, a musical satire of the B-movies of the 1950s. Mr.
[35]
Grease: You're the One That I Want! (TV Series 2006–2007) - IMDb
Rating 5.1/10 (240) Grease: You're the One That I Want!: With Denise Van Outen, Billy Bush, Max Mendoza Crumm, Jim Jacobs. A talent competition series where the American public ...
[36]
Jim Jacobs - Origin Theatrical | Author Details
Jacobs, who created Grease (in 1970) with Warren Casey, was born and raised on the mean, tough streets of Chicago's far north-west side. During the golden era ...<|control11|><|separator|>
[37]
Jim Jacobs - Actor, Composer, Lyricist, Writer - TV Insider
Birth Date: October 7, 1942 ; Age: 83 years old ; Birth Place: Chicago, Illinois.
[38]
Jim Jacobs - Theatrical Rights Worldwide
Originally an actor, Jacobs has been seen on television, in motion pictures, regional theatre, national tours, and on Broadway.Missing: career | Show results with:career
[39]
Grease Tony Awards Wins and Nominations - Broadway World
1972 · Best Book of a Musical · Jim Jacobs ; 1972 · Best Book of a Musical · Warren Casey ; 1972 · Best Choreography · Patricia Birch ; 1972 · Best Costume Design ...
[40]
Jim Jacobs | Artist - GRAMMY.com
Jim Jacobs, artist, Jim Jacobs, wins, 0, nominations, 1, 15th Annual GRAMMY Awards, nomination, Best Score From An Original Cast Show Album, Grease (Album).Missing: honors | Show results with:honors
[41]
'Grease' Runs Nov. 13-22 at Getz Theatre Center - Columbia Blogs
Oct 31, 2025 · As previously reported in this blog, Jacobs co-wrote Grease with his writing partner, the late Warren Casey, in 1970. A native of Chicago, ...Missing: transition | Show results with:transition<|control11|><|separator|>
[42]
(VIDEO) Happy Birthday to 'Grease' Co-Author Jim Jacobs!
Oct 7, 2024 · A native of Chicago, Jacobs based Grease on his experiences as a teenage “greaser” in the late 1950s at Taft High School on the city's Northwest ...Missing: biography | Show results with:biography