Jimmy Napes
James Napier (born 18 September 1984), known professionally as Jimmy Napes, is an English songwriter, record producer, and occasional singer from London.[1][2] He rose to prominence through his close collaborations with singer Sam Smith, co-writing major hits such as "Stay with Me" from the 2014 album In the Lonely Hour, the James Bond theme "Writing's on the Wall" for the 2015 film Spectre, and later tracks like "Too Good at Goodbyes" (2017), "Dancing with a Stranger" (2019), and "Unholy" (2022) featuring Kim Petras.[2][3][4][5] Napes has also partnered with electronic duo Disclosure on songs including "Latch" (2012) and "Magnets" (2015), as well as with Clean Bandit on the global chart-topper "Rather Be" (2014), Stormzy on "Crown" (2019), and Taylor Swift on "Christmas Tree Farm" (2019).[2][6] His contributions to popular music have garnered widespread acclaim, including an Academy Award and Golden Globe Award for Best Original Song for "Writing's on the Wall" in 2016, four Grammy Awards in 2015 for work on In the Lonely Hour (including Record of the Year and Song of the Year for "Stay with Me"), an additional Grammy in 2024 for Best Pop Duo/Group Performance for "Unholy," and two Ivor Novello Awards in 2015 for "Rather Be."[3][7][4][5][6] In addition to his songwriting and production, Napes released his debut EP, The Making of Me, in 2015 via Method Records, showcasing his own vocal and artistic style.[2] More recently, in 2025, he co-wrote "No Cap" for Disclosure and Anderson .Paak, continuing his influence in contemporary pop and electronic music.[8]Early life
Family and upbringing
James Napier, known professionally as Jimmy Napes, was born on 18 September 1984 in London, England. He is the son of British theatre designer John Napier and American musical theatre performer Donna King, who met during the original Broadway production of Cats in 1982, where Napier designed the sets and costumes and King performed as Bombalurina.[9][10] The couple married in 1984, the year of Napier's birth, and divorced in 1994; they had two children together, including Napier's younger sister Jessica, a fine artist, actor, teacher, and writer based in New York City.[10][11] Napier grew up primarily in Camden Town, London, in a highly creative household immersed in the worlds of theatre and music.[9] His mother's background as a dancer, singer, and actor—having appeared in Broadway shows like Cats and West End productions such as Kiss of the Spider Woman—fostered an environment rich with artistic influences, including a piano in the home where King, a skilled player, often performed.[10][9] His father, a renowned designer behind landmark productions including Les Misérables, Cats, and Starlight Express, further exposed the family to the professional theatre scene. Napier began taking piano lessons at a young age, later learning drums and guitar, which sparked his early passion for music.[9] His parents, neither of whom attended university, supported his creative pursuits despite the unconventional path.[12]Education and initial interests
At age 14, Napier decided to forgo traditional university education to pursue a music career.[9] At 18, he moved to Los Angeles, where he completed practical training creating music for an advertising agency, honing skills in crafting pop songs.[9] He also graduated from Alchemea College of Audio Engineering in London, where he refined his production techniques.[13]Career
Early production work
Napes began his career in music composition by creating jingles and scores for advertisements at the London-based production company Mophonics, where he honed his skills in crafting concise, emotive pieces under tight deadlines.[14] One of his early standout contributions was a jingle for an Apple iPod Nano advertisement, demonstrating his ability to blend soulful melodies with commercial appeal.[14] His transition to mainstream songwriting occurred in 2010, when he earned his first major credit on Eliza Doolittle's self-titled debut album.[15] Napes produced and mixed the track "So High," a breezy pop-soul number co-written with the artist, which showcased his emerging talent for layering intimate vocals over upbeat rhythms.[16] This collaboration stemmed from a mutual friendship and songwriting exchange, marking a pivotal step from advertising into artist-focused production.[17] Despite this initial success, Napes encountered a period of professional setbacks, enduring approximately three years of rejections from music publishers as he sought to establish himself in the industry.[15] During this time, he continued refining his craft through informal sessions, building relationships that would later prove instrumental. By 2012, these efforts culminated in his co-writing of "Latch" for the electronic duo Disclosure, featuring vocals from Sam Smith—a track that fused deep house grooves with heartfelt lyrics and signaled his growing influence in blending genres.[18]Breakthrough collaborations
Jimmy Napes' breakthrough came through his songwriting and production contributions to Disclosure's debut album Settle (2013), where he co-wrote several tracks, including the hit single "Latch" featuring Sam Smith.[19] The album, released on PMR Records and Island Records, achieved critical acclaim and commercial success, peaking at number one on the UK Albums Chart and earning a Grammy nomination for Best Dance/Electronica Album.[20] Napes' involvement helped shape the record's blend of house, garage, and pop elements, marking a pivotal moment in his career as it introduced his emotive songwriting to a global audience.[21] Building on this momentum, Napes co-wrote and co-produced multiple songs on Sam Smith's debut album In the Lonely Hour (2014), including the Oscar-winning ballad "Stay With Me."[22] Released by Capitol Records, the album topped the UK charts and reached number two on the Billboard 200, selling over 10 million copies worldwide and winning four Grammy Awards, including Album of the Year.[23] His collaboration with Smith emphasized raw emotional depth and soulful arrangements, solidifying Napes' reputation as a key architect of contemporary pop-R&B crossovers.[21] In 2014, Napes expanded his reach with contributions to Mary J. Blige's album The London Sessions, co-writing tracks such as "Right Now" alongside Disclosure and Sam Smith.[24] Produced primarily in London, the album infused Blige's R&B style with UK electronic influences, peaking at number two on the Billboard 200 and receiving a Grammy nomination for Best R&B Album.[25] This project highlighted Napes' versatility in bridging genres and artists across the Atlantic, further elevating his profile in the industry.[21]Ongoing projects and recent releases
In 2025, Jimmy Napes continued his prolific songwriting career with several high-profile collaborations. In May, he co-wrote the anthem "To Dare Is To Do" alongside Paul Epworth, inspired by Tottenham Hotspur's club motto and released to coincide with the team's Europa League final appearance against Manchester United. The track, which blends uplifting pop elements with football chant influences, was performed live and aimed to rally fans during the match.[26] Later that year, Napes contributed to Barbra Streisand's album The Secret of Life: Partners, Volume Two, released on June 27. He served as a co-writer on the duet "To Lose You Again," featuring Streisand and longtime collaborator Sam Smith, which explores themes of heartbreak and resilience in a soulful ballad style. The song was produced by Walter Afanasieff and highlighted Napes' ongoing affinity for emotional, piano-driven compositions.[27] In August, Napes co-wrote "NO CAP" for electronic duo Disclosure and vocalist Anderson .Paak. The high-energy dance track, co-produced by the Lawrence brothers, debuted with a vibrant music video directed by Jackie Radinsky and has been performed live during Disclosure's North American tour. This collaboration marks a return to Napes' roots in electronic pop, building on his prior work with Disclosure.[28] On November 11, 2025, Napes co-wrote "Predictable Girl" for FKA twigs, released as part of her album EUSEXUA Afterglow. The track, co-written with twigs, Tic, Joy Henson, Petra Levitt, and Manni Dee, features a techno-infused style and an accompanying music video directed by Jordan Hemingway.[29] As of November 2025, Napes continues to focus on collaborative production and songwriting, with involvement in industry events such as songwriting showcases during Ivors Week.[2]Artistic style and influences
Songwriting approach
Jimmy Napes employs a collaborative and emotionally introspective approach to songwriting, prioritizing deep personal discussions with artists to uncover authentic stories and feelings, which he likens to a therapeutic process conducted over casual settings like tea. This method ensures lyrics are rooted in real experiences, allowing performers to deliver with genuine emotion and conviction; as Napes has stated, "If people are engaged in what we’re doing, there’s much more chance of them understanding what they’re singing, and singing with feeling."[9] Rather than producing generic tracks, Napes customizes songs to suit the artist's unique voice and narrative, often starting with exploratory talks to identify core themes before developing the composition. A prime example is his rapid co-writing of "Lay Me Down" with Sam Smith in 2012, completed in one day after hearing Smith's early demo at age 19, which became a cornerstone of Smith's debut album In the Lonely Hour. This tailored process has extended to other collaborations, such as co-writing Clean Bandit's "Rather Be" featuring Jess Glynne, a global hit that topped charts in 2014.[9] Napes maintains selectivity in his partnerships, turning down high-profile opportunities to focus on meaningful projects that align with his creative standards, even as demands grew post-Grammys for his work with Smith and others. He advocates for persistence through trial and error, emphasizing the necessity of writing imperfect or "crap" songs as an essential step toward crafting successful ones, alongside drawing inspiration from musical legends to spark originality. In interviews, he has noted that self-inspiration can be challenging, making it "a lot easier to get inspired by the greats than it is to get inspired by yourself." His remote collaboration style, honed during artists' tours, further enables flexible yet intimate sessions.[30][14][31]Production techniques
Jimmy Napes' production techniques emphasize emotional authenticity, minimalistic arrangements, and a focus on vocal performance to convey raw sentiment. In his debut major production role on Sam Smith's 2014 album In the Lonely Hour, Napes operated from a modest basement studio in London's Old Street, where sessions began with intimate conversations over tea to explore personal experiences, fostering genuine songwriting and live vocal captures that surpassed initial demos.[9] This approach prioritized simplicity, using economy of means to spotlight Smith's voice through sparse instrumentation including piano, organ, drums, and bass, often limited to around 23 audio tracks per song for a stripped-back, intimate sound.[23] Napes frequently draws on gospel influences, layering multiple vocal takes to simulate choral depth without live choirs, as revealed in the creation of tracks like those on In the Lonely Hour, where he and collaborators manufactured multiplicity by stacking Smith's performances for emotional resonance.[32] His workflow involves iterative collaboration, encouraging artists to write freely—including "crap" songs—to refine ideas, as seen in his long-term partnership with Smith, which balances ballads and upbeat tracks while maintaining a core of heartfelt delivery.[14] In later projects, such as the 2022 single "Unholy," Napes incorporates more dramatic production elements like dynamic builds and electronic textures, yet retains an emphasis on narrative-driven vocals to heighten impact.[33]Discography
As lead artist
Jimmy Napes released his debut and only extended play (EP) as a lead artist in 2015. Titled The Making of Me, the four-track project was issued on March 6, 2015, through Method Records.[34] The EP marked Napes' transition from behind-the-scenes production to performing his own material, drawing inspiration from personal experiences, including his relationship with his wife.[35] The EP features soulful R&B and electronic influences, with production handled primarily by Napes alongside collaborators such as MJ Cole.[36] Tracks like "Give It Up" and "Making of Me" showcase upbeat, dance-oriented rhythms, while "Keep You to Myself" adopts a more intimate, piano-driven tone.[37] A piano version of the latter track serves as the closer, emphasizing emotional vulnerability.[34]| No. | Title | Length |
|---|---|---|
| 1. | Give It Up | 3:26 |
| 2. | Keep You to Myself | 3:40 |
| 3. | Making of Me | 4:39 |
| 4. | Keep You to Myself (Piano Version) | 2:56 |
As producer and songwriter
Jimmy Napes, whose real name is James Napier, emerged as a prominent figure in contemporary music through his multifaceted roles as a songwriter and record producer, often blending soulful R&B influences with pop and electronic production styles. His career gained momentum in the early 2010s with key contributions to electronic duo Disclosure's debut album Settle (2013), where he co-wrote the hit single "Latch" featuring Sam Smith, which peaked at number 11 on the UK Singles Chart and earned a Grammy nomination for Best Pop Duo/Group Performance. This collaboration marked the beginning of a long-term creative partnership with Smith, establishing Napes as a go-to producer for emotionally resonant tracks that achieve both critical acclaim and commercial success.[38][39][40] Napes' production work on Sam Smith's debut album In the Lonely Hour (2014) solidified his reputation, as he co-wrote and co-produced several tracks, including the global smash "Stay With Me," which won the Grammy Award for Record of the Year and Best Pop Solo Performance in 2015. The album itself secured a Grammy for Best Pop Vocal Album, highlighting Napes' ability to craft introspective ballads with orchestral arrangements and subtle electronic touches. He also co-wrote "Writing's on the Wall" for the James Bond film Spectre (2015), which won the Academy Award for Best Original Song. Beyond Smith, Napes produced several tracks on Mary J. Blige's The London Sessions (2014), infusing the project with UK garage and soul elements that revitalized Blige's sound and peaked at number two on the UK Albums Chart. He also co-wrote Clean Bandit's "Rather Be" featuring Jess Glynne, a 2014 UK number-one single that won the Brit Award for British Single of the Year.[39][41][42]) In subsequent years, Napes continued to diversify his portfolio with high-impact collaborations across genres. He co-wrote and produced tracks on Sam Smith's The Thrill of It All (2017), such as "Too Good at Goodbyes," which debuted at number one on the UK Singles Chart, and contributed to the 2019 duet "Dancing with a Stranger" with Normani, which topped charts in the UK and Australia. He co-wrote "Magnets" featuring Lorde for Disclosure's Caracal (2015), "Crown" for Stormzy's Heavy Is the Head (2019), and "Christmas Tree Farm" for Taylor Swift (2019). His work extended to Alicia Keys' self-titled album Alicia (2020), where he co-produced songs like "Love Looks Better" and "Million Reasons (Interlude)," earning praise for enhancing Keys' raw vocal delivery with intimate production. More recently, Napes co-wrote "Unholy" by Sam Smith and Kim Petras (2022), which became Smith's first Billboard Hot 100 number-one single and won a Grammy for Best Pop Duo/Group Performance in 2024. In 2023, he co-wrote "Risk It All" for the The Color Purple soundtrack, performed by H.E.R. and Usher, nominated for an Academy Award for Best Original Song. Looking ahead, Napes co-wrote "No Cap" for Disclosure featuring Anderson .Paak, released in August 2025. These projects underscore Napes' enduring influence, with over a dozen top-10 hits as a songwriter and multiple Grammy wins attributed to his emotive, genre-blending approach.[40][43][39][44][8]))| Notable Productions and Songwriting Credits | Artist | Year | Key Achievements |
|---|---|---|---|
| "Latch" (co-writer, co-producer) | Disclosure feat. Sam Smith | 2012 | UK #11; Grammy nomination |
| "Stay With Me" (co-writer, co-producer) | Sam Smith | 2014 | UK/US #1; Grammy for Record of the Year |
| The London Sessions (producer on multiple tracks) | Mary J. Blige | 2014 | UK #2 album |
| "Rather Be" (co-writer) | Clean Bandit feat. Jess Glynne | 2014 | UK #1; Brit Award |
| "Writing's on the Wall" (co-writer) | Sam Smith | 2015 | Academy Award for Best Original Song |
| "Magnets" (co-writer, co-producer) | Disclosure feat. Lorde | 2015 | UK #29 |
| "Too Good at Goodbyes" (co-writer, producer) | Sam Smith | 2017 | UK #1 |
| "Dancing with a Stranger" (co-writer, producer) | Sam Smith & Normani | 2019 | UK #1; US #7 |
| "Crown" (co-writer) | Stormzy | 2019 | UK #5 |
| "Christmas Tree Farm" (co-writer) | Taylor Swift | 2019 | US #4 digital |
| Alicia (co-producer on multiple tracks) | Alicia Keys | 2020 | Album Grammy nomination |
| "Unholy" (co-writer) | Sam Smith & Kim Petras | 2022 | US #1; Grammy for Best Pop Duo/Group |
| "Risk It All" (co-writer) | H.E.R. & Usher | 2023 | Oscar nomination |
| "No Cap" (co-writer) | Disclosure feat. Anderson .Paak | 2025 | Recent release |
Awards and nominations
Major wins
Jimmy Napes has achieved significant recognition in the music industry, particularly through his songwriting and production collaborations, earning multiple prestigious awards that highlight his contributions to contemporary pop and film soundtracks. His major wins span the Grammy Awards, Academy Awards, Golden Globe Awards, and Ivor Novello Awards, often shared with collaborators like Sam Smith and Clean Bandit. These accolades underscore his role in crafting chart-topping hits and emotionally resonant compositions.[4] In 2015, Napes secured three Grammy Awards for his work on Sam Smith's debut album In the Lonely Hour. He won Song of the Year and Record of the Year for co-writing and producing "Stay with Me," a soulful ballad that became a global hit and emblematic of Smith's breakthrough sound. Additionally, he received Best Pop Vocal Album for his production contributions to the album as a whole, which blended R&B influences with modern pop arrangements. These wins, presented at the 57th Annual Grammy Awards, marked Napes' early prominence as a key figure in British pop production.[45] Napes' collaboration with Sam Smith extended to film music, yielding further acclaim. In 2016, they won the Academy Award for Best Original Song for "Writing's on the Wall," the theme for the James Bond film Spectre. The track, a dramatic orchestral piece with introspective lyrics, was praised for its cinematic intensity and emotional depth. That same year, Napes and Smith also claimed the Golden Globe Award for Best Original Song – Motion Picture for the same composition, awarded at the 73rd Golden Globe Awards. These victories highlighted Napes' versatility in adapting his songwriting to high-profile film contexts.[46] At the 2015 Ivor Novello Awards, Napes earned two honors for co-writing Clean Bandit's "Rather Be," a upbeat electronic track featuring elements of classical violin and house music. The song won Best Contemporary Song, recognizing its innovative blend of genres and lyrical focus on escapism, and PRS for Music Most Performed Work, reflecting its widespread radio and streaming success. These British awards celebrated Napes' impact on the UK music scene and his ability to craft accessible yet sophisticated pop anthems.[6][47] At the 2020 Ivor Novello Awards, Napes won PRS for Music Most Performed Work for co-writing "Dancing with a Stranger" (performed by Sam Smith & Normani), acknowledging the song's extensive airplay and streaming performance following its 2019 release.[48] More recently, in 2023, Napes contributed to another Grammy win with his co-writing on "Unholy" by Sam Smith featuring Kim Petras, which took Best Pop Duo/Group Performance at the 65th Annual Grammy Awards. The song's bold, narrative-driven lyrics and synth-pop production exemplified Napes' ongoing influence in evolving pop collaborations.[5]| Year | Award | Category | Work | Shared With |
|---|---|---|---|---|
| 2015 | Grammy | Song of the Year | "Stay with Me" | Sam Smith |
| 2015 | Grammy | Record of the Year | "Stay with Me" | Sam Smith, Steve Fitzmaurice, Rodney Jerkins |
| 2015 | Grammy | Best Pop Vocal Album | In the Lonely Hour | Sam Smith |
| 2015 | Ivor Novello | Best Contemporary Song | "Rather Be" | Clean Bandit, Jess Glynne |
| 2015 | Ivor Novello | PRS for Music Most Performed Work | "Rather Be" | Clean Bandit, Jess Glynne |
| 2016 | Academy | Best Original Song | "Writing's on the Wall" (Spectre) | Sam Smith |
| 2016 | Golden Globe | Best Original Song – Motion Picture | "Writing's on the Wall" (Spectre) | Sam Smith |
| 2020 | Ivor Novello | PRS for Music Most Performed Work | "Dancing with a Stranger" | Mikkel Eriksen, Tor Erik Hermansen, Sam Smith |
| 2023 | Grammy | Best Pop Duo/Group Performance | "Unholy" | Sam Smith, Kim Petras |