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Jordan Baker

Jordan Baker is a fictional character in F. Scott Fitzgerald's 1925 novel The Great Gatsby, serving as a professional golfer and socialite who embodies the independent, cynical spirit of the Jazz Age flapper.^[1] Introduced early in the narrative as a friend of the central figure Daisy Buchanan, Baker represents the era's "new woman," marked by her athletic prowess, social detachment, and subtle defiance of traditional gender norms through her career and demeanor.^[2]^[3] Physically, Baker is portrayed as a slender, athletic figure with tanned skin, gray eyes, and a boyish, angular build that underscores her modern, androgynous appeal, often lounging in a posture that conveys both allure and boredom. Her personality is defined by aloofness, cynicism, and a pragmatic dishonesty; she is incurably untruthful yet self-assured, viewing moral lapses as necessary for survival in elite social circles, as evidenced by rumors of her cheating in golf tournaments to advance her career.^[1]^[2] This careless attitude extends to her driving habits and interpersonal interactions, where she prioritizes convenience over ethics, famously declaring, "I hate careless people. That's why I like you."^[3] In the novel, Baker plays a pivotal role as a connector in the social web of Long Island's wealthy elite, facilitating key revelations about the pasts of Daisy and Jay Gatsby while developing a brief romantic entanglement with the narrator, Nick Carraway.^[1] Her relationship with Nick highlights themes of attraction to stability amid moral ambiguity, though it ultimately dissolves due to their shared "incurable" flaws.^[2]^[3] Through Baker, Fitzgerald critiques the superficiality and ethical erosion of 1920s high society, contrasting her calculated independence with the more passive entrapment of characters like Daisy.^[1]

Creation and development

Inspiration and conception

F. Scott Fitzgerald conceived the character of Jordan Baker while residing in Great Neck, New York, from October 1922 to April 1924, a period during which he began outlining and drafting The Great Gatsby. This suburban enclave on Long Island's North Shore, populated by affluent socialites and artists, provided Fitzgerald with direct exposure to the opulent lifestyles and social dynamics that informed the novel's setting and characters. During this time, Fitzgerald was immersed in the local scene, which included interactions with the era's emerging independent women, shaping Baker's development as a figure of Jazz Age modernity.^[4] A primary influence on Baker's creation was Fitzgerald's observation of flapper culture and the broader trend of women's increasing independence in the 1920s, following the ratification of the 19th Amendment in 1920 and the cultural shifts of the post-World War I era. Flappers symbolized liberation through their rejection of Victorian norms, embracing short hair, shorter hemlines, smoking, driving, and participation in sports like golf, which Baker embodies as a professional athlete and socialite. Fitzgerald drew from this cultural phenomenon to portray Baker as a "new woman" of the Roaring Twenties, cynical and self-reliant, reflecting the era's economic boom and social experimentation. Baker's characterization also shows potential loose inspiration from real-life female golfers of the period, particularly Edith Cummings, a prominent Chicago socialite and amateur champion who won the 1923 U.S. Women's Amateur. Cummings, known for her athletic prowess and flapper-like style, exemplified the blend of sport and high society that Fitzgerald encountered through mutual acquaintances; however, unlike the honest Cummings, Baker is rumored to have cheated in a tournament, adding a layer of moral ambiguity.^[5]

Name and characterization choices

F. Scott Fitzgerald chose the name "Jordan Baker" for his character to evoke the modernity and independence of the 1920s flapper, drawing on two prominent American automobile manufacturers of the era: the Jordan Motor Car Company, known for its sporty models, and the Baker Motor Vehicle Company, which produced electric cars. This naming convention underscores Jordan's association with speed, mobility, and the era's technological progress, positioning her as a symbol of the "new woman" who navigates social landscapes with the ease and velocity of a fast car.^[6] The first name "Jordan" also carries biblical connotations, referencing the River Jordan, which symbolizes transition, renewal, and a crossing into new phases of life—fitting for a character who embodies the shifting gender roles of the Jazz Age. Literary critic Milton R. Stern highlights the inherent contradiction in the full name, noting that the River Jordan "promises refreshment" while "Baker promises heat," reflecting Jordan's cool exterior masking underlying tensions in her personality.^[7]^[8] Fitzgerald modeled Jordan's characterization as a professional golfer after real-life amateur champion Edith Cummings, the first woman to appear on the cover of Time magazine in 1924, to emphasize themes of female ambition and autonomy in a male-dominated society. In a 1924 letter, Fitzgerald explicitly acknowledged this inspiration, writing that "Jordan Baker of course was a great idea (perhaps you know it's Edith Cummings)." This choice allowed Fitzgerald to portray Jordan as self-reliant and career-oriented, contrasting with more traditional female figures in the novel.^[9]^[10] Early in the novel, Fitzgerald describes Jordan's "gray sun-strained eyes" in a wan, discontented face, a deliberate detail to convey her world-weary cynicism and emotional detachment, shaped by the relentless social scrutiny of her athletic and elite lifestyle. This physical trait, introduced during Nick Carraway's first encounter with her, immediately establishes her as jaded yet alluring, reinforcing Fitzgerald's intent to depict the disillusionment beneath the glamour of 1920s high society.^[3]^[1]

Role in The Great Gatsby

Background and introduction

Jordan Baker is a central supporting character in F. Scott Fitzgerald's 1925 novel The Great Gatsby, depicted as a professional golfer and longtime friend of Daisy Buchanan. Originating from Louisville, Kentucky, where she shared a privileged "white girlhood" with Daisy among the city's elite social circles, Jordan embodies the poised yet detached demeanor of the Jazz Age's upper class. Her background as an athlete sets her apart in a era when women's participation in professional sports was rare, establishing her as a figure of both admiration and subtle controversy within high society. Jordan makes her first appearance in Chapter 1 during a dinner party at the Buchanan residence in the affluent enclave of East Egg, New York, a neighborhood synonymous with "old money" aristocracy. The narrator, Nick Carraway, immediately recognizes her from rotogravure images in New York sporting pages, underscoring her public fame as a golfer. He observes her lounging on a couch, extended full length, and describes her physical presence: "She was a slender, small-breasted girl, with an erect carriage which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked straight ahead, but there was an effort of the chin and a touch of defiance in her manner that suggested a bored interest in the world about her." This introduction highlights her athletic build and air of ennui, positioning her firmly within the insulated world of East Egg's wealthy residents. From the outset, hints of Jordan's moral ambiguity emerge through Nick's recollection of a past scandal in her golfing career. He remembers a rumor that, three years earlier, during the semi-final round of the National Amateur Championship, Jordan had illicitly moved her ball from a poor lie to improve her position—an infraction that, if verified, would have rendered her ineligible for future competitions. This anecdote, shared indirectly at the dinner table amid the party's superficial chatter, foreshadows her inclination toward dishonesty and reinforces her status as a product of a privileged environment where rules could be bent without consequence.

Key relationships and interactions

Jordan Baker maintains a longstanding close friendship with Daisy Buchanan, rooted in their shared upbringing in Louisville, Kentucky, where they socialized together in elite circles.^[11] This bond is evident in their frequent joint appearances at social events, such as the dinner party at the Buchanans' home in East Egg, where the two women lounge together in a posture of detached elegance.^[1] Daisy plays a pivotal role in facilitating Jordan's introduction to Nick Carraway, the novel's narrator, during this initial gathering, drawing Jordan into the broader circle of characters surrounding Jay Gatsby.^[3] Baker's romantic involvement with Nick Carraway develops briefly amid the novel's whirlwind of parties and intrigues, beginning with mutual attraction at Gatsby's lavish gathering in Chapter 3. Their relationship progresses to a kiss following a private conversation in Chapter 4, where Nick observes her poised navigation of social intricacies.^[3] Their relationship, marked by Nick's initial fascination with her cynical charm and athletic confidence, evolves into a tentative courtship.^[1] However, it culminates in disillusionment by the novel's end, as Nick rejects her dishonesty and the superficiality of their connection, leaving Jordan to reflect on the abrupt termination over the telephone.^[3]^[11] Baker's interactions with Tom Buchanan highlight underlying tensions within the group's social dynamics, often underscoring Tom's patriarchal dominance and discomfort with independent women like Jordan.^[11] During the dinner at the Buchanans' residence, Jordan casually reveals awareness of Tom's extramarital affair in New York, commenting on "some woman" he keeps there, which subtly exposes cracks in the facade of marital propriety without direct confrontation.^[3] Later, in a heated exchange amid the sweltering heat of a New York outing, Jordan's remarks on the city's sensual undercurrents provoke Tom's irritation, amplifying the friction between his old-money entitlement and her flapper-era nonchalance.^[11] As a gossip and confidante, Jordan serves as a key conduit for sensitive information within the narrative, particularly in her disclosures to Nick that advance the plot's romantic undercurrents. In Chapter 4, during a private luncheon conversation arranged by Gatsby, she confides the details of Daisy's youthful romance with Gatsby, including their near-engagement and Daisy's subsequent marriage to Tom, positioning herself as a trusted intermediary.^[3]^[11] This role extends to her broader tendency to circulate rumors, as seen in her offhand mentions of Tom's indiscretions earlier in the story, blending her social savvy with a penchant for revealing hidden truths among the elite.^[3]

Involvement in major events

Jordan Baker first becomes entangled in the novel's central intrigue through her attendance at Jay Gatsby's lavish weekend parties in West Egg. During one such gathering in Chapter 3, she encounters the enigmatic host for the first time, observing the spectacle of his opulent affairs alongside Nick Carraway, who notes her poised, almost bored demeanor amid the revelry.^[12] Later, in Chapter 4, Gatsby pulls Jordan aside for a private conversation, enlisting her to relay his request to Nick: to arrange a tea at Nick's home so that Gatsby can reunite with Daisy Buchanan, his long-lost love. Jordan agrees to this scheme, effectively bridging the gap between Gatsby's secretive world and Daisy's life in East Egg, thereby propelling the plot toward their emotional reconnection.^[13] Baker's involvement intensifies during the climactic confrontation in Chapter 7, when she joins Nick, Gatsby, Daisy, and Tom Buchanan for a sweltering trip to the Plaza Hotel in New York City. There, amid rising tensions fueled by the summer heat, she witnesses Tom's brutal dismantling of Gatsby's illusions, as he exposes Gatsby's shady business dealings and asserts his hold over Daisy. Baker remains largely a silent observer to the ensuing emotional turmoil—Daisy's wavering loyalties, Gatsby's desperate claims, and the group's fractured dynamics—but her presence underscores the interconnectedness of their social circle, heightening the scene's dramatic stakes without direct intervention.^[14] Following Gatsby's death and the unraveling of the central romance, Baker's relationship with Nick ends in Chapter 9 when Nick visits her at her home. There, she coolly announces her engagement to another man—a claim Nick suspects is fabricated to provoke him—and accuses him of moral inconsistency in their past affair. Nick rejects her overture, citing his newfound disillusionment with the East's superficiality, and reflects on her as emblematic of the era's careless elite, continuing her restless social pursuits unchanged even as the tragedy fades. This final interaction highlights Baker's detachment from the novel's deeper consequences, as Nick contemplates her enduring, unaltered lifestyle in the wake of profound loss.^[15]

Characterization and themes

Personality and flaws

Jordan Baker is depicted as possessing a cynical and self-centered worldview, often treating social interactions and life itself as a strategic game where personal advantage takes precedence over ethical considerations. This perspective is evident in her casual dismissal of conventional norms, as she navigates high society with a detached boredom that stems from her privileged upbringing and early fame as a golfer. For instance, during a conversation with Nick Carraway, she expresses a jaded outlook, stating, "You see I think everything’s terrible anyhow," reflecting her inherent skepticism toward the world around her.^[2] Her defining flaw lies in her dishonesty, which Nick describes as "incurably dishonest," a trait rooted in an unwillingness to be at any disadvantage and manifested through habitual subterfuge. This is exemplified by a scandal in her golfing career, where she was accused of cheating by moving her ball to improve her position during a tournament, yet she faced no significant repercussions due to her social standing. Such behavior underscores her lack of accountability, as she bends rules without remorse to maintain her poised, insolent demeanor.^[16]^[2] Despite her independence—fueled by her success as a professional athlete and her status as a self-sufficient flapper—Baker exhibits a subtle vulnerability masked by aloofness, relying on gossip and fleeting social connections for emotional stimulation. Her athletic achievements and wealthy background afford her a level of autonomy rare for women of the era, yet this fosters a profound boredom with routine, leading her to seek thrill in superficial relationships. This guarded nature, however, reveals an underlying need for validation, as her cool exterior conceals a discomfort with genuine intimacy or risk.^[16]^[2]

Symbolism and representation

Jordan Baker serves as a multifaceted symbol of the "new woman" in F. Scott Fitzgerald's The Great Gatsby, embodying the flapper archetype of the Jazz Age with her independent lifestyle, professional athletic career, and rejection of traditional domestic roles. As a celebrated golfer, she represents the era's shift toward female emancipation, pursuing economic autonomy and social freedom in a male-dominated world.^[17] Her slender, androgynous physique and "erect carriage" further align her with the modern flapper ideal, characterized by short hair, smoking, drinking, and casual romantic entanglements, which challenged Victorian norms of femininity.^[18] However, this representation is tinged with moral ambiguity, as Jordan's carefree demeanor masks a superficial pursuit of pleasure, reflecting the era's hedonistic excesses and the hollow freedoms afforded to women in a patriarchal society.^[11] Jordan's athleticism symbolizes a facade of vitality that conceals deeper emotional emptiness, contrasting sharply with the novel's exploration of authentic ideals amid the American Dream's illusions. Her success in golf, a sport demanding discipline and precision, positions her as a symbol of physical empowerment and self-reliance, yet it is undermined by her "incurably dishonest" nature, including a scandal where she allegedly moved a golf ball to gain an advantage.^[17] This prowess, described through Nick Carraway's gaze as "hard" and "muscular," evokes a machine-like efficiency rather than genuine passion, underscoring the emotional detachment prevalent in the 1920s elite.^[18] In this way, Jordan's athletic identity highlights the novel's critique of superficial achievements, where external accomplishments fail to fill the void left by lost ideals of sincerity and connection.^[11] As a socialite navigating the upper echelons of 1920s society, Jordan functions as a bridge between the worlds of old money and new money, yet her lack of true belonging accentuates the rigid class divisions of the era. Born into inherited wealth, she frequents the exclusive circles of established aristocracy like the Buchanans while casually attending Jay Gatsby's lavish parties, which represent aspirational nouveau riche excess.^[18] This liminal position allows her to observe and participate in both spheres without fully committing to either, symbolizing the era's social fluidity for privileged women but also the ultimate isolation it breeds.^[17] Her detachment reinforces the novel's portrayal of class as an impenetrable barrier, where even those who straddle divides remain emotionally adrift. Through her deceptive tendencies, Jordan embodies the broader theme of illusion versus reality, mirroring the Jazz Age's culture of pretense and moral compromise. Her habitual "subterfuges" and lies, such as fabricating an engagement to manipulate social dynamics, parallel the era's widespread facades of wealth and sophistication that conceal underlying corruption.^[18] This cynicism, evident in her "cool, insolent smile," critiques the hollowness of 1920s excess, where personal integrity is sacrificed for appearances, much like the green light that tantalizes with unattainable dreams.^[17] Ultimately, Jordan's character underscores Fitzgerald's warning about the deceptive allure of the American Dream, revealing how individual illusions contribute to societal disillusionment.^[11]

Adaptations and cultural impact

Film and television portrayals

Jordan Baker has been depicted in several film and television adaptations of F. Scott Fitzgerald's The Great Gatsby, with portrayals evolving from silent-era minimalism to more nuanced interpretations in later versions. The character's role as a professional golfer and socialite often highlights her cynicism, independence, and detachment, though casting and directorial choices have varied significantly across productions. In the 1926 silent film directed by Herbert Brenon, Carmelita Geraghty played Jordan Baker in what is now a lost production, limiting available insights into her performance.^[19] Geraghty's role was relatively minor, reflecting the era's focus on central figures like Gatsby and Daisy, with Jordan appearing primarily as a peripheral friend in social scenes.^[20] In the 1949 film adaptation directed by Elliott Nugent, Ruth Hussey portrayed Jordan Baker, emphasizing her poised and cynical demeanor in the post-war interpretation of the Jazz Age. Hussey's performance highlighted Jordan's social detachment and subtle dishonesty through understated dialogue in key social and revelatory scenes.^[21] Lois Chiles portrayed Jordan in the 1974 film adaptation directed by Jack Clayton, bringing an elegant yet detached demeanor to the character through her poised presence in lavish party sequences and the climactic hotel confrontation.^[22] Chiles' interpretation emphasized sensuality and a Garbo-esque allure, marked by heavy-lidded stares that underscored Jordan's aloofness amid the Jazz Age excess.^[23] The 2000 A&E television movie featured Francie Swift as Jordan Baker, offering a more playful and relatable take on the character compared to prior versions.^[24] Swift employed a soft Southern accent to convey Jordan's gossiping nature and budding romance with Nick Carraway, humanizing her flaws while highlighting her role in revealing Gatsby's past.^[25] Elizabeth Debicki's standout performance in Baz Luhrmann's 2013 film adaptation captured Jordan's athletic grace and sharp sarcasm, enhanced by the production's dynamic visuals in opulent party scenes and intimate dialogues. At 6 feet 3 inches tall, Debicki's physicality lent a commanding poise to the golfer, making her a pivotal bridge in the social intrigue and romantic entanglements.^[26]

Stage and other media adaptations

The first stage adaptation of F. Scott Fitzgerald's The Great Gatsby premiered on Broadway at the Ambassador Theatre on February 2, 1926, in a version written by Owen Davis and directed by George Cukor, running for 112 performances. Jordan Baker was portrayed by Catherine Willard, whose performance in ensemble scenes at Gatsby's parties highlighted the character's sharp wit and social detachment through expanded dialogue and interactions tailored to the theatrical format, diverging from the novel's more introspective narration of her flaws.^[27]^[28] A 2006 revival of Simon Levy's adaptation at the Guthrie Theater in Minneapolis featured Cheyenne Casebier as Jordan Baker, with modern staging on the Wurtele Thrust Stage accentuating her independence and cool sophistication amid the production's focus on the era's social tensions.^[29]^[30] A 2024 Broadway musical adaptation, with book by Kait Kerrigan, music by Florence Welch and Thomas Bartlett, and choreography by Sonya Tayeh, opened on April 25, 2024, at the Broadway Theatre, directed by Marc Bruni. Samantha Pauly portrayed Jordan Baker, bringing a vibrant, modern energy to the role with her athletic presence and sarcastic delivery in musical numbers that underscore Jordan's flapper independence and moral ambiguity. The production, which received multiple Tony Award nominations, emphasizes the Jazz Age's glamour and excess through immersive staging and is scheduled to transfer to the West End's London Coliseum on April 11, 2025, with Saskia Marguerite taking on the role of Jordan Baker.^[31]) Radio dramatizations, including the 1950 CBS Family Hour of Stars half-hour adaptation starring Kirk Douglas as Gatsby, relied on voice acting to convey Jordan Baker's cynicism, with her role adapted through pointed dialogue delivery that emphasized her boredom and moral ambiguity in an audio-only context punctuated by era-appropriate sound effects.^[32] In other media, the 2023 dramatized audiobook edition, directed by Rosalind Ayres and featuring a full cast, has Devon Sorvari voicing Jordan Baker, prioritizing vocal nuances in her interactions to maintain narrative momentum while simplifying some of the novel's layered irony in her character.^[33] Similarly, K. Woodman-Maynard's 2020 graphic novel adaptation visually reinterprets Jordan through stylized illustrations that highlight her athletic poise and aloofness but condense her representational complexity, altering the subtleties of her flaws for a more accessible, image-driven format.^[34]

References

[1]
Jordan Baker Character Analysis in The Great Gatsby | SparkNotes
Jordan strikes Nick as mysterious, aloof, and alluring. Jordan belongs to the upper crust of society. Although she moved to the east coast from elsewhere, she ...
[2]
Jordan Baker in The Great Gatsby | Character Analysis & Quotes
Jordan is often described as aloof, cynical, and self-indulgent. Frequently, she is called ''wan'' and ''contemptuous.'' She often yawns when others are talking ...Who is Jordan Baker? · Jordan Baker Character Analysis · Jordan Baker Quotes
[3]
Best Character Analysis: Jordan Baker - The Great Gatsby
Like Gatsby, Jordan seems drawn to Nick because he presents himself as a stable, honest, and grounded personality in the midst of many larger-than-life, ...
[4]
'Gatsby' Country: Great Neck and Manhasset Bay, Long Island
Sep 30, 2010 · Fitzgerald himself knew it well. He and Zelda lived at 6 Gateway Drive in Great Neck, N.Y., on the Port Washington line, from October 1922 to ...
[5]
“A Story of the West, After All”: Chicago and “The Great Gatsby”
Apr 10, 2025 · Edith Cummings (1899–1984) was the model for Daisy's friend and Nick's romantic interest, Jordan Baker. Like Baker, she was young, from a ...
[6]
[PDF] Jordan Baker's Role as the Modern Woman o
Even Jordan Baker's flapper physique reminds readers of the ideal woman of the era when Nick describes her as a “slender, small breasted girl” (Gatsby 15). In ...Missing: analysis | Show results with:analysis
[7]
Chapter 3 Commentary The Great Gatsby: Advanced - York Notes
Edward S. Jordan commenced manufacture of cars in 1915; the Baker Company made vehicles powered by electricity between 1899 and 1915.
[8]
Bad Driving: Jordan's Tantalizing Story in "The Great Gatsby" - jstor
Therefore the name Jordan. Baker combines conflicting connotations- although she initially seems to share Nick's conservative standards, he is compelled to ...
[9]
THE GREAT GATSBY'S "ROMANCE OF MOTORING" - jstor
the overtones of "Jordan,". Fitzgerald appends the name. "Baker," he compounds the irony. A. T. Baker and. Company,. New. York fabric manufacturers, ran a ...<|separator|>
[10]
USGA Museum Moment: The Famous 1923 Photograph
In the novel, Jordan Baker has a disturbing trait – there are whispers that she cheats at golf, but Cummings had a reputation as an honest player. One reporter ...
[11]
The Fairway Flapper: Westchester's first champion - AmateurGolf.com
Jul 30, 2021 · Gatsbyheads will remember Jordan Baker was accused of cheating to win her first golf tournament by allegedly improving her lie, which was ...
[12]
[PDF] Jordan Baker, Gender Dissent, and Homosexual Passing in The ...
Jordan Baker instinctively avoided clever shrewd men . . . because she felt safer on a plane where any divergence from a code would be thought im- possible.Missing: analysis | Show results with:analysis
[13]
https://www.litcharts.com/lit/the-great-gatsby/chapter-4
[14]
The Great Gatsby Chapter 9 Summary & Analysis | LitCharts
### Summary of Jordan and Nick's Interaction in Chapter 9 of *The Great Gatsby*
[15]
Characters: Jordan Baker - The Great Gatsby - eNotes
Jordan Baker is the childhood friend of Daisy Buchanan. A professional golfer, she quickly attracts the attention of Nick Carraway, and the two begin a ...Missing: drafts | Show results with:drafts
[16]
(PDF) Feminist Perspectives on the Portrayal of "Jordan Baker" in ...
This paper analyzes the female figure of Jordan Baker from a feminist perspective and with the original text of the novel.
[17]
The Great Gatsby (1926) - IMDb
A young Midwesterner now living on Long Island finds himself fascinated by the mysterious past and lavish lifestyle of his neighbour, the nouveau riche Jay ...
[18]
Carmelita Geraghty: The Original Jordan Baker - Travalanche
Mar 21, 2019 · ... Great Gatsby (1926) as Jordan Baker. She also appeared in three interesting shorts starring boxer Jack Dempsey and Esther Ralston in 1924 ...
[19]
The Great Gatsby (1974) - IMDb
Rating 6.4/10 (28,466) It is slow, plodding, and miscast, with none of the lyricism of Fitzgerald's prose present. Redford is a reserved, passionless Gatsby, and has no chemistry with ...Full cast & crew · Lois Chiles as Jordan Baker · Robert Redford as Jay Gatsby · Plot
[20]
The Great Gatsby (1974) - Ruthless Reviews
May 16, 2013 · Jordan Baker (Lois Chiles). The Bond Girl again does more for the character and less for the plot. She's this more sensuous, sexy Garbo ...Missing: portrayal | Show results with:portrayal
[21]
The Great Gatsby (TV Movie 2000) - IMDb
Rating 5.7/10 (2,141) Top Cast26 ; Mira Sorvino · Daisy Buchanan ; Toby Stephens · Jay Gatsby ; Paul Rudd · Nick Carraway ; Martin Donovan · Tom Buchanan ; Francie Swift · Jordan Baker.
[22]
The Great Gatsby (2000) - Ruthless Reviews
Jun 8, 2013 · Jordan Baker (Francie Swift)- More playful. Not as glamorous or intriguing as Lois Chiles, but more human. One of the aspects of this film ...
[23]
The Great Gatsby movie review (2013) - Roger Ebert
Rating 2.5/4 · Review by Matt Zoller SeitzMay 9, 2013 · The small roles are well cast, too, with Elizabeth Debicki's Jordan Baker as a standout. ... Baz Luhrmann's portrayal of the Great Gatsby ...
[24]
The Great Gatsby – Broadway Play – Original - IBDB
Jordan Baker. Production Staff; Opening Night Cast. Produced by William A. Brady. Written by Owen Davis; from the novel by F. ... The Great Gatsby Feb 02, 1926Missing: actress | Show results with:actress
[25]
The Great Gatsby (Broadway, Ambassador Theatre, 1926) - Playbill
... Jordan Baker (Original). Previous Next. View All Current Cast · Edward Butler. Ryan (Original). Eliot Cabot. Tom Buchanan (Original).
[26]
The Great Gatsby - Variety
Jul 26, 2006 · Unflappable flapper Jordan Baker (Cheyenne Casebier) comes ... Guthrie Theater, Wurtele Thrust Stage, Minneapolis; 1,100 seats; $57 top.
[27]
Guthrie Theater's Great Gatsby Begins Previews July 15 | Playbill
Jul 15, 2006 · The Guthrie Theater's production of The Great Gatsby , which opens the famed theatre ... (Jordan Baker), Christina Baldwin (Myrtle Wilson), Mark ...
[28]
Study Guide — The Great Gatsby: A Live Radio Play
CBS' Family Hour of Stars: The Great Gatsby (Originally aired 1/1/50: AUDIO ONLY) The thirty-minute radio adaptation starring Kirk Douglas.
[29]
https://variety.com/2006/legit/reviews/the-great-gatsby-4-1200514539/
[30]
The Great Gatsby: A Graphic Novel Adaptation
A sumptuously illustrated adaptation from Candlewick Press casts the powerful imagery of F. Scott Fitzgerald's great American novel in a vivid new format.