Kate Lyn Sheil
Kate Lyn Sheil (born June 13, 1985) is an American actress, writer, and producer known for her work in independent cinema and television.[1][2] Sheil's career gained prominence in the early 2010s through roles in acclaimed indie films such as Green (2011), The Color Wheel (2011), You're Next (2011), and V/H/S (2012), establishing her as a versatile performer in genre and dramatic works.[3][2] Her television appearances include a recurring role in the Netflix series House of Cards (2013–2018), alongside features in Equals (2015) and The Sound of Silence (2019).[4][5] In recent years, Sheil has continued to build her profile with projects like Materna (2020), She Dies Tomorrow (2020), Jamojaya (2023), a guest role in Swarm (2023), the horror film The Seeding (2024), which premiered at the Tribeca Film Festival, and an appearance in the Netflix series Everybody's Live with John Mulaney (2025).[2][6][2]Early life
Upbringing
Kate Lyn Sheil was born on June 13, 1985, in Jersey City, New Jersey.[6] She grew up in Jersey City, developing an early passion for performance that would define her path.[7] Sheil first explored acting in the fourth grade, taking on the challenging role of Medea in her school's production of Theseus and the Minotaur.[7][3] This initial experience sparked a sustained interest, as she participated actively in high school theater, building confidence and creativity through stage work.[3] These formative years laid the groundwork for her later move to New York University for formal studies.[7]Education
Sheil developed her early interest in acting through participation in high school theater productions, including plays and musicals, which became her primary extracurricular activity during that period.[8] Sheil attended New York University's Tisch School of the Arts, where she pursued a Bachelor of Fine Arts in Acting, graduating in 2006.[7][9] During her time at NYU, Sheil received intensive training in method acting through a four-year program at the Lee Strasberg Theatre and Film Institute, emphasizing emotional recall and sensory exercises to deepen character immersion.[9] She also formed key collaborations with fellow students, including filmmaker Alex Ross Perry, with whom she worked on early creative projects that honed her skills in independent storytelling.[10] Following her graduation, Sheil remained in New York City, immersing herself in the city's vibrant indie theater and film scene, which provided opportunities to transition from academic training to professional environments.[7]Career
Early roles
Following her graduation from New York University's Tisch School of the Arts in 2006 with a BFA in acting, Kate Lyn Sheil briefly quit the profession before re-entering the industry around 2007, drawn back by opportunities in New York's burgeoning independent scene.[7][11] Sheil's initial professional steps centered on low-budget short films and emerging indie networks, where she connected with fellow NYU alumni and collaborators through shared spaces like Kim's Video & Music in the East Village.[10] These connections facilitated her entry into experimental projects, emphasizing improvisation and close-knit production teams typical of the post-mumblecore era in Brooklyn and Manhattan. Her debut came in the 2009 short film Knife Point, directed by Carlo Mirabella-Davis, in which she played Anna, a member of an evangelical family encountering a mysterious knife salesman.[12] The film premiered at Sundance and screened at multiple festivals, earning Sheil the Best Female Actor award at the 2009 Brooklyn International Film Festival.[13][14] That same year, Sheil made her first feature film appearance in Alex Ross Perry's Impolex as Katie, a surreal drama set in post-World War II Germany that marked her entry into narrative indie cinema.[10] She also began early collaborations with director Joe Swanberg around 2008, contributing to the development of Silver Bullets (released in 2010), where she starred as Claire, a young actress navigating professional insecurities in a low-budget horror production.[7] These roles highlighted her affinity for introspective, character-driven work within tight-knit indie circles. Transitioning from student productions to professional gigs presented challenges, including financial instability and the need to leverage personal relationships for auditions and roles, as Sheil relied heavily on NYU peers and East Village networks to build momentum in a competitive, underfunded landscape.[15][16] Despite these hurdles, her early involvement in such projects established a foundation for sustained work in independent film.Independent films
Kate Lyn Sheil gained wider recognition in independent cinema with her role as Talia Davison in the 2011 horror film You're Next, directed by Adam Wingard, where she portrayed one of the siblings targeted in a home invasion, marking her entry into the genre and showcasing her ability to convey vulnerability amid escalating tension. The film, produced on a modest budget of $1 million, premiered at the Toronto International Film Festival and later achieved cult status for its blend of slasher tropes and dark humor, helping to elevate Sheil's profile within the indie horror scene. She continued building her indie credentials with supporting roles in Alex Ross Perry's The Color Wheel (2011), a low-budget road movie about estranged siblings, emphasizing awkward family dynamics through improvisational dialogue typical of mumblecore aesthetics, and anthology horror V/H/S (2012), playing the enigmatic Girl in Ti West's "Second Honeymoon" segment, a twisty narrative involving a road trip gone wrong that highlighted her knack for understated menace.[17] In 2013, Sheil took on the role of Sarah White in West's The Sacrament, a found-footage thriller inspired by the Jonestown massacre, where her portrayal of a cult member added emotional depth to the film's exploration of fanaticism.[18] She also starred as Crystal in Amy Seimetz's Sun Don't Shine (2013), a tense Florida road thriller that captured the unraveling of a volatile relationship, earning praise for her raw depiction of desperation and instability.[19] Additional early credits include Land Ho! (2014), where she played Ellen in the directors' Gunnar Hansen and Martha Stephens' comedic road trip through Iceland, and The Heart Machine (2014), as Emma in Zachary Wigon's tech-infused drama about a long-distance relationship strained by suspicion.[20] Throughout the 2010s, Sheil's indie work often centered on portrayals of complex, introspective women navigating emotional isolation and relational fractures in character-driven narratives produced on shoestring budgets, reflecting the raw, unpolished style of mumblecore and horror hybrids.[15] Her characters frequently embodied quiet resilience or simmering unease, contributing to films that prioritized psychological intimacy over spectacle, as seen in her collaborations with directors like Perry, whose The Color Wheel used her performance to underscore themes of sibling dysfunction.[21] Sheil fostered ongoing partnerships with key figures in indie horror and mumblecore, including Wingard on You're Next, West on V/H/S and The Sacrament, and Seimetz on Sun Don't Shine, relationships that spanned the decade and allowed her to explore evolving facets of genre and character work.[19] These collaborations underscored her versatility in low-budget productions, often shot quickly with overlapping casts from the New York indie circuit. In recent years, Sheil has sustained her indie momentum with roles in Materna (2020), directed by David Gutnik, where she played Jean, a solitary woman grappling with personal loss in an interconnected portrait of motherhood; Jamojaya (2023), as Shannon, a manager navigating the music industry with a rising rapper; and Seimetz's She Dies Tomorrow (2020), as Amy, a protagonist whose certainty of impending death sparks a contagion of anxiety among friends.[22][23][24] Her 2024 projects include Alina in Barnaby Clay's folk horror The Seeding, a desert-set survival tale emphasizing psychological dread, and Louisa in Aaron Schimberg's satirical A Different Man, which examines identity and transformation through a body-horror lens.[25]Television appearances
Kate Lyn Sheil transitioned to television during the early 2010s streaming boom, marking her entry into serialized narratives after establishing a foundation in independent films. Her first major TV exposure came with a recurring role as Lisa Williams, a social worker entangled in the political machinations of the series, on Netflix's House of Cards starting in season two.[26] She appeared in 12 episodes in seasons 2, 3, and 5, portraying a character whose relationship with another key figure draws her into dangerous alliances, highlighting her ability to convey quiet vulnerability amid high-stakes drama.[27] Building on this, Sheil took on supporting roles in other streaming series that emphasized ensemble dynamics during the era's expansion of prestige television. In the Starz anthology limited series The Girlfriend Experience (2016), she played Avery Suhr, a classmate who introduces the protagonist to the world of high-end escorting, appearing in three episodes and contributing to the show's exploration of transactional relationships.[28] That same year, she joined Cinemax's supernatural horror series Outcast in a main role as Allison Barnes, the wife of the lead character, whose storyline involves demonic possession and family trauma across two seasons.[29] These parts showcased her versatility in shifting from political intrigue to intimate psychological and horror elements within collaborative casts. Sheil's television work extended into guest and recurring appearances that further demonstrated her range across genres. On HBO's High Maintenance (2018–2019), she portrayed Jules, the ex-wife of the central pot dealer, in four episodes, blending comedy with personal introspection in the vignette-style series. This period of involvement in limited series and ongoing narratives aligned with the 2010s surge in streaming platforms, which amplified her visibility beyond indie film festivals by reaching broader audiences through on-demand viewing.[30] In more recent years, Sheil has made guest appearances in series like Prime Video's Swarm (2023), playing Cricket in one episode, and Netflix's Everybody's Live with John Mulaney (2025), appearing as herself in a segment.[31][32]Personal life
Family
Kate Lyn Sheil was born and raised in Jersey City, New Jersey, by parents who both worked as public school teachers.[7] Her upbringing fostered an early interest in performing arts, as she began participating in school theater productions starting in the fourth grade.[3] Public information regarding siblings or extended family remains limited, though Sheil has alluded to a supportive family environment during her childhood that allowed her to explore creative pursuits.[33]Relationships
Kate Lyn Sheil maintains a private personal life, rarely sharing details about her relationships in public forums or interviews. She has been married to actor and comedian Kyle Mooney since 2021. The couple, who share overlapping circles in independent film and comedy, welcomed a daughter in late 2023. Mooney shared the news of their child's birth during an interview with the newsletter Perfectly Imperfect, noting joyful family moments like listening to classical music together during backyard walks.[34] Sheil and Mooney have made occasional joint appearances at industry events, including the 2023 Sundance Film Festival premiere of Jamojaya, where they collaborated professionally. Despite their prominence in entertainment, the pair prioritizes discretion, avoiding extensive media commentary on their partnership and focusing instead on their respective careers. No prior long-term romantic relationships have been publicly confirmed or detailed by Sheil.Filmography
Film
Kate Lyn Sheil made her film debut in 2008 and has since amassed a diverse body of work in independent feature films, shorts, and documentaries.[6]| Year | Title | Role | Director |
|---|---|---|---|
| 2008 | Afterschool | Dakota | Antonio Campos |
| 2009 | Knife Point | Anna | Richard Greenwood |
| 2009 | Impolex | Katie | Alex Ross Perry |
| 2010 | Gabi on the Roof in July | Dory | Lawrence Michael Levine |
| 2010 | SkyDiver (Instructional Video #4: Preparation for Mission) (short) | Self | Eugene Mirman |
| 2011 | The Comedy | Kate | Rick Alverson |
| 2011 | Green | Robin | Sophia Takal |
| 2011 | Autoerotic | Jen | Joe Swanberg |
| 2011 | Silver Bullets | Claire | Joe Swanberg |
| 2011 | The Color Wheel | JR | Alex Ross Perry |
| 2011 | You're Next | Talia | Adam Wingard |
| 2012 | V/H/S | Girl 22 (segment "Second Honeymoon") | Various |
| 2012 | The Unspeakable Act | Anna | Dan Sallitt |
| 2012 | Somebody Up There Likes Me | Molly | Bob Byington |
| 2013 | Sun Don't Shine | Crystal | Amy Seimetz |
| 2013 | The Sacrament | Caroline | Ti West |
| 2013 | Pollywogs | Lainie | Michael T. Heinz |
| 2013 | Hellaware | Molly | Michael T. Heinz |
| 2014 | The Heart Machine | Virginia | Zachary Wigon |
| 2014 | Happy Life | Beth | Saty Chang |
| 2015 | Queen of Earth | Michelle | Alex Ross Perry |
| 2015 | Equals | Kate | Drake Doremus |
| 2015 | Men Go to Battle | Josephine Small | Zachary Wigon |
| 2016 | Buster's Mal Heart | Cora / Lone Wolf Woman | Sarah Adina Smith |
| 2016 | Kate Plays Christine | Herself / Christine Chubbuck | Robert Greene |
| 2017 | Radio Mary | Mary | Warren Skeels |
| 2017 | Thank You for Your Service | Bell | Jason Hall |
| 2017 | Brigsby Bear | Arielle | Dave McCary |
| 2017 | Golden Exits | Alyssa | Alex Ross Perry |
| 2018 | Mountain Rest | Frankie | Alex Dawson |
| 2018 | Jobe'z World | Trish | Michael M. Bilandic |
| 2018 | The Sound of Silence | Ellen | Michael Tyburski |
| 2019 | Lost Holiday | Molly | Michael T. Heinz |
| 2020 | She Dies Tomorrow | Amanda | Amy Seimetz |
| 2021 | Materna | Jean | David Gutnik |
| 2021 | The Wanting Mare | Narrator (voice) | Michael T. Heinz |
| 2023 | Jamojaya | Shannon | Justin Chon |
| 2024 | The Seeding | Alina | Barnaby Clay |
| 2024 | A Different Man | Sylvia | Aaron Schimberg |
Television
Kate Lyn Sheil began appearing in television in 2014, with her breakout recurring role in the political drama House of Cards. Her subsequent TV work has primarily consisted of recurring and guest appearances in prestige cable and streaming series, spanning genres from thriller to comedy.[6]| Year | Title | Role | Episodes | Platform | Appearance Type |
|---|---|---|---|---|---|
| 2014–2015 | House of Cards | Lisa Williams | 7 | Netflix | Recurring[36] |
| 2016 | The Girlfriend Experience | Avery Suhr | 6 | Starz | Recurring |
| 2016 | Outcast | Allison Barnes | 10 | Cinemax | Main cast |
| 2018–2019 | High Maintenance | Jules | 4 | HBO / Viceland | Recurring |
| 2017–2019 | Easy | Annie's Roommate | 2 | Netflix | Recurring |
| 2019–2021 | City on a Hill | Tara Sheehan | 2 | Showtime | Recurring[37] |
| 2023 | Swarm | Cricket | 1 | Prime Video | Guest[31] |
| 2025 | Everybody's Live with John Mulaney | Additional Cast | 1 | Netflix | Guest |