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Outcast

An outcast is an individual who has been rejected, expelled, or refused acceptance by a social group or society at large, typically due to perceived deviance, nonconformity, or inherent traits that violate prevailing norms. This status often manifests as , , or outright banishment, distinguishing outcasts from voluntary loners by the involuntary nature of their exclusion driven by group enforcement mechanisms. In sociological terms, outcasts emerge from structural dynamics of advanced marginality, where economic , territorial confinement, and cultural stigmatization concentrate exclusion in peripheries, as observed in comparative studies of and European banlieues. Defining characteristics include diminished access to social networks, economic opportunities, and institutional support, perpetuating cycles of and without reliance on outdated notions of cultural . Psychologically, outcasts endure acute from relational wounds, including by former affiliates and internalized , which can exacerbate declines absent empirical interventions focused on causal reintegration rather than symptomatic relief. Historically, such figures have catalyzed shifts in group boundaries when exclusion fails to suppress or , though empirical underscores persistent vulnerabilities in modern contexts over romanticized narratives of triumphant return.

Social and psychological concept

Definition and etymology

An refers to an individual who is expelled, rejected, or denied acceptance by a or broader society, typically as a consequence of nonconformity, deviance, or other attributes deemed incompatible with group norms. This exclusion manifests as , where the individual lacks integration or belonging within the collective structure. The term derives from Middle English outcasten, a verb meaning "to cast or throw out," combining the prefix out- (indicating expulsion) with casten (to throw or drive). The adjective form appears in records before 1325, denoting something banished or forsaken, while the noun usage denoting a rejected person emerges around 1390. Over time, the word evolved to emphasize social rather than literal banishment, reflecting mechanisms of group enforcement through ostracism.

Historical examples

In ancient , from roughly 487 BCE to 416 BCE, the practice of ostrakismos enabled eligible male citizens to vote annually using inscribed pottery shards (ostraka) to exile a prominent individual deemed a potential threat to democratic stability, imposing a ten-year banishment without trial, property confiscation, or criminal charge. This mechanism, introduced by ' reforms to neutralize factional rivalries post-tyranny, was invoked sparingly, with archaeological evidence indicating only about ten to twelve successful ostracisms over two centuries, including son of Charmus in 487 BCE as the first recorded case and the Just in 482 BCE due to public resentment over his perceived austerity in tax assessments. In medieval Europe, leprosy patients faced institutional exclusion starting as early as the CE but intensifying by the , with segregation into dedicated leper houses—numbering an estimated 19,000 across the continent by 1200 CE—driven by fears of and theological interpretations linking the disease to divine punishment for or . Diagnosed individuals underwent rituals declaring them civilly dead, were compelled to wear identifying garments such as yellow crosses or cloaks and ring bells to warn others, barred from public spaces including churches, and often reduced to on societal fringes, with limited evidence of community reintegration even after symptom remission. Medieval ecclesiastical authorities further marginalized heretics through and inquisitorial processes formalized in the 13th century, treating doctrinal dissenters—such as the Cathars in —as existential threats warranting , property seizure, or execution to preserve communal . The (1209–1229 CE), papal-sanctioned against perceived heretical sects, exemplified this by decimating populations in , where survivors endured stigma as perpetual outcasts, their views equated with moral corruption akin to .

Sociological and psychological analyses

Sociological analyses of outcasts emphasize the role of social labeling and structural processes in creating exclusion. Howard Becker's posits that deviance and outcast status arise not from inherent traits but from societal reactions that tag individuals as outsiders, leading them to internalize and associate with deviant subcultures. This process segregates labeled persons from mainstream society, reinforcing their marginalization through mechanisms like and reduced opportunities for reintegration. Empirical studies support this, showing that once labeled—such as through criminal records or unconventional behaviors—individuals face heightened exclusion, perpetuating cycles of deviance independent of original actions. From a structural viewpoint, status often reflects broader constructions of exclusion, where groups enforce boundaries to maintain , as seen in historical and examples of caste-like systems or minority stigmatization. Émile Durkheim's concept of , while primarily describing normlessness amid rapid social change, indirectly contributes by highlighting how weakened collective regulations can isolate individuals lacking shared moral ties, fostering deviant or withdrawn behaviors that invite further . However, critiques note that theory underemphasizes power dynamics in exclusion, where dominant groups actively define and enforce boundaries to preserve resources and norms. Psychologically, being an outcast triggers profound threats to fundamental needs, including belonging, , , and existential meaning, often manifesting as immediate emotional akin to physical hurt due to overlapping neural pathways. Kipling Williams' temporal need-threat model of outlines stages: reflexive (automatic distress), reflective ( attempts), and (long-term or if needs remain unmet), with empirical experiments demonstrating reduced cognitive performance and self-regulation post-exclusion. Baumeister's research further reveals that depletes ego resources, impairing impulse and meaningful goal pursuit, while fostering a sense of meaninglessness that can escalate to or antisocial acts. Long-term effects include the "outcast-lash-out" dynamic, where chronic heightens , particularly in , as longitudinal studies link reciprocal patterns of rejection and retaliatory behavior to worsened outcomes like anxiety and conduct disorders. Vicious cycles emerge when self-perceived outcasts develop maladaptive social cognitions, interpreting neutral cues as rejection and withdrawing further, exacerbating per Cacioppo's loneliness models. Yet, resilience factors such as alternative affiliations or reframing exclusion as unjust can mitigate harms, with interventions targeting need restoration showing efficacy in reducing or despair in excluded individuals. These findings underscore causal pathways from exclusion to psychological strain, prioritizing empirical interventions over unsubstantiated narratives of inherent victimhood.

Cultural depictions and stereotypes

In historical European art, particularly Northern works from the , outcasts such as lepers, , heretics, prostitutes, and executioners were stereotyped through visual markers of deviance, including exaggerated physical traits like horns, cloven hooves, or suppurating sores, which signified moral corruption and warranted exclusion from the social body. These depictions served to delineate communal boundaries, portraying outcasts not merely as excluded but as embodiments of threatening societal order. In and early , outcasts were frequently rendered as cursed or malevolent figures, reinforcing of inherent danger or affliction; for example, witches emerged as archetypal pariahs, accused of pact-making with the and communal harm, leading to widespread persecution documented in trial records from the 15th to 17th centuries across . Modern media has perpetuated high school outcast as awkward, non-conforming individuals—often , , or eccentrics—subject to by homogenized "popular" cliques, a trope evident in films like (2004) and (1985), which, while critiquing conformity, risk entrenching perceptions of rigid hierarchies by overemphasizing exclusionary dynamics. Portrayals of physical continue to outcasts as villains, objects of pity, or medical cases, as analyzed in representations across theater, film, and , where such characters rarely transcend reductive roles, thereby sustaining rather than fostering . A notable shift appears in 20th- and 21st-century pop culture, where outcast figures like witches have evolved from vilified threats to empowered heroines symbolizing rebellion against norms, as in The Craft () or contemporary series like (2018–2020), reflecting cultural valorization of marginality amid feminist and individualist trends, though critics argue this romanticizes real exclusion. Overall, media analyses trace the archetype's progression from one-dimensional deviants defined solely by rejection to multifaceted protagonists, yet persistent tropes of due to , , or nonconformity underscore ongoing cultural anxieties about difference.

Literature

Novels and short stories

Mary Shelley's ; or, The Modern , first published in 1818, portrays the assembled from body parts as a profound , rejected by its creator and broader society due to its grotesque appearance, leading to profound and vengeful acts that underscore themes of societal against the abnormal. The novel's articulates its alienation explicitly, having initially sought companionship but facing universal revulsion, which drives its tragic descent into monstrosity as a direct consequence of intolerance. John Steinbeck's , published in 1937, depicts multiple ranch workers as social outcasts marginalized by , race, age, or gender, including the mentally impaired Lennie Small, the Black stable hand Crooks, and the elderly handyman , whose interdependent dreams highlight the harsh exclusionary dynamics of Depression-era labor society. Lennie's unintentional violence stems from his cognitive limitations, rendering him perpetually vulnerable to expulsion, while Crooks endures that confines him to solitude, reflecting systemic barriers beyond individual control. In J.D. Salinger's (1951), protagonist emerges as a teenage outcast alienated from the phoniness of adult society and his peers, expelled from multiple schools and wandering in a state of acute disconnection following his brother Allie's death, embodying adolescent rebellion against . 's refusal to integrate, marked by his disdain for superficial interactions, positions him as a self-imposed yet societally reinforced , critiquing mid-20th-century American cultural pressures toward . Harper Lee's (1960) features Arthur "Boo" Radley as a reclusive in the insular Southern town of , shrouded in local myths of savagery due to his withdrawal from society after a youthful legal infraction, yet ultimately revealed as a protector rather than a threat. Boo's parallels other marginalized figures like , illustrating how rumor and fabricate outcasts, with his quiet benevolence challenging community assumptions. Bret Harte's "The Outcasts of Poker Flat," published in , follows four individuals—a gambler, a thief, a , and a madam—exiled from a mining town during for moral lapses, who confront a and internal reckonings that expose the fragility of societal judgments. The narrative culminates in sacrificial acts among the group, subverting their outcast status through demonstrated virtue amid natural adversity, as seen in the gambler John Oakhurst's stoic leadership and the madam Mother Shipton's .

Characters and archetypes

The outcast archetype in typically portrays a estranged from due to physical , moral , social deviance, or existential , often serving as a to communal norms and . This figure frequently evolves into a or perpetual , confronting themes of rejection and self-discovery, with roots in archetypal wanderers like or the Ancient Mariner. Unlike integrated protagonists, outcasts embody causal isolation stemming from inherent differences or imposed banishment, highlighting societal intolerance rather than mere personal failing. In Romantic literature, Mary Shelley's Creature from (1818) exemplifies the innocent outcast , abandoned by its creator and repelled by humanity's revulsion toward its grotesque form, which precipitates a cycle of loneliness and retaliation. Similarly, Victor Hugo's in (1831) represents the physically deformed outcast, confined to Notre-Dame Cathedral and scorned by 15th-century Parisians, yet demonstrating loyalty and pathos amid cruelty. Bret Harte's short story The Outcasts of Poker Flat (1869) features a of moral outcasts—a gambler, prostitute, thief, and drunkard—exiled from a mining town during , where their wilderness ordeal reveals unexpected virtues and human solidarity. Modernist depictions intensify psychological dimensions, as in Franz Kafka's Gregor Samsa from (1915), who awakens transformed into a , symbolizing bureaucratic and familial estrangement that erodes his identity and utility. J.D. Salinger's in (1951) embodies the adolescent outcast archetype, alienated by perceived adult hypocrisy and unable to conform to post-World War II American social expectations, resulting in expulsion from institutions and aimless wandering. In Southern Gothic traditions, Harper Lee's Boo Radley from (1960) functions as the reclusive outcast, shrouded in rumor and fear by Maycomb's residents, ultimately revealing protective benevolence toward the innocent. Sub-archetypes include the virtuous outcast, such as in Hugo's (1862), a former pursuing while evading legal pursuit, underscoring moral integrity against systemic injustice. The often critiques societal hypocrisy, with outcasts like John Gardner's (1971 retelling of ) portraying the monster as a philosophically tormented , rejected for its otherness yet capable of . These figures persist across genres, from tragic exiles to redemptive wanderers, reflecting enduring human tensions between and individuality.

Music

OutKast

OutKast was an American hip hop duo formed in 1992 in East Point, Atlanta, Georgia, consisting of rappers André 3000 (André Lauren Benjamin, born May 27, 1975) and Big Boi (Antwan André Patton, born February 1, 1975). The pair met as teenagers and initially considered names like "2 Shades Deep" or "The Misfits," but after finding those taken, selected "OutKast" from the dictionary synonym "outcast" for "misfit," stylized with a "K" drawn from phonetic spelling to emphasize their outsider status amid the East Coast-West Coast hip-hop dominance. They signed with LaFace Records that year as the label's inaugural hip-hop act, releasing their debut album Southernplayalisticadillacmuzik on April 26, 1994, which introduced a funk-infused Southern sound and peaked at number 20 on the Billboard 200. The duo's subsequent releases built on innovative production and lyrical introspection, with (August 27, 1996) exploring extraterrestrial themes and reaching number two on the , followed by (September 29, 1998), named for their birth signs and lauded for tracks like "Rosa Parks" that challenged regional biases in . (October 31, 2000) marked a psychedelic shift, yielding the hit "B.O.B. (Bombs Over Baghdad)" and earning the Grammy for Best Rap Album in 2002. Their (September 23, 2003) diverged stylistically—Big Boi's rap-focused Speakerboxxx alongside André 3000's soul-pop The Love Below—producing chart-toppers "Hey Ya!" (number one for nine weeks on ) and "," and winning at the 2004 Grammys, the first album to do so. (August 22, 2006), tied to their of the same name, featured eclectic and elements but underperformed commercially. OutKast's genre-blending approach, incorporating P-Funk, soul, and electronic elements, elevated Atlanta's "" scene during the where they won Best New Artist, countering coastal monopolies and influencing subsequent acts by prioritizing regional authenticity over tropes. Across six studio albums, they amassed over 25 million records sold worldwide, six Grammy wins from 16 nominations, and induction into the Rock & Roll Hall of Fame in 2012. After , the duo entered an indefinite hiatus in 2006 to pursue solo projects— with albums like Sir Lucious Left Foot (2010) and with sparse releases including (2023)—while occasionally reuniting for tours, such as the 2014 20th-anniversary shows, without new collaborative material.

Other albums and songs

The German band released their eighth studio album on July 22, 1997, via G.U.N. Records, shifting toward gothic and influences while retaining aggressive riffing and vocals critiqued by some fans as a dilution of the group's raw thrash roots. The album includes tracks like the title song "," which emphasizes themes of isolation amid heavy, mid-tempo grooves. The British electronic duo Outcast (Beaumont Hannant and Richard Brown) issued Out of Tune in September 1996 on One Little Indian Records, fusing , , ambient, and elements across nine tracks, with guest vocals and Jamaican rap adding eclectic textures. Standout cuts such as "Choices" and "Whe de Rass" highlight beats and experimental production. Swedish alternative rock band Bad Cash Quartet released Outcast in January 2001 on Phantom Records, delivering raw, guitar-driven indie rock with post-punk influences. Among songs titled "Outcast," NF's track from the album Perception, released October 6, 2017, portrays the artist's sense of exclusion in mainstream rap, building from introspective verses to explosive choruses over dramatic production; it has exceeded 100 million YouTube views and contributed to the album's platinum certification in the US. Shinedown's hard rock rendition, from their 2015 album Threat to Survival, conveys resilience against societal rejection with anthemic hooks and Brent Smith's soaring delivery. Country artist Koe Wetzel issued his "Outcast" on November 20, 2020, as a raw, acoustic-leaning single evoking outsider struggles in modern life.

Television

Series

Outcast is an American horror television series created by Robert Kirkman, based on his comic book series of the same name published by Image Comics from 2014 to 2018. The show premiered on Cinemax on June 3, 2016, and explores themes of demonic possession through the story of Kyle Barnes, a young man who has experienced supernatural afflictions since childhood and seeks answers with the aid of a local preacher. Produced by Skybound Entertainment and distributed internationally by Fox International Channels, the series consists of two seasons totaling 20 episodes, each approximately 50 minutes in length. The narrative centers on Barnes' return to his rural hometown, where he confronts personal trauma and uncovers a broader demonic conspiracy involving possessions that mimic psychological disorders. Key cast includes as Kyle Barnes, as Reverend John Anderson—a charismatic but flawed as Megan Holter, and as Chief Byron Giles. Supporting roles feature as Mark Holter and Willa Heaton as Amber Barnes. Kirkman served as showrunner alongside writers like for select episodes, emphasizing over gore. Season 1, airing from June to August 2016, introduces the core conflicts with episodes like "A Darkness Surrounds Him" focusing on Barnes' initial attempts. Renewed prior to its debut on March 14, 2016, the second season premiered in the UK on on April 3, 2017, before U.S. airing on from July 20 to September 28, 2018, delving deeper into the possessions' origins and escalating confrontations. The series was canceled in October 2018, with stating no further plans due to declining viewership despite international distribution. Critically, the show received mixed to positive reviews, earning an % approval rating for Season 1 on based on 41 reviews, praised for atmospheric tension but critiqued for pacing issues. On , it holds a 7.3/10 average from over 19,000 user ratings, with commendations for Fugit's performance and Kirkman's grounded take on possession tropes, though some noted repetitive scenes. Availability post-cancellation includes streaming on platforms like and Prime Video in select regions.

Episodes and adaptations

The Outcast television series, adapted from Robert Kirkman's Image Comics series of the same name, comprises two seasons totaling 20 episodes, each approximately 60 minutes in length. The first season, consisting of 10 episodes, premiered on Cinemax on June 3, 2016, and concluded on August 5, 2016, following the story of protagonist Kyle Barnes as he confronts recurring demonic possessions in the rural town of Rome, West Virginia. Key episodes include the pilot "A Darkness Surrounds Him," which introduces Barnes' history of exorcisms, and later installments like "From the Shadows It Watches" (episode 6) and "This Do in Remembrance of Me" (finale), building tension around a possession outbreak. Production emphasized practical effects for horror elements, with filming primarily in New Mexico to evoke an isolated Appalachian setting. Season 2, also 10 episodes, aired from July 20 to September 21, 2017, expanding on the demonic conspiracy while diverging from the comic's pacing to heighten interpersonal conflicts among characters like Reverend Anderson and Chief Giles. Notable episodes feature intensified sequences, such as "Pray" ( 3) and the "," which ends on a amid escalating possessions. Viewership declined from season 1's average of around 300,000 U.S. viewers per to lower figures in season 2, contributing to the network's decision. Cinemax canceled Outcast in October 2018 after two seasons, citing insufficient audience growth despite Kirkman's involvement and positive for its atmospheric . No further adaptations of the series into other media, such as films or spin-offs, have been produced, leaving the television narrative unresolved while the source comic continued publication beyond the adapted material. The cancellation reflected broader challenges for premium cable series, including competition from streaming platforms.

Film

Feature films

"Outcast" (2014) is an action-adventure film directed by in his feature debut, written by James Dormer, and starring as Jacob, a disillusioned , alongside as fellow Anders, and Chinese actors Gao Yifei and as the royal siblings Lian and Zhao. Set in 12th-century during the Tangut Empire's conflicts, the plot follows the knights, who become outcasts after a battle, as they protect the prince and princess from their tyrannical older brother vying for the throne amid warring factions and elements. The film was produced with a emphasizing practical fight filmed in and , but it received widespread critical derision for incoherent scripting, wooden performances, and failure to capitalize on its leads' potential, earning a 5% approval rating on from 22 reviews and a 4.6/10 average on from over 14,000 user ratings. Roger Ebert's review described it as "unforgivably dull," highlighting its mishandled medieval action and lack of engaging stakes despite Cage's presence. Another feature film titled "Outcast" (2010) is a British horror-thriller directed by Colm McCarthy, starring Kate Dickie as Mary and Josh Whitelaw as her son Fergal, blending social realism in a Scottish housing estate with supernatural elements involving black magic sects. The story centers on the pair, former members of a magical cult, being pursued by assassins after Fergal's romance exposes them, culminating in brutal confrontations that mix gritty urban decay with occult rituals. With a modest production, it garnered mixed responses, holding a 5.3/10 IMDb rating from nearly 3,000 votes, praised by some for its atmospheric fusion of genres but criticized for uneven pacing and underdeveloped lore. Earlier entries include the 1928 American drama "Outcast," a synchronized sound film produced and distributed by First National Pictures, though details on its plot and reception are sparse in contemporary records beyond its status as an early talkie adaptation. Similarly, "The Outcast" (1954) is a Western directed by William Witney, featuring John Derek as a vengeful gunslinger navigating family betrayals and frontier justice, distributed by Republic Pictures with standard B-western tropes of gunfights and moral reckonings. These older films reflect period-specific genre conventions but lack the visibility of later productions due to limited preservation and distribution.

Short films and documentaries

Outcast (2017) is a short film directed by Trofimova, depicting the life of street workout enthusiasts in a district on a night, blending elements of sport drama and ; it won Best Film at the Sport Film Festival. The film, produced by Amarant Pictures, marks the first fictional work centered on the workout , emphasizing themes of and amid urban grit. In 2020, Royce Adkins directed Outcast, a science fiction short film featuring an ex-super soldier with chronic asthma struggling to reclaim his purpose in a dystopian setting; distributed via DUST channel, it highlights physical limitations clashing with engineered enhancements. Outcast Forever (2016), directed by DeVaughn Hughson, documents the Outcast Motorcycle Club, founded in 1969 as one of the earliest all-Black biker groups in the United States, challenging racial barriers in motorcycle culture through interviews and footage of rides and club life. The film portrays the club's emphasis on brotherhood, non-conformity, and freedom, drawing from archival material and member testimonies to illustrate its evolution over decades. Outcasts (2016), directed by Clifford Azize and others, profiles the , a Catholic order focused on serving the homeless and marginalized in urban areas like , , and ; produced by Grassroots Films, it references to underscore inner spiritual renewal amid material poverty. The documentary captures street ministry, emphasizing direct aid and evangelization without institutional buffers.

Video games

Outcast (1999)

Outcast is an action-adventure developed by the Belgian studio and published by Infogrames for Windows, with a release date of July 31, 1999. A port followed in 2000. The game employs the proprietary engine, notable for its voxel-based terrain rendering combined with polygonal models for characters and objects, which allowed for expansive, detailed landscapes in 1999. The plot centers on Cutter Slade, a former U.S. Navy , who leads a scientific team attempting to contact a via a spatial distortion experiment in 2007. The mission fails catastrophically, creating a vortex that endangers and transports Slade to the alien world of Adelpha, home to the humanoid Talan species divided into rival clans. Slade must navigate Talan society, resolve inter-clan conflicts, and harness their technology to seal the portal, enabling his return and averting global disaster. Gameplay unfolds in a nonlinear divided into six regions, emphasizing third-person exploration, dialogue-driven quests, puzzle-solving, and against hostile , robots, and soldiers. Players interact with non-player characters through a system influenced by reputation and gifts, ride mounts like the twon-ha creature, and wield weapons including pistols, rifles, and energy-based tools. The voxel engine supports dynamic destruction of terrain and seamless zooming from wide landscapes to close-up views, though controls and exhibit quirks typical of late-1990s titles. Upon release, Outcast garnered positive critical reception for its innovative graphics, ambitious scope, and narrative depth, with awarding it 8.5 out of 10 for its visual prowess despite interface flaws, and scoring it 8.6 out of 10 for blending adventure elements effectively. It received nominations including a BAFTA Interactive Entertainment Award for Original Music and an AIAS Adventure Game of the Year nod. The title has since achieved cult status for pioneering open-world design predating many modern conventions.

Outcast - A New Beginning (2024)

Outcast - A New Beginning is a 2024 action-adventure developed by Appeal Studios and published by . Released on March 15, 2024, for , Series X/S, and Windows, it serves as a to the 1999 game Outcast, returning players to the alien world of Adelpha with protagonist Cutter Slade. The game features open-world exploration, third-person shooting, and jetpack-based traversal mechanics in a sci-fi setting. Development began as a long-awaited follow-up to Outcast, which pioneered open-world elements and voxel-based graphics nearly 25 years earlier. Appeal Studios, formed by veterans from , aimed to modernize with enhanced in and exploration while preserving the quirky, campy tone. acquired the IP rights and supported the effort, with announcements highlighting a focus on player agency in an expansive alien environment. The game underwent delays from an initial 2023 target to ensure polish, though launch versions still faced technical critiques. In the story, ex-Navy SEAL Cutter Slade awakens with on Adelpha, where the native Talans face enslavement and environmental exploitation by off-world corporate forces. Players aid Talan tribes through quests emphasizing alliances, though the narrative shifts abruptly in its climax, diverging from earlier themes of support toward more conventional sci-fi tropes. The plot draws comparisons to films like , featuring pre-industrial aliens resisting industrial invaders, but prioritizes action over deep lore. Gameplay centers on non-linear open-world traversal via a modular jetpack for , boosting, and scanning, paired with customizable weapons for ranged and against robotic enemies and . Resource gathering enables weapon upgrades and shield modules, while side quests involve liberating settlements and faction interactions, though some missions repeat fetch objectives. The voxel-inspired world supports dynamic destruction and vertical exploration, evoking the original's freedom but with modern third-person controls. Reception was mixed, with a score of 69/100 across 37 critic reviews, praising the engaging world-building, fluid movement, and nostalgic charm while faulting bugs, repetitive tasks, and uneven pacing. scores averaged similarly, with 62% positive feedback highlighting immersive exploration against complaints of technical instability and shallow progression. Critics noted it as a solid if flawed revival for fans of early open-world adventures, but not a standout.

Places and geography

Named locations

The Outcast Islands are a group of small islands and surrounding rocks located approximately 3.7 km southwest of Bonaparte Point in the Palmer Archipelago, off the west coast of in . This feature, at coordinates roughly 64°49'S, 64°08'W, consists of two principal islands about 0.9 km apart, with additional rocks, and is recognized in international gazetteers. In , Outcast Islands refer to a geographical feature in at 68°26'N, 112°28'W, officially documented by . Separately, Outcast Hill is an isolated and hill in the Cassiar Land District of northern , rising to about 1,800 m at 57°24'N, 130°46'W, situated southeast of Mess Lake within the in the Spectrum Range. This hill forms part of the late volcanic landscape and is noted for its geological significance in regional surveys.

Historical sites

Cross Bones Graveyard, located on Redcross Way in , , functioned from the medieval period until the 19th century as an unconsecrated burial ground primarily for the "outcast dead," encompassing unlicensed prostitutes, paupers, and others excluded from parish churchyards due to their social status or cause of death. Records indicate its formal establishment as a lay in 1598 by the , who licensed it for the burial of "single women"—a euphemism for sex workers operating in the nearby brothels under episcopal oversight. By the 19th century, following the 1834 New Poor Law, the site absorbed overflow burials from St Saviour's , with over 15,000 remains interred, many in unmarked mass graves reflecting the era's inadequate provisions for the destitute. Archaeological investigations, including a 1992 excavation prompted by development proposals, uncovered skeletal evidence of chronic , infectious diseases like , and high rates among the buried population, corroborating historical accounts of the Poor Law's detrimental effects on London's marginalized poor. The site's remains, preserved as a garden of remembrance since the after campaigns halted commercial redevelopment, feature a and vigils honoring the outcasts, though access remains limited and no full-scale reburial has occurred. This location exemplifies pre-modern and industrial-era practices of segregating socially undesirable dead from sanctified grounds, driven by ecclesiastical and legal restrictions rather than epidemiological concerns.

Brands and other uses

Commercial brands

Outcast Sporting Gear is a line of outdoor equipment manufactured for and water-based recreation, including float tubes, pontoon boats, rafts, and accessories such as fins and carry bags constructed from durable PVC materials. These products emphasize lightweight, portable designs for accessing remote rivers and lakes, with features like thermal-welded seams and integrated gear systems for rod holders and anchors. The brand targets anglers seeking reliable, no-glue construction for wild water environments. Outcast Lures produces handmade fishing lures designed for saltwater and , such as pencil poppers, hybrid poppers, and surfsters, hand-turned and painted in for species like . Each lure undergoes tuning and sealing to ensure performance from beach to offshore waters. In apparel, Outcast Clothing operates as an womenswear brand specializing in festival and party outfits, including mini dresses, jumpsuits, and two-piece sets, with an online store offering express shipping and returns. Launched with a focus on trendy western styles, it expanded distribution to the in 2025 via a Midlands hub and localized website. Outcast Brand Company offers faith-inspired apparel and merchandise, such as hats and , marketed as high-quality items to spark conversations, operated by a Christian, , and minority-owned business. Streetoutcast, established in 2016 in , provides accessories like decals and gear for urban adventure lifestyles, emphasizing meticulous design for style and functionality. Military Outcasts sells military-inspired tactical , including shirts, pants, and patches, positioned as tributes to rebellion and service with a focus on storytelling through apparel.

Miscellaneous applications

"The Outcast" refers to a 2008 psychological drama novel by author Sadie Jones, depicting the life of a troubled young man in post-World War II , which received critical acclaim and the National Short Story Prize for its author. The novel was adapted into a two-part television in 2015, starring George MacKay and broadcast on . Outcast is a comic book series written by Robert Kirkman and illustrated by Paul Azaceta, published by Image Comics from 2014 to 2018, centering on demonic possession and exorcism themes; it comprises 32 issues collected in multiple volumes. The series was adapted into a Cinemax television series starring Patrick Fugit, airing two seasons from 2016 to 2017, which explored similar supernatural horror elements but received mixed reviews for pacing and execution. In music, denotes a thrash/death metal band active in the , known for albums such as First Call / Last Warning (1993) and Awaken the Reason (1997), characterized by aggressive riffs and technical proficiency typical of the genre. Separately, The Outcast Band is a folk-rock ensemble from , formed in the , with releases including the album The Longest Mile (2010) featuring introspective lyrics and acoustic-driven arrangements.

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