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Kendra Morris

Kendra Morris (born April 10, 1981) is an American singer-songwriter and visual artist based in . Born in , and raised in , she developed an early interest in music influenced by her parents—a father and singer mother—who performed across the Southeast. After moving to in 2003, Morris began her career bartending in the while writing songs in a closet studio, drawing from late-1960s and early-1970s , , and cinema scores. Morris gained recognition with her debut album, (2012), released on Wax Poetics Records, which showcased her retro-soul style and earned critical acclaim for its blend of R&B, , and alternative elements. This was followed by the covers album (2013), featuring reinterpretations of tracks by artists like and , further establishing her cult following through placements. After a period of collaborations—including touring with guitarist and singles produced with Jeremy Page, such as "Concrete Waves" remixed by —she returned with (2022) on Karma Chief Records, a collection reflecting personal resilience amid health challenges. Her subsequent releases, including (2023), I Am What I'm Waiting For (2023), and the Next (2025), explore themes of introspection and DIY production, incorporating , boom-bap, and influences. In addition to music, Morris has collaborated with artists like , Julia Haltigan, Holly Miranda, , and , and received the Songwriters Hall of Fame's Holly Prize for songwriting excellence. Her visual art, including multimedia videos like "Bomb Thrown" for and , complements her sonic work, often tying into themes of nostalgia and urban life. Recent features with Greg Nice and DâM-FunK, as well as sampling in and J. Cole's "," highlight her ongoing influence in contemporary soul and hip-hop circles.

Early life and career beginnings

Early life

Kendra Morris was born on April 10, 1981, in . She was raised in , after her family relocated there during her pre-teen years. Her family played a pivotal role in her early musical development, as both parents were active musicians—her father a and her mother a singer—who frequently performed together around the Southeast. This environment immersed Morris in live music from a young age, fostering her initial interest in performance. Morris's exposure to music began through her parents' extensive record collection, which emphasized late-1960s and early-1970s and artists. As a child in St. Petersburg, she often retreated to her closet to sing along with a karaoke machine, experimenting with vocals in private while absorbing influences from the regional music scene around Florida's Gulf Coast. In 2003, driven by her artistic ambitions, Morris moved to , where she initially lived modestly and began creating music in a small closet using basic equipment, including a guitar and an eight-track recorder.

Initial musical pursuits

Upon relocating to in her early twenties, Kendra Morris began immersing herself in the local music scene, performing at small venues and honing her craft through songwriting that blended , , and indie elements. A significant early milestone came in 2008 when Morris gained broader visibility as a contestant on Fuse TV's reality competition series Redemption Song, where she showcased her vocal abilities and stage presence amid a field of aspiring musicians. Prior to securing a record deal, Morris adopted a DIY approach to her music, recording independently in with limited resources, including an eight-track setup, and self-releasing two EPs: This Won't Hurt a Bit in 2007 and Milk and Cookies Never Lie in 2008. These efforts reflected her resourceful ethos, as she handled much of the production herself while gigging locally at spots like Rockwood Music Hall to build an audience and refine her distinctive soulful style. This grassroots phase culminated in 2011 when Morris signed with Wax Poetics Records, marking her transition from independent artist to label-backed performer and setting the stage for her debut release later that year.

Recording career

Debut and breakthrough

Kendra Morris's debut , "Concrete Waves," was released in November 2011 via Wax Poetics Records, marking her entry into the wider scene. The track, characterized by its soulful vocals and retro influences, gained traction through a high-profile by acclaimed producer , which infused beats and scratches, amplifying its appeal to diverse audiences. This played a pivotal role in building early buzz, earning plays on radio stations and blogs dedicated to soul and revival sounds. That same year, Morris embarked on a tour with Motown-era guitarist , serving as lead vocalist alongside his backing band, which included members of Will Sessions. The summer 2011 outings, spanning U.S. venues like the Beachland Ballroom in , allowed her to refine her stage presence and connect with live audiences through performances of and classics. This collaboration not only honed her live performance skills but also exposed her original material to appreciative crowds, fostering growth in her touring capabilities. Morris's debut album, , arrived on August 28, 2012, also through Wax Poetics, and was produced by Tim Bruns of M-Side Productions. The 11-track record blended neo-soul, , and elements, with standout songs like the introspective "Waiting," the upbeat "Pow," and the titular single "Concrete Waves," showcasing her powerful, emotive layered instrumentation. Critics praised its eclectic yet cohesive sound, highlighting Morris's ability to evoke vintage vibes while maintaining a modern edge; outlets noted its "rich sonic tapestry" and potential as a cult favorite in the soul revival movement. In 2013, Morris's soul-infused cover of Pink Floyd's "" gained broader visibility when it was selected for the trailer of the thriller film , starring and . This placement introduced her music to a cinematic audience, underscoring her versatility in reinterpreting rock classics through a soul lens and providing an early breakthrough in mainstream media exposure.

Mid-career developments

In 2013, Kendra Morris released Mockingbird, a covers album produced by her longtime collaborator Jeremy Page, featuring an eclectic selection of tracks that blended soulful reinterpretations with psychedelic and rock influences. The album included renditions of David Bowie's "Space Oddity," Chris Isaak's "Wicked Game," Radiohead's "Karma Police," Lou Reed's "Walk on the Wild Side," and soul classics like Dionne Warwick's "Walk on By" and The Charmels' "As Long as I've Got You," with Page handling arrangements, mixing, and instrumentation to create a slinky, beguiling atmosphere. Originally stemming from informal studio sessions, the project expanded into a full release on Wax Poetics Records, earning praise for Morris's fluid vocal delivery and the album's sultry, genre-blending vibe, which helped cultivate a dedicated among soul and indie listeners. The album's tracks also secured notable sync licenses in media, including Morris's cover of Pink Floyd's "Shine on You Crazy Diamond," which appeared in the trailer for the 2013 film Dead Man Down. Building on her earlier work, Morris issued the single "Banshee" in 2014 as part of a deluxe edition re-release of her 2012 debut album of the same name, tying back to the raw, emotive style of her initial recordings while extending their reach through renewed promotion and touring. Shifting toward original material, Morris self-released the EP Babble on June 17, 2016, via her page, exploring themes of inner turmoil, romantic excitement, subconscious fears, and emotional distractions through introspective lyrics and arrangements. The five-track project, again produced with , marked a maturation in her songwriting, delving into personal and human vulnerability without relying on covers, and received positive acclaim for its enchanting, pain-infused soundscape that resonated with fans. It quickly became a favorite, later expanded in reissues but initially praised for its raw, self-reflective depth. Sync opportunities from this period extended beyond , with the title track "Banshee" prominently featured in the season one finale of the Showtime series in 2013, boosting visibility, alongside other placements for tracks in various TV and film contexts that underscored Morris's growing media presence.

Recent releases and collaborations

In 2022, Kendra Morris released her album Nine Lives on February 18 through Karma Chief Records, a division of Colemine Records, marking a culmination of her decade-long exploration of personal themes including heartbreak and . The 10-track record features an intimate pop-soul style, with production emphasizing Morris's expressive vocals and neo-soul grooves, as heard in tracks like the "Penny Pincher," released in January to preview the album's introspective tone. Morris continued her output in with the single "Penny Pincher" gaining further promotion through live performances, alongside the release of Babble on March 3, an expanded collection of original songs that showcased her introspective songwriting. Later that year, on August 25, she issued I Am What I'm Waiting For, her fifth studio , co-written and produced by Torbitt Schwartz and featuring DIY elements that highlighted her most personal songwriting to date. The 11-song received critical praise for its embrace of imperfections and creative autonomy, blending soulful introspection with raw, unpolished . Morris's collaborations during this period extended her reach into hip-hop, including features on Czarface's projects such as the 2018 album , where she contributed vocals to "Phantoms" alongside and . She also appeared on multiple tracks from (2019), providing additional vocals on songs like "" and "The King Heard Voices," and directed the animated for "Bomb Thrown" from the former album, incorporating stop-motion and retro aesthetics. These partnerships underscored her versatility in blending soul with rap narratives. In 2025, Morris released Next on September 19 via Colemine Records, a 10-track minimalist indie-soul effort infused with pop and elements, structured as a reverse inspired by vintage board games. Key singles included "In My House" in March, "If I Called You" in May, and "Flat Tire" upon the album's launch, each highlighting her cool, catchy songcraft and collaboration with band members like guitarist Supremo McLaughlin. On October 24, she released the single "," a haunting cover popularized by . To support Next, Morris embarked on a series of 2025 live performances, including a solo set opening for on November 18 at (Le) Poisson Rouge in and a headline show at Fairfield Theatre on September 20.

Musical style and influences

Genre and vocal approach

Kendra Morris is primarily classified as a retro-soul, pop-soul, and indie-soul artist, with her music frequently incorporating psychedelic and eclectic elements that blend classic structures with modern experimentation. Her vocal approach is idiosyncratic and deeply emotive, characterized by a rich, mighty delivery that combines soulful grit—evident in her raw, textured phrasing—with elements of modern minimalism, allowing her voice to remain front and center without ornate embellishments. This style enables dynamic shifts from whispered intimacy to soaring intensity, emphasizing emotional vulnerability and harmonic depth. Morris's production has evolved notably across her discography, beginning with the analog warmth and lush, psychedelic textures of her early albums released under Wax Poetics, which evoked a soul ambiance through ethereal arrangements and mid-tempo grooves. In contrast, her recent works, such as the 2025 album Next, shift to a DIY kaleidoscopic sound that strips away layered production for crisp, minimalist indie-soul aesthetics, highlighting live-recorded band dynamics and sparse, introspective instrumentation. Throughout her career, Morris demonstrates vocal and stylistic versatility by interpreting both covers and original compositions, adapting her emotive range to diverse -infused contexts while maintaining a cohesive retro-modern essence.

Key influences

Kendra Morris's musical foundation is rooted in the and traditions of the late and early , shaped by her parents' extensive record collection during her childhood in . This early immersion fostered a deep appreciation for raw, emotive vocals and rhythmic grooves, with influences including artists like and . Her indirect exposure to Florida's vibrant and scene came through local performances with bands while attending college in Tampa, where she honed her skills before relocating to pursue music professionally. Morris draws inspiration from a diverse array of classic acts, notably reinterpreting Pink Floyd's "" in a soulful cover that appeared in the trailer for the 2013 film , highlighting her affinity for elements. She has also been influenced by production techniques, particularly evident in her collaboration with , whose boom-bap style informed tracks blending soul with urban rhythms. The indie music scene in profoundly impacted Morris after her move to , where the creative energy of neighborhoods like Greenpoint exposed her to eclectic sounds from the era, Warhol's , , and contemporary acts like the Frightnrs. Personal life changes, including heartbreak, played a pivotal role in shaping her introspective songwriting on , allowing her to channel vulnerability into songs like "Penny Pincher" and "Who We Are" as a means of emotional release. Morris's visual arts background and DIY further influence her approach to songwriting, emphasizing simplicity and self-reliance through self-taught , , and stop-motion techniques that mirror the unpolished, authentic quality she seeks in her lyrics and compositions. This hands-on creative process, described as a "DIY kaleidoscope world," encourages straightforward narratives drawn from personal experiences, blending her multifaceted artistry into cohesive musical expressions.

Other artistic pursuits

Visual arts and animation

Kendra Morris is an accomplished visual artist specializing in stop-motion , , and DIY creations, often integrating these elements into her music projects while maintaining a distinct artistic practice. Based in , she operates a personal studio where she experiments with handmade techniques, blending soulful aesthetics with kaleidoscopic and psychedelic visuals through cut-paper and mixed-media designs. Her visual work frequently supports her music videos and album artwork, showcasing a collagist approach that emphasizes tactile, analog processes. For instance, Morris directed, animated, and edited the 2018 music video for "Bomb Thrown" by and , utilizing paper cutouts and layered abstractions to create a dynamic, bootleg-inspired that complements the track's energy. Similarly, in her 2023 album I Am What I'm Waiting For, she incorporated stop-motion animations into promotional visuals, such as the "Dominoes" video, where handcrafted elements evoke a meditative, imperfect flow mirroring the record's raw sound. These projects highlight her role as a self-taught , drawing from thousands of hand-cut pieces to produce meditative, frame-by-frame sequences. Beyond music-specific outputs, Morris's studio practice extends to independent collaborations and experimental pieces that explore and as standalone forms. Notable examples include her direction and animation of stop-motion promos for in 2020, combining analog with archival footage, and contributions to the 2021 documentary For Madmen Only, where she created paper-cutout segments using textured materials for surreal, narrative-driven effects. She has also applied her techniques commercially, such as in the 2022 Kangol Spring ad campaign, featuring short stop-motion with derived from various papers. Additionally, Morris co-directed and animated videos for artists like Skinshape ("I Didn't Know" in 2019 and "Theme for Lazarus" in 2022) and Eli Paperboy Reed ("Burn Me Up" in 2019), employing , wax pencils, and cutouts to craft whimsical, hand-built worlds. For her 2025 Next, Morris created the accompanying music videos using her signature DIY and techniques, emphasizing handmade processes without . While much of her visual output intersects with her musical career, Morris's animations emphasize a DIY ethos, often produced in her Brooklyn studio without reliance on digital tools, fostering a psychedelic interplay between form and . Her work in this realm has been recognized for its innovative fusion of visual storytelling and sonic accompaniment, though she has not pursued formal gallery exhibitions to date.

Film and television contributions

Kendra Morris's music has found significant placement in film and television, enhancing her visibility beyond live performances and recordings. Early in her career, she gained initial exposure through a television appearance on the 2008 reality competition series Redemption Song, where she competed as a singer seeking a record deal. A notable example is her soulful cover of Pink Floyd's "," featured in the trailer for the 2013 thriller , starring and , which helped introduce her distinctive vocal style to a broader . Following the release of her 2012 EP , the title track received prominent sync licensing in the Showtime series , appearing in the season one episode "Fite Nite," underscoring its moody, atmospheric tone in dramatic scenes. The subsequent 2013 covers EP also secured multiple film and TV sync licenses post-2012, contributing to a growing among soundtrack enthusiasts. These media placements have played a key role in amplifying Morris's reach, fostering dedicated listeners drawn to her music's evocative use in narrative contexts and solidifying her reputation in sync licensing circles.

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