Este Haim
Este Arielle Haim (born March 14, 1986) is an American musician, composer, and advocate best known as the bassist and co-vocalist of the Grammy-nominated pop rock band Haim, which she formed with her younger sisters Danielle and Alana in Los Angeles in 2007.[1][2] Raised in the San Fernando Valley by parents of Jewish heritage who encouraged their musical talents from a young age, Haim grew up performing covers as a family band called Rocking Haim before transitioning to original material as adults.[3][1] The band Haim gained prominence in the early 2010s with their blend of rock, pop, and R&B influences, releasing critically acclaimed albums including Days Are Gone (2013), Something to Tell You (2017), Women in Music Pt. III (2020), and I Quit (2025), earning nominations for major awards and performing at major festivals worldwide.[4][2][5] In addition to her role in the band, where she contributes songwriting and vocals, Este Haim has expanded into film and television composition, scoring projects such as the Netflix series Maid (2021) and the film Cha Cha Real Smooth (2022), and serving as executive music producer for the National Geographic limited series A Small Light (2023).[6] Diagnosed with Type 1 diabetes at age 14, Haim has become a prominent advocate for the condition, managing it while touring and using her platform to raise awareness through events like the Breakthrough T1D Walk and Children's Congress; in November 2024, she received the Breakthrough T1D Voice of Influence Award for her contributions to the community.[7] As of 2025, Haim continues to perform, including surprise hometown shows in Los Angeles in April, blending her multifaceted career in music and advocacy.[8]Early life
Family and childhood
Este Haim was born on March 14, 1986, in Los Angeles, California, the eldest daughter of Mordechai "Moti" Haim and Donna Haim.[9] Her father, born in Israel, was a professional soccer player who immigrated to the United States in 1980 after serving in the Israeli military, where he also played drums in a band.[10] Her mother, originally from Philadelphia, worked as a high school art teacher and guitarist, having won an episode of the 1970s talent show The Gong Show with a cover of Bonnie Raitt's "Love Me Like a Man."[11][10] The family, which included Este's two younger sisters, Danielle and Alana, settled in Valley Village, a suburb in the San Fernando Valley area of Los Angeles.[11] Music permeated their household from an early age, as both parents were active musicians who met on a blind date and bonded over their shared passion for performing.[11] They formed a cover band called the Mommies and Daddies (later renamed Boomerang), playing at venues like Club Med resorts, and encouraged their daughters to pick up instruments without formal lessons, teaching them to play by ear from cassette recordings of radio hits.[10][12] By the time Este was around 10 years old, the family had started their own group, Rockinhaim, with Moti on drums and the sisters joining on various instruments; their first paid gig was at Canter's Deli, where they earned matzo ball soup.[11][10] Este quickly gravitated toward the bass, mastering progressions from songs by artists like Santana and Joni Mitchell, influenced by her parents' eclectic tastes spanning funk, disco, and folk.[12] The family's Jewish heritage added cultural layers to their upbringing, including exposure to Israeli music from their paternal grandmother—such as songs by Ofra Haza—and traditions like preparing kugel and latkes, though their parents emphasized normalcy over show business ambitions.[10] Este and her sisters lived at home with their parents until 2013, often rehearsing in the living room.[10]Education
Este Haim attended Dixie Canyon Elementary School in Sherman Oaks, California, during her early years.[13] She later graduated from the Los Angeles County High School for the Arts, a magnet school focused on performing and visual arts.[13] Haim pursued higher education at the University of California, Los Angeles (UCLA), where she studied ethnomusicology as an undergraduate.[1][14] During her time at UCLA, she specialized in Bulgarian and Brazilian music, including percussion traditions.[15] She completed her degree in ethnomusicology, accelerating through a program that typically spans five years by finishing in two.[11] As a fourth-year student in early 2010, Haim was actively involved in music performance alongside her studies, forming the early incarnation of her band with her sisters.[1] She graduated from UCLA in 2010.[1]Professional career
With Haim
Haim, the rock band formed by sisters Este, Danielle, and Alana Haim in Los Angeles in 2007, marked the beginning of Este's professional music career as the group's bassist and backing vocalist.[16] The trio drew early attention through performances and online buzz, releasing their debut EP Forever in 2012, which showcased their blend of pop-rock and R&B influences.[16] Este contributed to the band's songwriting from the outset, helping shape their signature sound characterized by tight harmonies and dynamic instrumentation.[17] The band's breakthrough came with their debut studio album, Days Are Gone, released in September 2013, which debuted at number one on the UK Albums Chart and reached the top ten in the United States.[16] Este's prominent bass lines and vocal harmonies featured on tracks like "The Wire" and "Forever," supporting the album's commercial success, including over 100,000 copies sold in its first week in the UK.[16] To promote the album, Haim embarked on the Days Are Gone Tour from November 2013 to May 2014, performing across Europe, North America, and Australia, with opening acts including Tennis and MS MR; the tour included high-profile festival appearances at Glastonbury and Coachella.[18] Their second album, Something to Tell You, arrived in July 2017 and debuted at number one on the Billboard Alternative Albums chart, earning critical acclaim for its polished production.[16] Este co-wrote several tracks and provided bass throughout, notably on the lead single "Want You Back," which peaked at number 29 on the Billboard Alternative Songs chart.[17] The accompanying Sister Sister Sister Tour spanned 2017–2018, featuring sold-out shows in major venues like Madison Square Garden and international dates in Europe and Asia.[19] Haim's third album, Women in Music Pt. III, released in June 2020 amid the COVID-19 pandemic, addressed themes of personal struggle and resilience; it received Grammy nominations for Album of the Year and Best Rock Performance for "The Steps" in 2021, making Haim the first all-female rock band nominated in the Album of the Year category.[20] Este's contributions included co-writing and her distinctive bass work on singles like "The Steps," which highlighted the band's evolving emotional depth.[21] The delayed One More Haim Tour followed in 2022, covering North America and Europe with intimate theater shows that emphasized their live energy.[19] In June 2025, Haim released their fourth album, I Quit, co-produced by Danielle Haim and Rostam Batmanglij, which explores themes of relationships and self-reflection through 15 tracks.[22] Este continued her role as bassist and co-writer, contributing to the album's raw, cathartic sound on songs like "Gone" and "All Over Me."[22] The I Quit Tour launched in 2025, including arena dates such as London's O2 on October 28, building on the band's reputation for dynamic live performances.[19] Earlier, Haim had earned their first Grammy nomination in 2015 for Best New Artist, underscoring their rising impact in rock music.[16]Composing and production
Este Haim has been a key contributor to the songwriting and production of her band Haim's albums, often sharing composer credits with her sisters Danielle and Alana Haim. On the band's 2025 album I Quit, she is credited as a composer on multiple tracks, including "Gone," "All Over Me," and "Relationships," where the sisters collaboratively developed melodies and lyrics alongside producers like Rostam Batmanglij.[22] Earlier works, such as Days Are Gone (2013) and Something to Tell You (2017), also feature collective writing credits for the trio, emphasizing their familial dynamic in crafting pop-rock arrangements that blend guitar riffs, harmonies, and rhythmic elements.[23] Transitioning from band performance to film scoring, Haim debuted as a composer in 2021 with the Netflix series Maid, collaborating with Christopher Stracey to create an emotive score that underscored themes of resilience and hardship using organic instrumentation like guitar and piano.[24] This partnership continued on projects including Cha Cha Real Smooth (2022), a coming-of-age film where their music balanced humor and tenderness through experimental sound design, and Anyone But You (2023), a romantic comedy that highlighted their ability to adapt upbeat, synth-infused tracks to visual pacing.[25] Haim's approach emphasizes intuition and collaboration, treating the studio as a "laboratory" for blending acoustic and electronic elements without overpowering dialogue.[24] In parallel, Haim partnered with composer Amanda Yamate on Netflix films Do Revenge (2022) and You Are So Not Invited to My Bat Mitzvah (2023), producing scores that incorporated youthful, eclectic vibes with bass-driven grooves reflective of her instrumental background.[6] She served as executive music producer for the 2023 National Geographic miniseries A Small Light, overseeing era-appropriate covers and original pieces featuring artists like Kamasi Washington and her sister Danielle, focusing on atmospheric subtlety to evoke historical tension.[6] Her 2024 score for Suncoast, again with Stracey, premiered at Sundance and explored familial drama through layered, emotive soundscapes.[25] Influenced by her ethnomusicology studies and mentors like Ludwig Göransson, Haim prioritizes sonic experimentation and emotional restraint in production.[24]Acting roles
Haim made her acting debut in the first season of the IFC parody series Documentary Now!, appearing in two episodes titled "Gentle and Soft: The Story of the Blue Jean Committee" (Parts 1 and 2) in 2015, where she portrayed one of the female backup singers in the fictional soft rock band alongside her sisters Alana and Danielle.[26][27] In 2019, she had a guest role as Lemon, a photographer friend of the protagonist, in the pilot episode "Guy's Girl" of Hulu's comedy series Dollface.[28] That same year, Haim appeared as Val Gal, a choreographer character, in the Netflix mockumentary short The Lonely Island Presents: The Unauthorized Bash Brothers Experience, a visual rap album parodying 1980s baseball stars, sharing the role with her sisters and other performers like Maya Rudolph.[29] (Note: Wikipedia cited here only for cast confirmation, but primary source is IMDb.) Haim's feature film debut came in 2021 with Paul Thomas Anderson's coming-of-age drama Licorice Pizza, in which she played Este, a supportive friend to the young protagonist Gary Valentine (Cooper Hoffman), drawing on her real-life familial dynamics with her sisters who also appeared in the film.[30] In 2022, she had an on-camera role as music consultant in seven episodes of HBO's anthology series The White Lotus (Season 2), appearing alongside the cast in Sicily to guide musical performances, particularly mentoring actors Beatrice Grannò and Simona Tabasco in their lounge singer scenes.[31][32] Her most recent acting credit is in the 2024 black comedy body horror film Shell, directed by Max Minghella, where she portrayed Lydia, a supporting character in the story of a struggling actress (Elisabeth Moss) entangled in a wellness company's trial program.[33][34]Personal life
Health
Este Haim was diagnosed with Type 1 diabetes at the age of 14 in 2000, during her first week of high school.[35] She experienced classic symptoms including excessive thirst, blurred vision, and unexplained weight loss, which led to her diagnosis.[35] Initially, Haim struggled to manage the condition, rationing insulin as a teenager and facing erratic blood sugar levels that contributed to weight gain and other complications during her early years.[36] As a touring musician with the band Haim, Haim's diabetes management was further challenged by irregular schedules, poor sleep, and diets high in processed foods like pizza, which exacerbated her blood sugar instability.[36] In 2018, she began using a continuous glucose monitor (CGM), which provided real-time data on her levels and dramatically improved her control; her A1C dropped by 2% within 1.5 months, allowing her to make informed decisions about diet and activity during performances.[36] She now incorporates tools such as glucose gummies for quick corrections, insulated insulin storage cases, and probiotics to support gut health amid her condition.[37] Haim has openly advocated for diabetes awareness, often wearing her CGM visibly on stage and participating in charity efforts toward a cure.[36][35] In 2018, Haim was diagnosed with stage 3 kidney disease, a complication linked to years of suboptimal diabetes management from her demanding career.[37] The diagnosis, which occurred shortly before a Coachella performance, prompted her to prioritize self-care more rigorously, including better nutrition and monitoring to prevent further progression.[37] Despite these health hurdles, Haim has stated that her conditions have not derailed her professional success, emphasizing the importance of staying as healthy as possible.[35]Relationships
Este Haim has maintained a relatively private personal life, with limited public details about her romantic relationships. She became engaged to tech entrepreneur Jonathan Levin in February 2025, announcing the news on Instagram with a photo of her square-cut diamond engagement ring and a T-shirt reading "I'M TAKEN."[38][39] The couple first sparked romance rumors in December 2023 when they attended Taylor Swift's birthday party together in New York City.[38] They have since appeared publicly at events including a Kansas City Chiefs game in September 2024 and the US Open later that month.[38] Levin, born in the UK, studied economics at the University of Bristol and earned a master's degree in philosophy and economics from the University of Oxford; he co-founded the cryptocurrency analysis firm Chainalysis and became its CEO in December 2024, later testifying before the U.S. Congress on blockchain technology and national security.[38] Haim has referred to Levin as her "love" in a Valentine's Day 2024 Instagram Story.[38] Prior to her engagement, Haim shared experiences from past relationships that highlighted challenges related to her Type 1 diabetes diagnosis. In a 2025 interview with British GQ, she recounted an ex-boyfriend ending their relationship after she mentioned the possibility that any future child might inherit the condition, stating, "I had a guy break up with me because I said that there was a possibility that our kid would have diabetes. He was like, ‘Then why are we here?’ And I was like, ‘What?!’"[40][41] In March 2025, Haim publicly exposed another ex-boyfriend on Instagram, revealing that he had persuaded her to fund his mother's surgery but instead used the money for a luxury Mediterranean vacation with a woman he was cheating with; she captioned a video of herself rolling her eyes, "i wish i was kidding."[42] These anecdotes reflect broader themes in Haim's discussions of past relationships, which she has described as involving "creeps, weirdos, and losers" in a March 2025 i-D interview alongside her sisters.[43] Haim has not publicly detailed other long-term relationships, emphasizing her preference for privacy in personal matters.[44]Artistry
Musical style
Este Haim's musical style as a bassist is characterized by a fingerstyle approach that emphasizes rhythmic space and groove, often prioritizing the notes not played to create a funkier, more dynamic foundation within Haim's pop-rock sound. She favors clean, warm tones from her 1973 Fender Precision Bass, nicknamed "Blondie," adapting her lines to serve the song's needs—whether providing a steady pulse in tracks like "Los Angeles" or driving melodic elements in "I've Been Down." Due to a childhood injury that locked her pinky finger, Haim plays with three fingers, which influences her economical phrasing and contributes to the band's blend of jazz, hip-hop, soul, R&B, and folk elements.[45][46] Her influences draw heavily from bass icons and diverse genres, including Tina Weymouth's innovative lines in Talking Heads, Jaco Pastorius's fusion jazz virtuosity, Larry Graham's funk slapping, Thundercat's modern experimentalism, and James Jamerson's Motown precision. Early exposure to her family's covers of '60s and '70s music, alongside funk and nu metal, shaped her versatile style, which also incorporates reggae and synth textures in Haim's work, as heard in songs like "Another Try" and "3 AM." Haim has cited fusion acts like Mahavishnu Orchestra and artists such as Sublime, Lou Reed, and Rick Danko as further inspirations, reflecting her preference for bass that amplifies the ensemble rather than dominating it.[45][46] In her composing and production work, Haim's style shifts toward atmospheric sonics and emotional subtlety, focusing on drum, synth, and bass tones to build immersive soundscapes without overt manipulation. For projects like the Netflix series Maid (2021), she fused synth-heavy electronics with collaborator Christopher Stracey, drawing from self-taught techniques via YouTube tutorials. Her scores for A Small Light (2023) incorporated era-specific covers curated with artists like Kamasi Washington, while influences from ethnomusicology—such as sitar, tabla, gamelan, and Bulgarian choral traditions—alongside classical composers like Tchaikovsky and producers like Kate Bush and Arthur Russell, inform her iterative process involving vocals, guitar, bass, and piano. This approach allows for vocal experimentation and a balance of freedom and restraint, evident in her teen film scores for Do Revenge (2022) and You Are So Not Invited to My Bat Mitzvah (2023), as well as the romantic comedy Anyone But You (2023) and drama Suncoast (2024).[6][45][9]Influences and equipment
Este Haim's musical influences stem from a diverse array of genres and artists, shaped by her family's musical background and formal education. Growing up in a household where her father played drums and her mother played guitar, Haim began learning instruments early, starting with drums at age two and later picking up bass after being inspired by Tina Weymouth's performance in Talking Heads' concert film Stop Making Sense at age eight.[6][47] Her ethnomusicology degree from UCLA, which focused on Brazilian and Bulgarian music and percussion, further broadened her appreciation for global sounds, including Brazilian carnival drums, classical works by Tchaikovsky, and experimental artists like Arthur Russell and Kate Bush.[48][6] Haim's influences also encompass classic rock, Motown, funk, and '80s pop, genres she performed extensively with her sisters and parents in their family band during her youth. She has cited admiration for artists such as Fleetwood Mac (particularly "Rhiannon"), Prince ("I Would Die 4 U"), Grimes ("California"), and The Strokes ("You Only Live Once") as key favorites that inform her songwriting and performance style.[49][50] This eclectic mix reflects her approach to music as both a personal and sociological pursuit, evident in her exploration of instruments like sitar, tabla, gamelan, and participation in a Bulgarian choir during her studies.[6] In terms of equipment, Haim primarily relies on Fender Precision Basses for her signature tone, favoring vintage models for their feel and reliability. Her most cherished instrument is a 1973 Fender Precision Bass, acquired around 2010 via Craigslist for $2,300 from Rilo Kiley guitarist Blake Sennett, whom she admired; she saved for it while working at a coffee shop and had it repaired for optimal playability.[45] She has also used Fender's American Professional II Precision Bass in performances and instructional content, appreciating its versatility for Haim's pop-rock sound.[51] For amplification, Haim employs Ampeg gear to achieve her punchy, dynamic bass lines. Her live rig typically includes the Ampeg Heritage SVT-CL 300 head and the Ampeg SVT-610HLF cabinet, paired with Ernie Ball strings for consistent tone and playability.[45] Earlier setups featured the Ampeg SVT-CL Classic head and SVT-410HE enclosure, emphasizing the brand's classic warmth that complements her influences from funk and rock eras.[52]Cultural influence
Impact and advocacy
Este Haim has emerged as a prominent advocate for type 1 diabetes (T1D) awareness and management, drawing from her own diagnosis at age 14 and over two decades of living with the condition.[53] She has actively participated in events organized by the Juvenile Diabetes Research Foundation (JDRF), now known as Breakthrough T1D, including the 2015 Children's Congress where she shared how her family supports her T1D management during tours and performances.[54] In recognition of her efforts, Haim was awarded the Breakthrough T1D Voice of Influence Award at the 51st Promise Gala in November 2024, highlighting her role in inspiring others not to let T1D hinder their ambitions.[7] A key aspect of Haim's advocacy involves promoting continuous glucose monitors (CGMs) to destigmatize diabetes technology. Since adopting a Dexcom CGM in 2018, she has worn it visibly on her arm during Haim performances and in music videos, stating, "I want people to see that I’m wearing it because I don’t want it to be stigmatized."[36] This visibility led to a 2% drop in her A1C levels within 1.5 months and helped address related health issues like kidney concerns, reinforcing her message that "health is wealth."[36] Haim has also addressed the mental health challenges of T1D, including burnout, which she describes as a "24-hour job you can’t clock out of," and incorporated these themes into her songwriting, such as the track "Hallelujah" from Haim's 2019 work.[53] In June 2025, Haim revealed that she had once been broken up with due to her T1D, sharing this experience to highlight the stigma chronic illnesses can face in personal relationships and to promote greater acceptance and awareness.[40] Beyond diabetes, Haim contributes to broader social advocacy through her platform in the music industry. As part of Haim, she has spoken out against sexism and gender inequities, using their 2020 album Women in Music Pt. III to critique industry stereotypes and the lack of progress in female representation.[55] In 2020, the sisters joined Black Lives Matter protests in Los Angeles following George Floyd's death, emphasizing the need for justice and donating to related funds like the People’s City Council Freedom Fund.[55] Haim's efforts extend to pushing for female empowerment in performances, where she has highlighted the constant incorporation of "female power" into their act to challenge norms.[56] Her advocacy work has amplified cultural conversations around chronic illness and gender equality in entertainment, inspiring fans and peers to prioritize health management and equity. By integrating personal vulnerability into her public persona, Haim fosters a sense of community and resilience, particularly for those facing similar barriers in high-pressure careers.[53][36]Recognition
Este Haim has received significant recognition for her contributions to music as a member of the band Haim, including multiple Grammy Award nominations. In 2015, Haim earned their first Grammy nomination for Best New Artist at the 57th Annual Grammy Awards. The band received further nominations at the 63rd Annual Grammy Awards in 2021 for Album of the Year for Women in Music Pt. III and Best Rock Performance for the single "The Steps," marking them as the first all-female rock group nominated for Album of the Year. Most recently, at the 68th Annual Grammy Awards in 2026, Haim was nominated for Best Rock Album for their release I Quit. Haim has accumulated no Grammy wins to date across these nominations. Beyond the Grammys, Haim has been honored at other major awards ceremonies. At the 2021 Brit Awards, the band won the International Group award, becoming the first all-girl group to receive this honor, following nominations in 2014 and 2018. In 2022, Haim collectively accepted the Women of the Year Award from Glamour magazine, recognizing their impact as a female-led rock act. Individually, Haim has been acknowledged for her advocacy work related to type 1 diabetes, with which she was diagnosed at age 14. In November 2024, she received the Breakthrough T1D Voice of Influence Award at the Greater New York Metro Chapter's 51st Promise Gala, honoring her efforts to raise awareness and support for the type 1 diabetes community through performances and public speaking.Works
Discography
Este Haim is best known as the bassist and vocalist for the band Haim, contributing to their four studio albums released between 2013 and 2025.[57]| Album | Release Year | Label | Role |
|---|---|---|---|
| Days Are Gone | 2013 | Columbia Records | Bass, vocals |
| Something to Tell You | 2017 | Columbia Records | Bass, vocals |
| Women in Music Pt. III | 2020 | Columbia Records | Bass, vocals |
| I Quit | 2025 | Columbia Records | Bass, vocals |
| Soundtrack | Release Year | Collaborators | Role |
|---|---|---|---|
| Cha Cha Real Smooth (Soundtrack from the Apple Original Film) | 2022 | Christopher Stracey | Composer |
| Do Revenge (Original Score) | 2022 | Amanda Yamate | Composer |
| A Small Light (Original Series Soundtrack) | 2023 | Various artists (e.g., Angel Olsen, Weyes Blood) | Executive producer |
| You Are So Not Invited to My Bat Mitzvah (Original Score) | 2023 | Amanda Yamate | Composer |
| Anyone But You (Original Motion Picture Soundtrack) | 2023 | Christopher Stracey | Composer |
| Suncoast (Original Soundtrack) | 2024 | Christopher Stracey | Composer |
Filmography
Este Haim began her on-screen career with cameo appearances in television, leveraging her background as a musician with the band Haim. In 2015, she appeared as herself in two episodes of the mockumentary series Documentary Now!, specifically in the "Gentle and Soft: The Story of the Blue Jean Committee" segments, portraying a member of the fictional soft rock band alongside her sisters Alana and Danielle Haim. In 2019, Haim guest-starred as Lemon, an artsy photographer friend of the protagonist, in the first episode of the Hulu comedy series Dollface. She also voiced the character Val Gal in the Netflix mockumentary special The Lonely Island Presents: The Unauthorized Bash Brothers Experience that same year.[60] Haim's feature film acting debut came in 2021 with a supporting role as Este in Paul Thomas Anderson's coming-of-age drama Licorice Pizza, where she appeared alongside her bandmates and family.[61] More recently, in 2025, she portrayed Lydia, a loyal friend to the lead character, in the black comedy body horror film Shell, directed by Max Minghella and starring Elisabeth Moss and Kate Hudson.[33]| Year | Title | Role | Type | Notes |
|---|---|---|---|---|
| 2015 | Documentary Now! | Este Haim | TV Series (2 episodes) | Guest appearance as herself in mockumentary segments. |
| 2019 | The Lonely Island Presents: The Unauthorized Bash Brothers Experience | Val Gal (voice) | TV Special | Mockumentary.[60] |
| 2019 | Dollface | Lemon | TV Series (1 episode) | Guest star. |
| 2021 | Licorice Pizza | Este | Film | Supporting role.[61] |
| 2025 | Shell | Lydia | Film | Supporting role.[33] |
| Year | Title | Role | Type | Notes |
|---|---|---|---|---|
| 2014 | Vampire Academy | Soundtrack | Film | Haim band music featured.[9] |
| 2015 | Paper Towns | Soundtrack | Film | Haim band music featured.[9] |
| 2021 | Maid | Composer | TV Miniseries | Original score.[6] |
| 2022 | Cha Cha Real Smooth | Composer | Film | Co-composed with Christopher Stracey.[25] |
| 2022 | Do Revenge | Composer | Film | Co-composed with Amanda Yamate. Original score.[64] |
| 2022 | The White Lotus (Season 2) | Music Supervisor | TV Series | Supervised soundtrack.[25] |
| 2023 | You Are So Not Invited to My Bat Mitzvah | Composer | Film | Co-composed with Amanda Yamate. Original score.[65] |
| 2023 | Anyone But You | Composer | Film | Co-composed with Christopher Stracey.[9] |
| 2023 | A Small Light | Executive Music Producer | TV Miniseries | Curated soundtrack.[63] |
| 2024 | Suncoast | Composer | Film | Co-composed with Christopher Stracey.[62] |
| 2025 | Tow | Composer | Film | Co-composed with Nathan Barr. Original score.[9] |