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Kenny Gradney

Kenny Gradney (born February 25, 1950) is an American bassist and songwriter best known for his longstanding role as the bassist in the rock band . Gradney joined in 1972 alongside percussionist after original bassist departed, expanding the group into a sextet and solidifying its rhythm section for decades. Prior to , he played bass with and Friends, including on their participation in the 1970 tour across Canada. With , Gradney contributed to the band's signature blend of rock, , , and New Orleans-inspired grooves on key albums such as the breakthrough Dixie Chicken (1973), the studio effort (1975), and the acclaimed live recording (1978). He remains an active member of the band, which continues to tour and record as of 2025, with recent announcements including the Feat Fest 2025 event and new music releases. Beyond , Gradney has performed with notable acts including Bob Weir's in the early 1980s and the Grateful Dead-inspired group .

Early Life

Childhood

Kenny Gradney was born on February 25, 1950, in New Orleans, . His family migrated to in the late 1940s, where he grew up in a community in as the middle child of 11 siblings. His father, Michael Edison Gradney Sr., was a music promoter who managed artists such as Little Willie Littlefield, providing early exposure to and R&B traditions. This background, combined with the vibrant Southern music heritage of his parents—mother from New Orleans and father from , Texas—shaped his rhythmic and soulful musical foundation. Details of his formal remain sparse, but music became a central during his youth.

Musical Beginnings and Influences

Kenny Gradney began playing at the age of 12, initially teaching himself by listening to records and studying instructional books. He received some early guidance on scales from his cousin of , but largely developed his skills through self-directed practice, emphasizing a groove-oriented approach rooted in locking tightly with the drums. His primary influences included bassist , whose innovative and soulful lines shaped Gradney's focus on pocket playing and rhythmic simplicity. Growing up in a musically rich environment—his father managed artists such as Little Willie Littlefield—further exposed him to and R&B, reinforcing a preference for soulful, understated bass work over flashy technique. Additional inspirations came from the broader scene, Louisiana's vibrant music culture including elements from New Orleans artists, and figures like and . By the mid-1960s, around age 14, Gradney became active in the local music scene in , forming and playing in bands such as The Turbons, where he backed various performers and honed his professional foundations. This period marked his transition from casual playing to committed involvement, drawing on his roots and upbringing amid , R&B, and emerging traditions that fostered his enduring interest in groove-driven music.

Career with Little Feat

Joining the Band

In 1972, following the departure of original bassist —who left after their second album to join due to health concerns related to air quality—Kenny Gradney was recruited to fill the role. Gradney, a Baton Rouge native with prior experience as a bassist for , including their participation in the 1970 tour, brought a strong foundation in southern-influenced music to the band. His addition, alongside guitarist and percussionist (also from ), completed the classic lineup featuring on guitar and vocals, on keyboards, and on drums. Gradney's entry into the band occurred through a direct , with limited public details on a formal audition, though he reportedly brought Clayton along for consideration during the transition. He integrated immediately, contributing lines to the recording sessions for , which took place in late 1972 and was released in January 1973. His syncopated playing style meshed seamlessly with the band's emerging sound, drawing on his roots to enhance the album's polyrhythmic grooves infused with New Orleans flair. Adapting to Little Feat's eclectic blend of rock, , and presented initial challenges for the expanded ensemble, as members navigated differing musical backgrounds and influences. Drummer later reflected on this period, noting, "There was much more input, more people to play off of. Groove-wise, there was a lot of going on for the next bunch of years. We were all coming from different places, and to make it work there were a lot of compromises made, voluntarily and involuntarily." Despite these adjustments, Gradney's solid rhythmic foundation helped solidify the group's chemistry early on.

Key Contributions to Albums and Tours

Kenny Gradney's tenure with Little Feat saw him establish a foundational role as the band's bassist, contributing to several landmark albums that defined their eclectic blend of rock, funk, and blues. On the 1973 album Dixie Chicken, Gradney provided the steady bass lines that helped solidify the group's rhythmic pocket alongside drummer Richie Hayward and percussionist Sam Clayton, marking a pivotal evolution in Little Feat's sound following the addition of new members. His playing on this record, including tracks like the title song, locked in the band's signature groove, enabling the layered instrumentation from Lowell George and Paul Barrere to flourish. Gradney continued his essential contributions on Feats Don't Fail Me Now (1974), where his bass work anchored the album's energetic tracks and supported the band's growing reputation for intricate, groove-oriented compositions. Later, the live album Waiting for Columbus (1978) further highlighted his prowess, capturing performances from 1977 tours with bass lines that drove the extended jams and maintained the band's tight ensemble dynamics. These recordings, including selections from the August 1977 shows at George Washington University's Lisner Auditorium, showcased Gradney's ability to lock in the groove during live settings, contributing to the album's status as a definitive document of Little Feat's peak era. Throughout the 1970s, Gradney participated in 's extensive touring schedule, which fueled the raw energy heard on and helped build their devoted fanbase. The band's breakup in 1979, prompted by Lowell George's death and internal tensions, temporarily halted their momentum, but Gradney's endurance as a core member persisted. He rejoined for the reunion, resuming tours and recordings that revitalized , with his bass providing continuity in the post-George lineup. As of November 2025, Gradney remains an integral part of , contributing bass to the 2024 blues-focused album Sam's Place, their first studio release in over a decade, where he supported lead vocals from across tracks emphasizing rootsy grooves, as well as the 2025 album Strike Up the Band, featuring original material and guests like . On November 12, 2025, the band announced "The Last Farewell ," set to begin in 2026 and span several years, after which they plan to retire from touring; Gradney participates with the current configuration featuring on keyboards, on percussion, on guitar, on guitar, and Tony Leone on drums.

Other Collaborations

Work with Delaney & Bonnie and Early Groups

Kenny Gradney emerged as a professional bassist in the late 1960s within the burgeoning Los Angeles music scene, where he quickly gained traction through session work and live performances that showcased his adaptability across genres. In 1970, Gradney joined Delaney & Bonnie & Friends, contributing bass to their dynamic rhythm section during the iconic Festival Express tour, a cross-country rail journey through Canada that united top acts in a mobile rock festival atmosphere. The tour featured shared billings with artists such as Janis Joplin and the Full Tilt Boogie Band, the Grateful Dead, and The Band, creating spontaneous collaborations amid the train's festive environment. Gradney's participation was captured in the 2003 documentary film Festival Express, in which he described the experience as surpassing the energy of Woodstock. Around the same time, Gradney provided session bass for , supporting their innovative fusion of country and rock on recordings tied to ' solo sessions, later compiled in releases like Sleepless Nights (2000). These contributions helped define the group's signature sound during a transitional phase following Parsons' departure. Throughout the early , Gradney solidified his standing as a go-to in , drawing on and influences from his formative years to collaborate with diverse artists and build a foundation for his subsequent career.

Later Projects and Guest Appearances

Following his foundational role in , Kenny Gradney expanded his career through collaborations with guitarist in the supergroup during the mid-1980s. Joining as bassist in March 1983, Gradney contributed to the band's live performances and their second studio album, Where the Beat Meets the Street, released in August 1984 on , which featured a blend of rock and experimental elements alongside musicians like on drums. His tenure with the group ended in late 1984, highlighting his adaptability in jam-oriented rock settings. In the 1990s, Gradney joined , an instrumental tribute project reinterpreting compositions through lenses, performing alongside drummer , guitarist Jeff Pevar, and keyboardist in various lineups that toured and recorded multiple albums. This work extended into the 2000s, allowing Gradney to explore improvisational -rock dynamics rooted in his established groove style. Earlier in the decade, he had guested on drummer Chico Hamilton's album Nomad (1980), providing bass on tracks that fused traditional with emerging fusion influences. Gradney's guest appearances underscored his versatility across rock, pop, and jazz genres. On Warren Zevon's comeback album (1987, ), he supplied bass duties alongside Little Feat drummer , contributing to the record's eclectic mix of and rock tracks. Similarly, he played bass on select cuts for Carly Simon's Another Passenger (1976, ), including the co-written "One Love Stand," where his contributions bridged pop sensibilities with R&B grooves. In the early 1990s, Gradney appeared on Mick Fleetwood's Zoo project Shakin' the Cage (1992, GNP Crescendo), lending bass to the track "How Does It Feel" in a blues-rock context led by the drummer. His collaborative projects included the instrumental jazz-rock album Endangered Species (2001, Tone Center Records) with guitarist , keyboardist , and drummer that blended improvisation with elements across nine tracks.

Musical Style and Equipment

Bass Playing Approach

Kenny Gradney's playing is renowned for its emphasis on "pocket" grooves, where he locks tightly with the drummer to create a deep, unshakeable rhythmic foundation that underpins the without overpowering it. This approach prioritizes feel and timing over flashy solos, allowing the lines to serve as the heartbeat of the music, particularly in Little Feat's intricate arrangements. His style blends elements of , , and subtle , resulting in a soulful and understated delivery that enhances the overall band dynamic. In genres such as , , and music, Gradney employs melodic lines that weave through the harmony while maintaining a propulsive drive, often drawing from New Orleans influences to infuse a swampy, laid-back . For instance, his contributions to Little Feat's sound incorporate bluesy bends and syncopated rhythms that support extended jams, ensuring the bass remains an integral part of the collective rather than a standalone feature. This genre-spanning versatility is evident in his ability to adapt straightforward rock grooves to more textured, ensemble-oriented playing. Over the course of his career, Gradney's approach evolved from the more direct, rock-oriented grooves of his early work with in the to incorporating experimental elements in later collaborations, reflecting a maturation toward greater exploration and rhythmic subtlety. His foundational , which he refined through years of touring and recording to achieve a balance of simplicity and sophistication. This progression highlights his commitment to serving the song's needs while pushing the boundaries of roles in fusion-oriented contexts.

Preferred Gear and Techniques

Kenny Gradney has long favored the as his primary instrument, appreciating its warm, punchy tone that complements the rock, , and elements central to Little Feat's sound. This choice was particularly evident during his early tenure with the band in the 1970s, where the formed the foundation of iconic recordings like those on and . For versatility across sessions and performances, Gradney occasionally incorporates Gibson basses, such as the RD Artist model from the mid-to-late 1970s, or custom designs like the . In more recent years, he has predominantly used a dark green onstage, reflecting an evolution toward instruments that offer enhanced playability and sustain for extended tours. This shift aligns with Little Feat's ongoing live schedule, including their 2025 performances, where the provides the reliability needed for dynamic jam-oriented sets. Gradney's amplification setup centers on Aguilar bass heads and cabinets, delivering a clean, powerful output suited to both studio precision and live volume demands. He employs fingerstyle plucking techniques to lock into grooves, prioritizing rhythmic drive over flashy solos while adapting his minimally to preserve tonal clarity in varied environments. This approach ensures a straightforward, effects-light that supports the band's improvisational style without overpowering the ensemble.

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