Fact-checked by Grok 2 weeks ago

Waiting for Columbus

Waiting for Columbus is a live double album by the American rock band Little Feat, released on February 10, 1978, by Warner Bros. Records. Recorded across seven shows in August 1977—four at London's Rainbow Theatre on August 1–4 and three at Washington, D.C.'s Lisner Auditorium on August 8–10—it showcases the band's dynamic stage presence through extended jams and covers of their catalog. Produced by the band itself, the album underwent significant studio overdubs, primarily by frontman Lowell George on vocals and guitar, over three weeks to enhance the raw live tapes. The record draws from Little Feat's six prior studio albums, including staples like "Dixie Chicken," "Willin'," and "Sailin' Shoes," alongside tracks from their then-recent release Time Loves a Hero. Its title derives from a painting by longtime album cover artist Neon Park, depicting a tomato lounging in a hammock. Clocking in at over 78 minutes across two LPs, it features guest horns from the Tower of Power on several cuts, adding a soulful layer to the band's swamp rock and boogie sound. Critically acclaimed upon release, Waiting for Columbus peaked at No. 18 on the and was certified platinum by the RIAA in 1989 for sales exceeding one million copies in the U.S. It has since been ranked among the greatest live s in rock history, placing seventh in a 2012 readers' poll and included in the magazine's 2015 list of the 50 greatest live records. The solidified Little Feat's reputation as a premier live act and influenced jam bands like , who covered it in full during a 2010 Halloween .

Background

Band context in the 1970s

Little Feat was formed in 1969 in Los Angeles by singer-songwriter, guitarist, and multi-instrumentalist Lowell George alongside keyboardist Bill Payne, following George's brief stint with Frank Zappa's Mothers of Invention. The initial lineup featured drummer Richie Hayward and bassist Roy Estrada, and the band quickly signed with Warner Bros. Records. Their self-titled debut album, released in 1971, presented a folk-rock sound rooted in George's eclectic influences, including country and blues elements, though it achieved limited commercial success. This early phase emphasized George's songwriting prowess, with tracks like "Willin'" highlighting a laid-back, road-weary aesthetic. By the release of their second album, Sailin' Shoes in 1972, Little Feat began evolving from folk-rock toward a distinctive swamp rock style, incorporating funk, R&B, and New Orleans-inspired grooves that would define their signature sound. Estrada's departure after the debut prompted key lineup changes, with guitarist and vocalist Paul Barrere, bassist Kenny Gradney, and percussionist Sam Clayton joining in 1972, creating the band's classic configuration alongside George, Payne, and Hayward. This stable ensemble enabled a more cohesive exploration of their hybrid style, blending California rock with Southern funk and jazz undertones, as evident in the breakthrough Dixie Chicken (1973), whose title track became a swamp rock cornerstone fusing soul, blues, and country. Under George's leadership as the band's creative force and primary songwriter, continued releasing influential albums, including (1974), which earned gold status and featured tracks like "Rock and Roll Doctor"; (1975), introducing jazzier fusions; and (1977), which leaned further into experimental jazz-rock arrangements. Despite these studio efforts yielding uneven sales—early records stiffed while later ones achieved modest breakthroughs—the band cultivated a fervent following through their renowned live shows, known for improvisational energy and tight musicianship that often surpassed their recorded output. George's charismatic stage presence and work were central to this reputation, drawing comparisons to acts while maintaining a edge. The culmination of Little Feat's 1970s trajectory came after , whose more polished and experimental production received mixed reviews and underscored the band's growing disconnect between studio ambitions and audience expectations. Recognizing their strength in capturing the raw vitality of performances that had built their cult status, George and the band decided to produce a live album to showcase this aspect of their artistry, marking a strategic pivot to highlight their enduring appeal on stage.

The 1977 tour and live album concept

The 1977 tour marked Little Feat's most ambitious outing to date, spanning spring through fall across North America and Europe to promote their recently released sixth studio album, Time Loves a Hero. Beginning in April with shows in California and the Midwest, the itinerary escalated in summer with European dates, including a performance at the Rockpalast festival in Essen, Germany, on July 23, followed by a residency at London's Rainbow Theatre from August 1 to 4. The band then returned to North America for additional U.S. dates, such as the recorded performances at George Washington University's Lisner Auditorium in Washington, D.C., on August 8–10, before continuing through the year with concerts in cities like New Orleans and Austin. This extensive schedule, featuring over 40 documented shows, highlighted the band's growing international appeal and rigorous roadwork amid their evolution toward swamp rock and funk influences. The concept for Waiting for Columbus emerged as a means to capture Little Feat's renowned improvisational live energy, which contrasted sharply with the more structured polish of their studio recordings. Envisioned by frontman and producer , the double live album served as a retrospective "greatest " collection, drawing material from all six prior studio albums released between 1971 and 1977, including staples like "" from 1973 and newer tracks from Time Loves a Hero. By blending faithful renditions of studio cuts with extended jams and audience interactions—such as the sprawling, horn-augmented arrangements of "Fat Man in the Bathtub" and "Oh "—the project aimed to showcase the band's dynamic interplay of , R&B, and elements in a setting, emphasizing their ability to stretch songs into vibrant, communal experiences. Despite the tour's high-energy peak performances, underlying challenges loomed, including escalating band tensions over creative direction and George's deteriorating health, which foreshadowed his death in 1979. George, who had recently recovered from contracted in June 1977, struggled with significant weight gain and , impacting his stamina during the grueling schedule; these issues exacerbated conflicts, particularly between George and keyboardist regarding the band's musical evolution. Yet, these pressures arguably fueled the tour's intensity, resulting in recordings that preserved at a creative before their 1979 breakup.

Recording and production

Venues and recording dates

The recordings for Waiting for Columbus were captured during seven live performances on Little Feat's 1977 tour, with multi-track tapes from these shows later edited down to 17 tracks for the double LP release. The primary sessions took place over four consecutive nights from August 1 to 4, 1977, at the Rainbow Theatre in London, England, where the band delivered high-energy shows that reflected the enthusiasm of their European leg. These performances utilized the Manor Mobile recording unit to capture the full band sound alongside audience reactions, leveraging the venue's acoustics to enhance the raw, immersive live atmosphere central to the album. Additional material came from three shows at Lisner Auditorium on the campus in , held August 8 to 10, 1977, focusing on a selection of U.S.-oriented songs to complement the London recordings. The Audio Labs mobile unit was employed here, ensuring consistent high-fidelity capture of the band's dynamics and the auditorium's intimate resonance, which contributed to the album's distinctive live texture.

Production process and challenges

The production of Waiting for Columbus was overseen by Little Feat's band leader , who served as the primary producer, with key engineering contributions from recording engineers , George Massenburg, and Warren Dewey, and mixing engineers , Jim Isaacson, and Peggy McCreary. Following the live captures from shows in and , the editing process was intensive, involving the careful splicing of the best individual takes from multiple performances to form a seamless 78-minute . After editing, added substantial vocal and guitar overdubs over three weeks to refine the recordings. This approach emphasized the band's signature extended jams and lively audience interactions, creating a dynamic flow that captured their onstage energy without relying on a single complete concert. The result was a "" composite that blended highlights to showcase the group's improvisational strengths. The project faced several challenges, including tight time constraints to meet the label's release schedule amid the band's ongoing tour commitments, as well as tensions arising from George's perfectionism clashing with the group's collaborative dynamics. Final mixing occurred at studios including Sunset Sound and Westlake Audio in , where George and the engineering team worked to achieve a raw yet polished sonic balance that accentuated Little Feat's fusion of grooves and improvisation, ensuring the album retained its live immediacy while sounding refined for playback.

Release and formats

Original 1978 edition

Waiting for Columbus was released on February 10, 1978, by as a double LP (catalog number 2BS 3140), cassette, and . The album, produced by band leader , served as the group's first live recording and drew material from their six prior studio albums released between 1971 and 1977. It was strategically positioned as a dynamic live showcase to elevate the band's visibility, capitalizing on their reputation for energetic performances amid the relatively modest chart performance of their earlier studio efforts. The packaging consisted of a gatefold sleeve that included photographs from the band's , enhancing the immersive feel of the live document. penned by provided personal insights into the recording process and the essence of Little Feat's stage energy, underscoring the album's role in capturing the band's improvisational spirit. Key tracks like "Dixie Chicken" and "Fat Man in the Bathtub" gained traction through FM radio airplay, introducing broader audiences to the band's blend of rock, funk, and blues.

Reissues and expanded editions

Following its initial 1978 release as a double LP, Waiting for Columbus saw several vinyl reissues in the early 1980s through Warner Bros. Records, which maintained the original track order and gatefold packaging without significant alterations to the content. In 2002, Rhino Records issued a Deluxe Edition as a two-CD set, featuring the core album tracks sourced from the 1977 recordings at London's and Washington, D.C.'s Lisner Auditorium, alongside ten bonus live tracks (approximately 45 minutes total) drawn from those same performances on August 4, 8, and 9, 1977; this edition altered the running sequence from the original for better flow while restoring elements omitted from the 1978 mix. The album received further expansion in 2022 with Rhino's Super Deluxe Edition, an eight-CD box set that includes a newly remastered version of the original double album across the first two discs, followed by six discs capturing three complete, previously unreleased concerts from the 1977 tour: July 29 at Manchester City Hall in England, August 2 at London's Rainbow Theatre, and August 10 at Lisner Auditorium in Washington, D.C. (affiliated with George Washington University); the set also features new mixes from multitrack tapes, a 24-page booklet with rare photos and liner notes by the band, and was complemented by a standalone remastered two-LP vinyl edition. A remastered version of the original has been available on major digital streaming platforms since the early , with the 2022 Edition enhancing accessibility by adding the full concert recordings to services like and .

Track listing

1978 double LP sides

The original double LP release of Waiting for Columbus featured a track listing spread across four sides, capturing live performances from Little Feat's tour with extended improvisations and jams that showcased the band's musical interplay. The selections drew from their studio catalog spanning to , transforming concise studio cuts into dynamic live renditions, with a total runtime of 78:14 minutes. Side one opened with an energetic instrumental jam on the traditional "Join the Band" (1:50), setting a loose, communal tone as an intro before diving into the extended funk of "Fat Man in the Bathtub" (4:50), originally from the 1972 album , where its studio version ran just 4:06. The side continued with "All That You Dream" (4:25), a melodic rocker from (1975), with enhanced vocal harmonies; "Oh Atlanta" (4:09), a fresh track from the then-recent (1977), highlighting Bill Payne's piano-driven energy; and closed with "Old Folks' Boogie" (3:32), pulled from (1973), delivered in rollicking . The side totaled about 18:46, emphasizing the band's roots. Side two shifted to more introspective and rhythmic material, starting with the title track "Time Loves a Hero" (4:20) from the 1977 album of the same name, extended as a funky jam featuring 's slide guitar. It flowed into "Day or Night" (4:24), a soulful number from (1975), followed by the early acoustic-tinged "I've Been the One" (3:15), a original from the debut (1970), with raw live intensity. The side concluded with "Mercenary Territory" (4:30), a George composition from (1977), running in a tense, horn-accented arrangement. This side ran approximately 16:29, balancing ballads and grooves. Side three highlighted atmospheric and bluesy elements, beginning with "The Fan" (4:50), a George-penned from Feats Don't Fail Me Now (1975) expanded with improvisational flair. Next was "Cold, Cold, Cold" (4:00), a Paul Barrère from The Last Record Album (1975), evoking influences. The side peaked with "Spanish Moon" (4:50), George's voodoo-infused track from (1975), stretched incorporating guest horns for rhythmic punch. Totaling around 13:40, this shorter side built tension toward the finale. Guest horns from the section added depth to "Spanish Moon." Side four served as a powerful closer, dominated by the signature "Dixie Chicken" (8:50), the title track from the 1973 album where the studio take lasted 3:55, but here ballooning with epic solos, crowd interaction, and horn flourishes for a celebratory send-off. It segued into the instrumental "Tripe Face Boogie" (3:20), another Dixie Chicken staple from 1973 extended as a high-energy finale blending boogie and jazz elements. This side clocked in at about 12:10, encapsulating the album's live vitality.

Variations in reissue editions

The 2002 CD reissue of Waiting for Columbus expanded the original album's content by restoring the previously omitted track "Cat Fever" and incorporating alternate mixes of "Skin It Back" and "Rocket in My Pocket," bringing the total to 24 tracks across two discs. This edition also rearranged the track sequence from the 1978 double for better flow while adding ten bonus outtakes and live versions recorded during the 1977 tour. Vinyl reissues from the and , including a 1981 pressing and a 2010 half-speed mastered edition, replicated the original 1978 double LP's track listing and sequencing without any additions or alterations. These versions focused on audio improvements through better pressing quality and mastering but omitted any digital-era bonuses like expanded live material. The 2022 Super Deluxe Edition, an eight-CD , presented a remastered version of the original 14-track on the first , followed by tracks on the second , before offering complete, previously unreleased sets from three 1977 tour dates: 19 tracks from Manchester City Hall on July 29 (discs 3-4), 20 tracks from in on August 2 (discs 5-6), and 17 tracks from Lisner Auditorium in Washington, D.C., on August 10 (discs 7-8). This release included rarities such as extended improvisations and songs not on the original , like "" in the London set, emphasizing the band's full performance dynamics. Early CD versions of the album, constrained by disc capacity in the late 1980s and 1990s, often omitted entire tracks such as "I've Been the One" and "The Fan," and shortened some jams to fit the material onto a single disc, resulting in a truncated runtime of about 57 minutes. The 2022 edition fully restored the complete concert experiences across the relevant full-show recordings, preserving the unedited performances without prior cuts.

Personnel

Little Feat core members

The core lineup of for the live album Waiting for Columbus, recorded in 1977, consisted of six members who formed the band's classic configuration during its most commercially successful era. This ensemble delivered the raw energy and improvisational flair captured on the double album, blending rock, , , and New Orleans R&B influences through their tight interplay. Lowell George served as the band's lead vocalist and rhythm guitarist, providing the charismatic frontman presence and work that anchored many of the album's extended jams; he also contributed harmonica on select tracks and percussion, while being the primary songwriter behind several key compositions featured in the recordings. Bill Payne, a founding member since Little Feat's inception in , handled keyboards and backing vocals, offering melodic , , and textures that added depth to the band's swampy grooves and ballads. Paul Barrère, who joined in 1972, played and sang lead and backing vocals, infusing the group's sound with funkier riffs and rhythmic precision that elevated tracks like "." Kenny Gradney provided bass lines that drove the steady, infectious grooves essential to Little Feat's live propulsion, maintaining a solid low-end foundation throughout the album's marathon sets. Richie Hayward's drumming and occasional vocals brought dynamic intensity to the performances, with his explosive fills and precise timing capturing the band's high-energy stage dynamics. Sam Clayton, on congas and percussion with backing vocals since 1972, enhanced the rhythmic layers with Latin-inflected polyrhythms, complementing the core from guest horn sections.

Guest musicians and horn section

The horn section provided significant contributions to Waiting for Columbus, infusing the album with a robust R&B and energy that complemented Little Feat's rock and New Orleans-inspired grooves. The ensemble consisted of on , on alto and and , Stephen "Doc" Kupka on , on and , and Greg Adams on and horn arrangements. Their performances appear on several tracks, including "," where they deliver punchy accents and solos that heighten the song's swampy exuberance, and "Fat Man in the Bathtub," adding layered brass fills to the extended jam. Former guitarist joined as a guest, contributing to "A Apolitical Blues," which brought a gritty -rock edge to the track's raw, improvisational feel during the live recording. These guest musicians integrated seamlessly during the 1977 tour, including both European and U.S. legs, where the horns accompanied on stage, amplifying the band's fusion of rock, , and Southern styles in the live performances captured for the album.

Commercial performance

Chart performance

Waiting for Columbus achieved its commercial breakthrough in the United States, peaking at number 18 on the chart during spring 1978. The album's performance reflected the band's growing popularity following their extensive touring, which the live recordings captured to generate word-of-mouth buzz among fans. In international markets, it reached number 43 on the , where it charted for one week. No major singles were released from the album, though the live version of "Dixie Chicken" saw significant airplay on rock radio stations, aiding its visibility.

Sales certifications

The album Waiting for Columbus was certified platinum by the (RIAA) for shipments exceeding 1,000,000 units, awarded on November 8, 1989, and marking the band's first such certification. The sales achievement represented Little Feat's commercial peak prior to the death of co-founder and lead vocalist Lowell George in June 1979, though the certification was awarded posthumously.

Reception

Initial critical reviews

Upon its release in 1978, Waiting for Columbus garnered strong praise from major music publications for its vibrant capture of Little Feat's live prowess. Billboard commended the addition of the Tower of Power horn section, noting that the extended jams elevated many tracks beyond their studio counterparts, creating a more dynamic and engaging listening experience. Robert Christgau of The Village Voice assigned the album an A- grade in his consumer guide, describing it as essential listening for fans due to its showcase of the band's tight interplay and Lowell George's commanding vocals. Overall, contemporary reviews celebrated the album's infectious energy, exceptional musicianship, and George's soulful delivery.

Retrospective evaluations

In later years, Waiting for Columbus has been widely acclaimed as one of the finest live albums in rock history, particularly for its seamless fusion of swamp rock, funk, and R&B that highlighted Little Feat's improvisational prowess. AllMusic awarded it 4.5 out of 5 stars in a review from the 2000s, praising it as "one of the best live albums of the '70s" due to its infectious energy and the band's ability to blend loose grooves with tight musicianship. The 2022 super deluxe reissue, expanding the original with three full unreleased concerts and remastered audio, received an 8.4 out of 10 from , which lauded the set for revealing the "elastic, elusive charms" of Little Feat's live performances and providing unprecedented depth into their tour dynamics. Retrospectives in Uncut have noted its enduring appeal, with Uncut giving the super deluxe edition 7 out of 10 stars in 2022.

Legacy

Cultural impact and rankings

Waiting for Columbus played a pivotal role in sustaining Little Feat's legacy following the band's dissolution in 1979 after the death of frontman , serving as a testament to their prowess as a live act and helping to fuel their reformation in 1987. The album's extended jams and fusion of , and R&B influenced subsequent live-oriented performers in the Americana and jam rock scenes, with bands like citing it as a key inspiration—evidenced by their full-album performance during a 2010 Halloween concert. The record has earned notable accolades in critical rankings. It placed at number 805 in Colin Larkin's All Time Top 1000 Albums (3rd edition, 2000), recognizing its enduring quality among rock recordings. Additionally, Rolling Stone included it at number 49 on their list of the 50 Greatest Live Albums of All Time in 2015, praising its capture of the band's dynamic 1977 performances across London and Washington, D.C. venues. In a 2012 readers' poll, it ranked seventh among the best live albums ever, underscoring fan appreciation for its raw energy and horn-driven arrangements. The 2022 super deluxe edition reissue further solidified the album's archival significance, expanding the original double album with three full unreleased concerts from the 1977 tour, totaling eight CDs and highlighting Little Feat's improvisational depth for contemporary audiences. This release has reinforced its status as a benchmark for live rock documentation, often referenced alongside retrospective critical praise for exemplifying the band's eclectic Southern-tinged sound.

Tributes and covers

The album Waiting for Columbus has inspired numerous covers of its tracks by other artists, particularly within the jam-band and Americana scenes. For instance, "Dixie Chicken," a standout from the album's parent studio record but prominently featured in the live set, has been performed live by frontman during jam sessions and tributes, often extending into extended improvisations that echo the original's swampy groove. Similarly, and the 400 Unit delivered a gritty rendition of the song at a 2007 Americana Music Association Honors & Awards event, highlighting its enduring appeal in circles. Other notable covers include Jimmy Buffett's live interpretations during his tours, where the track's narrative of Southern fits seamlessly into his aesthetic. Full album tributes have become a staple at jam-band festivals and venues, capturing the record's raw, improvisational spirit from the 1977 tour. In 2010, performed an entire cover of Waiting for Columbus as their Halloween "musical costume" set at in Atlantic City, replicating the tracklist with extended jams that paid homage to 's elastic rhythms. curated an all-star tribute titled "New Orleans Is Waiting for Columbus" at the 2017 , featuring artists like and reinterpreting the full album on stage. Additional celebrations include Sam Morrow's "Rocket in My Pocket: A Tribute to & " concert series at venues like in Tulsa, which often centers on the live album's energy. Little Feat's post-1987 reunions and subsequent lineups have frequently incorporated medleys and selections from Waiting for Columbus into their sets, preserving the album's legacy through live performance. During their 2002 25th-anniversary show at George Washington University's Lisner Auditorium—the site of original 1977 recordings—the band played key tracks and medleys with guest musicians, blending originals like "Willin'/Don't Bogart That Joint" to evoke the era's camaraderie. The group's 2022 45th-anniversary tour replicated the album's sequence at multiple stops, including two-night stands at Nashville's Ryman Auditorium with guests like Eric Church and Marcus King joining for medley-style encores. These performances underscore the record's role as a cornerstone of the band's catalog. The 2022 Rhino super deluxe edition box set, an eight-CD collection remastering the original album alongside three full unreleased 1977 concerts from London, Washington D.C., and Manchester, has been hailed by collectors as an essential archival release. Critics praised its depth, with one review noting it "surpasses ambitious expectations" by providing unprecedented access to the tour's vitality. Fans and audiophiles on specialized forums have celebrated the set's sound quality improvements and rare material, positioning it as a definitive resource for understanding the album's live dynamism. The album is prominently featured in the 2015 documentary , which explores the frontman's career and highlights Waiting for Columbus as Little Feat's commercial breakthrough and a pinnacle of their live prowess. The film includes interviews with bandmates and collaborators discussing the record's recording and its embodiment of George's songwriting vision. Fan-driven tributes manifest in periodic "Waiting for Columbus" celebration nights at select venues, recreating the tour's vibe through themed performances. The 2022 Ryman Auditorium residency evolved into a multi-night with guest artists amplifying the communal, high-energy atmosphere. These events, often tied to tour anniversaries, foster a sense of ongoing homage among devotees.

References

  1. [1]
    https://store.rhino.com/en/rhino-store/artists/little-feat/waiting-for-columbus-2lp7/081227883140.html
  2. [2]
    Little Feat - Waiting For Columbus
    ### Summary of Waiting for Columbus by Little Feat
  3. [3]
    https://www.discogs.com/release/3314901-Little-Feat-Waiting-For-Columbus
  4. [4]
    Readers' Poll: The 10 Best Live Albums of All Time - Rolling Stone
    Nov 21, 2012 · 7. Little Feat – 'Waiting for Columbus' ... Little Feat is one of those bands that can't be fully appreciated until you see them live. It's no ...
  5. [5]
    50 Greatest Live Albums of All Time: Jimi Hendrix, Johnny Cash
    Apr 29, 2015 · Little Feat, 'Waiting for Columbus' (1978). The album that brought ... review called the album, "musical nonsense…being peddled in the ...
  6. [6]
    Little Feat Announce Deluxe Edition of 'Waiting for Columbus'
    May 25, 2022 · Waiting for Columbus was originally released on Feb. 10, 1978, and featured music from all six studio albums the band had released from 1971 to ...
  7. [7]
    Band Bio | Little Feat
    The first album, Little Feat, featured the instant-classic tune “Willin',” and the follow-up Sailin' Shoesadded “Easy to Slip,” “Trouble,” “Tripe Face Boogie,” ...Missing: 1970s | Show results with:1970s
  8. [8]
    The Story Of Little Feat's Fame, Destruction And Revival - NPR
    Sep 1, 2014 · Our rock historian Ed Ward describes Little Feat as the archetypal '70s band. They had a charismatic front man who was a guitar virtuoso.<|control11|><|separator|>
  9. [9]
    A Beginner's Guide to Little Feat in 3 Songs - American Songwriter
    Jan 21, 2025 · The album, especially its title track, is a touchstone for swamp rock—fusing soul, blues, country, and funk. Little Feat reached cult status ...
  10. [10]
    How Little Feat Saved Their Career With 'Dixie Chicken'
    Jan 25, 2018 · After their low-selling debut nearly cost them their record contract, Little Feat had to fight their way through to a second album, and they nearly fell apart.
  11. [11]
    1977 - Little Feat - Featbase - Setlists
    4/9/1977 · The Corral · Topanga, CA ; 4/16/1977 · Memorial Auditorium · Lexington, KY ; 4/19/1977 · Uptown Theatre · Kansas City, MO.Missing: details | Show results with:details
  12. [12]
    Little Feat's Live 'Waiting For Columbus' Gets Super Deluxe Edition
    Little Feat's classic live album, 1978's Waiting For Columbus, has received a Super Deluxe Edition. The significantly expanded collection arrived July 29, 2022.
  13. [13]
    Little Feat: A Look Back at 'Waiting for Columbus' - Live Music Daily
    Mar 25, 2016 · The improvisational aptitude of the band more than compensates for any nonsensical attitudes displayed in their lyrics. Which are satisfying and ...
  14. [14]
    "He screwed up bad…" In the 70s, members of Little Feat grabbed ...
    Jul 4, 2023 · In the 70s, members of Little Feat grabbed our writer by the throat for asking about Lowell George. After his death, they were able to look back honestly.
  15. [15]
    Little Feat – Waiting For Columbus (recorded 1977) - YA Blog
    Nov 25, 2015 · This live album, acclaimed on it's release as one of the finest ever of that type, comes at a cusp in their career. The band had six albums to ...
  16. [16]
    On this day in 1977, Little Feat performed at the Lisner Auditorium in ...
    Aug 8, 2025 · The first four shows were held at the Rainbow Theatre in London, UK on August 1–4, 1977. The final three shows were recorded in George ...
  17. [17]
    1978 Little Feat – Waiting For Columbus - Sessiondays
    Waiting for Columbus is the first live album by the band Little Feat, recorded during seven performances in 1977. The first four shows were held at the ...
  18. [18]
    https://www.discogs.com/release/1421023-Little-Feat-Waiting-For-Columbus
  19. [19]
    Waiting for Columbus - Little Feat | Album - AllMusic
    Rating 9.1/10 (812) Waiting for Columbus by Little Feat released in 1978. Find album reviews, track lists, credits, awards and more at AllMusic.
  20. [20]
    Little Feat Setlist at Lisner Auditorium, Washington
    Aug 8, 1977 · Get the Little Feat Setlist of the concert at Lisner Auditorium, Washington, DC, USA on August 8, 1977 and other Little Feat Setlists for ...
  21. [21]
    Little Feat – Waiting For Columbus: Super Deluxe Edition - UNCUT
    Rating 7/10 · Review by Jon DaleAug 5, 2022 · Little Feat – Waiting For Columbus: Super Deluxe Edition. Forty ... But the album itself is also a Frankenstein, pieced together post ...
  22. [22]
    Little Feat – Columbus Has Arrived – Waiting For Columbus (1978)
    Jul 5, 2021 · Little Feat – Columbus Has Arrived – Waiting For Columbus (1978) ... It was recorded at various venues and spliced together to produce ...
  23. [23]
    https://www.uncut.co.uk/reviews/album/little-feat-waiting-for-columbus-super-deluxe-edition-139480/
  24. [24]
    Little Feat Albums: songs, discography, biography, and listening guide
    Their first two albums were Little Feat (1970) and Sailin' Shoes (1972). The albums were critical successes but failed by commercial standards. The group split ...Little Feat · Feats Don't Fail Me Now · Dixie Chicken · Sailin' ShoesMissing: positions | Show results with:positions
  25. [25]
    Little Feat: Waiting For Columbus 45th Anniversary Tour
    Nov 12, 2023 · Likewise, few recordings, let alone live recordings, are as universally lauded as Waiting For Columbus (Warner Bros., 1978).Missing: details | Show results with:details
  26. [26]
    Waiting to Finish/Waiting for Columbus | Just Riffin'
    Jun 27, 2013 · Little Feat were never an AM radio “singles” band, but FM DJs ... Dixie Chicken,” “Oh Atlanta, ” “Time Loves a Hero” and others. So it ...
  27. [27]
    https://justriffin.com/2013/06/27/waiting-to-finishwaiting-for-columbus/
  28. [28]
    https://superdeluxeedition.com/news/little-feat-waiting-for-columbus-super-deluxe-edition/
  29. [29]
    Little Feat / Waiting For Columbus super deluxe edition
    The new super deluxe edition features the original album remastered but adds six discs comprising three full live shows from this 1977 tour.
  30. [30]
    https://open.spotify.com/album/0n2LqNaQEOHNAaKM03yIaU
  31. [31]
    Waiting for Columbus (Live Version) - Album by Little Feat | Spotify
    Listen to Waiting for Columbus (Live Version) on Spotify · album · Little Feat · 1978 · 17 songs.
  32. [32]
    Waiting for Columbus (Live) - Album by Little Feat - Apple Music
    Listen to Waiting for Columbus (Live) by Little Feat on Apple Music. 1978. 17 Songs. Duration: 1 hour 21 minutes.
  33. [33]
    Time Loves a Hero - Little Feat | Album - AllMusic
    Rating 7.8/10 (320) Time Loves a Hero by Little Feat released in 1977. Find album reviews, track lists, credits, awards and more at AllMusic.
  34. [34]
    Little Feat | Album - AllMusic
    Rating 8.5/10 (640) Little Feat by Little Feat released in 1970. Find album reviews, track lists, credits, awards and more at AllMusic.
  35. [35]
    Little Feat - Waiting for Columbus (Super Deluxe Edition)
    30-day returnsIt includes unreleased live versions of songs that appeared on the original (“Rocket In My Pocket” and “Spanish Moon”), along with several that didn't, like “ ...Missing: retrospective | Show results with:retrospective
  36. [36]
    Little Feat's 'Waiting For Columbus' Super Deluxe Edition (8 CD ...
    Oct 3, 2022 · Little Feat's live album Waiting For Columbus (Warner Bros., 1978) became very popular immediately upon its original release in 1978.
  37. [37]
    Little Feat - Waiting For Columbus: Super Deluxe Edition Newly ...
    Jul 29, 2022 · ... Waiting For Columbus, one of the greatest live albums ever made. ... Richie Hayward (drums, vocals), Sam Clayton (percussion, vocals), and ...
  38. [38]
    Classic Americana Albums: Little Feat “Waiting For Columbus”
    Dec 16, 2021 · Recorded in August 1977 in London and Washington DC, the original double album has acquired some bloat on subsequent CD issues, although only ...
  39. [39]
    Complete List Of Little Feat Band Members - ClassicRockHistory.com
    Bill Payne, a co-founder of Little Feat, is known for his intricate keyboard work and has been a constant presence in the band from its inception in 1969 until ...
  40. [40]
    Little Feat bass player? | TalkBass.com
    Aug 29, 2008 · Little Feat bass player? ... Yep - Kenny Gradney - great bass player - great tone - that's some tasty groove he lays down on Spanish Moon.
  41. [41]
    Columbus Has Arrived | Analog Planet
    Apr 1, 2011 · The late Richie Hayward's drum kit is huge and explosive. The snare ... This new Waiting For Columbus was well-worth the wait! Music ...
  42. [42]
    Little Feat Sam's Place – Making A Scene!
    May 9, 2024 · Clayton brought multi-layered percussion and deep baritone accent vocals to the performances of what is referred to as the “classic lineup ...
  43. [43]
    Little Feat: Waiting for Columbus album review @ All About Jazz
    Apr 29, 2012 · ... Greg Adams: trumpet; Lenny Pickett: alto saxophone and tenor saxophone; Stephen "Doc" Kupka: baritone saxophone; Mic Gillette: trombone, trumpet ...
  44. [44]
    Little Feat 'Waiting for Columbus': The End of the Beginning
    The double-LP Waiting for Columbus is both a heartening story of persistence and a sad, cautionary tale about how band politics can become toxic.
  45. [45]
    horn section discography - Tower of Power
    HORN SECTION DISCOGRAPHY ; 1977, Impact, The Pac is Back ; 1978, Little Feat, Waiting For Columbus ; 1978, Journey & Friends, In Tails - King Biscuit Florwer Hour ...Missing: members | Show results with:members
  46. [46]
    Little Feat - Fat Man In The Bathtub | Telecaster Guitar Forum
    Jun 8, 2021 · Little Feat - Fat Man In The Bathtub. Thread starter EllroyJames ... When the Tower of Power horn section kicks in on Waiting for Columbus, it's ...
  47. [47]
    What I've Been Listening To: Little Feat/Waiting For Columbus
    Mar 3, 2018 · Doobie Brothers vocalists Michael McDonald and Patrick Simmons provided backing vocals on Red Streamliner. The Tower Of Power horn section ...
  48. [48]
    This Day in Music - Billboard
    Jun 29, 2006 · Little Feat's best selling album is “Waiting for Columbus,” which sells more than 500,000 copies and reaches No. 18 on Billboard's pop album ...
  49. [49]
    LITTLE FEAT songs and albums | full Official Chart history
    WAITING FOR COLUMBUS cover art. WAITING FOR COLUMBUS LITTLE FEAT. Peak: 68,; Weeks: 1. Read more icon Close read more icon ...
  50. [50]
    https://relix.com/articles/detail/little-feat-feats-dont-fail-me-now/
  51. [51]
    Waiting for Columbus | Rhino
    Jul 29, 2022 · The platinum-certified double album WAITING FOR COLUMBUS cemented Little Feat's reputation as one of the premier live bands of the 1970s.
  52. [52]
    Little Feat: Feats Don't Fail Me Now - Relix
    Apr 9, 2019 · ... certified platinum by the Recording Industry Association of America. ... Waiting for Columbus (1978) and, finally, Down on the Farm (1979) ...<|separator|>
  53. [53]
    LITTLE FEAT album sales - BestSellingAlbums.org
    The best-selling album by LITTLE FEAT is WAITING FOR COLUMBUS, which sold over 1,000,000 copies . ... 500,000. Certification / source: 1x Gold. United States ...
  54. [54]
    Little Feat Detail Expanded Edition of WAITING FOR COLUMBUS
    May 24, 2022 · To make the album, Little Feat (backed by the Tower of Power horn ... “Fat Man In The Bathtub” * 4. “Red Streamliner” * 5. “Oh Atlanta ...
  55. [55]
    https://jam.buzz/song/dixie-chicken/
  56. [56]
    Graded on a Curve: Little Feat, Waiting for Columbus
    Jan 14, 2015 · Waiting for Columbus, which includes some lackluster songs from the later albums and is altogether too slick, thanks in large part to Payne's synthesizer.
  57. [57]
    Little Feat: Waiting for Columbus (Super Deluxe Edition) - Pitchfork
    Aug 2, 2022 · Engineer Warren Dewey set up mics in a hallway to capture the band's pre-show huddle where they harmonized on “Join the Band,” a spiritual ...
  58. [58]
    Phish Covers Little Feat's _Waiting for Columbus_ - Jambands
    Nov 1, 2010 · Fricke's essay emphasizes the importance Little Feat had on the members of Phish individually before the band's formation, as well as the group ...
  59. [59]
    Little Feat 'Waiting for Columbus' live box-set a deep dive; Jeff Beck ...
    Aug 7, 2022 · Little Feat 'Waiting for Columbus' live box-set a deep dive; Jeff Beck & Johnny Depp's '18' a major misfire.
  60. [60]
    CLASSIC LIVE ALBUM #4 Little Feat - Waiting For Columbus
    Jan 23, 2019 · The other two Bill Payne songs besides the aforementioned Tripe Face Boogie are Got Not Shadow and Cat Fever. The latter being sung by Payne ...Little Feat live album Waiting for Columbus - FacebookLittle Feat's Waiting for Columbus Live Album Discussion - FacebookMore results from www.facebook.com
  61. [61]
    Little Feat: Waiting For Columbus Live Deluxe (8 CD) Box Set
    Nov 12, 2022 · Little Feat: Waiting For Columbus Live Deluxe (8 CD) Box Set album ... Skin It Back," along with other newer additions from TLAH: "Red ...Missing: mix | Show results with:mix
  62. [62]
    Dixie Chicken - Jam Buzz
    To close the set, Gov't Mule frontman Warren Haynes came out to jam on a pair of Little Feat classics including “Spanish Moon” and “Dixie Chicken.” Watch ...
  63. [63]
    Flashback: See Jason Isbell's Gritty 'Dixie Chicken' Cover
    Sep 20, 2016 · Americana Awards nominee Jason Isbell and his band the 400 Unit performed a smoldering cover of Little Feat's classic "Dixie Chicken" at a 2007 ...
  64. [64]
    Artists who covered Dixie Chicken by Little Feat - Guestpectacular
    Dixie Chicken by Little Feat has been covered by 39 artists on 151 concerts so far, artists like James Taylor, Kenny Chesney, Eric Church, Jimmy Buffett and The ...
  65. [65]
    Warren Haynes to lead all-star tribute to Little Feat's "Waiting for ...
    Mar 28, 2017 · Billed as “New Orleans Is Waiting For Columbus,” the show will feature Haynes (vocals/guitar), Was (bass), Jamey Johnson (vocals/guitar), Dave ...
  66. [66]
    Sam Morrow's Little Feat Tribute - Cain's Ballroom
    Sam Morrow's “Rocket In My Pocket: A Tribute To Little Feat & Lowell George” takes the stage of Tulsa's Cain's Ballroom this Friday, November 5 as part of an ...
  67. [67]
    _Waiting for Columbus_ : 2002 Reunion Show with Little Feat ... - Relix
    Oct 10, 2011 · On October 14, 2002 Little Feat celebrated the 25th anniversary of Waiting for Columbus with a performance at George Washington University's Lisner Auditorium.Missing: medleys | Show results with:medleys
  68. [68]
    Little Feat Announce 45th Anniversary 'Waiting for Columbus' 2022 ...
    Oct 19, 2021 · Little Feat will feature Bill Payne (keyboard, vocals), Kenny Gradney (bass), Sam Clayton (percussion, vocals), Fred Tackett (guitar, vocals), ...
  69. [69]
    Waiting For Columbus cd/vinyl 2022 remaster vs MSFL cd/vinyl
    Aug 10, 2022 · The bass on the TML sounds tighter and more nuanced to me. The low end on the MFSL sounds typically bloated and lacking detail - with some mid suck out.Missing: education | Show results with:education
  70. [70]
    Feats First – The Life & Music Of Lowell George (2015)
    Apr 11, 2015 · Interestingly, their 1977 live album Waiting For Columbus was their biggest seller. It remains one of the premier live rock and roll albums.
  71. [71]
    Feats First-The Life & Music of Lowell George (DVD)" - Sea of ...
    Jun 19, 2015 · The seminal live album Waiting for Columbus from 1978 is discussed, as well as the studio follow-up Down on the Farm from 1979 that George ...
  72. [72]
    Little Feat show celebrating "Waiting for Columbus" - Facebook
    Aug 3, 2019 · THIS YEAR MARKS THE 42ND ANNIVERSARY OF THE LITTLE FEAT SHOWS RECORDED AT LONDON ENGLAND'S RAINBOW THEATRE (AUGUST 1-4) AND WASHINGTON D.C.'S ...Waiting for Columbus is the first live album by the band Little Feat ...Memorable Little Feat Concert Experience and Waiting For ...More results from www.facebook.com
  73. [73]
    Little Feat Triumphantly Marches into Nashville for Two Big Nights of ...
    Mar 16, 2022 · Little Feat triumphantly marched into the Ryman Auditorium in Nashville, Tennessee for a two night engagement in celebration of Waiting For Columbus.