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Kevin & Perry Go Large

Kevin & Perry Go Large is a teen coming-of-age film directed by . The story follows two awkward, hormone-driven teenage best friends, Kevin Patterson (played by ) and Perry (played by ), who travel to the party island of with Kevin's parents in hopes of losing their virginity and achieving fame as DJs. Adapted from Enfield's popular "" sketch series on television, the film features supporting roles by as a DJ, , and , with a runtime of 82 minutes. Written by Enfield and David Cummings, the movie was produced by Fragile Films, , and Tiger Aspect Pictures on a budget of £2 million, and released in the on 21 2000. It blends crude humor, music elements, and nostalgic club culture, capturing the protagonists' misguided attempts at maturity amid sun-soaked escapades and encounters with partygoers. The soundtrack includes tracks from artists like , enhancing the film's rave-inspired vibe. Upon release, Kevin & Perry Go Large received mixed reviews, earning a 17% approval rating from critics on based on six reviews, who often criticized its juvenile plot and repetitive gags, while audiences gave it a more favorable 71% score from over 10,000 ratings, appreciating the nostalgic comedy for fans of the original sketches. On , it holds a 5.7 out of 10 rating from approximately 15,210 users (as of November 2025), reflecting its cult appeal among viewers. The film grossed £10.1 million at the , solidifying its place as a lighthearted, if polarizing, entry in early cinema.

Background and Development

Origins from Television

The characters of Kevin Patterson and Perry originated in the British series and Chums, which aired on from 1994 to 1998, portraying them as archetypal teenage slackers obsessed with music, girls, and rebellion against parental authority. These sketches depicted the duo's everyday misadventures, such as clashing with Kevin's parents over household chores or fantasizing about DJ careers, establishing a foundation of crude, exaggerated humor centered on adolescent frustration and hormonal impulses. The character of was first created by comedian in 1990 for his earlier series Harry Enfield's Television Programme, where he appeared as a whiny, spotty 13-year-old undergoing a dramatic transformation into a sullen adolescent upon his birthday, complete with iconic phrases like "I can't be arsed" to express disdain for adult expectations. Enfield drew inspiration from his own teenage years and the behavioral challenges of teenagers around him, crafting Kevin as a symbol of universal teen marked by spotty skin, mood swings, and a deep-seated rebellion against perceived parental oppression. Perry was introduced as Kevin's loyal sidekick in Harry Enfield and Chums, played by , who based the role on her friend actor , infusing the character with a dim-witted, overly enthusiastic personality that amplified the duo's comedic dynamic. The sketches expanded on Kevin's solo persona by pairing him with Perry, focusing on their shared misadventures—like bungled attempts at coolness or evading responsibilities—that highlighted themes of friendship amid incompetence and set the irreverent, gross-out tone for later adaptations. Key traits from these TV origins included Kevin's angsty, acne-plagued defiance, often manifesting in sulky outbursts and delusions of grandeur as a future music star, contrasted by Perry's simple-minded loyalty and oblivious optimism, which together underscored the sketches' portrayal of teenage life as a chaotic blend of bravado and vulnerability. In 1999, a compilation video titled Harry Enfield Presents Kevin's Guide to Being a Teenager repackaged select sketches into a mock guidebook format, further popularizing the characters' slacker personas through episodic vignettes of their hormone-fueled escapades.

Pre-production and Writing

The screenplay for Kevin & Perry Go Large was written by and David Cummings, who drew directly from the Kevin and Perry characters originating in Enfield's television sketches. Cummings penned the initial draft under tight deadlines, after which Enfield contributed extensively, adding around 200 crude jokes to amplify the film's humor. Development of the film began in the late , capitalizing on the popularity of the TV sketches, with the script needing completion by 1999 to enable filming in early 2000. was brought on as director, leveraging his background in British television comedy, including series like and . The project operated on a modest budget of £2 million. Key creative decisions centered on transforming the short-form TV sketches into a feature-length coming-of-age , relocating the action to to satirize rave and club culture. The tone was deliberately raunchy, focusing on the protagonists' desperate pursuits of sexual encounters and DJ stardom amid the island's hedonistic party scene.

Synopsis and Cast

Plot Summary

Kevin and Perry are two awkward teenage boys living mundane lives in suburban , spending their days practicing DJ mixes in Perry's garage and fantasizing about becoming successful DJs while desperately seeking to lose their virginity. Kevin, the more arrogant of the pair, clashes constantly with his overbearing mother and mild-mannered father, while Perry endures his own family's dysfunction. Their dreams center on a trip to , the epicenter of 1990s rave culture, but lack of funds keeps them grounded until an inciting incident unfolds. During a bank visit, Kevin and Perry accidentally foil an armed robbery by startling the criminals with their bickering, earning a substantial reward that finances their long-awaited holiday. Accompanied by Kevin's reluctant parents, the boys arrive in buzzing with excitement, only to face immediate setbacks as they navigate the island's party scene. They befriend aspiring DJ Eyeball and encounter two girls, Candice and Gemma, who become objects of their clumsy romantic pursuits, but their attempts to impress at clubs like end in humiliating failures, including disastrous DJ sets and awkward encounters with locals. As mishaps mount—ranging from lost luggage to embarrassing public exposures—the duo's friendship is tested amid the excesses of Ibiza's . Perry accidentally films Kevin's parents having , and Eyeball Paul later plays the tape publicly to humiliate the boys. Meanwhile, the boys' titled "Big Girl" unexpectedly becomes a surprise hit, catapulting them to accidental fame. This viral success leads to romantic resolutions, with Kevin pairing off with Candice and Perry with Gemma, while also prompting a between Kevin and his parents. Ultimately, Kevin and Perry return home as minor celebrities, their summer transforming their lives through themes of teenage , enduring friendship, and the chaotic allure of 1990s culture.

Cast List

The principal cast of Kevin & Perry Go Large features reprising his role as Kevin Patterson, the awkward and ambitious teenage protagonist who dreams of becoming a DJ while navigating typical adolescent frustrations. returns as Perry, Kevin's loyal yet clueless best friend, whose dim-witted enthusiasm often leads to comedic mishaps. In a key supporting role, portrays Eyeball Paul, an eccentric and crude DJ mentor who guides the boys in the world of club music after their arrival in . plays Sheila Patterson, Kevin's overbearing mother, a character she previously portrayed in the originating TV sketches. appears as Ray Patterson, Kevin's mild-mannered father, replacing Stephen Moore from the television series. Laura Fraser stars as Candice, Kevin's attractive love interest who becomes central to his romantic pursuits during the holiday. portrays Gemma, Perry's object of affection, adding to the duo's awkward attempts at romance. Among the minor roles, appears as in a , while additional supporting performers include those depicting bank robbers and bouncers, such as as Bouncer #1 and as Bouncer #2, contributing to the film's chaotic comedic elements. Enfield and Burke's reprisal of their TV characters anchors the film's humor, with Ifans' role marking an early film appearance following his breakout in Notting Hill.
ActorRoleDescription
Kevin PattersonAwkward, ambitious teen aspiring to DJ fame.
PerryLoyal, best friend prone to mishaps.
Eyeball PaulEccentric DJ mentor in the scene.
CandiceKevin's holiday love interest.
GemmaPerry's crush during the trip.
Ray PattersonKevin's patient father.
Sheila PattersonKevin's nagging mother.

Production

Filming Locations

Principal photography for Kevin & Perry Go Large occurred during the summer of 1999, from July to August, encompassing locations in the and on the island of to capture both the mundane suburban origins of the protagonists and their chaotic holiday escapades. In the UK, filming emphasized everyday settings to ground the film's comedic premise. The exterior of the Patterson , central to scenes depicting Kevin's dysfunctional household life, was shot at Freemans Close in , , including the postman interaction sequence. Suburban outings were captured at the Harlequin Shopping Centre (now intu Watford) in , , where Kevin and Perry navigate crowds and attempt to play , highlighting their awkward . Additional street scenes, such as the boys purchasing a and evading , took place along the in , , near the corner of Manor Farm Avenue. The car-washing sequence, in which the duo raises money for their trip, was filmed on Hamilton Road in , . Interiors, including constructed sets for domestic and comedic vignettes, were primarily handled at in . A surreal opening the film, where Kevin fantasizes about rescuing from execution, utilized the historic in for its imposing medieval architecture. Shooting transitioned to Ibiza for approximately two weeks to portray the film's climactic party sequences and island adventures, despite the logistical demands of coordinating in a popular tourist destination during peak season. Key sites included for the arrival scene featuring the limousine encounter with a DJ. The apartment rented by Kevin's family was located in , serving as the base for their holiday antics. Beach sequences, emphasizing the boys' pursuit of romance and relaxation, were filmed at beach and the scenic Cala Benirras cove on the northern coast. The iconic nightclub scenes, capturing the euphoric yet disastrous clubbing experiences, took place at in San Rafael, where production navigated the venue's high-energy environment to evoke the trance-fueled nightlife central to the story.

Music and Soundtrack

The soundtrack for Kevin & Perry Go Large features a released in 2000 by , curated by DJ to capture the energetic and scene of late 1990s . Titled Kevin & Perry Go Large, the double-disc set includes prominent tracks such as "Luvstruck" by Southside Spinners, "Eyeball" by , and "Don't Give Up" by featuring , blending upbeat electronic beats with the film's comedic tone. The album achieved commercial success, selling over 200,000 units in the UK and becoming a collectible item due to limited licensing terms. A key original composition is the song "Big Girl (All I Wanna Do)", performed by Precocious Brats featuring Kevin & Perry and released as a single by Virgin/EMI. This track interpolates Samuel Barber's classical piece "Adagio for Strings" with additional music contributions, delivering a humorous, rave-style anthem central to the film's narrative. Written by Judge Jules (Julius O'Riordan), Harry Enfield, and others, it underscores the protagonists' awkward club experiences and was promoted alongside the movie. The film's score was composed by , who provided for transitional and comedic scenes, while additional tracks like "Another Day" by Skip Raiders featuring Jada enhanced key moments with its Perfecto Dub . Pope's contributions focused on subtle underscoring rather than dominating the commercial elements. Music plays a pivotal role in the film, particularly driving the Ibiza rave sequences filmed at venues like Amnesia, where trance and house tracks amplify the energetic and satirical depictions of teenage excess. Judge Jules noted that the selections were chosen for their authenticity to the era's club culture, heightening both comedic and euphoric moments.

Release and Distribution

Theatrical Release

Kevin & Perry Go Large was released theatrically in the on 21 April 2000, distributed by Icon Film Distribution. The film's premiere took place in on 18 April 2000, strategically timed ahead of the Easter holiday weekend to capitalize on the teen audience during school break. Internationally, the film saw limited theatrical releases in , including on 13 July 2000 via Tobis Filmverleih and on the same day as the launch, while was handled by Monopole-Pathé; it had no major theatrical run in the United States. Marketing efforts featured trailers that highlighted the film's origins in the popular TV sketches, the glamorous setting, and its elements of teen , alongside promotions tied to the soundtrack album compiled by DJ and released on Virgin/. The film runs for 82 minutes and received a 15 certificate from the British Board of Film Classification in the UK due to strong language and sexual content.

Home Media

The film was first made available on home video in the United Kingdom via VHS on 20 November 2000, distributed by Icon Home Entertainment. This release followed the theatrical run and capitalized on the movie's initial popularity among British audiences. The initial DVD edition was released in the UK on 13 November 2000 by Warner Bros. Home Entertainment, in Region 2 format. A subsequent re-release came on 23 June 2008 from Icon Home Entertainment, also in Region 2. It featured special features such as an audio commentary track by director Ed Bye, Harry Enfield, and producer David Cummings, deleted scenes, outtakes, a "Kevin's Guide to Being a Teenager" featurette, production notes, trailers, and an interactive quiz. No official Blu-ray edition has been released as of 2025, though unofficial fan upscales and Region 3 imports from , such as an NTSC version distributed by independent labels, have circulated among collectors. Digital streaming became available on platforms including in the UK, where the film can be rented or purchased. In 2020, to mark the film's 20th anniversary, official Spotify playlists curated by DJs like recreated the movie's iconic soundtrack, featuring tracks such as "Big Girl" by Kevin & Perry and "Kid 2000" by , though no remastered physical editions or special reissues were produced. To celebrate the 25th anniversary in 2025, a daytime event was held on 7 June at in , featuring DJ sets, but no new physical or high-definition upgrades were released. The film's enduring in the UK has sustained demand for the DVD as the primary home format, given the absence of high-definition upgrades.

Reception

Box Office Performance

Kevin & Perry Go Large premiered in the on 21 April 2000, coinciding with the holiday weekend, and quickly became the top-grossing at the British , earning £2,404,517 in its opening week. This strong debut was driven by the film's release during a major holiday period and the draw of its established fanbase from the original and Chums television sketches. The film ultimately grossed £10,099,770 in the UK, representing a significant commercial success given its £2 million and yielding over five times its cost in domestic returns. Additional factors contributing to this performance included synergy with the film's soundtrack, which featured popular tracks and sold over 200,000 units, enhancing its appeal to younger audiences. Internationally, Kevin & Perry Go Large achieved modest earnings, primarily in select European markets such as the , with limited releases contributing additional income beyond its strong UK performance. The film's momentum waned after its strong opening, as it spent only seven weeks on the UK charts, influenced in part by mixed word-of-mouth stemming from critical reception.

Critical Reception

Upon its release, Kevin & Perry Go Large received mixed to negative reviews from critics, with an aggregate score of 17% on based on six reviews. The site's critic consensus noted that while the film is no , it exceeds expectations through its relentless repetitive gags, though it remains largely forgettable except for among fans of the original TV sketches. Some positive reviews highlighted the strong chemistry between Harry Enfield and Kathy Burke as Kevin and Perry, crediting their established TV rapport for carrying the film's comedic energy. Empire magazine awarded it three out of five stars, praising the middle section set in Ibiza for delivering effective gross-out gags and belly laughs, despite a slow start and overly simplistic plot. Negative critiques dominated, often decrying the film's reliance on juvenile humor and formulaic structure. The Observer, part of The Guardian, described it as featuring a "succession of crude, unfunny jokes about masturbating, vomiting, defecating, erections and exploding zits," emphasizing how it paled in comparison to more skillfully crafted comedies like those from the Farrelly Brothers. The broader critical consensus criticized the movie's dated stereotypes and over-the-top adolescent antics as crass and underdeveloped, failing to sustain the sketch material over a feature-length runtime. In retrospective assessments during the , opinions remain mixed, with some appreciating the film as a nostalgic time capsule of teen comedy, while others note its offensiveness by modern standards. A 2025 Independent reflected on it as "absolute tosh" but proudly , celebrating its success as a quintessential Britflick despite the crude content. Similarly, a Guardian interview that year with and portrayed the movie as "fun and silly, but quite sweet," underscoring its empathetic take on adolescent awkwardness, though acknowledging its very English sensibilities limited its international appeal.

Legacy

Cultural Impact

Kevin & Perry Go Large has achieved cult status among British audiences for its vivid portrayal of teenage life, capturing the awkward hormonal struggles and aspirational escapism of suburban youth dreaming of the rave scene. The film's depiction of greasy-haired teens in shell suits, fueled by and novelty tracks, resonates as a nostalgic snapshot of laddish culture, complete with tantrums and public humiliations that mirrored the era's grotesque . Its enduring appeal lies in this authenticity, with cast members noting that fans continue to cite its feelgood vibes two decades later. The movie's influence extends to subsequent British comedies, inspiring sketch-to-film adaptations and teen sex comedies that borrowed its plot structure of hormonal friends chasing clubland conquests. Notably, it paved the way for shows like , which acknowledged drawing from its holiday premise while amplifying the of awkward masculinity. Memorable quotes from the characters, such as Kevin's exasperated outbursts, have become quote-worthy staples in comedy nostalgia, reinforcing their status as iconic figures of humor. Beyond comedy, the film's trance-heavy significantly boosted for early 2000s , introducing anthems like those by and to mainstream viewers and selling over 200,000 copies of its OST. Tracks from the album have seen revivals in sets and anniversary mixes throughout the , maintaining multi-generational appeal on streaming platforms and as collectible . This musical element amplified the film's , blending crude laughs with uplifting electronic beats to create a lasting cultural touchstone. Retrospectively, has drawn critiques for its obsessive focus on male sexuality and virginity loss, portraying gender dynamics through crude, juvenile fantasies that reinforce stereotypical teenage male desire. This duality—parodying "maleness" while underscoring —contributes to its layered on youth and identity.

Anniversary Events

To mark the film's 20th anniversary in 2020, We Rave You released the Spotify playlist "Kevin & Perry Go Large: 20th Anniversary Special," featuring a selection of classic Ibiza anthems from the era, including tracks like "Big Girl (All I Wanna Do Is Do It!)" by Precocious Brats and "Kid 2000" by Hybrid. In 2023, Amnesia Ibiza hosted a commemorative trance party on September 27, recreating iconic scenes from the film with DJ sets emphasizing the soundtrack's trance elements, such as sets drawing from the movie's club sequences. The film's 25th anniversary in 2025 saw multiple events, including a major lineup at on September 23, held during Week and featuring projections of key film moments alongside sets of classic electronic tracks. Earlier that year, on June 7, in organized a daytime celebrating the milestone, with nostalgic mixes of 1990s and early 2000s dance anthems across two rooms, attracting fans for an eight-hour event. These anniversary celebrations have tied into ongoing Week programming, where the film's legacy as a trance culture touchstone continues to draw crowds to and related venues, boosting interest in the movie's availability on various streaming platforms.

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