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Bottom

Bottom may refer to:

Anatomy and sex

Buttocks

The , also known as the gluteal region, consist of two prominent rounded portions of the external pelvic region in humans and many animals, primarily formed by the overlaid with a layer of subcutaneous fat. This structure lies posterior to the bony pelvis, bounded superiorly by the and inferiorly by the gluteal fold, providing cushioning and support for sitting while contributing to the overall contour of the lower body. In humans, the are particularly developed compared to other , reflecting adaptations for bipedal locomotion. The primary anatomical components are the three : the , the largest and most superficial muscle that forms the bulk of the buttock and facilitates extension and external essential for walking, running, and rising from a seated position; the , which lies beneath the maximus and primarily abducts the while stabilizing the during single-leg stance to maintain and ; and the , the deepest and smallest, assisting in abduction and internal to support and prevent pelvic drop. These muscles originate from the ilium, , and related ligaments, inserting into the and , and are innervated by branches of the , with blood supply from the gluteal arteries. Collectively, they play crucial roles in upright , bipedal , and shock absorption during movement, enabling efficient energy transfer from the trunk to the lower limbs. Evolutionarily, the buttocks have significance in fat storage for energy reserves, particularly in humans where gluteofemoral fat accumulation provides a metabolic during periods of , and exhibits with females typically developing greater fat deposition in the hips and buttocks post-puberty, signaling reproductive through a lower waist-to-hip . This dimorphism arises from hormonal influences during childbearing years, enhancing uterine space and reducing intra-abdominal pressure for , while the enlarged evolved to support and endurance running by countering forward trunk lean and stabilizing the . In many animals, analogous structures aid in propulsion and fat insulation, though less pronounced than in humans. Medically, the buttocks region is prone to issues such as , where irritation of the causes radiating pain, numbness, or tingling from the lower back through the and down the , often due to compression or spinal conditions; and , swollen veins in the lower and that can lead to itching, discomfort, or pain in the perianal area adjacent to the , exacerbated by prolonged sitting or . These conditions are described anatomically without cultural bias, focusing on physiological impacts like impaired or hygiene challenges. In colloquial usage, "bottom" often serves as for the , distinct from its anatomical context.

Sexual roles and slang

In LGBTQ+ contexts, particularly within male same-sex relationships, "bottom" refers to the receptive or passive partner during , often involving . This term contrasts with "," denoting the insertive or active partner, and "" (or "vers"), which describes individuals who alternate between roles. In BDSM practices, "bottom" designates the submissive partner who receives physical or psychological actions, such as restraint or sensation play, while the "top" assumes the dominant role. These terms originated in the gay leather subculture of the 1950s and gained prominence in broader BDSM communities during the 1970s, emphasizing structured power exchange. The slang usage of "bottom" referring to the buttocks dates back to the 16th century and remains in common use today, particularly in British English. Independently, "bottom" emerged in the mid-20th century, originating in the gay leather subculture of the 1950s, to denote the receptive sexual role in modern pornographic, online, and everyday language, with "versatile" emerging to capture fluid or switching preferences across regions and communities. Psychologically, assuming a bottom role often involves negotiated and exploration of power dynamics, where participants derive from or reception, though it can intersect with norms. Socially, bottoms in gay male contexts have faced associating the role with or passivity, but increased in media since the —through portrayals in , television, and literature—has contributed to destigmatization and broader acceptance of diverse sexual expressions.

Arts, entertainment, and media

Literature and theatre

In William Shakespeare's comedy , composed around 1595, Nick Bottom is a weaver and the most vociferous member of a group of Athenian craftsmen, known as the "rude mechanicals," who rehearse an amateur play for Duke Theseus's wedding. Bottom's overzealous ambition shines in his insistence on playing every role in their production of , showcasing his theatrical vanity and cheerful ignorance through malapropisms and bombast. During a forest rehearsal, the Puck transforms Bottom's head into that of an at Oberon's command, symbolizing human and the blurring of and ; this "" brands him with a visible of , aligning with views of prodigies where physical change reflects inner flaws. Enspelled, the queen Titania dotes on the ass-headed Bottom, surrounding him with attendants in a scene of absurd enchantment that underscores themes of and misplaced . Restored to human form, Bottom awakens bewildered, dismissing his ordeal as a dream and planning to have it turned into a titled "Bottom's Dream," a moment revealing unexpected humility amid his prior egotism. The play culminates in Act 5 with the mechanicals' performance of before the wedding guests, where Bottom as the tragic lover Pyramus delivers lines with earnest ineptitude, parodying dramatic and eliciting communal laughter that bridges social divides. Scholars interpret Bottom as an , his boundless ambition contrasting with post-transformation humility to explore human aspiration, the limits of , and the redemptive potential of art. Bottom's character has inspired numerous theatrical adaptations, notably Benjamin Britten's A Midsummer Night's Dream (1960), which retains Shakespeare's structure and casts Bottom as a to amplify his comic pomposity and lyrical introspection in scenes like his dream . In , Frederick Ashton's The Dream (1964) choreographs Bottom's transformation and courtship with through whimsical, donkey-like movements, emphasizing physical comedy via Mendelssohn's score. Similarly, George Balanchine's full-length (1962) features Bottom in a with Titania, blending mime and dance to convey his rustic bewilderment and the play's magical folly. Beyond Shakespeare, "bottom" functions as a metaphor for the lowest social strata in 18th- and 19th-century literature, evoking the underclass in Charles Dickens's novels such as Hard Times (1854), where factory workers occupy the "bottom of the social scale," highlighting exploitation and resilience amid industrial poverty. In modern fantasy, the name "Bottom" appears rarely as a character motif, as in Arno Schmidt's experimental novel Bottom's Dream (1970), a labyrinthine work that reimagines Shakespearean dream logic through a scholar's hallucinatory encounters, blending literary homage with surreal narrative.

Television and film

Bottom is a that aired on from 1991 to 1995, created and starring as Richard "Richie" Richard and as Edward Elizabeth "Eddie" Hitler, two dysfunctional flatmates living in , . The series comprises three seasons totaling 18 episodes, each typically running about 30 minutes, and is renowned for its anarchic humor, crude language, and involving frequent brawls and mishaps between the leads. Produced by the , the show drew from the comedic style of Mayall and Edmondson's earlier work in The Young Ones, but emphasized the volatile friendship of the protagonists, who scheme for money, women, and basic comforts amid their squalid existence. Its cult following stems from the duo's high-energy performances and the series' unapologetic portrayal of lower-class British life, influencing subsequent alternative comedies. In 2024, the documentary Bottom: Exposed was released, featuring recounting the show's creation alongside contributions from cast and crew, while extended versions of episodes "" and "" aired on television for the first time. A dedicated exploring the series launched in July 2025. In 1999, Mayall and Edmondson reprised their roles in , a feature-length film serving as an unofficial cinematic extension of Bottom. Directed by Edmondson, the movie follows Richie and as they manage a dilapidated seaside contaminated by a nearby , leading to chaotic encounters with guests including a played by Hélène Mahieu. Released by , the 89-minute maintains the television series' signature blend of gags, , and improbable disasters, grossing modestly at the while solidifying the characters' legacy in visual media. Beyond the core , the term "bottom" appears in various television and titles with comedic connotations, such as the 2006 American Bottoms Up, directed by Erik MacArthur and starring as a Midwestern bartender navigating excess alongside . This low-budget production, released by , employs the phrase "bottoms up" in a literal but evokes associations through its party-centric plot, exemplifying minor cinematic uses of the word in lighthearted, risqué narratives.

Music

In music, the term "bottom" has appeared in various song titles, names, and band monikers, often evoking themes of descent, resilience, or cultural . One notable example is the stoner metal band Bottom, formed in 1998 in and based in since the early 2000s, known for their heavy, riff-driven sound blending , doom, and elements. Formed initially as an all-female but later featuring male members on and and centered around /vocalist Sina, the band released albums during the including the EP MMXII () and Hug Myself... All the Time (2014), exploring gritty, introspective lyrics about personal struggle and endurance. Their marathon tours and raw energy positioned them as a cult favorite in the underground scene. Another prominent use is in ' song "Bottom of the World," featured on his 2006 triple album Orphans: Brawlers, Bawlers & Bastards. Co-written with , the track paints a vivid portrait of despair and fleeting hope through Waits' signature gravelly vocals and bluesy instrumentation, with lyrics depicting a down-and-out narrator trapped in a desolate : "I'm lost at the bottom of the world / Sat on a rusty / Got me a ceiling fan / And a finger full of ." Originally composed for the 1999 film , the song embodies themes of redemption amid hardship, drawing from Waits' narrative style influenced by American folk and traditions. In 2019, indie supergroup Amason released "Hit the Bottom" as a from their sophomore Galaxy I, marking a vibrant, synth-infused exploration of emotional lows and recovery. The track, with its pulsating rhythms and layered harmonies from vocalists and Pontus Winnberg, captures a sense of hitting bottom before rising, as Bergman reflects on in interviews. Produced by —members of , The Mary Onettes, and others—it highlights Amason's eclectic pop- sound, blending electronic elements with introspective lyrics. Historically, "bottom" featured in vaudeville through the "Black Bottom" dance craze, a lively, syncopated step originating in African American communities and popularized in shows like the 1926 musical Black Bottom. for songs such as Charles "Lucky" Roberts' "Black Bottom" (1926) and Jelly Roll Morton's "Black Bottom Stomp" (1925) captured the era's exuberant , where "bottom" alluded to rhythmic low-end grooves and playful , influencing and early pop. These works, distributed widely via publishers like Perry Bradford Music, helped propel the dance into mainstream , with recordings emphasizing upbeat brass and piano riffs.

Geography

Settlements and regions

The Bottom is the capital and principal settlement of Saba, a small volcanic island and special municipality of the Netherlands located in the Caribbean. Situated at approximately 366 meters (1,200 feet) above sea level on the island's rugged terrain, it serves as the administrative, educational, and healthcare hub for Saba's approximately 2,200 residents (as of 2025). The town was established in the mid-17th century during the Dutch colonial era as the island's first permanent village, originally settled by European colonists seeking arable land in the central crater area. With a population historically around 500 (as of early 2000s), The Bottom features traditional stone cottages, government buildings, and the Saba University School of Medicine, and it is a gateway to renowned scuba diving sites such as those around the island's fringing reefs. In the United States, small unincorporated communities named Bottom or similar variants are often found in rural, historically resource-dependent areas. For instance, was a short-lived settlement in northeastern , located about six miles north of , named after local landowner Chatham Bottoms who donated land for development. It operated a from 1899 to 1905 but dwindled thereafter, reflecting the transient nature of early 20th-century frontier communities with no current recorded population. Mossy Bottom, an unincorporated community in Pike County, eastern Kentucky, exemplifies coal mining heritage in the Appalachian region. Centered around early 20th-century coal operations like the W.K. Steel Coal Company, the area supported extraction activities that shaped local economy and settlement patterns, with a current population estimated under 100 amid broader declines in the industry. In , Dean Bottom refers to a rural locality in , near the village of Widford, characterized by farmland in the broader Windrush Valley landscape, which influences nearby settlement patterns through its fertile bottomland suitable for . Urban planning contexts sometimes use "Bottoms" to denote low-lying, flood-prone neighborhoods, as seen in various cities where such areas face heightened risks from riverine or flooding; for example, historical "bottoms" districts in Midwestern locales like those along the have required adaptive infrastructure to mitigate inundation.

Natural features

In , "bottoms" or "bottomlands" refer to low-lying floodplains adjacent to rivers, characterized by fertile alluvial soils deposited through periodic flooding and processes. These areas, often found in broad alluvial valleys, support rich and due to the nutrient-rich sediments, with the bottoms exemplifying this as expansive lowlands in the Lower Mississippi Alluvial Valley where deep, silt-laden soils have historically enabled and other crop . The hydrological dynamics of these bottoms involve seasonal inundation that replenishes while also posing flood risks, contributing to their ecological and agricultural significance across regions like the . Bottom Bay is a picturesque and on the southeast of , featuring fine white sands, waters, and a semi-enclosed setting framed by tall trees and dramatic cliffs rising up to 30 meters high. The bay's natural topography, shaped by Atlantic wave action and , creates a sheltered ideal for swimming, with the cliffs providing panoramic views and natural protection from strong winds. The term "ocean bottom," also known as the seabed, denotes the uppermost layer of the Earth's , formed primarily through tectonic processes such as at mid-ocean ridges, where new basaltic crust emerges and migrates outward. on the ocean bottom occurs via the accumulation of terrigenous particles from continental erosion, biogenic materials like shells, and chemical precipitates, gradually building layers that can reach kilometers in thickness over geological time. A notable example is the , a deep submarine trench in the extending over 1,000 kilometers, where tectonic and faulting have created depths exceeding 7,500 meters, with sedimentary infilling masking underlying bathymetric features and incorporating volcanic, metamorphic, and rocks from adjacent plateaus.

Mathematics

Order theory and lattices

In order theory, the bottom element of (poset) (P, \leq), often denoted \bot, is defined as the least element, satisfying \bot \leq x for every x \in P. This element, when it exists, is unique by the antisymmetry property of the partial order, and it coincides with the greatest lower bound of the entire poset. Posets with element are called pointed or bounded below, and the bottom serves as a canonical starting point for chains and ideals within the structure. A lattice is a poset in which every finite subset has both a meet (greatest lower bound) and a join (least upper bound). In a bounded lattice, which possesses both a bottom \bot and a top \top (the greatest element), the bottom acts as the identity for the join operation, meaning x \vee \bot = x for all x in the lattice. For complete lattices, where arbitrary subsets admit meets and joins, the bottom element is precisely the meet of all elements in the lattice (i.e., \bot = \bigwedge P) or, dually, the join of the empty subset (\bot = \bigvee \emptyset). This property underscores its role as the infimum of the universal set, ensuring completeness in algebraic constructions. In specific lattice varieties, such as Boolean lattices—which model the power set of a fixed set under inclusion—the bottom element \bot is the empty set \emptyset, serving as the zero element that complements the top (the full set). Here, \bot satisfies universal properties in abstract algebra, such as being the initial object in the category of lattices with homomorphisms preserving meets and joins, where unique morphisms exist from \bot to any other lattice. The systematic study of these elements in lattice theory originated in the early 20th century, with foundational contributions by Richard Dedekind on ideals and modular lattices, but was comprehensively developed by Garrett Birkhoff in his 1940 monograph Lattice Theory (revised 1948), which formalized their algebraic and order-theoretic roles. Key properties of the bottom include its minimality—no element is strictly below it—and uniqueness in complete lattices, where it anchors the order structure. Hasse diagrams, graphical representations of posets that omit transitive edges and position elements by rank, typically place the bottom \bot at the lowest level, with covering relations (immediate successors) drawn upward to illustrate the order without redundancy. For instance, in the Hasse diagram of a Boolean lattice on three elements, \emptyset appears at the base, connected directly to all singletons.

Logic and type theory

In classical and , the symbol ⊥ denotes the falsum, a representing a that is always false regardless of the . This serves as the bottom element in the of s, with a fixed of false, and is essential for defining the semantics of connectives in truth tables; for instance, the ⊥ → P evaluates to true for any P, ensuring the conditional's behavior when the antecedent is contradictory. A key application of ⊥ in is the principle of ex falso quodlibet (from falsehood, anything follows), which allows deriving any Q from ⊥, formalized as ⊥ ⊢ Q. This explosion principle underscores the explosive nature of contradictions in standard logics, where assuming falsity collapses the system to triviality, and it holds in both classical and intuitionistic frameworks but is rejected in paraconsistent logics to tolerate inconsistencies. The concept traces to , with explicit formulations in medieval , though the modern symbol ⊥ emerged in the , influenced by theory's least element. In type theory, ⊥ denotes the bottom type, also known as the empty type, which is a subtype of every type and contains no inhabitants or values, making it uninhabitable. This type plays a crucial role in subtyping relations, as any type can accept values from ⊥ without issue, and in polymorphism, such as in System F (polymorphic lambda calculus), where functions of type ∀α. ⊥ → α embody the ex falso principle by allowing arbitrary outputs from no input. Introduced in foundational works on typed lambda calculi, the bottom type facilitates proofs of termination and consistency by representing impossibility. The bottom type extends to practical applications in programming languages, notably in , where ⊥ represents non-terminating computations or runtime errors, equivalent to that can inhabit any type due to . For example, a non-terminating expression like ⊥ :: Int can be typed as any type, enabling flexible but cautious handling of partial functions. This usage stems from in , where ⊥ is the least element approximating incomplete computations. Jean-Yves Girard's development of in the early 1970s provided a theoretical basis for such polymorphic handling of empty types in constructive type theories.

People

Surname and notable individuals

Bottom is an English surname of Anglo-Saxon origin, derived from the word "botm," meaning the bottom of a , , or . It is a topographic name typically given to individuals who lived in or near such geographical features, particularly in where such landscapes were common. The surname emerged during the medieval period as families adopted locational identifiers for distinction. The surname remains relatively rare, with approximately 798 individuals recorded bearing it in England during the 1881 census. By 2014, its incidence in the United Kingdom had declined by 36% to around 543 bearers, primarily concentrated in . In the United States, the name saw significant growth, increasing 325% from about 603 people in 1880 to 1,961 in 2014, with early concentrations in states like , where 32 families—representing 43% of all U.S. Bottoms—resided in 1840. Demographically, it is predominantly associated with Anglo-Saxon and & ancestry, showing a distribution of about 90.5% in recent U.S. records. Variations such as Bottoms or Botton occasionally appear, reflecting regional phonetic shifts or plural forms. One notable individual with the surname Bottom is Anthony Bottom (born October 18, 1951), also known as , an American political activist and former member of the and . Born in , Bottom joined the Panthers at age 16 and became involved in militant activities during the late 1960s and early 1970s. In 1971, at age 19, he was arrested and convicted alongside Albert Nuh Washington for the murders of two police officers, Waverly Jones and Joseph Piagentini, in a case tied to the Black Liberation Army's armed struggle against perceived oppression. Bottom served nearly 49 years in prison, becoming one of the longest-incarcerated political prisoners in U.S. history, before his parole in August 2020 amid debates on . During his imprisonment, he co-founded the Jericho Movement for Amnesty and maintained advocacy for . Despite its historical roots, the surname Bottom has limited cultural prominence, with few bearers achieving widespread recognition, and it is occasionally overshadowed by associations with unrelated or fictional namesakes in .

Fictional characters

In animated media, the name "Bottom" has been used for several antagonistic or subordinate characters, often embodying themes of villainy or incompetence in fantastical settings. One prominent example is Belle Bottom, the disco-inspired and leader of the Vicious 6 in the 2022 film Minions: The Rise of Gru. Voiced by , she is depicted as a flamboyant, ruthless with a aesthetic, using her gold chain as a weapon to pursue the Zodiac Stone and eliminate rivals like young . Her character highlights ambition from a position of power within the criminal underworld, contrasting with more lowly portrayals of the name. Another instance appears in Japanese animation with , the primary in the 2010 Pretty Cure All Stars DX 2: Kibou no Hikari - Rainbow Jewel o Mamore!. This black, demonic entity, revived after a of defeat, seeks to destroy by corrupting the Rainbow Jewel and allying with past villains from the franchise. Bottom's dictatorial nature and hatred for humanity's optimism drive the plot, culminating in a battle where the Pretty Cure heroes restore the jewel to vanquish him. The character's design as a dark, bottomless force symbolizes despair and the depths of evil, fitting the franchise's themes of light versus darkness. In earlier American animation, Rock Bottom serves as a recurring henchman in the Felix the Cat TV series (1958–1961). Portrayed as a dim-witted bulldog sidekick to the mad scientist Professor, he frequently aids in bungled schemes to steal Felix's Magic Bag, such as in episodes like "A Museum, the Professor and Rock Bottom," where his oafish strength leads to comedic failures. Often smoking a cigar and displaying unwavering but inept loyalty, Rock Bottom represents the archetype of the low-tier minion, emphasizing humiliation through repeated defeats. These portrayals in animation frequently associate "Bottom" with lowly or oppositional roles, evolving from literary influences like the humble Shakespearean weaver into modern symbols of underhanded ambition or futile villainy, distinct from their origins in stage . While no major or characters named Bottom were identified in non-literary contexts, the name's usage underscores or literal "low" positions in hierarchies.

Other uses

Physics

The bottom quark, denoted as the b quark, is a fundamental fermion in the Standard Model of particle physics, comprising the second quark flavor of the third generation alongside the top quark. Predicted as part of the six-quark model to explain weak interaction patterns, it was experimentally discovered in 1977 at Fermilab's proton synchrotron by the E288 collaboration, led by Leon Lederman, through the detection of the Upsilon (Υ) particle—a bound state of a bottom quark and its antiquark with a mass of approximately 9.46 GeV/c². The name "bottom" was coined in 1975 by theoretical physicist Haim Harari in a proposal for the sixth quark flavor, chosen for its sequential symmetry with the proposed "top" quark to avoid politically charged alternatives like "truth" and "beauty." With an of -1/3\, e and a of $4.183 \pm 0.007 GeV/c² in the \overline{[\rm MS](/page/MS)} scheme (renormalized at the ), the bottom quark is significantly heavier than generations, influencing its and decay dynamics. Free bottom quarks do not exist due to , but they form b-hadrons such as B mesons and baryons, which decay predominantly via the with a mean lifetime of approximately $1.6 \times 10^{-12} seconds. This brief lifetime enables precise measurements of decay channels, revealing details of electroweak processes. In B mesons, bottom quarks facilitate studies of , where the experiment at SLAC reported the first observation of time-dependent CP-violating asymmetries in neutral B decays to J/\psi K_S^0 in 2001, with a significance exceeding 5σ and confirming matter-antimatter asymmetry consistent with the . At modern facilities like the , bottom quarks are produced in high-energy proton collisions for beyond-Standard-Model searches, including rare decays and signatures; the CKM matrix element |V_{tb}| = 1.010 \pm 0.027 underscores the near-unitarity of the third-row mixing, constraining new physics contributions.

Nautical and technical terms

In nautical contexts, the "" of a ship refers to the underwater portion of the , which is the curved underside that contacts the and is susceptible to growth such as and . This increases hydrodynamic drag, reducing speed and , so the bottom requires regular . To prevent , antifouling paints are applied to the ship's bottom, releasing biocides like compounds that deter organism attachment while allowing the vessel to operate in environments. Historically, during the Age of Sail from the 1600s to the 1800s, ships' bottoms were cleaned through , a process where vessels were deliberately grounded or heeled over on a or shallow at to expose the for scraping and weeds. This labor-intensive method, often performed every few months on long voyages, involved removing masts and cargo to lighten the ship before tilting it, allowing crews to repair worm damage and apply protective sheathing like tarred felt. By the , the advent of drydocks facilitated safer removal, where ships were fully lifted out of for systematic scraping and recoating, marking a shift from improvised to structured maintenance in naval yards. In technical and economic terms, "rock bottom" describes the lowest point in a market cycle, such as the reaching 6,547 on March 9, 2009, during the global financial crisis, when banking failures and housing collapses drove asset prices to historic lows. This trough signaled the end of the bear market, with subsequent recovery fueled by government interventions like the . In and , bottom-up involves creating individual components first and then integrating them into a final product, contrasting with top-down , which starts with the overall system layout to define part interfaces. Bottom-up approaches excel in modular production using standard parts, while top-down ensures holistic compatibility in complex like machinery. In applications, the bottom of a often features a curved or petaloid to enhance and withstand from carbonated contents, distributing forces evenly to prevent deformation or tipping. This design, including a central or , reduces material volume while maintaining structural integrity during stacking and transport. Similarly, in storage tanks, the sump bottom is a low-point depression engineered for complete drainage of liquids like or , facilitating collection and access without residual pooling. These sumps, often conical in , comply with standards for environmental and in settings.

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