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Let's Wait Awhile

"" is a by American singer from her third studio album, (1986), advocating premarital amid rising concerns over the AIDS epidemic. Co-written by Jackson, producers , and Melanie Andrews—inspired by Andrews' teenage conversations with her boyfriend—the song was released as the album's fifth single on January 6, 1987, by . It peaked at number two on the chart for two weeks in March 1987, marking the fifth top-five single from Control, an album that produced five such hits and sold over 14 million copies worldwide. The track's gentle R&B production and Jackson's vulnerable delivery contributed to its enduring appeal, positioning it as a counterpoint to the album's more assertive empowerment anthems like "Nasty" and "Control."

Production

Background and writing

The development of "Let's Wait Awhile" occurred during the songwriting sessions for Janet Jackson's third studio album, , which began in mid-1986 after Jackson asserted her independence from her family's management influence. Having divorced singer in November 1985 and dismissed her father Joseph Jackson as manager, Jackson relocated to to work exclusively with producers and songwriters Jimmy Jam (James Harris III) and Terry Lewis, prioritizing themes of self-empowerment and autonomy that defined the album. This context shaped the track's inception as an extension of 's narrative on personal agency, with Jackson co-writing to express restraint as a form of strength amid relational pressures. The song's core idea stemmed from a specific anecdote shared by co-writer Melanie Andrews, Jackson's longtime friend and background vocalist, who recounted advising her teenage boyfriend, Le'Mon Combs, to delay during a moment of . This real-life , involving young partners navigating desire and boundaries, directly informed the ' plea for pausing to build emotional connection first. Jam later recalled Andrews describing the scenario—"she and her boyfriend were getting close, and she said, 'Let's wait awhile'"—which the team recognized as a compelling for a track promoting and mutual consent, aligning with the era's growing awareness of practices post-AIDS crisis. Initial writing involved collaborative sketches among the four creators, evolving into a deliberate ballad structure to underscore vulnerability and introspection, diverging from Control's energetic uptempo tracks like "Nasty" and "Control" to highlight relational patience as empowerment. This choice allowed Jackson's breathy delivery to evoke fragility, reinforcing the song's message without aggressive confrontation, and positioned it as her first co-produced single. The sessions, conducted in late 1986 at studios, captured this essence before full production, ensuring the track complemented the album's broader assertion of female .

Recording process

The recording sessions for "Let's Wait Awhile" occurred at Flyte Tyme Studios in , , as part of the broader production for Janet Jackson's Control, spanning August to October 1985. Producers directed the process, handling keyboards, drum programming, and overall arrangement, while Jackson recorded her lead and background vocals on-site after relocating to the city for the project. The track emphasized a piano-centric with minimalistic , including contributions from guitarist and synthesizer player Monte Moir, to underscore its intimate, restrained mood through layered vocal performances and subtle builds. Recording was completed prior to the album's February 1986 release, with the single version finalized ahead of its January 1987 issuance.

Composition

Musical elements

"Let's Wait Awhile" employs a conventional verse-chorus form augmented by a bridge section that provides emotional buildup. The arrangement opens with delicate and elements, establishing a soft, introspective mood before introducing subtle synthesizers and programmed percussion. Acoustic guitars, both six- and twelve-string variants played by O' Nicholas Raths, contribute to the track's organic texture, while producers layer in , synthesizers, and restrained drum programming characteristic of the sound's emphasis on precise, synth-driven rhythms over dense orchestration. Janet Jackson's vocal performance features breathy, layered delivery in the verses, escalating to fuller harmonies and a crescendo during the chorus and bridge, supported by background vocals arranged by Melanie Andrews. The song runs 4:37 in length, composed in D-flat major at a moderate tempo of 86 beats per minute, with a fade-out ending that aligns with radio-friendly pop-R&B conventions of the era. This setup differentiates it from contemporaneous ballads like those by Whitney Houston, which often relied on sweeping string sections; instead, the track's percussive subtlety and electronic undercurrents reflect Jam and Lewis's production techniques, including analog tape saturation for warmth and Ensoniq synth contributions akin to those on other Control tracks.

Lyrical themes

The lyrics of "Let's Wait Awhile" center on a in which the urges her partner to postpone sexual intimacy, emphasizing emotional caution amid physical temptation. The song portrays a moment of imminent halted by foresight of potential , as the singer reflects on the risks of advancing without sufficient relational maturity: "You see I've got to be sure / Before we go any further." This restraint stems from recognition that impulsive actions can precipitate emotional discord, contrasting immediate desire with long-term relational stability. Key verses highlight the rationale for delay, invoking the youth of the as a causal factor: "Our love is young, there's no need to rush / Let's take it slow / When we get to know each other / And we're both feeling much stronger." Here, the lyrics apply a principle of sequenced —building familiarity and strength precedes vulnerability—implicitly acknowledging that premature physical often correlates with subsequent dissatisfaction or , as observed in personal anecdotes that inspired the track. Jackson drew from discussions with a friend who experienced after rushing into , framing the song as for deliberate pacing over unchecked urges. Within the broader context of Jackson's Control album, which thematizes personal and following her marital and professional , "Let's Wait Awhile" embodies self-mastery in intimate decisions. It positions the singer as an agent of volition, rejecting hedonistic immediacy in favor of reflective consent, thereby reinforcing a persona of calculated rather than passive . This thematic restraint diverges from contemporaneous pop's frequent endorsement of uninhibited sensuality, prioritizing causal foresight—wherein deferred fosters enduring bonds—over transient impulses.

Release and formats

Single release details

"Let's Wait Awhile" was released as the fifth single from Janet Jackson's third studio album Control on January 6, 1987, by A&M Records. The release followed the title track "Control", which had reached number five on the Billboard Hot 100 in late 1986, capitalizing on the album's momentum after four consecutive top-five singles. Positioned strategically as the album's first ballad single, it served as an emotional counterpoint to the preceding uptempo, assertive tracks like "Nasty" and "Control", highlighting Jackson's vocal vulnerability amid the record's theme of personal empowerment. The single's packaging, including its 7-inch vinyl format with red injection-molded labels, featured artwork depicting Jackson in a poised, introspective pose that aligned with her maturing public image of poise and self-assurance during the Control era. Promotion focused on an initial radio airplay campaign targeting urban adult contemporary stations, leveraging the song's ballad structure to broaden appeal beyond rhythmic formats and secure early chart traction.

Track listings and versions

"Let's Wait Awhile" was issued as a by in various physical formats in 1987, primarily 7-inch and 12-inch singles, with regional variations in track configurations. The standard U.S. 7-inch single featured the of the on the A-side and "Pretty " on the B-side. U.S. 7-inch vinyl single (A&M 290)
  • A: "Let's Wait Awhile" () – 4:30
  • B: "Pretty " – 6:36
In international markets, such as the UK and Germany, the 12-inch maxi-single often paired the "Let's Wait Awhile" remix with extended mixes of "Nasty," reflecting promotional bundling strategies for the Control album era. UK/German 12-inch vinyl single (e.g., A&M USAT 601/AMY 468)
  • A1: "Let's Wait Awhile" (remix) – 4:30
  • A2: "Nasty" (Cool Summer Mix, Part 1) – 7:57
  • B: "Nasty" (Cool Summer Mix, Part 2) – 10:09
The remix of "Let's Wait Awhile," produced by Steve Hodge, extended the album version with additional production elements while maintaining the original's 4:30 runtime in single edits. Digital reissues emerged in the 2010s, with the original and remix versions integrated into streaming platforms as part of the Control album catalog. In 2019, the compilation Control: The Remixes—originally a 1987 limited vinyl release—was made available digitally for the first time, including the "Let's Wait Awhile" remix alongside other singles' extended versions.

Promotion

Music video

The music video for "Let's Wait Awhile" was directed by Dominic Sena and released in 1987 to promote the single from Janet Jackson's album Control. It features Jackson alongside co-star Taimak, portraying a couple in a romantic relationship set in New York City. The narrative depicts the pair navigating temptation in an intimate moment before opting to step outside for a walk, symbolizing a deliberate choice for restraint and patience in their connection. Filmed in black and white, the video emphasizes a narrative-driven approach with scenes primarily shot on streets, diverging from the live performance style of the prior single "." Sena's direction highlights the emotional expressions of the leads through shots, aligning with his emerging style in music videos during the era. The clip aired on , supporting Jackson's growing prominence as an artist independent from her family's shadow following Control's commercial breakthrough.

Live performances

"Let's Wait Awhile" received its televised live debut on the program on March 26, 1987, shortly after the single's release. The performance featured Jackson with her backing band, delivering the in a straightforward arrangement that highlighted its R&B structure and message of premarital . It quickly became a concert staple, integrated into setlists for her early tours promoting the album, including renditions during the 1987 itinerary that emphasized the track's emotional vocal delivery over choreographed spectacle. Throughout the , the song appeared in major world tours, such as the 1993–1995 , where it followed high-energy numbers like "What Have You Done for Me Lately" to provide a mid-set respite. In the (1998–1999), Jackson evolved the rendition into a medley with "Again," blending the two slow-tempo tracks for a seamless narrative transition while retaining the original's piano-driven intimacy and lyrical focus on relational caution. Similar medley formats persisted into the early 2000s, as seen in the (2001–2002), positioning it amid a sequence of Control-era hits to underscore thematic continuity in her catalog. In the and , live interpretations shifted toward stripped-down arrangements during residencies, notably in . During the Metamorphosis residency at (2019), it served as a vocal showcase in the latter portion of shows heavy on hits. More recent outings, including the Together Again Tour (2022–present) and performances at Resorts World Theatre (2024–2025), featured acoustic or acapella variations—such as a December 30, 2024, acapella delivery—stripping away instrumentation to foreground Jackson's phrasing and the song's core plea for patience, avoiding the sensual staging of her dance-oriented material. These evolutions preserved the track's non-sexualized essence, aligning with its lyrical advocacy for restraint amid evolving production styles across decades.

Commercial performance

Chart trajectories

In the United States, "Let's Wait a While" entered the Billboard Hot 100 on January 17, 1987, and climbed to its peak position of number two on the chart dated March 21, 1987, marking Janet Jackson's fifth top-five hit from the Control album. The single also topped the Billboard Hot R&B/Hip-Hop Songs chart for one week in May 1987, becoming Jackson's fourth number-one entry on that ranking. It finished as the 48th highest-ranking single on the 1987 Billboard Hot 100 year-end chart.
ChartPeak PositionPeak Date
Billboard Hot 1002March 21, 1987
Billboard Hot R&B/Hip-Hop Songs1May 1987
In the , the single debuted on the in March 1987, rising to a peak of number three and maintaining a presence for ten weeks overall, with five weeks in the top ten. This performance represented Jackson's strongest UK showing from Control to that point, though it did not achieve number-one status internationally in major markets beyond the R&B genre. contributed to its visibility, but the track saw limited dominance on European or other global charts in 1987.

Certifications and sales data

In the United States, "Let's Wait Awhile" has not received an , though its parent Control was certified 5× Platinum by the RIAA, representing shipments of 5,000,000 units. The 's global sales surpassed 14 million copies, providing significant promotional synergy for the single through bundled formats and enduring catalog popularity. In the , the single earned a Silver from the BPI on March 1, 1987, denoting shipments of 200,000 units. No additional international certifications for the single have been reported by equivalent industry bodies.

Reception

Initial critical assessments

Critics praised Janet Jackson's emotional delivery on "Let's Wait Awhile," noting its tender ballad style as a counterpoint to the album Control's more assertive tracks. Rolling Stone described the song as a standout for its "sweet, tender delivery," emphasizing Jackson's confident and assertive vocals amid the production by Jimmy Jam and Terry Lewis. The track was commended for its commercial ballad strength in R&B, with Billboard's Nelson George selecting it as one of Control's highlights for its effective layering of vocals and message of restraint. Reviewers viewed the song as empowering the female perspective in R&B by promoting self-control and mutual consent in romantic situations, distinct from the era's more overt expressions. Some assessments offered minor critiques, finding the ballad's structure predictable relative to Control's edgier cuts like "Nasty," which featured bolder production and themes of independence. Rolling Stone noted that while the album excelled in innovation on stronger tracks, certain elements risked conventionality.

Retrospective evaluations

In retrospective analyses of Janet Jackson's Control era, critics have highlighted "Let's Wait Awhile" for its emotional vulnerability and restraint, qualities that underscore Jackson's artistic maturation beyond high-energy dance tracks. A 2021 review marking the album's 35th anniversary described the song as a "sweet, sincere serenade" that effectively conveys patience and level-headedness in relationships, positioning it as a poignant counterpoint to the album's assertive themes of autonomy. Similarly, coverage of the milestone emphasized the track's role in addressing sexual abstinence amid the 1980s AIDS crisis, framing it as a responsible yet intimate plea that resonated with listeners seeking relational depth. Later evaluations, including those tied to Jackson's broader career retrospectives, link the song to her from a family-orchestrated performer to an independent voice, with producers crediting it as an early example of her narrative-driven songwriting. Grammy-related discussions of Jackson's trajectory often reference Control's nomination for in 1988 as a foundational shift, where "Let's Wait Awhile" exemplified her shift toward introspective ballads that humanized her public image. Streaming data reflects sustained appeal among younger audiences, particularly , with the track accumulating over 12 million Spotify plays by early 2021, indicating retention beyond its original chart peak. Equivalent album units for the song, combining sales and , exceed 1.3 million globally as of recent tallies, underscoring its cross-generational draw in formats. These metrics align with analyses noting a subtle reevaluation of the song's subtlety in an era of overt sensuality, though without diminishing its core message of deferred gratification.

Controversies

Abstinence message debates

The lyrics of "Let's Wait Awhile," released in , urge partners to halt escalating to reflect on potential consequences, framing delay as a safeguard against hasty decisions. Supporters of this -oriented message, including some perspectives, contend it embodies causal prudence amid the 1980s epidemic—where U.S. AIDS cases surged from 71,691 cumulatively by —and elevated teen rates, which stood at approximately 59 births per 1,000 females aged 15-19 in 1986. Empirical data supports that precludes risks inherent to intercourse, such as 100% prevention of and sexually transmitted infections for non-active individuals, with studies indicating sexually experienced adolescents report higher incidences of , regret, and relational instability than abstinent counterparts. Critics, predominantly from left-leaning academic and media outlets skeptical of traditional sexual norms, argue the song's plea pathologizes desire, echoing post-sexual revolution backlash against liberation by implying equates to or moral lapse. Such views often frame promotion as regressive shaming, particularly for women, prioritizing emotional restraint over autonomy in an era when emphasizing consent and protection gained traction, though evidence on education's efficacy remains contested with mixed correlations to teen birth declines. These critiques reflect broader institutional biases favoring expansive sexual expression, downplaying first-principles risks like irreversible outcomes from unprotected encounters. Janet Jackson described the track's origin in personal anecdotes from co-writer Jonas Brothers member Joe Singleton's youthful dialogues on timing intimacy appropriately, emphasizing individual readiness over prescriptive abstinence until marriage. In interviews, she positioned it as empowering agency—advising pause for emotional alignment rather than dogmatic prohibition—aligning with her album Control's theme of self-determination amid relational pressures. This intent underscores the song's role in cultural tensions between personal caution and societal pushes for immediacy, without endorsing either as universally prescriptive.

Cultural and ideological critiques

In the context of the AIDS , which had resulted in over 50,000 reported cases in the United States by , "Let's Wait Awhile" was initially commended for advocating sexual restraint as a harm-reduction strategy, with producers describing it as a non-preachy endorsement of amid heightened concerns. This positioning aligned the track with contemporaneous campaigns emphasizing delayed sexual activity to mitigate transmission risks, positioning it as a culturally responsible to more permissive messaging in . Subsequent ideological reinterpretations, particularly from the onward, reframed the song's promotion of waiting for relational commitment as emblematic of conservative moralism, influenced by Janet Jackson's upbringing in the devout environment that emphasized traditional values. Critics from progressive media outlets occasionally highlighted perceived tensions between the lyrics' restraint and Jackson's evolving image in videos, suggesting an underlying patriarchal reinforcement of monogamous norms over individual sexual agency, though such views often lacked empirical grounding and reflected broader cultural shifts toward destigmatizing casual encounters. Feminist analyses have diverged on the track's implications: some scholars interpret its narrative of a woman initiating pause for mutual readiness as empowering boundary-setting, fostering autonomy in heterosexual dynamics by prioritizing emotional alignment over immediate gratification. Conversely, others contend it subtly upholds heteronormative structures by tying sexual expression to male commitment, potentially constraining women's exploratory freedoms in favor of stability-oriented ideals that historically benefited patriarchal family units. Defenses of the song's message draw on longitudinal studies indicating that delayed sexual debut correlates with enhanced relational outcomes, including higher marital satisfaction and communication quality; for instance, on over 2,000 unmarried couples found waiting to initiate intimacy associated with positive trajectories in and satisfaction, attributing this to deepened non-physical and reduced early conflicts. Such data, derived from peer-reviewed surveys, underscore causal links between restraint and long-term relational health, countering ideological dismissals by privileging observable patterns over normative preferences.

Legacy

Musical influence

Karyn White drew direct inspiration from "Let's Wait Awhile" for a track on her 1988 self-titled debut , stating in a 2012 that it represented her version of Jackson's , reflecting a shared of relational restraint amid the era's R&B trends. The ballad's vocal phrasing and mid-tempo groove have been sampled sparingly but notably in hip-hop and R&B contexts, including Jibbs' 2006 single "Go Too Far" featuring Melody Thornton, which interpolates its refrain, and Lil Jon and the East Side Boyz's 2001 "Nothins Free" featuring Oobie. Covers include jazz interpretations such as Paul Jackson Jr.'s 1988 rendition and Norman Brown's version, alongside pop tributes like Alexandra Burke's 2012 acoustic take and a 2001 performance homage. Its lush production and introspective delivery echoed elements of R&B slow jams, influencing melodic structures in later ballads; noted its stylistic impact extending to Brandy's 2012 track "No Such Thing As Too Late." As a pivotal ballad on the Control album, released February 4, 1986, "Let's Wait Awhile" anchored Jackson's shift toward empowered, emotionally nuanced R&B vocals, bolstering the record's role in pioneering assertive female-led pop-R&B fusion.

Societal and moral impact

The message of "Let's Wait Awhile," advocating delay in sexual activity until emotional readiness or commitment, resonated with efforts to counter cultural normalization of casual encounters, aligning with empirical evidence of associated health risks. Studies indicate that early sexual debut correlates with elevated lifetime exposure to sexually transmitted infections (STIs), including HIV, due to prolonged periods of potential partner accumulation and inconsistent protective behaviors. Similarly, frequent casual sex has been linked to higher STI incidence stemming from impulsivity and reduced condom adherence. These outcomes underscore the prudence in the song's call for restraint, as delaying initiation demonstrably reduces teen pregnancy rates and STI prevalence by limiting early risk exposure. Beyond physical health, the track's emphasis on waiting highlights emotional costs often borne disproportionately by women in uncommitted encounters. Research documents gender-specific negative outcomes, including regret, distress, and diminished psychological well-being following casual sex, contrasting with more neutral or positive reports from men. For young adults, such experiences elevate risks of broader mental health challenges, challenging narratives that frame unrestricted sexual freedom as inherently liberating. Abstinence until marriage or stable partnership remains the sole guaranteed prevention against unintended pregnancy and STIs, a fact affirmed in federal reviews despite debates favoring comprehensive education approaches. In the 2020s, the song's pro-abstinence stance has echoed in ongoing U.S. policy discussions on , where evidence supports delayed activity's benefits for relational stability and , particularly among adolescent girls. While critiqued by progressive as regressive—potentially overlooking or pleasure in favor of restriction— prioritizes causal links between behavioral delay and tangible gains in outcomes over ideological preferences for permissiveness. This alignment promotes individual agency through informed choice, evidenced by lower regret and higher long-term satisfaction in committed contexts versus transient ones. The track's enduring thus contributes to a framework valuing foresight amid rising STI burdens, with U.S. cases surpassing 2.5 million annually as of 2021.

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